Author: Editor (Page 1 of 69)

Post-Opus

Poetry by Guadalupe Palos

It’s 3:42 AM when I finally get to sit down,
Does the rain reach your roof too?
Our used-to-be shared roof watches me
pretend you are alive sometime, somewhere
else. Why won’t God let me know the you before
I was born? I saw your toddler smile weeks
after your passing for the first time, your
self showing in sepia tones. I think
heaven is a space where we can see each
other in all years. I could isolate all that is
your continuation inside of me and give it
back to you as a gift, where my toddler smile
and your toddler smile can be under one
roof again.


G.L. Palos is a poet who has lived in desert cities for over half of her life. She has a Bachelor’s in Religious Studies and has since entered and exited various service-based fields. Love, consciousness, nature, her current nonfiction read, and beauty inspire the majority of her writing.

Airy Kiss

Poetry by Diane Bier

We will meet you at the mountain top—
where the eagles soar and the hawks land—
the land the ravens know. Unearthing the trail
beneath the dogwood trees—we’ll follow
their petals on the wind. We watch for black
squirrels and red foxes, gather daffodils,
tumble over heart rocks, all signs of you.
We climb, your mom with, a long processional—
backpacking a picnic feast and all the dogs you
never met so you can kiss them one by one.
Stumbling over words, breathless prayers fade—
like ombre butterflies releasing sorrow.
You bestow an airy kiss as we stand
greeting you with daffodils hand in hand.


Diane Bier is a binge reader who always has a book or camera in hand. She has an MFA from William Paterson University where her writing reflects her passion for social change. She resides in NJ with her family and dog where she enjoys gardening and walking.

The God of Small Moments

Poetry by Lara Lehman

What is the point,
if not this?

To stand, leaning
on the unmade bed,
this quiet January morning.

You stopped
for a moment
to play with the cat.

…A bit idly, now.
You both feel a
second sleep coming on.
You see it in her eyes.
Time for rest,
Not time to fight
.

The air is cool.
The sun is white.

And there is no reason
not to celebrate this day
by taking your naps now.


Lara Lehman is an award-winning teacher and writer now in her West Coast era. Recent work on craft will appear in The Writer’s Chronicle and The Artisanal Writer. She reads for Broad Ripple Review literary journal and contributes to Medium.com @thestorydoctorisin, while steadily completing her novel on the Salem Witch trials.

Pastor and Pasture

Poetry by David Ehrenman

The color of the harvest,
Sunset crowns the laborers
Rewarding earth for hours
Endured before night’s herald
Says “rest,” enforced by darkness.
Purpose unified will now
Disperse—the centralized sun
Cedes skylight to scattered stars.


David Ehrenman is an Australian-American poet currently working for a study center at the University of Minnesota. David earned Highest Distinction in English at the University of Virginia, and his poetry has appeared in Ekstasis Magazine, The Journal of Undiscovered Poets, and The Mythic Circle.

blue herons

Poetry by Rose Brightree

this river is scented by its mother
the sea
salt water running upstream
coming to meet it halfway

out of this reunion arise
two blue herons
wearing the sky
on loosened wings

legs floating in midair
like a dancer’s
orange-lily beaks lifted
to the rising sun
gamboge eyes that see the way
light does      touching what cannot be touched
any other way    the tips of mountains
flight of water that is a
cloud

and as they raise themselves
    to the high winds that will
           carry them
       as their bodies join the far-flung distance unfurling
                                                                          its wide blue wings
i know they continue to teach me
    how to live


Rose Brightree is a poet, artist, classical musician, and passionate nature lover and supporter. Her poetry has appeared in Room Magazine, Contemporary Verse 2, Sistersong: Women Across Cultures, Other Voices, the anthologies Revelation and Winners’ Circle (Canadian Authors Association), and in other print and online publications.

As a Hummingbird

Poetry by Emily Persichetti Schuster

I saw you today
With my first breath of canyon air
You were there

Meandering down the wide gravel path
I saw you as ferns
Edging against the trail

Gazing up at the brilliant cloudless sky
I saw you as a row of evergreens
Lining the rim of the canyon

As the river guided our hike
I saw you as the sparkling stream
Skipping over rocks on the valley floor

The softness of water shaping the valley
With years of patient persistence
Forgiving firmness

And I knew then this is where you belong
I wondered if you’d ever had a chance
To visit this heavenly place

Later, as the sun dipped behind the mountains
I saw you as columbines
Growing straight out of the cliff faces

Taking root in rock
Until I realized you were still the river
And those flowers were me

And I knew then I was here because of you
That so much of who I am still holds pieces of you
Guiding a path I can’t always see

You even came home with us that night
And perched in a tree in the backyard
As a hummingbird

Posted in the highest branch
Watching over my little boy
As he played on the slide and the swings


Emily Persichetti Schuster’s poetry and short fiction is published in Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny (Elderfly Press, 2026) and is forthcoming in Allium, A Journal of Poetry & Prose. She lives in Athens, Georgia with her partner and their two kids. Find her on Instagram: @empschuster_creative.

The First Raspberry

Poetry by Meredith Escudier

The first one, not purple but pink
not yet luscious, but lovely

the promise of sweet abundance
of a backyard crop-to-come.

My grandson spied it,
seized it, plucked it,

placing it like a prize
on the tip of his finger

because just the right size
to snuggle into a raspberry’s insides.

Look, Grandma, the first one!
Together we inspected and admired it,

our forerunner raspberry,
rosy precursor, ephemeral elder.

Would he eat it, offer it, save it
for later, nibble away meticulously

tiny bit by tiny bit…or instead
gobble it up, here we go, let ‘er rip?

He surveyed his treasure
just a little longer, still safely perched

on his dancing index finger then
jubilantly (whoosh) popped it into his mouth.

He swirled it about as it released its juice,
his 5-year-old eyes crinkling and creasing

and with a catch in my throat,
I got a passing glimpse

of my last little grandson
far off into the future

on a day when an old man
yet relishes a raspberry.


Meredith Escudier has lived in France for over 35 years, teaching, translating, and raising a family. She writes about French language and culture, food and music. Her latest book – Play it Again, Jacques – features 20 French singer/songwriters who have accompanied and enriched her life over the years.

Contentment

Poetry by Nancy Kay Peterson

Late August hint of fall hides in
the pulsing breeze, scented dusty green.
Each time the wind pauses, the sun asserts
its waning summer strength, toasting
the back of my flannel shirt.

We two sisters stand on the foot bridge that
spans the dry creek between our parents’ house
and garden, silently shucking corn.
Soft silk threads tear away easily
from ears stunted by drought.

Cob tips have broken through
their green shells. End kernels
not gnawed away are mahogany colored.
We snap off spoiled ends,
toss them over the bridge rails.

Remaining bright yellow half-cobs
fill bags to be carried inside
and cooked within the hour.
My hands are sticky with milk,
the sweet smell of new corn.

I could do this forever.


Nancy Kay Peterson’s poetry is in The Bluebird Word, Dash Literary Journal, Earth’s Daughters, Last Stanza, RavensPerch, Spank the Carp, Steam Ticket, and Tipton Poetry Journal. She co-published Main Channel Voices: A Dam Fine Literary Magazine (2004-2009). She authored two chapbooks, Belated Remembrance (2010) and Selling the Family (2021). See www.nancykaypeterson.com.

What my wife remembers about the land

Poetry by Peter A. Witt

In Illinois, the land opens wide
as a held breath, cornfields shimmer
in the August heat, soybeans whisper
to the wind’s long sweep.

Her father, born in the front bedroom,
pulls on his boots before the stars are gone,
the day already dawned on the 300 acres.
He walks the fields like a man
reading scripture, hands roughened
by plow handles, hours measured
in sunrises and the ache of his back.

Her mother begins her day before first light,
pies breathing steam on the sill,
cinnamon rolls uncoiling their sugar
like secrets, moves through the chores
of the house, then feeds the chickens
that lay a bounty of daily eggs,
laundry snapping white on the clothesline,
vegetables, warm from the sun
lifted from the garden, still warm from the sun.
Noontime she rocks by the window,
radio murmuring cattle and hog prices,
numbers rising and falling
like the notes of a hymn.

After they were gone, house vanishes,
outbuildings folded into the ground,
the garden buried under road to road corn.

Now only the low rumor of machinery
crosses the fields, and in the hush between passes
you can almost hear the chairs creak,
the screen door close, the sound of voices
calling from the yard.


Peter A. Witt is a Texas poet, twice nominated for Best of the Net. Peter also writes family history, is an avid birder and photographer. His poetry has been published on various poetry sites and appears in several anthologies.

Shoplifting At Whole Foods

Nonfiction by Randi Schalet

I slip a container of Fage yogurt into my canvas bag and wait, braced for the self-checkout machine to protest. It doesn’t. The silence feels like permission.

I ring up a few more groceries—a head of broccoli, oat milk—then drop in an unscanned item. Still nothing. A single clerk oversees eight registers. I’m short, white-haired, someone no one looks at twice. I call him over with a pointless question. When he steps away to help someone download their Prime code, I tuck in a bag of pancake mix. My heart doesn’t speed up. I’ve had too much practice.

The prepared foods are so overpriced, I’d never buy them without my own buy-one-get-one “discount.” I weigh one hot bar box, then stack it beneath a second heavier one—mac and cheese, rosemary potatoes, all butter and salt.

I leave with two overstuffed bags and a small receipt. Outside, I hand ten dollars to a man in red sneakers sitting in the parking lot. I unpack the food and eat at a shaded picnic table.

Money was the language of my family. It wasn’t only about having more, it was about getting it the clever way. Don’t work too hard. Don’t ask for approval. Smart people had money because they knew how to take it.

Before they divorced, my parents owned several discount clothing stores that eventually went under when the neighborhood changed.

In the first years, the Brooklyn store was crowded—people waiting in line for the makeshift dressing room, layaway tickets stacked at the counter. My father hated shoplifters and was obsessed with catching them. Once, from behind the jewelry case, he spotted a man slip something into his pocket. He jumped onto the case, shattered the glass beneath him, and chased the man down the block, blood streaming down his calf.

The register was set to charge ten percent tax, even though New York’s rate was seven. It bothered me. When he left me alone up front, I charged seven, running the seven-times table in my head. At night, the numbers kept repeating—7, 14, 21.

The clothes my father sold as new were actually “seconds”—ripped seams, crooked stitching. He bought them in bulk from Hasidic wholesalers in the garment district, their corkscrew peyos swinging as they argued. His yellow yarmulke, printed with another boy’s bar mitzvah, kept slipping off. The men would laugh, and I didn’t know if it was at the price or him. I sat on the concrete floor and watched.

He trucked the boxes to a small, wiry woman in a dark railroad flat who replaced broken zippers and missing buttons on her machine. She was paid by the piece. When we returned, she told him how much he owed, pointing at some numbers she’d scrawled on an envelope. He said it was too high, already pulling out his wallet. She shrugged and said that was the number. I leaned against the buzzing fridge.

I only got caught shoplifting once. I was in high school, meeting friends at a parking lot flea market. I walked past tables of things nobody needed—a segmented snake with a painted head, a two-foot sword with plastic rubies—and shoved both under my coat. I just wanted to take them. The sword was practically sticking out. When a security guard with a beer gut tapped my shoulder, I jumped.

“Unbutton your coat, young lady,” he said. The sword clattered to the ground. He shook his head and led me to a tiny office with a metal desk. “You need to call your mother. I’m not letting you go without a parent.”

I called a lesbian aunt who I hoped wouldn’t tell. She didn’t answer.

He shoved a yellow pad at me. “Write down your name and phone number.” I wrote our home number, assuming no one would pick up. It was Saturday—my father was at the store.

Fifteen minutes later, he burst in, shouting, an unlit cigar clamped in his mouth. He wasn’t mad at me; he was yelling at the guard. “How do you know she didn’t buy this stuff?”

Then he turned to me. “Did you pay for it?”

“Yes,” I lied instantly.

“Give it back to her,” he told the guard.

“Pick it up,” he said to me.

I clutched the things to my chest and walked beside him to the car. In the back seat, I waited for the explosion. Nothing. He dropped me at home like the errand was finished. I ran up to my room, shoved the loot behind my bed, and never looked at it again. I didn’t grow out of stealing; I just got better at it.

I’d always known my mother took small things, switching a belt from one coat to another, rearranging a top and bottom on a hanger so they went together. After the divorce, she bought things on sale in Macy’s, changed the tags at home, then returned them for more. We still had a price gun and tagger from the store. When she had Parkinson’s and was in a wheelchair, I took them home. In department store dressing rooms, I switched tags, the gun clicking once. I folded the old tags into tiny squares and dropped them behind the bench.

I think my father hated shoplifters because he saw himself in them. He just preferred to steal on the business side—no income tax, extra sales tax, and “new” clothes stitched together in a stranger’s kitchen.

In my childhood, taking was a skill, and I learned it. I get a bit of a buzz from my weekly Whole Foods runs. Bezos won’t notice, and I stay alert enough not to get caught. Breaking the rules is where I come from.


Randi Schalet is a retired psychologist living in Berkeley, California. Her non-fiction memoir pieces have appeared in Chicago Story South, Peauxdunque Review, The Manifest-Station, Under the Sun Magazine, Belmont Story Review, The Write Launch, and Rumen. Her poetry chapbook, The Last Things I’ll Remember, is forthcoming on August 21, 2026, from Finishing Line Press.

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