An Online Literary Journal for Poetry and Flash

Month: May 2022 (Page 1 of 2)

Grateful Heart

Nonfiction by Allison Wehrle

The rose, its five-inch bloom too heavy for its stem, brushed against my leg. It hung over the edged garden bed onto the narrow walkway alongside our garage. I had planted this rosebush just a few months prior, sprinkling its roots with ashes as I emptied the contents of a paw-printed urn into their final resting place. It flourished quickly and now demanded my attention, just like its furry counterpart. I set my toddler down and knelt in front of the insistent plant, cupping the massive flower in my hands. Pulling the pruning shears out of my back pocket, I clipped the bowed stem along with a couple other blossoms, dense petals still unfurling. I brought the trio into the house and placed them in my grandma’s delicate bud vase.

Jack, our beloved black cat (who once shattered a mirror) lived to be 13 and passed on the Ides of March. I acquired him when he was just five weeks old and, as far as either of us was concerned, I was his mama. My constant companion, this fluffy soot sprite blossomed into a stunning feline, with plush fur, inquisitive green eyes, and a supple, panther-like tail. 

Our family – and square footage – grew considerably over the years: cat, husband, kids; apartment, condo, house. And with the house came a (postage stamp of a) yard. Finally, I could get my hands dirty and plant something other than the same boring annuals in a window box. Perennials. Pollinators. Vegetables. I wanted them all. But then I had a baby, who was too mobile come spring for me to do much gardening, so I stuck some petunias in a pot and tended to my offspring instead. We spent that summer on a blanket in the back yard, while the cats lounged on the deck.

Iggy, a big blue tomcat that spent his early years on the mean streets of Chicago, adopted me from the shelter where I volunteered at the time, not realizing that Jack and I were a package deal. He had the softest fur and the sharpest claws; the tiniest meow and the loudest purr; the meanest glare and the biggest heart. Both a lover and a biter, he was the toughest ‘fraidy cat I’ve ever known. 

Iggy assumed the alpha male role upon arrival. He bit Jack’s ears to assert dominance and to try and tame that free spirit. He chattered angrily at the birds outside the living room window, to show them who’s boss. But the night a mouse dared enter our apartment, Iggy dropped all pretense. He leapt onto the kitchen table, prancing around like a housewife from the fifties, leaving Jack to deal with the squeaky intruder. Despite their roughhousing, Jack worshipped Iggy. Iggy begrudgingly came to love Jack. They made such a great pair.

If cats had middle names, Jack’s would have been Trouble. Although it was acute kidney failure – not curiosity – that took him from us, it became clear early on that his nine lives would be nowhere near enough, given his penchant for mischief. Above all, Jack adored us, his family, and was happiest when we were all at home. Although he missed it by a day, Jack would have loved lockdown. 

Each summer, we made small improvements to the yard. We replaced the ugly, overgrown yew with a Japanese maple, thinned the hostas, and buried tulip bulbs among the boxwoods. Then came the year everything changed. 

Stuck at home, awash in postpartum hormones, suddenly unemployed and without childcare, my home felt more like a prison than a refuge and I longed to be outdoors. The neighbors had removed a large catalpa tree, sending a stream of sunlight flooding into our backyard. I wanted to plant a rose. A rose for Jack. The new baby hampered my gardening ambitions; the slow reopening of non-essential businesses (like nurseries) derailed it entirely. And so we spent another idle summer in the backyard, all except for Iggy, who was content to lounge in the doorway and sniff the warm breeze or snooze in the sunbeams.  

Not wanting to miss another planting season, I ordered plants online the next February. I chose Jack’s rose almost instantly, an exceptional, show-stopping hybrid with jumbo blooms in a velvety crimson. Even its name spoke to me: Grateful Heart. I debated whether to preemptively order a plant for Iggy, too, even as he lay draped across my lap, purring. Pragmatism edged out my guilt, as his health was steadily declining. Although the vet once declared him to be the “Timex of felines”, illness and old age soon won out. 

I kept coming back to Crescendo, a delicate tea rose with petals that morphed from white to blush to pink as they unfurled. I perused the recommended add-ons and selected a highly rated plant food that edged my total up just enough to qualify for free shipping, but decided against the bone meal, which seemed morbidly redundant. 

Back outside, I moved to the other rosebush. Planted the same day and enhanced with the same organic matter, for weeks it remained a cluster of thorny, lifeless branches. Had I not been so invested in its survival I would have likely given up when it first failed to thrive. But now, this late bloomer had rewarded my patience with a solitary, breath-taking rose. 

As I reached to clip the single rose from its stocky bush, I punctured my thumb on a razor-sharp thorn lurking just below the leaves. It was then I knew I’d chosen the right cultivar.  “Hi, buddy” I whispered, as I pressed thumb and forefinger together to discourage bleeding. Then, holding the stem by the scruff this time, I nestled Iggy’s lone flower into the vase, the perfect complement to Jack’s showy blooms.


Allison Wehrle is a former magazine editor, classically trained musician and aspiring essay writer. She lives in Chicago with her husband and two human children.

Seabird

Poetry by Charles Tarlton

Just there, where the breezes off the Sound
meet and slide over cooler air lying
on the Coastal Lowlands, seabirds
separate.
                      The soaring osprey ordains ocean
and sand, the vulture oversees the woods.
Seabirds are by convention gull and tern,
sea-crows, and quick sanderlings, but I’ve seen
blackbirds and finches pecking at red
rosa rugosa hips alongside the sand dunes.
The seabird flies between
                      Scylla and Charybdis.


Charles Tarlton‘s poems have previously appeared in Rattle, Blackbox Manifold (UK), London Grip (UK), Ilanot ReviewGone Lawn, 2RiverThe Journal (UK), and elsewhere. He holds a Ph.D. from the University of California at Los Angeles and lives in Old Saybrook, Connecticut.

Call Me Mary

Fiction by Ali Mckenzie-Murdoch

My feet prickle and the orange fish in the water dart and glint, flocking to gorge on my dead skin, crisscrossing tracer bullets in the illuminated tank. The nibbling tickles like the bubbles in the glass of cava in my right hand. I lean back into the petrol blue cushion and stroke the white piping covering the seams. There’s a lighter band of skin around my ring finger. I slide my hand under my thigh where I can’t see it and look into the fish tank below my chair. Red frangipani flowers float on the surface of the water, fleshy lips parted in a sigh.

I wandered into the Aqua Bliss Fish Spa after walking from my hotel to Passeig de Gracia. I never do this kind of thing and I thought all those years of pounding the beat had made me tough, but police issue footwear is more comfortable than sandals. 

An assistant helps me lift my legs out of the water and leaves me to relax in a dark leather club chair after drying me off. This is the ‘Extravagance Treatment’ highlight, a thirty-minute foot massage washed down with a second glass of cava. After the fish pedicure, I can’t eat another tapas of anchovies, but I’m always game for a foot rub and some bubbly. My eyes close, the swish and splash of water and bubbles lull me, a whisper of pear drops wafts past, warm hands cup my feet.

Hola. Soy Maria, says a voice, an English twang to the vowels.

Forgive me if I don’t open my eyes, I mumble to the girl sitting at my feet. She anoints them with oil, pressing her fingers deep into the soles, pulling and spreading my bones, pinching and kneading my sore muscles. Argh, I let out a moan, half-human, half pussycat. This is the most relaxed I’ve been since the divorce. A week in Barcelona seems a good way to start spending my share of the settlement.

There’s a smell in the oil I can’t quite place. It carries me to gilded altars, the chill of a darkened pew, a priest swinging a thurible suspended from chains. The swirling smoke of incense rises in the air. Is it myrrh or frankincense? I’ll have to ask the girl. When I open my eyes, all I see is the crown of her head. Her thick strawberry blond hair cascades over her shoulders, hiding her face but I make out a snub nose sprinkled with freckles. There’s something familiar about her complexion, her accent, and then I remember. 

The thick locks of hair, more reddish in the daylight of the spa, appeared dull blonde under the strip lights in the police station. As if she hears the click of my memories falling into place, she looks up and recognises me too. After she witnessed the man murdered, we had to help her reinvent herself elsewhere, but not before she told the world what she had seen. Unlike the men who scattered and ran, who lost faith, who betrayed him, she stayed and spoke up. I remember throwing a rough woollen blanket over her head before we ran from the squad car and snuck her through a side door of the courthouse. An armoured vehicle as big as a snowplough thundered past, flanked by a full police escort, sirens blaring. Our decoy worked. Then we wrenched her from her life and erased all the traces. 

So this is where she ended up, but I know better than to say a word. Her eyes are the colour of the Aqua Bliss Fish Spa. As we stare at each other, they fill with tears.

I want to ask her about her new life, how she can make friends without a past she can share, her life in danger if anyone identifies her. Her eyes quiver and a silver droplet falls on my foot. I want to reassure her she’s safe, but the threads knotted in this tapestry of lies keep me quiet. Bowing her head, she wipes away the tears from my feet with her hair.


Ali Mckenzie-Murdoch is a UK dancer who lives in Zürich, Switzerland with her husband and son. Her work has been published in El Pais. In between running her dance studio and writing, she enjoys lifting heavy weights and wild swimming.

Autumn

Poetry by Corinna Underwood

Through a lonely, stagnant year
I’ve missed the changing seasons,
passing only from silent chill
to stifling porous heat;
tired of banging around in a hollow drum.
Suddenly storming with unexpected tenderness,
my lips become unstitched.
At last I have stories untold.
I am turning with the leaves,
not falling but slow-drifting,
so, catch me in your arms,
I am coming home to stay


Corinna Underwood is a British author currently residing in Rome, Georgia. Along with poetry, she writes short stories and novels in the magical realism, mystery, and horror genres. Visit www.ambiguousmedia.net.

Don’t Bury Me Alone

Poetry by Nancy Machlis Rechtman

I don’t want to die
Alone on a bare floor
And have a stranger come upon my body
Lifeless with eyes wide open
Wondering why no one was there
To say goodbye.

And I don’t want my soul to hover
Watching those I loved wracked with grief
Saying all the things I longed to hear
When it would have meant something
But it’s too late
Like missing a plane
Or a train
Because you forgot your ticket
But instead, you forgot your words.

Don’t bury me in the cold, hard ground
Where gravediggers struggle to make headway
Their shovels slamming into earth like steel
That refuses to yield space for a wooden box

Where visitors might feel obliged to stop by once a year
To shed a few tears
And dust off a headstone
And maybe leave some flowers that will soon wither and die.

But instead, scatter my ashes by the ocean where I’m home
Where the waves lap gently at the sand
And the sun warms the soul
Where I can drink in the life that I’ve left
And no longer feel alone.

I will be there in your dreams
You’ll hear me in the wind
And maybe if you think of me
You’ll find I’m in your heart.


Nancy Machlis Rechtman has had poetry and short stories published in Paper Dragon, The Thieving Magpie, Quail Bell, Goat’s Milk, and more. She wrote freelance Lifestyle stories for a local newspaper and was the copy editor for another local paper. She currently writes a blog called Inanities at https://nancywriteon.wordpress.com.

Salsa y Reggaeton Went Silent

Poetry by Gigi Guizado

Salsa y reggaeton went silent
No soundtrack to my dreams

Don’t know what it means…
My soul was lonely

I surfed
and thought moonlight becomes you

drawing me closer
as if I were the tide

You have trouble sleeping too
Don’t know why…

Sometimes you make my heart sing anew
like light sparkles on the water

Or hips, feet, arms entwine
keeping time on the dance floor

Don’t see you much anymore
in and out like the radio

on a country road

Your rhythm stays with me
like the shore recalls the sea

Moonbeams shine on all things
solid, liquid, no matter the distance

More faithful than sound
face in the sky sings his silent lullaby

Sandy-eyed memories rock me to sleep
Dreams are the drumbeat of motivation


Gigi Guizado is an actor, writer, and theatre translator based in Las Vegas. Her micro-plays have had productions or staged readings in San Francisco, Las Vegas, and London, UK. Her poetry and translations have been published by Adelaide Literary Magazine, Another Chicago Magazine, and Asymptote Journal.

Three Scenes in Sunlight

Nonfiction by Bonnie Demerjian

Mother and Child

I hold in my hand a creased black and white photograph, Mom holding infant Me. We’re both smiling for the camera, my father the cameraman, perhaps? With squinting eyes and open mouth, I was a picture of pure delight. Mom smiling too, her long dark hair in plaits and pinned up, a most unattractive style, but fashionable in the 40s. There we pose on that sun-filled afternoon before a house, its white planks brilliant in the clear light, a light as uncomplicated as our smiles.

How often I’ve studied this moment in its informal, close-knit sweetness. At times I’ve felt it a pang, knowing that the innocence of that captured instant was soon, very soon, to be shattered by adultery and divorce, not once but twice. So unknowing we were that day. And what about the photographer, certainly the man I was to meet only years later and the instrument of heartache. What did he know as he pressed the shutter?

I took the picture up another day not long ago. This time, instead of musing on impending pain, I saw, with a flash of insight, wordless uncontaminated love, only love and the miracle of our braided existence. An immensity of stardust commingled in we two. A moment, like that, so brief, so intense, will never come again, but, like the deep tolling of a massive bell, keeps on sounding.

Love   

We met just before hitchhiking became life-threatening. Our college was on a hill several miles above town. There was a bus for those of us without cars, but of course it never ran when you wanted to get away from campus. So, we walked out to the road and stuck out a thumb. What? Me worry?

A few cars went by and then an aging MGB, a red sporty thing, pulled over. I had seen the driver in orchestra. Later, he told me he had been eyeing me too from the trumpet section lined up behind the cellos. Trumpets didn’t have a lot to do while the string players sawed through their parts and they, they were always guys, had plenty of opportunity to check out girls.

So, on a clear spring afternoon, with a breeze from the distant glacier-hollowed lake fresh on my face, I hitched a ride down the hill to town. I wasn’t afraid and even a little intrigued. After all, I had been aware of that evaluating look behind my back. The beer we shared that day, with the small searching talk that followed, are lost to time, but that brief ride marked the first mile on our lifetime journey.                

This Place

I’m standing in the field behind the barn, that matriarch of the farm. She’s over a century old, red, of course, and looming three full stories. It’s a pleasantly hot late summer afternoon in this place, familiar and dear since childhood, home to grandparents, mother, and, for a time, to me. There are sprawling evergreens nearby, scenting the air with their piney aroma, trees planted by my grandfather to succeed his aging orchards. The Senecas had orchards here, too, before they were driven away. We found their flinty arrowheads and smooth grinders when the soil was turned. Dried weeds whisper softly in a light breeze. It stirs the dusty scent of grasses flavored with a hint of warm tar from the road nearby. This time of day the birds are still and only a few desultory crickets scrape away at my feet.

I’ve come today with a purpose, for this place will soon enough be sold, destined for an unseen future. I say goodbye to the barn, dim and faintly redolent from barrels of cherry brandy, product of a damaged crop, we savored long ago. Farewell to the farm house, the gray and sagging sheds, the creek bubbling to the lake in cheerful conversation. Today I raise my face, lift arms, and give thanks to all who lived and worked this land and for all the years I’ve tramped its acres. This unassuming farm, its fertile soil and deep wells, embraced and nourished many lifetimes, so, speaking for them all, I stand in a golden moment tasting of gratitude and sadness.


Bonnie Demerjian writes from Alaska. She has written as journalist and as author of four books about Alaska’s history, human and natural. Her emerging poetry and flash work has appeared in Alaska Women Speak, Tidal Echoes, Bluff and Vine, and Blue Heron Review.

Because The Wind Is Rising And This Week There Was A Microburst

Poetry by D. Dina Friedman

Live in the layers/Not on the litter

Stanley Kunitz

I.

Carcasses of trees severed from roots fog the forward path. We step over branches with browning

leaves, chilled in the poison breath of the wind. 

II.

Soon the trunks will be shredded for lumber to keep the machinery of the world running. My friend

so desperate, he might send his daughter over the bridge alone to face the guards at the border.

III.

How do we hold ourselves up when we’re paper puppets in the wind? Where my friend waits to

cross, the river is rising and the litter swirls. On my beautiful side of the planet, the trees and wires

are down. I am helpless to help him.

IV.

I picture my friend and his daughter in my home between the mountain and the river, eating hot

tomato soup and looking out the window from their quarantine to admire the tree whose limb

plunged in the microburst, barely missing the roof.

V.

The forked branch landed by the front door, its crown of red leaves blocking the path. We thought

we had an antidote for locked borders. We thought underneath the trunk of a uniform, a pathway to

a softer heart.

VI.

The children whirl through the muddy camp like litter between layers of heartless words that leave

no space for a sun drawn with a green marker on a scrap of paper grabbed from the gale.

VII.

Who am I to hug a dying tree? To smile because the sky is blue and the sun is shining? It’s shredding

day. I’ll make tomato soup and freeze it for sparser times, then march the papers to the truck that

splits them into litter, spaghetti in the wind.


D. Dina Friedman has published widely in literary journals and received two Pushcart Prize nominations. She’s the author of Escaping Into the Night (Simon and Schuster), Playing Dad’s Song (Farrar, Straus, Giroux) and one poetry chapbook, Wolf in the Suitcase (Finishing Line Press). Visit her website: www.ddinafriedman.com.

Reflections of the Rio Grande

Poetry by Tiel Aisha Ansari

You have walled up my free-flowing waters, trammeled me with rip-rap and rat-rotten levees; you entomb me under asphalt and throw bridges across my back

You have trapped out the beaver that shaped my watershed, the salmon that climbed me into the land

You ditched and filled, drained and overbuilt, the wetlands that cushioned the blows of my wrath, my wrath flooding against the lands around me

You choke me with nitrogen runoff and mats of green algae, suck out fresh water and give me salt to drink, you drain me to dust and dead fish

But I swear I hold no malice, need no revenge, claim no sacrifice. Stop bringing me
children to drown.


Sufi warrior poet Tiel Aisha Ansari has been featured by Measure, Windfall, and Everyman’s Library. Her collections include Knocking from Inside, High-Voltage Lines, Country Well-Known as an Old Nightmare’s Stable, The Day of My First Driving Lesson, and Dervish Lions. She hosts Wider Window Poetry on KBOO Community Radio.

Life’s Revenge

Poetry by Hugh Blanton

Maybe I didn’t give life what it wanted.

All of those things I was supposed to do –
get married – have children –
get a mortgaged house –
vote –
I refused to do and now
life wants payback.

Maybe if I’d worked overtime –
maybe if I’d given up my day off –
maybe if I’d pursued a career
instead of keeping a job –
I wouldn’t be in this mess.
Poverty is the punishment for
my fecklessness.
Life tried to teach me a lesson –
I took it as a challenge to refuse to learn.

It was all set up for me to participate –
schools – churches – Kiwanis Clubs –
but my Emily Dickinson-like
passion for solitude kept me from it all.
That – and my love of bottom shelf whiskey.

Like a cat with a mouse –
life drops me at the doorstep of its master.


Hugh Blanton grew up in the hills of Eastern Kentucky and now lives in San Diego. His work appears in The American Journal of Poetry, The Scarlet Leaf Review, As It Ought To Be and others. His book A Home to Crouch In was released in April (Cajun Mutt Press).

« Older posts

© 2024 The Bluebird Word

Theme by Anders NorenUp ↑