An Online Literary Journal for Poetry and Flash

Month: February 2024

Aviary

Poetry by Konrad Ehresman

In the dark I hear the owl in my attic,
three beating thrums and a woosh,
screeching,
the sound of wings confined.

In the light,
I collect stray feathers
and celebrate silence.

Every day I think it gone,
but
every night,
the gift,
of being wrong.

I tell my family
but they can’t hear it,
say my mind is playing tricks,
I wonder where my brain mastered illusion,
how it chose
owl over
dove.

I could just show them,
pull on dangling cord,
turn shut door to yawning mouth,
bathe in the vindicating warmth of trapped air,
watch an owl erupt
from the parted lips of our house.

But I worry,

when I ask the attic to speak,
that it will refuse an audience,

that it will share only,
quiet settled into dust.

And I worry,

they will pity me as
I write pleas in the grime,
beg stale air to let them hear,
to teach them the music
of flying into walls,
the song of soaring
while starving.

But mostly,

I worry that if we look,
I might come to find,

there was no owl,

and the noise
is
mine.


Konrad Ehresman is a creative living on the central coast of California. His work has been featured by Ariel Chart, Awakened Voices, You Might Need to Hear This, and he has work upcoming in Mocking Owl Roost. When not writing Konrad can be found baking bread and being a nuisance.

Storms

Poetry by Diana Raab

Life is scattered with storms—
emotions and weather
that have run wild.

After a seven-year drought
I finally see rain trickle
down my bedroom window

as I rejoice that our reservoirs
will fill. This also makes me think
about how often life flows,

when a swift storm hits our psyche:
while trees and debris clutter
our path, and then,

during our psychological
clean up we pave the way
for clarity to be followed
yet by another storm.


Diana Raab, PhD, is an award-winning memoirist, poet, blogger, speaker, and author of 13 books. Her latest poetry chapbook is An Imaginary Affair: Poems Whispered to Neruda. She blogs for Psychology Today, Thrive Global, Sixty and Me, Good Men Project, The Wisdom Daily and many others. Visit: www.dianaraab.com.

acquisition

Poetry by Charlie Steak

walking
on the beach
I pick up shells
at the surf line
each tiny, perfect
(to me at any rate)
          pale petal pink
delicate, ridged, lined,
          butter paper yellow
rinsed in swirling water,
eluding my fingertips
          chalkboard black
I have no purpose
for this handful of
          bleached white
deserted homes,
is it ungrateful
to re-scatter
I’ll keep
one


Charlie Steak is an author and playwright currently living in the southwest USA. The winters are great but gardening in summer resembles Armageddon. Or maybe Mordor. He has written for Space 55, Synthetic Human, Rising Youth Theatre, and many other organizations. His poetry will be published in Constellations this winter.

A Night in Alaska

Poetry by Ellen Skilton

There are raccoons in the floorboards,
and to-dos sprouting from my ears.

                                                            The dog wedges himself under the bed to
                                                            monitor anxiously the vermin’s every move.

The Philly basketball announcer gets
hyped up about a free-throw parade.

                                                            But her enthusiasm doesn’t shake
                                                            my seeping sadness. Like the melting
                                                            ice outside, it finds every crevice to fill.

Across town, a man dreams of a night
in Alaska, so cold there is no hospitality.

                                                           He tells his son — being an old husband
                                                           is kind of like being a baby. Now, I can’t
                                                           un-see the word hospital in how we care.

I may have lied about my vision to get ugly
glasses in 1972, but today I am forgiven.

                                                          This morning’s sunshine on the winter trees
                                                          makes now seem so distinct from then.
                                                          Like a ski-lift, I float high above old mistakes.


Ellen Skilton‘s creative writing has appeared in Cathexis Northwest Press, Literary Mama, Ekphrastic Review, and Dillydoun Review. In addition to being a poet, she is an educational anthropologist, an applied linguist, and a Fringe Fest performer. She is also an excellent napper, a chocolate snob, and a swimmer.

Buy the Fanciful Ones: A Tale of New Shoes

Nonfiction by Melanie Faith

For over three years, I’ve gone almost nowhere to try to stay healthy. Thank you, Covid. (Eyeroll.) Although I’m short, my natural go-to is a flat shoe with a buckle or a sneaker, because they feel the best and are most practical (read: match with everything). Recently, I found a pair of burgundy mary janes with thick, ‘90s 2-inch chunky heels. This was my first time in years wearing heels, and I’d only ever worn the lower, chunkier heels (never spikes—the thin, pointy, rickety kind).

The price was right on these designer-label babies ($29.99) and just looking at the shiny upper razzle-dazzled me, so they went home with me. What did I learn from wearing them for the first time, attempting to break them in?

Joy is a shoe that you won’t wear every day. As a telecommuter who still only goes out two or three times a week briefly on errands like the grocery store, these babies aren’t gonna get daily use. But who cares? Ever hear of the good plates? As in, family china handed down that only gets a Thanksgiving or Christmas or Easter place on the table? Do we like them any less for that? Hardly. They denote special care and the thought placed into the meal. These shoes denote something similar: care.

Know what you’re dealing with. Even chunky heels that disperse weight more evenly on the foot aren’t as comfortable as a flat boot or tennis shoe. Pick your places wisely. Ease into it if you have to. I wore mine around the kitchen as I made warmed-up tacos. Then I sat to eat. New shoes take a while to break in, and after a half hour, I felt done. I popped them off for stocking feet, the bones below my toes not exactly aching but calling for a break already.

Sometimes, playful and fun are worth it. It’s been a long, hard few years. Illness, the pandemic, wars, dramatic rises in costs. We’ve been bogged down and more than earned a treat, something that lights us up inside just looking at them, and these shoes do. Yeah, they had the same pair in my size in neutral black, but there was no contest: the oxblood glimmers and puts a smile on my face. They recall the ‘90s of my youth and the untold happinesses that could be around the corner now. They are a hopeful shoe. They also remind me of the kinds of shoes worn for flamenco dancing and tap dancing—two movements that surely bring a whirl to the dancers. Do I dance? Around the office for an audience of me, myself, and I. Does it bring me any less joy? Not even close!

Your frivolous something might not be shoes or something you buy at all. It might be taking a morning off to return to a hobby you’ve been meaning to do but that kept getting shoved aside for the day job and family functions. It might be getting your bike or skates or basketball or gym clothes out of storage and gearing up for some head-clearing exercise or a walk on your own around the block. Or letting your old digital or analog camera walk with you around the neighborhood.

These activities, like my shoes, give a person something to look forward to, no matter how near or far that might be. Investing in whimsy and in ourselves with just a little effort or money often lightens our moods and puts a spring back in our step. They are an engagement with the world and a reengagement with self. Priceless.


Melanie Faith is a night-owl writer and editor who likes to wear many hats, including as poet, photographer, professor, and tutor. Three of her craft books about writing were published by Vine Leaves Press in 2022. She enjoys ASMR videos, reading, and tiny houses. Learn more at https://melaniedfaith.com/.

And Yet This Life

Poetry by Lisa Low

                                  Is still worth living;
even now the rain is falling, making
mud from dirt around the roots and filling
in the ragged spots where grass hardly
ever shows. Tomorrow, too, the sun
will bring its healing mix of heat and light,
and make the flowers grow, more firmly
capable, their fancy floral dresses
stiff, each new eye glazed with thick black stripe
of paint, each marigold more grandly
dressed, more rich with bright silk fabrics hung,
orange vests and epaulets . . .


Lisa Low’s essays, book reviews, and interviews have appeared in The Massachusetts Review, The Boston Review, The Tupelo Quarterly, and The Adroit Journal. Her poetry has appeared in many literary journals, among them Valparaiso Poetry Review, Phoebe, Pennsylvania English, American Journal of Poetry, Delmarva Review, and Tusculum Review.

Angel

Fiction by Paul Hadella

“You can say sorry all you want about breaking the lamp,” Mom said at the top of her lungs, “but this isn’t about breaking the lamp.” Then she stomped out of our apartment and slammed the door.

I asked Vince, “What’s she mean? If she’s not mad at us for breaking the lamp, then what’s she mad about?”

“Maybe she meant it’s about the money,” he said.

“The money?” I said.

“That now she has to buy us a new lamp,” my brother said, “and she doesn’t have the money. She never has the money for anything.”

“Do we really need the lamp?” I asked.

“I guess so,” said Vince. “I don’t know.” Then he asked me what I thought she meant.

“Beats me,” I said. “That’s why I asked you.”

“Could be she’s just mad because we’re boys, and boys play rough,” Vince said. “She really wanted girls. How many times has she told us that?”

I said, “She’s just teasing us when she says that.”

“Just teasing?” Vince grumbled. “Get real.”

Anyway, I’m not blaming the broken lamp all on Vince. It’s true, though, that I didn’t start it. He was the one who brought home the tennis racket with two busted strings. He found it on the grass outside Building Five. “It was just laying there,” he told me.

“What good is it?” I asked him.

“Watch,” he said. Then he went into the kitchen and came back with a sponge, just a bit damp, so it had some weight. Then he started whacking the sponge around the living room, using the racket like a hockey stick. “You be the goalie,” he told me.

We slid the coffee table against the wall and made it the goal. Then things got a little out of hand.

Mom walked through the door, home from work, about five minutes after we broke the lamp. She saw we were picking up the pieces.

Right away, Vince said to her, “Sorry for breaking the lamp.” I said it next. Mom tried plugging her temper but couldn’t. She yelled that thing about it not being about the lamp, then left me and my brother standing there in the living room, our heads down.

It wasn’t the first time Mom has stomped out of the apartment. It’s happened, I think, five other times. So me and Vince know how to handle it by now. First, we give Mom about fifteen minutes to cool down before we go get her and bring her back. We know where she’ll be. She walks down to the pond behind the apartment buildings, sits on a bench, and stares at the water.

Here’s how it usually goes.

First, when Mom hears us coming, she scoots to the middle of the bench. That gives me room to sit on one side of her and Vince on the other.

Then I take one of her hands, and Vince takes the other.

Then we all sit there and watch the water for a few minutes. None of us says anything.

Then I tell her I love her. Vince says it next. He should go first, because he’s older, but he always waits for me.

Then we promise we’ll try to behave better, and not make her life so rough.

Then we ask her to please come back home because we can’t live without her.

Then she kisses both of us on the cheek, and we walk back to our apartment together. Mom might even crack a joke or two to show there’s no hard feelings.

That’s how it usually goes—but that’s not how it went yesterday, after we broke the lamp. Not exactly. Yesterday, when me and Vince got to the edge of the parking lot behind Building Ten, we saw Mom down by the pond, just like we expected. She was even sitting on the same bench she always sits on.

Yesterday, though, she wasn’t there alone. She had company. Not a person—but a big white swan. There’s a bunch of swans that live at the pond. Yesterday, all but this one were out on the water, cruising around like little ships. They plowed right through the creases the breeze was making. This other one, though, was sitting on the grass, facing Mom, about ten yards from her and the bench. It looked white as an angel.

Even from where me and Vince had stopped, at the edge of the parking lot, we could tell Mom was talking to the swan. Talking and talking. Her hands moving to her words. You could bet she was telling the swan about our hockey game that got a little out of hand. I could almost hear her saying, “But it isn’t about breaking the lamp.”

The swan bobbed its head up and down as Mom talked. It was like an angel telling Mom, “Yeah, I get exactly what you’re saying, and I take pity on you.”

It even opened its wings and flapped them a couple of times—which made it look even more like an angel—a mighty angel. Maybe by flapping its wings it was giving Mom a blessing.

I spent a year in Catholic school, second grade—which is probably why I saw an angel and Vince just saw a swan. Vince has always gone to public school. He did think of something, though, that didn’t cross my mind. He said, “That swan must be a she.”


Paul Hadella is a journalist, creative writer and musician, living in Ohio. “Angel” is from a series of stories about his childhood on Long Island, New York.

On the Mend

Poetry by Andrew Shattuck McBride

Until we die our lives are on the mend.

Richard hugo

At the shoreline near the coffee shop,
someone has balanced shards of stone
tip to tip in ragged stacks, creating
a forest of stone above the water.

Under a bench, a pink pacifier, forgotten.
Further down the paved trail, a woman
gathers another woman who is weeping
into a fierce loving hug, murmurs comfort.

A curtain of rain cloud passes overhead,
and steady rain soaks us as I walk by.
Cherry trees are in bloom. Sodden
pink petals redeem pavement and lawn.

There are fewer discarded masks.
The rain, gentle, comforts like a hug.
I don’t hurry. I’m on my way home,
toward something resembling hope.


Andrew Shattuck McBride grew up in Volcano, Hawaiʻi, six miles from the summit of Kīlauea volcano. Based in Washington State, he is co-editor of For Love of Orcas (Wandering Aengus, 2019). His work appears in literary journals including Rattle, Clockhouse, and Crab Creek Review.

Breath

Poetry by Jeff Burt

In the shower from a hose
over tomato vines, an Anne’s hummingbird
entered and rinsed and hovered
a foot from my face, then landed
on my chest to catch a breath,
feet gripping my shirt like a newborn.

I thought of the forty beats
per second of its wings
that I could both hear and feel,
wondered if it slowed and felt the torpor
of stasis come over like sleep,
but in the moment my mind wandered
the hummingbird had flown.

To catch a breath, to enter the mist
and rest on the dusty, arid day–
I thought of the taxi driver
from Eritrea who said he drove
each day until he couldn’t stop,
then he’d stop, he laughed,
he had many mouths to feed,
and hustle is all he knew, cabbie, valet.
When I touched his shoulder,
I could feel his heartbeat slowing down,
body harbor below my hand.

So many months have passed
and he stayed in my thoughts
in the mass where I store
random things I cannot place,
but today I knew,
he was a hummingbird,
beating his wings all day
against the dead air
to stay alive for others,
clutching for a foothold
and turning his throat
skyward for a breath.


Jeff Burt lives in Santa Cruz County, California. He has contributed to Williwaw Journal, Rabid Oak, and Willows Wept Review, and has a chapbook at Red Wolf Editions and a second chapbook available from Red Bird Chapbooks. Read earlier fiction and poetry in The Bluebird Word.

Summer’s End

Nonfiction by Vicki Addesso

for Cathy

It’s now, this evening, and like this summer, I have grown older. Yes, summers grow old, and come to an end. On this last day of August, September’s eve, I sense autumn’s approach.

The mammoth sunflower growing all alone by the young maple tree in front of my house bobs its heavy head and sighs it seems to be getting dark earlier and earlier. It has never seen a summer before, does not know summer must end. Or that this is its last, its one and only. The bulbous center is bursting with fresh sunflower seeds, and come early morning I will watch the goldfinches come to pluck them out, and the bees indulge. The golden-yellow petals are many and flutter in the tiniest of breezes yet remain put. That stem, so thick and straight and tall, sways for the wind in storms and refuses to break. Before the flower at its top bloomed, I thought of Jack and his beanstalk. Could I climb the stem and find a giant in the clouds?

The lonely sunflower, from leftover seeds I dropped next to the baby tree after running out of room in the backyard gardens. Only this one of the dozen or so seeds casually tossed into the dirt grew. The backyard has many other sunflowers, autumn beauties and sunspots and Little Beckas that had bloomed a couple of weeks earlier. Some are still vibrant, others wilting. They will not wither in loneliness; they have one another. But that sunflower out in front of the house, it rips at my heart, knows nothing of its fate. Its single solitary life that will fade as this summer ends. Trees, shrubs, other plants and other creatures share a world in our front yard and have more, some many, summers ahead of them. No worries, sweet sunflower, I whisper through the window screen. After the crispness of fall, the cold of winter, the promise of spring, I will plant more seeds. Summer will return. There will be sunflowers again.

What is this evening for me? It’s crickets. Their sounds fill late summer nights. It is leaving the bedroom curtains open as the sky darkens. Sitting in my quiet room with no lamp lit, listening, watching the light leave. It’s letting the emotions of memories set butterflies to flutter in my belly and goosebumps to rise on my skin. Letting my mind wander and visions to appear. Suddenly I am a child again. Chasing fireflies. Air on so much of my skin, warm, the breeze soft. Swatting at the mosquito on my elbow, sweating, and not caring. Looking back at the house I grew up in, I see the porch light come on. Tilting my head back to glance at the sky, I get dizzy with the sensation of falling up instead of down. Then my mother’s voice calling me inside. I am young but I know it must end.

When did I realize, at what age, did I learn of endings? As a baby, did I notice that the cold of March — the month of my birth —began lifting? That the sun stayed longer, warming my face as my mother pushed me in a stroller? Then, the heat of summer. The slow creeping back of early sunsets. A chill in the air. My first winter. Was I two years old, three, or four when I knew things would come to an end?

When did Eve, that second of the first two human beings, realize that everything was changing? For the first time, one season flowed into another, and nothing was sure any longer. Already banished from the paradise of the Garden of Eden, she now witnessed the utter destruction of all that was familiar. Was she frightened? Or was she too busy to notice? Being mother to the entire human race certainly must have kept her busy.

So amusing how I, and others, even after years of watching our star come and go, shift in the sky, making us alter our clocks, still say, Wow, it’s getting dark so early now, as if it’s something new. As if we were children. As if it were the first time. As if we were sunflowers.

And so, it will happen again, just as it has every year, all the years of my life — the end. These edges of the seasons are my favorite time. The end slides into a beginning. For the time being.

Now I sit, at my desk, the open window in front of me. It is dark outside. The screen of my computer bright. The crickets singing their song of summer’s old age, the sound of it so familiar. The sound of longing. Realization and acceptance. It is the song of ending, reverberating through space and time. It is falling upwards and flying away.


Vicki Addesso is co-author of the collaborative memoir Still Here Thinking of You~A Second Chance With Our Mothers (Big Table Publishing, 2013). Publishing credits include: Gravel Magazine, Barren Magazine, The Writer, Sleet Magazine, Dorothy Parker’s Ashes, and more. She was nominated for a 2023 Pushcart Prize.

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