Category: Nonfiction (Page 1 of 15)

Clover Season

Nonfiction by Sarah Banks

Backing my car out of the driveway on an early March morning, I spot a single clover pushing through the dirt beneath my mailbox. I’m not surprised. Spring in Mississippi, a two-month interlude between the wet chill of winter and summer’s heavy heat, arrives before the vernal equinox. The air, tinged with humidity, feels cool this morning, though it will warm to the seventies by the afternoon.

When I see clover, my thoughts turn to the elementary school I attended, its play yard covered in emerald, three-lobed leaves each spring. Sometimes, this memory flashes through my mind then quickly disappears. Other times, like this morning, the recollection lingers, my mind holding it in place during my drive to work. Either way, clover conjures an image of that terra cotta brick building with windows lining the classroom walls.


During recess, while my classmates jumped rope and swung on the monkey bars, I would walk out into the field of clover. I’d squint to see where the end of the seemingly infinite, green expanse met the sidewalk. The leaflets rested against the ground, reminding me of a deep green quilt stitched to the earth. The flowers, tiny white pompoms, dotted the lawn. When wind moved across the yard, the clover shivered.

I would slip my feet out of my shoes, resting them atop the soft, springy clover. My hands inevitably burrowed into the green carpet, thumbs resting on leaflets. They felt soft, delicate—easy to tear. Each one held a small, crescent-shaped marking near the center.

In our classroom’s encyclopedia, I’d read that clover seeds can hibernate in the soil for decades, and I wondered if these had grown from seeds buried in the earth before I was born.

I’d often lay on the clover quilt and gaze up at the sky, imagining myself elsewhere. On those days, the sun hovered high, only a few clouds feathering the soft blue expanse. With no trees nearby, the sky opened wide, stretching so far it seemed to continue past the horizon.


By the end of April, the weed covers my entire front lawn. I’m nostalgic when it comes to clover. I won’t disturb it myself, but each week, my yardman mows it down with his lawnmower, allowing the Bermuda grass to show its spikes. By the end of each week, however, clover once again carpets the yard a deep green. It scatters its flowers across the lawn, daring the yardman to cut them down.

I’m unaware that clover can be invasive until my father mentions it.

“Clover will spread as far as you let it,” he says as we stand outside, surveying the yard. “I can spray it with weed killer if you want. That way, the grass won’t die.”

“Maybe.” My eyes drift toward my neighbor’s yard. She’s already complained about the redbud petals that fell from my tree onto her lawn, so I know she’ll object if the clover creeps into her property. Still, I’m reluctant to eliminate it. “Let me think about it.”


One time after school, I stood in the kitchen in front of my mother and held out my hand. In my palm, I cupped the four-leaf clover I had discovered during recess. The encyclopedia stated that the appearance of four leaves, a genetic mutation, occurs in one in 5,000 clovers. Despite my odds, I’d continued my quest to find one, sifting through the clover each day until I found treasure.

“How can we keep it safe?” I asked my mother.

“That’s easy. Watch this.”

She laid the clover between two sheets of parchment paper, then tucked it between the pages of the worn, hardback dictionary she’d used in college.

“Don’t worry.” She gave a warm smile, her eyes earnest. “I’ll hide it on a shelf in my closet.”

In the years that followed, I would sometimes ask her to open the book. I needed to confirm the four leaves still existed, proof that the clover had chosen to entrust me with its secret. Over time it dried, curling at the edges and fading to a muted green, yet the leaves remained attached to the stem.


In mid-May, I stand on my porch, imagining the clover spreading without interference. A smile tugs at my lips until my gaze moves to my neighbor’s lawn, where the clover inches toward her property line. I glance at the redbud standing against my fence, some of its branches—meant to spill over into her yard—cut to blunt nubs by her shears.

A few days later, I call my father.

“Get rid of the clover.”

I feel guilty for transferring the task to my aging father, but I can’t be responsible.


Weeks later, before I leave for work, I stand on my front porch and gaze at my lawn. After consistent treatment, the clover has disappeared, eradicated by the weed killer. I lift my eyes to the pale blue sky dome. The sun edges above the horizon, and the crowns of the pines appear as silhouettes against the pink-gold light blazing on the skyline.

Backing out of the driveway, I see zinnia shoots peeking through the earth beneath the mailbox where the single clover once grew. Soon, pink and yellow puffs will fill the flowerbed, but I am certain the clover will return next spring. And if it threatens to spread into my neighbor’s yard, I know my father, for as long as he can, will be the one to spray it.


Sarah Banks is a nurse living in Mississippi. Her poetry appears in Rust + Moth, South Florida Poetry Journal, Thimble, Autumn Sky Poetry, and elsewhere. Her fiction has been nominated for the Pushcart Prize and appears in Flash Fiction Magazine, Bright Flash Literary Review, and Fiction on the Web.

Dear Dad

Nonfiction by Leslie Lisbona

Dear Dad,
I wonder if you are still 85. Although I’m not sure that’s the age you would want to be for eternity.

I have vague and sweet memories of you in your early 40s. I would wait for you to come home from work. It was the last thing I got to do before going to bed. You would squat down, open your arms, and hug me. I was so excited I could barely stand it. And I made you laugh, mixing up my French and English by telling you, “You are piquey.” Your face was too rough, and I should have said, “Ca pique.” But you knew what I meant, and your laugh felt like a rumble in my chest.

You had your own store by then, Ripley’s, right near the Park Avenue entrance to Grand Central. Ripley’s was small, the walls crammed with electronic equipment. It had a stool that you propped me up on while you and Mom shared a cigarette over my head and murmured to each other in French and Arabic.

Or maybe you are 50 years old. I remember your 50th birthday because I was 10. Debi and I went out to get you a card and a Carvel cake in your brand new car. Debi swung her long hair back as she reversed too fast. We hit a pillar in the garage of our building and the car was totaled.

Or you might be 60. That is when you had Spectra on Madison Avenue, still small but bigger than Ripley’s. Sometimes if Mom asked you for money, you would say, “I don’t have a penny.” I remember feeling confused, not knowing if we were on the brink of financial ruin.

A bit later you had the first of your open-heart surgeries. That was when I realized I could lose you.

I wonder if you and Mom are together again? I wonder what ages you are – maybe you are both in your 60s, even though you died 15 years after she did. Mom wouldn’t like that you married Nina. Debi slipped your wedding ring off your finger in the funeral home. She didn’t want Mom to see it, especially because you never wore one in all the years you were married to her.

Do you remember the trouble you gave me when I finally moved out? I loved my first apartment, on Eighth Avenue and 53rd. I had Aaron then but not yet Oliver. I still saw you every Friday night for a movie, and once a week you double-parked on 6th Avenue near my office and I would hop into the elevator, pressing the lobby button over and over because I couldn’t wait to see you. Sometimes I teased you and said, “Aren’t you glad you had me?” and you would laugh and laugh. Once you knocked on my apartment door at 7am with bagels and coffee. I knew you were missing me. I felt like crying, which made it hard to swallow my bite of bagel. After we ate, I got ready to go to work and you went home to Queens, alone.

Do you know that I am 61 years old and that I haven’t set eyes on you in almost two decades?

Now we live in a different house that reminds me of our house in Queens. We have a dog named Rhoda. Val lost his father a few years ago. We have started traveling together, just the two of us, and it is wonderful. Aaron is 28 and engaged to be married; Oliver is 25 with a serious girlfriend. They work virtually, from home.

This is new: You can work from home now.

I wish I had had that option. I ached for Aaron and Oliver while I was in my glass office in midtown.

Here are some things that have happened since you left:

We sold the Queens house a few months after your death.

Nina died a few years after you did.

Debi and Dorian are grandparents. Debi goes by Nonna like your mom, and Dorian goes by Gido like you. The three of us are close, talking to each other all day long.

Congestion Pricing: You have to pay $9 to drive into the city. It turned out to be a good thing – less traffic and fewer pedestrian deaths.

Electric cars: I have one. I can turn on the heat from my phone before I get in the car. I have a charger in my garage. We are not far from self-driving cars. Actually, I think mine can do it, but I’m not sure how.

I miss you iktir, a lot, especially when something really good happens and maybe an inch more when something awful happens.

Here is a good thing: I stopped working in a bank and now I am a dreamer like you.

Here is a bad thing: October 7. The attack nearly destroyed my family life and the whole world turned against us. I needed you so much then, Dad.

Even though parenting wasn’t your thing, you turned out to be a good parent to us when Mom died. I’m glad you and I had the chance to get close, to get to know each other, to enjoy time together: all those Friday night movies, a few Broadway shows, just you and me. Imagine that.

I love you,
Lozay


Aside from The Bluebird Word, Leslie Lisbona‘s work has appeared in numerous journals and magazines such as The Queens Review, Synchronized Chaos, JMWW, Smoky Blue Literary & Arts Magazine, and Welter. She was also featured in the Style section of The New York Times. She is the child of immigrants from Beirut, Lebanon, and grew up in Queens, NY. You can find her online at leslielisbona.substack.com

The Long and Short of It

Nonfiction by Mary Lewis

It is exhaustion and euphoria. You often think you’ve figured it out only to discover more layers. Plot twists are a recurring theme.

It is tiny fingers grabbing tiny toes. It is the squawk that jolts you from sleep. And the soft sigh you hear as you pat, pat, pat. It is crawling out of the room, holding your breath, don’t make a sound! It is snuggles and belly laughs that are contagious.

It is extensive conversations in an unknown language. Neon rainbow tutus, action figures and playdough with all the colors mixed together. It is elaborate “shows” in the family room. It is walks that are short, but become long because someone needs to be carried. It is peas up the nose and stitches. It is Go Fish and fights about wearing tights. It is the feeling when you lift your face and sun hits your skin.

It is conversations about outer space, why, and what’s for dinner. Longer walks that become even longer because you have to go back for a Band-Aid and the bike has to be carried. Sports and friend dilemmas. Pick-ups and drop offs. It is forgetting about the poster board for the project until Sunday at 9PM. It is equal parts exasperation and admiration.

It is conversations about everything and nothing. Dating and dances and driving. Curfews. It is waiting up, worrying, wondering. The door opening that jolts you from sleep and the soft sigh as you kiss a forehead. It is Uno and fights about emptying the dishwasher. It is planning, choices. It is preaching and lessons learned. The jokes are on you, but you treasure those laughs. It is heart swelling, tears in eyes, so proud. It is pain, and it is joy.

It is so much joy.


Mary Lewis is a Behavior Analyst who stopped analyzing behavior so she could write about her own. Her poetry has been published in Maya’s Micros and Scapegoat Review. She loves French fries, her family, and the feeling she gets when the words fit together just right.

I Believe in Purple

Nonfiction by Sherri Wright

I believe in purple, the perfect blend of blue and red. A mixture of cool and calm,
hot and spicy. Negotiating between red’s passion and anger, and blue’s bravery and wisdom, purple finds grandeur and dignity.

Purple needs just the right balance of pigments—too much red turns into muddy
maroon, too much blue takes on the look of a bruise. Too light and it gets girly like a princess, too dark it becomes like the uniform of authority or the wings of a purple emperor butterfly that feeds on rotting flesh and human sweat.

Originally purple was produced by crushing shells of rare sea snails, extracting
mucus and exposing it to the sun. It took over two hundred thousand mollusks to produce an ounce of the dye. So this “Phoenician purple” was expensive and in short supply – only available to the rich and royals. It came to be associated with wealth and pretentiousness. Roman emperors used it for their robes but forbade its use by citizens. The penalty was death. Only in the 1850s did a synthetic purple pigment become widely available. Rich and royal as purple is, democracy is blessed with an abundant supply.

I believe purple is an essential element of human wellbeing. Purple draws on all
the senses. Think sweet sour purple plum, fragrant April hyacinth, supple velvet robe, purple martin’s throaty chirp and creaky rattle, last arc of the rainbow, the amethyst’s crystal clear healing power.

I believe that nothing can go wrong when you are wearing purple. No podium is too scary when you stand up there in a magenta linen sheath, a lilac silk blouse, a tiny amethyst stud. Even under the most somber black suit, lavender underwear can save the day.

Purple is a lesson in moderation. Drawing equally from feminine and masculine,
earthly and spiritual. Purple doesn’t shout, purple whispers softly, waits for you to take it in.

You do not choose purple, purple chooses you. The “Violet” in your first box of
Crayolas. Iris blossoms you picked walking to school. Petunias printed on the feed sack your mother sewed into a skirt. Your grandmother’s gladiolas. The grape jelly beans. The lilac you hid under your pillow and made a wish. A belief in purple is as powerful as Sunday school.

Ubiquitous, omnipresent purple. You can find it everywhere. But one thing is true. There has never been, never will be, too much purple.

I believe in purple.


Sherri Wright‘s work has appeared in The Bluebird Word, Delaware Beach Life, RavensPerch, and Quartet. Kelsay Books published her chapbook “Winter of My Life.” Bay to Ocean Journal nominated her essay “Braiding Sweetgrass With My Daughter” for a Pushcart Prize in 2025.

The Gift of Your Voice

Nonfiction by Stephanie Shafran

[Trigger warning: contains reference to suicide]

Hello children, this is Daddy. Have you been good children while I’ve been away? I hope so. I just got off the big airplane after flying in the sky, all the way from Florida to New York. First the plane climbed up and up into the clouds and after a while it straightened out and zoomed along faster than you can imagine. Then it dropped slowly down and down until safely landing and letting all the passengers climb down a ladder and walk into the airport. That’s where I am right now, and I miss you both so much. I’m coming home tomorrow and can’t wait to hug and kiss you hello.

Muted for sixty years, your voice comes alive for the first time tonight, on this self-recorded “Voice-o-graph.” No gift could ever top this one.

You recorded this message at the airport, on your way back home from a business trip in Florida. Were you homesick? In the middle of the small record, a label, in your handwriting, reads: 11-16-54, New York arr from Melbourne Beach Florida, To Stephy & Lee.

I’d have my fourth birthday in a month. Lee had recently turned seven.

You’d end your life just six and a half years later.


Stephanie Shafran retired from a long career as Spanish teacher and school counselor. Her writing has appeared in journals such as Earth’s Daughters, Slant, Persimmon Tree, The Bluebird Word, and The Sun; in anthologies such as Ophelia’s Mom, by Nina Shandler, Ed.D. Stephanie published a chapbook Awakening in 2020.


Editor’s Note: September is Suicide Prevention Month. Resources are available through the National Alliance on Mental Illness (NAMI) and also on the International Association for Suicide Prevention (IASP). Raise awareness, reduce the stigma, and encourage action to help others.

Girls Who Smoke

Nonfiction by Xinyi (Mel) Song

Julie was clumsily unwrapping a pack of Kent No.4

… in the back alley outside a 7-11 in Shinjuku, Tokyo, when I saw a man with long, dark hair in a black cardigan unwrap his adeptly under the streetlight. He knocked the box on his palm, and one cigarette fell accurately between his fingers.

Julie’s fingers were slender, pale. She delicately held the cigarette, took a drag, and coughed into the air. I laughed at the way her nose wrinkled up when she tried to spit out the bitterness in her mouth.

“Why do people torture themselves with this?” She asked with her eyes squinted.

I didn’t have an answer. People torture themselves in various ways. As I traced the shifting grey line on her face – half of it dipped into the darkness, the other half looked tender under the moonlight – I felt a glare from behind. As soon as I turned around, it dissolved in the street’s yellow, fluorescent light.

My friend Chrissy was busted smoking

… in the girls’ bathroom in a Chinese high school, but we all knew she wasn’t a smoker. It was during class time when the principal walked in unexpectedly and found Chrissy and another girl whispering, giggling, and bantering in the stall near the windows.

The principal dragged them outside. Without much hesitation, that girl took out a box of cigarettes. They received detention for a week for smoking. No one ever asked why the box’s plastic wrap was still intact, or questioned why the girls didn’t smell like tobacco but like peach gloss. That was the story they decided to tell, a story less threatening to the school.

Chrissy offered me a cigarette

… outside the airport, two years after graduating from high school. We were flying back to college. She was going to Vancouver, and I was flying to New York. She offered me a cigarette, and I took out my lighter. She laughed at me, saying,

“I thought you hated smokers.”

I did. I couldn’t breathe in the clouds of smoke in the room where my father and uncles used to play mahjong. I was told it was a nasty habit for girls but a rite of passage for boys. But there wasn’t much I could hold on to growing up, so I was beginning to fidget with a cigarette in my hands. A habit might be bad in the eyes of onlookers, but it doesn’t betray you; it doesn’t ask you to change. I was moving from city to city, country to country. Trying to hide the Chinese accent, trying to love who I was supposed to love, trying not to be so different. Smoking is like a safe but moldy blanket for grown-ups.

Julie took her last drag

… while the cackling sound of the burning cigarette echoed in the alley. There was no one around us anymore. I could hear the stub rolling towards the direction of that long-haired man’s silhouette.

She took a deep breath, exhaled, and mumbled,

“I don’t understand the appeal of smoking.”

“It’s ok,” I said, taking over the cig from her, finishing the rest. It tasted like honey peach.

We walked back to our hotel in silence. Our shadows lost in the lights that were like a bright mist. It was 1:00 a.m., but the city was shrouded in a halo. I wanted to tell Julie how I felt, when I smelled the soft scent of tobacco radiating from her icy earlobes. In my hesitation, she threw away that pack of Kent No.4 and swore to never touch it.

She probably wouldn’t have known then how many cigarettes we’d gone through the night, in a few years, when she told her mother about the girl she was in love with; I probably wouldn’t have known then how much I wished that night in Tokyo was longer, when I learned that the girl wasn’t me.


Xinyi (Mel) Song is a bilingual writer. Born and raised in Sichuan, China, she moved to the United States for college and is now based in Boston. Her writing explores family, womanhood, and identity. Her essay, “Everything Is in the Meatball Soup,” is forthcoming in a Pangyrus food anthology.

Shoplifting At Whole Foods

Nonfiction by Randi Schalet

I slip a container of Fage yogurt into my canvas bag and wait, braced for the self-checkout machine to protest. It doesn’t. The silence feels like permission.

I ring up a few more groceries—a head of broccoli, oat milk—then drop in an unscanned item. Still nothing. A single clerk oversees eight registers. I’m short, white-haired, someone no one looks at twice. I call him over with a pointless question. When he steps away to help someone download their Prime code, I tuck in a bag of pancake mix. My heart doesn’t speed up. I’ve had too much practice.

The prepared foods are so overpriced, I’d never buy them without my own buy-one-get-one “discount.” I weigh one hot bar box, then stack it beneath a second heavier one—mac and cheese, rosemary potatoes, all butter and salt.

I leave with two overstuffed bags and a small receipt. Outside, I hand ten dollars to a man in red sneakers sitting in the parking lot. I unpack the food and eat at a shaded picnic table.

Money was the language of my family. It wasn’t only about having more, it was about getting it the clever way. Don’t work too hard. Don’t ask for approval. Smart people had money because they knew how to take it.

Before they divorced, my parents owned several discount clothing stores that eventually went under when the neighborhood changed.

In the first years, the Brooklyn store was crowded—people waiting in line for the makeshift dressing room, layaway tickets stacked at the counter. My father hated shoplifters and was obsessed with catching them. Once, from behind the jewelry case, he spotted a man slip something into his pocket. He jumped onto the case, shattered the glass beneath him, and chased the man down the block, blood streaming down his calf.

The register was set to charge ten percent tax, even though New York’s rate was seven. It bothered me. When he left me alone up front, I charged seven, running the seven-times table in my head. At night, the numbers kept repeating—7, 14, 21.

The clothes my father sold as new were actually “seconds”—ripped seams, crooked stitching. He bought them in bulk from Hasidic wholesalers in the garment district, their corkscrew peyos swinging as they argued. His yellow yarmulke, printed with another boy’s bar mitzvah, kept slipping off. The men would laugh, and I didn’t know if it was at the price or him. I sat on the concrete floor and watched.

He trucked the boxes to a small, wiry woman in a dark railroad flat who replaced broken zippers and missing buttons on her machine. She was paid by the piece. When we returned, she told him how much he owed, pointing at some numbers she’d scrawled on an envelope. He said it was too high, already pulling out his wallet. She shrugged and said that was the number. I leaned against the buzzing fridge.

I only got caught shoplifting once. I was in high school, meeting friends at a parking lot flea market. I walked past tables of things nobody needed—a segmented snake with a painted head, a two-foot sword with plastic rubies—and shoved both under my coat. I just wanted to take them. The sword was practically sticking out. When a security guard with a beer gut tapped my shoulder, I jumped.

“Unbutton your coat, young lady,” he said. The sword clattered to the ground. He shook his head and led me to a tiny office with a metal desk. “You need to call your mother. I’m not letting you go without a parent.”

I called a lesbian aunt who I hoped wouldn’t tell. She didn’t answer.

He shoved a yellow pad at me. “Write down your name and phone number.” I wrote our home number, assuming no one would pick up. It was Saturday—my father was at the store.

Fifteen minutes later, he burst in, shouting, an unlit cigar clamped in his mouth. He wasn’t mad at me; he was yelling at the guard. “How do you know she didn’t buy this stuff?”

Then he turned to me. “Did you pay for it?”

“Yes,” I lied instantly.

“Give it back to her,” he told the guard.

“Pick it up,” he said to me.

I clutched the things to my chest and walked beside him to the car. In the back seat, I waited for the explosion. Nothing. He dropped me at home like the errand was finished. I ran up to my room, shoved the loot behind my bed, and never looked at it again. I didn’t grow out of stealing; I just got better at it.

I’d always known my mother took small things, switching a belt from one coat to another, rearranging a top and bottom on a hanger so they went together. After the divorce, she bought things on sale in Macy’s, changed the tags at home, then returned them for more. We still had a price gun and tagger from the store. When she had Parkinson’s and was in a wheelchair, I took them home. In department store dressing rooms, I switched tags, the gun clicking once. I folded the old tags into tiny squares and dropped them behind the bench.

I think my father hated shoplifters because he saw himself in them. He just preferred to steal on the business side—no income tax, extra sales tax, and “new” clothes stitched together in a stranger’s kitchen.

In my childhood, taking was a skill, and I learned it. I get a bit of a buzz from my weekly Whole Foods runs. Bezos won’t notice, and I stay alert enough not to get caught. Breaking the rules is where I come from.


Randi Schalet is a retired psychologist living in Berkeley, California. Her non-fiction memoir pieces have appeared in Chicago Story South, Peauxdunque Review, The Manifest-Station, Under the Sun Magazine, Belmont Story Review, The Write Launch, and Rumen. Her poetry chapbook, The Last Things I’ll Remember, is forthcoming on August 21, 2026, from Finishing Line Press.

What the Dog Knows

Nonfiction by Pippa Storey

It’s a sunny midsummer’s day in New Rochelle, on the edge of Long Island Sound. A couple stroll into Hudson Park just ahead of me, their lanky white mutt prancing excitedly around them. They climb the flank of a promontory overlooking the bay, then separate and stand a ball’s throw apart.

Slowly, teasingly, the man draws back his arm, watching the dog quiver with anticipation. He pitches toward the woman, and the dog catapults in her direction. She catches his shot neatly with both hands, barely a pawbeat before the dog reaches her. Then, grinning down fondly, she returns an underarm lob, and the dog bolts off again.

Back and forth they throw, the dog racing eagerly between them. But there’s no ball! It’s all a charade. Nevertheless, the dog is completely enthralled, ears flapping in the wind as he gallops across the grass.

Just a conditioned response, my mother will later surmise. But I can see—from the adoration in the dog’s upturned face, the frenzied wagging of his tail, his rapturous joy in their laughter—that he understands: the game was never about the ball.


Pippa Storey grew up in New Zealand, studied in France, and now lives near Hudson Park in New Rochelle, New York, where this interaction occurred. For more of her writing, digital artwork and videos, please visit pippastorey.com.

Coorong

Nonfiction by Roger Funston

Today I walk a sixteen kilometer transect over coastal dunes and along brackish lagoons. We are keeping a list of the migratory birds we see—Eastern Curlew and Bar-tailed Godwit, critically endangered; Red-necked Stilt, vulnerable. These birds fly 8,000 miles from China and Siberia to winter in Coorong National Park. It is April 1985, autumn in Australia. Soon these birds will make their way back to Northern Hemisphere summer.

Coorong National Park is located on the southern coast of Australia on the South Sea, where the South Pacific and Indian Oceans meet. Mixing of the Southern Sea and the Murray River create estuaries of fresh and saline waters, world class wetlands that are endangered because of reduced freshwater flows and drought. Vulnerable Southern Belle frogs and Heath Goanna live in freshwater. Water birds nest on the saline lagoons and mudflats. The Cooring has one of the largest pelican rookeries in Australia.

Yesterday, I spent the day watching Whimbrels, Red-necked Stilts, Sharp-tailed Sandpipers, Red-necked Avocets through binoculars, poking their bills in the mudflats. Recording observations. Seemingly tedious to some, but this is science and necessary for developing a management plan. The day before we cored in these mudflats to see what invertebrates live there, trying to better understand behavior, important food sources, habitat needs.

Our team is half Aussies and half Americans, mostly short-timers in a long line of volunteer field biologists. The mix of participants is both surprising and wonderful. An executive with Esso, an engineer from mining company BHP, a phone company account rep from Orange County, California, who has brought along two large trunks filled with numerous wardrobes. Perhaps we are all closet environmentalists shedding our day jobs to revel in our passions.

We live communally in roadhouse lodging, sharing cooking, stories, laughter. Card games played at night. The Aussie winner shouts out “You beauty”. Tea and bikkies mid-afternoon. Evening barbies. Singing around the campfire, looking at the stars (bush telly).

Learned a lot of Aussie slang: dog’s breakfast (complete chaos), she’ll be apples (it will be alright), whoop whoop (middle of nowhere), bonzer (awesome), whinger (complainer), sheila (female).

The days are long. Tired at night, but a good tired. I will probably never see these people again. This was my first international field project. Many more will follow. But I will cherish the fond memories of this time and place and the people I worked with.


Roger Funston came to poetry late in life after a long career as an environmental scientist. He writes about his life journey, his travels, his tribe and things he has seen that you can’t make up.

Morning at the Marsh

Nonfiction by Susan Pope

In early May at the shorebird festival in Homer, Alaska, I was invited to read my goshawk attack story at the site where it happened. Since the assailants were not yet nesting, I felt safe from any potential assault.

The event was a fundraiser for the land trust that had rescued a piece of forest and wetlands from bulldozing for development. Here was an opportunity to support a cause I believed in, plus a chance to plug my new book. Birding, hiking, storytelling, snacks. A perfect fundraiser. Local merchants donated food, the trust handled the logistics, the festival advertised the event, my friend Nancy provided bird identification assistance, and my husband Jim supplied the moral support. All I had to do was show up at the trail head, hike to the viewing platform, and read for ten minutes.

I visualized. I timed. I practiced out loud.

I was ready.

But not for leading the hike because the official leader, having no childcare, was forced to bring up the rear with her squealing, squirming toddler. Or for the frequent stops and starts to accommodate the grandma who thought she had signed up for pre-school story hour and kept sprinting off the trail to capture her rubber-booted fleet-footed three-year-old dashing after squirrels. Or for the six-year-old junior birder so eager to find those birds she slammed into my heels each time we paused to listen for one.

Or for the young moose who blocked our path and would not move—despite our clapping, shouting, and pleading—until she’d devoured every last fiddlehead fern. Or for the helicopter circling overhead at the viewing platform where I was to read my story.

Or for the Wilson’s snipe punctuating the roar of the helicopter’s rotors with a furious ack, ack, ack each time I imitated the goshawk’s scream in my story. Or for the pair of Canada jays who swooped in to raid our unguarded snacks when no one was paying attention.

But none of this mattered as I shouted my story in a very non-literary way to people politely trying to listen. The sun shone, the birch and willow leaves popped open, the wrens trilled and twittered, the sandpipers, ducks, geese, and cranes frantically fed or nested or headed north, and parents and grandparents did their best to ensure that the next generation had a chance at this one unpredictable and magnificent life.


Susan Pope’s work has appeared in Creative Nonfiction Short Reads, Alaska Magazine, River Teeth Beautiful Things, and The Bluebird Word Literary Journal, among others. Her memoir Rivers and Ice follows five generations of one Alaskan family in the rapidly changing landscape of the North. She lives in Anchorage, Alaska.

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