Category: Poetry (Page 1 of 51)

A Question of Fruits and Kitchens

Poetry by Kira M. Tjomsland

Perhaps we were feeling slightly hungry as we browsed the art gallery,
stopping before an oil-on-canvas
where ripe oranges made a branch bow low,
and you turned and asked me,

“If your kitchen had a fruit theme, what fruit would it be?”

The question exhales, and from it I inhale
the citrusy-sterile smell
of Grandma’s kitchen,
where dish soap stings my nose with the acidic tang
of the towels, of the bowls, of the plates, of the tiles on the wall
all distinctly, blatantly, unapologetically lemon.

Like a candle with a layered scent profile,
I whiff the undercurrents that made their way
into my own mother’s kitchen,
where the hand soap is always lemon, grapefruit, or tangerine
and the essential oils diffusing are always lemongrass or lime.

While I enjoy lemon-flavored desserts
and a wedge of lime in my water,
is it wrong of me to now associate the smell
with the drudgery of cleaning?

Maybe a strawberry or an apple theme
would better suit my counter’s red appliances;
raspberry doesn’t scream “kitchen” to me,
and cherries are an absolute no.

I think of my childhood friend’s new kitchen,
each appliance painted with a different piece of
a colorful fruit salad.
I think that I’m too picky of an eater
to really pull that off.

But as we meander to the next displayed easel
and I think of the dishes waiting for me,
I glance back over at the orange grove canvas
and think maybe that citrus isn’t so bad.


Kira M. Tjomsland is an award-winning author and poet, Creative Writing MFA candidate, and co-founder of Wandering Lights Literary Magazine. In her free time, she enjoys baking as much from scratch as possible. To read more of her work, see her website kiramtjomslandauthor.com and follow her @kiramtjomsland.author.

Just Don’t Dye Your Hair Green

Poetry by Sarah G. Pouliot

was the last thing you said to me
before grudgingly moving upstate
for your dad’s corporate position.

A decade later, I sit at Fox Lake,
bare feet pressed into Florida’s carpet,
pondering your hatred for the color

of Spanish moss in cypress swamps,
Anoles darting across sidewalks,
the star-shaped fronds of Royal Palms.

My mind fills in the misplaced pieces
of your life like a Rorschach test.
One inkblot portrays you at college,
double-majoring in math and philosophy.

The next, you’ve joined the Navy
and married a juvenile sailor
named Moby, who doesn’t cuss
and sells dried starfish by the port.

I suppose I could look you up
and learn where time tossed you
like the rocks we used to cast across the lake.

But I’d rather imagine
you lounging with Moby,
listening to crooning crickets
on J hooks and the murmurs
of midges orbiting pine—

pointing out how, tonight,
Orion’s Belt is shining faintly
behind those clouds,
if you tilt your head just right.


With a B.A. in English, Sarah G. Pouliot’s stories and poems have appeared in journals such as Cagibi, Saw Palm, Timber, Relief, Ekstasis, and the Rectangle. She works as a nonprofit grant writer, where she partners with philanthropic endowments and foundations to fund initiatives that uplift women worldwide.

My Father’s Love Letters

Poetry by Laurie Miller

Cleaning out my mother’s apartment after her death.
So many things will be thrown away or donated.
I have no room for anything, even though I want everything.

I want to hold objects that might not mean much, but I’ll know
She once touched them, and they meant something to her.

I walk through the apartment, opening closets and drawers.
In the hallway cabinet, I see what I assume is a photo album
Or a scrapbook.
I drag it out and sit on the couch.

On the front page is a handwritten list in faded blue ink in
my mother’s elegant and meticulous handwriting.
#1, then the date, beginning in 1942.
The list goes on to over 300 entries.

She numbered letters. So many letters. All of them are from my father.

My parents met on a blind date.
My mother was 26, considered “old” to still be single. Almost a spinster.
My father was 31 and in the army.
Sparks flew, as did my dad, when he reported to the Army a few weeks later.
Landing in Oklahoma.

I opened Letter #1 and blushed.
My father was telling my mother that he’d rather be making love to her
than be in Oklahoma.

My dad????
I knew they loved each other, but
I rarely saw them hug or kiss.

I couldn’t stop reading.
I was witnessing their courtship.
Well, at least his side of it.
He told her when he went to the movies on the base.
He loved movies and would say when one was “swell.”
Or a “bomb.”

He told her when he went dancing at the USO.
He was a superb dancer, adept at the foxtrot, Lindy Hop or a waltz,
and would have a “swell” time.
But none of the girls held a candle to my mom.

He was such a romantic!
He’d tell her he’d been a “good boy.”

He’d tell her when he went to a Sabbath dinner or Passover Seder.
He and the other Jewish soldiers were treated differently by the other soldiers
And citizens in Oklahoma.
He tried to ignore it and keep his faith.

He went overseas and kept on writing.
The anti-Semitism among the troops got worse.
Nothing “swell” to report, except
counting the days until he could return home to “his girl.”

A year after he returned home in 1945, my parents were married.

I took the album home, and over several weeks I read every letter
I put them in order in acid-free sleeves.

I wanted my son to read them. He would learn about the
Grandpa he never knew,
as I learned about the father I loved and missed so much.

The movie buff. The charming dancer. The man of faith. The wonderful writer. The man who was smitten by the girl back home, and stayed smitten for 47 years until his last breath.

He was really swell.


Laurie Miller recently retired after 30 years as a grant writer, raising funds for foster care advocacy, the arts, and college access. Her work appeared in Vestal Review and Purrseverance: Inspiring Stories of Cat Resilience and Hope. Laurie lives in California with her husband and senior pets Ruby and Snickers.

Jules

Nonfiction by Clint Martin

Kerri called. Said she found a kitty. Curled up all cup-sized. Asleep in a flowerpot of all places. No other kitties were around. No mama cat either.

Kerri scooped up the white and ginger calico kitty. She carried her into the nail salon. No one inside knew who the kitty was. No one knew where the kitty came from.

Kerri carried the kitty home. Kerri began making calls and sending texts. She called her sister, my wife. Kerri asked if we were interested in giving the kitty a home. No, my wife replied. But…

Kerry brought the kitty to my wife. My wife took it to her mom, Sheila. Sheila is in her seventies and lives all alone. She has a bad hip and forgets a lot. Maybe a kitty will help, hoped my wife.

Sheila loved the kitty. Named her Gigi. Sheila watched Gigi explore her little apartment. Watched her investigate the bedroom…the kitchen…the living room. Watched her interrogate loose white papers and brown paper bags.

But soon the kitty became a bit too much for Sheila to handle. The litterbox was too low. The food bag too heavy. But most of all the kitten was too energetic. Gigi wanted to play when Sheila tried to nap. Gigi needed food and wanted attention while Sheila was trying to remember.

Two weeks later, my wife carried the kitty out of Sheila’s apartment. My wife brought Gigi to our house. Gigi was going to be our son’s cat. Jack said he would be responsible for the kitty. Said he’d clean out Gigi’s litter box and pick up her toys. Said he’d give her food and water and lots of love. Said the kitty’s name was no longer Gigi. Gigi’s name was Jules.

Jules spent her first two days in Jack’s room. She ate on his floor. She slept in his bed. The first time I met her she was propped between his two pillows. She was sitting up straight and tilted toward the big pillow on her left. She looked like a shy toddler leaning into a parent’s leg. She saw me stand at the doorway. She watched me wave. She noticed when I entered the room. Then she stopped looking at me. Then she stared at the yellow dog by my side. Jules stared hard at Maggie. Stared and stared and arched her fuzzy back. When Maggie’s muzzle got too close, Jules spit a little kitty hiss.

Two days later, Jules was no longer afraid. And no longer spending her days in Jack’s room. Now she was in the living room. And the hallway. And the dining room. And on the stairs. Like furry lightning, she sprinted into Jack’s brother’s room. Then our room. Then the basement, the bathroom, the garage. She explored the underside of all the house’s beds and any closet not completely closed. Little kitty scurried beneath the couch, the dresser, the table. She strutted on top of the desk, the plant stand, the chair. When she did get tired, Jules slept behind my head while I wrote on the couch. Or she stretched beside my wife as she read in the recliner. Back awake, the kitty pawed plants, papers, and pens. She batted the blind’s cords, the shoe’s strings, and the rug’s tassels. Jack’s tiny cat sprang from doorways, dove under laundry, pounced from behind curtains. She rubbed against the legs that walked into the kitchen and sang hungry songs in little mighty mews. And every so often, content kitty counted time in repeated rhythmic purrs.

After a few more days, Jules no longer spent her nights in Jack’s room either. Last night, she fell asleep between my right shoulder and my wife’s bent back. At some point, she moved to snooze atop my wife’s involuntarily shared pillow. Unfortunately though, Dara woke up with a closed throat and puffy eyes. Dara started her day with a stuffed-up nose and itchy skin. Symptoms that have been happening more and more all week.

My wife loves cats. Really loves the kitty. My wife does not love her allergies. She’s been getting allergy shots for years. The shots help with the grass and the dog. But they do not help with cats, she explains. Loud enough for Jules to hear. My wife won’t say it, so I say it for her. Dara deserves to breathe easily in her home. Dara doesn’t deserve to live with a stuffed-up nose. Or watery eyes. Or scratchy skin. The kitty doesn’t know what any of this means.

Kerri called. Her husband’s cousin is on his way over. Tommy doesn’t have allergies. Tommy is taking the kitty. Now our house will be back to normal. Back to a quiet summer of an old dog and two teenagers who stopped sprinting down the hallway and hiding under the bed a long time ago. Now the house will be quiet again. And in that quiet, for a while at least, there will be a great big kitty-sized hole.


Clint Martin lives occasionally in Iowa but mostly in Kentucky. When not writing or teaching, Clint enjoys meditating, identifying the birds in the backyard, and learning about cool things like plants and space. His work has appeared in places like Kenyon Review, Sagebrush Review, The Write Launch, and Motherwell Magazine.

Garden Games

Poetry by Marilyn Paolino

A gardener decides what to pull,
or pick, while the weed
chooses who to fool.

If you both sprung from a seed,
why are you a flower,
your friend a weed?

If you pick a new name,
are you that different,
or still the same?

If you two trade places,
where are you hiding
your sweet shy faces? 

If you grow free
what are the chances,
you will need me? 

If my heart is true,
I adore you because
you are you.


Marilyn Paolino collects family stories and cookbooks. Early in her career, she was a newspaper reporter who accepted all the leftover assignments. She lives in the Philadelphia area, where she divides her time between writing and volunteering at her indie nonprofit bookstore.

A Bird on a Bike

Poetry by Patricia Wallesverd

She wanted to be a bird—

mouth a beak,
arms unfolding into wings,
legs—spindles,
feet—tiny claws.

I asked what kind—
wren, sparrow, finch—

but no—
a hawk,
patient on a pole
or a treetop by the lake,
eyes sharp
for any rustle
in the shoreline weeds,
then a sudden scoop.

What about a pileated woodpecker,
flaming-red crest,
chisel-like bill—
a forest pterodactyl,
twisting through trees
alert.

She said once on her bike,
one flew overhead.
She stopped
to watch it vanish
into a snag of oak and pine.

She rode home
flying down the road—
a bird on two wheels.


Patricia Wallesverd taught high school English in southeastern Wisconsin for nearly forty years. Now retired and living in northern Wisconsin, she writes poems inspired by people, memory, place, the natural world, and the small moments that connect them.

On a Rainy Day

Poetry by Ellen Goldsmith

1
I interrupt
my reading of Phillip Roth on Herzog
to look out on the rain-drenched landscape.

Mid-October, the time of leaves falling.

Yesterday, the light breeze gently ushered
leaves to the ground. Today, they leave
quickly, in abundance.

2
Herzog’s letters, conjectures, dissatisfactions, accusations
fly
unrestrained.

3
In a time of drought,
how comforting
the sound of heavy steady rain.

4
It isn’t until the last page
that Herzog enters
my heart.


Ellen Goldsmith‘s full-length collection Are We There Yet? is forthcoming from Kelsay Books. Left Foot, Right Foot, her fourth chapbook, is an illness and recovery story. She holds an Ed.D. from Teachers College, Columbia University, is professor emerita of The City University of New York and lives in Cushing, Maine.

Sue Belle Road

Poetry by Casey Morris

The shady road unravels north of town.
Its flowered hills exhale. Flocks of grackles
Retrace sunlight in pulses of black down.
Old padlocked barns, unbothered in shadows

Of linden and burnt pine, relive by ghosts
That putter in cobwebbed sties. Long rifles,
Uncleaned and rusted, grieve their Mauser bolts.
A fussy mare in weeds looks round. Idles.

The rolling woods echo with Sunday bells.
What thorny voice among the choir’s psalm,
What longest passion like the angels tell
Lot and his beloved: what was is gone

In twilit vespers whispered down the road,
In summer dark that is lost, that is home.


Casey Morris is a staff writer for Decadent Serpent and Atropos Poetry Magazine, where he’s published reviews, features, and poetry.

To Clare, Whose Name Means Light

Poetry by Ed Ruzicka

I

I see moon’s fingerprint in rills
that spread across black water,
to nudge and lift up lily pads.

I know, I know, that you are brave
and like the rest of our family
never one to hug. Nevertheless
I must do something. Anything. Maybe

place two fingertips to my third eye
because I am old and have become
afraid of seeing into the future.
Hold my fingers there so I become calm again
and close to you as moonlight on dark water.

II

When we were wee, sister
whose name means light,
mom would instruct you
to sit down upon our couch.
Then she’d place me, swaddled, in your arms.
You cooed to me, softly sang
fragments of nursery rhymes
and ditties that you’d learned at school.

Tonight I want to give back.
Not that you need it. You are stronger,
so much stronger, than I ever was.
Yet I would like to lift you.
Hold you, sister formed of light,
the way black waters hold the moon.


Ed Ruzicka’s fifth full-length book of poetry, The Invention of Dreaming, published in early 2026. Ed’s poems have appeared in the Atlanta Review, Rattle, Canary, and many others, and been nominated for the Pushcart Prize. He is president of the Poetry Society of Louisiana.

blue herons

Poetry by Rose Brightree

this river is scented by its mother
the sea
salt water running upstream
coming to meet it halfway

out of this reunion arise
two blue herons
wearing the sky
on loosened wings

legs floating in midair
like a dancer’s
orange-lily beaks lifted
to the rising sun
gamboge eyes that see the way
light does      touching what cannot be touched
any other way    the tips of mountains
flight of water that is a
cloud

and as they raise themselves
    to the high winds that will
           carry them
       as their bodies join the far-flung distance unfurling
                                                                          its wide blue wings
i know they continue to teach me
    how to live


Rose Brightree is a poet, artist, classical musician, and passionate nature lover and supporter. Her poetry has appeared in Room Magazine, Contemporary Verse 2, Sistersong: Women Across Cultures, Other Voices, the anthologies Revelation and Winners’ Circle (Canadian Authors Association), and in other print and online publications.

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