An Online Literary Journal for Poetry and Flash

Month: April 2022 (Page 1 of 2)

Two Pages

Poetry by Benjamin Leuty

When they found the alligator in the river,
The kids gathered crabs to feed it
while the elders plotted against it.
And nobody thought to leave it be.

In the days before the gator,
I’d cast myself into the current,
Let my body be a continent
Then a collection of islands
The air between shirt and chest ballooning
And then suddenly,
At the last possible moment,
fleeing in bubbles
Like a flock of birds
I’d sink.
From time to time,
A shoe of mine might bobble
Confused and surfing the ripples on the surface
Like the float that marks your fishing line
And assures you there’s a connection between
hook and line.

I’d climb from the pond,
Sopping wet,
And be a rainstorm
for a second
for just the square foot
beneath my body.

By then it might be dark,
Glass shards making stars of themselves
Under street lamp’s glow
Leafcutter ants still busy
Hauling the trees away
Bit by bit
As if to reconstruct somewhere else
Like Ikea furniture.
Carpenter ants,
Hauling houses away
Chunk by chunk.

In the sand,
A turtle might be dragging itself to sea
Flippers leaving a trail
Like jeep treads.
And I might find that nature
And my town
Are two pages of a book
Stuck together.


Benjamin Leuty is a high school senior at Ruth Asawa School of the Arts in San Francisco. His work has appeared in his school literary journal Umläut. In his spare time, he cycles, reads, plays video games, and hops up and down.

7:00 PM, JUNO

Poetry by Stephanie Buesinger

The turtle’s shell is plastic, his insides
spongy – we dug out the hard wires,
tossed out the batteries that made up his belly
left only the soft parts for you.

The first thing I bought from a TV ad,
his shell riddled with holes to project the night sky
you wanted only his squishy body, sweet face
even after I wash him, he smells like you.

They say – watch out
for alligators in shallow water
for poisonous frogs in deep grass, but you
always liked the roughness of shells.

Tonight, under the white moon, the mothers will crawl onto this sand to lay their eggs
Like me, sea turtles can hold their breath for a long time.


Stephanie Buesinger writes fiction and children’s literature and enjoys illustration and photography. With degrees from Wellesley College and the University of Texas at Austin, she has worked in corporate finance and economic consulting. Stephanie is the Blog Editor at Literary Mama. She lives in Florida with her husband, teenagers, and rescue pets.

Below Beach Sands

Poetry by Ed Higgins

feeding sanderlings rush
along the tide’s wet sand

sand-colored mole crabs
burrow quickly below the swash

maximizing their escape—
like the burrowing crabs

I sink below sloshing surfaces
backward into ovid breathing holes

barely remembering which way
is up, wanting protection,

leaving few marks to reveal
my fears, eyes alert

as predatory birds plunge
their digging beaks


Ed Higgins‘ poems and short fiction have appeared in Monkeybicycle, Danse Macabre, Ekphrastic Review, and Triggerfish Critical Review, among others. Ed is Asst. Editor for Brilliant Flash Fiction. He has a small farm in Yamhill, OR, raising a menagerie of animals—including a rooster named StarTrek.

Meeting

Poetry by David Goad

There was a time
I took the train to see you in the outskirts of the city,
And from the gray
Disjointed sprawl of life,
You formed somewhere just beyond the line –
Past black and white
Nooks and crannies
Framed in trash along the tracks –
In the world’s singular course,
there comes the hammers, the ties,
The earth piercing nails
Laid by dead hands of men
Whose sweat formed the communion
Of your light
As you waited
Under the crooked streetlamp.


David Goad is an attorney who currently lives in Washington DC. He resides with his lovely partner and little puppy, Pennie. When not working, David enjoys writing poetry that touches on the nature of memory and the human experience in the modern world.

Next Stop

Poetry by Alexis Pearson

I drop down into the
underneath of New York
City
where stairs wear toil
like magic tricks –

where devotion is absolved
of its commitment
to disaster
to us
to everything –

the men in suits,
women in long jackets
that tempt stained concrete
with their reaching
and the homeless man
hunched over
as if he must bear the
troubles of each passenger –

what do these skyscrapers know about
clouds
and salvation,

the dirt of the ground
and dimly lit newspaper
stands, the
quiet blue of stoplight
dwellings and crosswalks

the contemplativeness
manifested on strangers’ faces
as if there is too
much going on in city
windows to ever fully
understand what unfolds
along walls and
inside doorways,

but still we try –

the subway lurches,
people move
quickly on the concrete,
I forget that my feet,
too,
can take me places,
as I wonder
where they are all
going
and why.


Alexis Pearson lives in Minnesota where it’s cold most of the year – perfect writing weather. She enjoys a good cup of coffee and will read just about anything. She has been published in Upper Mississippi Harvest and Sonder Midwest, among others.

Night’s Turning

Poetry by Robert Okaji

If I am the leaking valve, you are the whisper
tugging me back, the hummingbird’s nectar.

When you speak, the thunder listens.
When you brush your hair, stars erupt in the mesosphere.

Your gravity transcends all others, tethers me to life.
In this frame, on this bed, at this instant, I melt.

I relinquish the green beetles, the rodents of destiny and all the little
trees. I relinquish my sorrows, my secrets, their bluest songs.

You are the storm’s respite, the eye of the world at the night’s
last turning, the bridge between hands and the healing stone.


Robert Okaji lives in Indiana. His work has been published or is forthcoming in The Night Heron Barks, Vox Populi, Exilé Sans Frontières, Salamander Ink Magazine and elsewhere.

Earth’s Joy

Poetry by Stacie Eirich

Reach out your hand, that you may stroke the silk
of a butterfly’s wings, know the delicate beauty
which grows from the strength nature brings.

Stretch out your fingers, that you may feel the feathers
of a songbird as she sings, sense her delightful dance
where upon the branch her melody rings.

Lift up your voice, that you may join the chorus
of a springtime serenade, perceive her playful passions
when Earth’s Joy is born in colorful promenade.


Stacie Eirich is a writer, singer & library associate. She holds a Masters in English Studies from Illinois State University. Her work has appeared in Ariel Chart International Literary Journal, Auroras & Blossoms Anthologies, Scarlet Leaf Review & Potato Soup Journal. She lives near New Orleans with three cats, two kids and one fish (www.stacieeirich.com).

Heartworm

Poetry by Kat Stubing

Butterflies prancing in air
Pulling a sleigh of light

I can’t help but wonder
Where you went last night

While the fireflies reigned
Over blades of wily grass

Periwinkle skies rolling in
As the thunder clouds passed

Did the twigs pop like corn
Under your bare calloused feet

As the owls watched you run
To the secrets that you keep

Oh, tiny wings, show me the
Way to lenity and peace

To unobscured waters
And a pure love to lease


Kat Stubing studied at UMBC and took sketch writing classes at Upright Citizens Brigade. Her poems are published (or soon to be) in Beyond Words, Allegory Ridge, Closed Eye Open, and Wingless Dreamer. Kat lives, works, and plays in New York City.

Inventory of the Night

Poetry by Travis Stephens

Frog noise
cloud breath, dew’s silent
steady approach, The dog
snuffles, stretches long legs
out of her bed, yawns.

Potato plants
push back against the dirt
as corn reaches for
the smallest bats who
dash from pond
to tree line
but never near the road.
Who has seen
a bat hit by a car?
Radar love.

Traffic noise
beyond the range of
headlights so only the
sloppy snarl of tires on
asphalt
A quiet after.
A trickle of water,
sigh and sorrow.
Maybe an airliner, maybe not,
and all those faraway
stars.

Last item, the march of
morning from stage left.


Travis Stephens is a tugboat captain who resides with his family in California. A University of Wisconsin-Eau Claire alumni, recent credits include: Gyroscope Review, 2River, Sheila-Na-Gig, GRIFFEL , Offcourse , Crosswinds Poetry Journal, Gravitas and The Dead Mule School of Southern Literature. Visit him at: zolothstephenswriters.com

Guidebook for Heart Protection

Poetry by Kersten Christianson

Eat your greens: Spruce tips,
kale, fiddleheads; Bead berries
picked straight from the bush:

Salmon, blue, huckle,
rasp, black. Critical stretching,
mandatory, deep

breathing, proof of pulse.
Yoga, meditation, plant
seeds, cultivate blue

poppies. Frenetic
chase, two tiny juncos flit
from cedar branch to

hemlock. Give yourself
space to smile when he calls you
sweetie. Pursue joy.


Kersten Christianson: Alaskan Poet, Moon Gazer, Raven Watcher, Northern Trekker, Teacher. She is the poetry editor of Alaska Women Speak, authored Curating the House of Nostalgia (Sheila-Na-Gig, 2020), What Caught Raven’s Eye (Petroglyph Press, 2018), and Something Yet to Be Named (Kelsay Books, 2017). Kersten lives with her daughter in Sitka, Alaska.

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