An Online Literary Journal for Poetry and Flash

Month: June 2022 (Page 2 of 2)

Memories of Arenal

Poetry by Hilary Stanton

In my teacup I hear
rain—rush on the roof,
rumble of approaching jungle storm
slapping shiny leaves, broad
sides to the sun still shining.

Hammock hung under
a tin roof, open
to wind introducing
coming clouds.
The light drops,
deafening water
rattles, hammers corrugated metal.

I sip my tea.
The pitch in the cup drops,
the drops hang shining.


Hilary Stanton lives in the Boston area with her husband and their three homeschooled kids. She enjoys hiking and designing original creations using yarn, fabric, or words. Her work has been published in Cobalt Review and Light; she is currently working on a novel.

A Lifeline

Nonfiction by Gail Purdy

The afternoon was grey with light rain. No different than any other day during the winter months. The world appeared softer through the rain-spattered windshield as I sat motionless in the car outside my mother’s apartment building. I felt the deep heaviness that had made itself at home in my body. What else did I need to do before I went home and cocooned for the night?

My cell phone rang just as I turned the key in the ignition. The woman’s voice sounded harsh coming through my car’s audio system.

“This is the Director of Care at Evergreen Baptist Care Facility. Is this Gail?”

“Yes, it is.”

“We have a bed for your mother. You have until tomorrow to decide if you want it. If you do, you must move your mother into the facility within 72 hours. Normally it is 48 hours, but you have an extra day because of the New Year’s holiday.”

The idea of my mother moving into a long-term care facility was something I didn’t allow myself to think about. I didn’t want to hope. Was it possible that this journey of caring for my mother might soon end? Was someone throwing me a lifeline, and I just needed to grab hold of it? Could I grasp hope and not let it slip through my fingers?

It had only been two weeks since the case manager visited my mother to assess if it was safe for her to continue living independently. The regional health authority would decide if my mother qualified for a ‘subsidized bed’ in a long-term care facility. A decision that was weighted heavily on how many authorized services my mother was currently using. Any assistance I contracted privately to support my mother didn’t count. “I only gather the information and present it to the assessment team,” the case manager told me. “Every care facility in your immediate area has a six to nine-month waitlist. So don’t expect your mother to move soon if she is approved.”

What did live independently really mean? The only reason my mother had been able to live alone in her apartment over the last several years was because of me. She had fallen five times in less than four months, and each time I found her lying on the floor, not knowing how to call for help. When she stopped bathing, I arranged for someone to assist her. When she could no longer make sense of microwave instructions to reheat prepared meals, I hired someone to purchase groceries and prepare meals for her. Afraid of falling again, she had become reluctant to leave her apartment.

Fingers deformed by arthritis made it difficult for her to remove medications from the pharmacy-sealed blister packs. Yellow and red pills were found among the forks and spoons in the kitchen drawer, and a zip-lock sandwich bag containing a handful of pills sat near the toaster. Evidence of what had been lost and retrieved over time.

Each square on my mother’s large calendar contained the names of people who came to help her each day. Confusion set in each time she looked at it or when someone showed up to help her. “Why are you here?” she asked. “I don’t need any help.”

#

As the woman on the phone continued to speak, I heard her voice, but I couldn’t respond.

Frustration and anger had taken their toll. Trying to manage the needs of my aging mother was crushing me. As hours turned into days and days into months, I felt fragile. Feeling myself slowly breaking apart, I wondered if I would be lost in the shattering. Self-preservation was screaming at me. Responding to these needs had become a way of life for me, and I didn’t know how to be any different. And now I was slowly losing myself.

Anger bubbled just beneath the surface of my self-control. With a force and energy of its own, anger surfaced at will. I wanted to live my life, not my mother’s. She no longer knew how to keep herself safe, and I was anxious about what might happen when I couldn’t be with her. I was afraid of losing her, and at the same time, I wanted her gone. Fear and anger wrestled inside of me, each fighting to take control.

#

Only a few seconds had passed as images from the last year flashed through my mind. I slipped back into the present, aware of the rain on the windshield and the woman on the phone.

“Yes, we will take the room,” I heard myself say as numbness spread through my body. Fog descended over the streets as I drove home.


Gail Purdy is an emerging writer and multi-disciplinary visual artist living on the west coast of British Columbia. She is the runner up recipient of the 2021 International Amy MacRae Memorial Award for Memoir. Her story “The Parking Lot” was part of the 2021 Amy Award Anthology.

A moth and her flame

Poetry by Thai Lynne

the children fall asleep
my skin absorbs the violent silence
and I come alive: unfolding, expanding
like a set of lungs, a deep breath
and I exhale stardust and simplicity
but there is a restlessness in letting life decide
which direction to point my painted toes
and when to lean in but my body resists
there is a prickling under my skin
and its name is not Satisfaction
I leave it outside the door with the snow on my boots
and I unfold inside this house that isn’t mine
the flickering heat of the fireplace
is like aloe on my sunburnt skin
soothing the ache beneath and I yearn for the peace
that comes from living with intention
as though I were the architect of my own life
rather than a spectator, and I envy
this house pregnant with purpose
and its name is Contentment
a place where those of us
the weary Empaths, overwhelmed
can curl up with a glass of wine in the hot tub
and flirt with desire and design
and oh! the spicy heat that drowns us
under the burden of a life not fully lived
can either wear the mask of crippling defeat
or shining renaissance
I choose the fire.


Thai Lynne is a stay-at-home mom of three, who works construction part-time with her husband, is pursuing a BA in Creative Writing and a freelance writing career. Her work has appeared in Borrowed Solace MagazineThe Hunger JournalTwist in Time MagazineZimbell House Publishing, Dodging the Rain and elsewhere.  

Beyond the Window

Poetry by Sarah E N Kohrs

Beyond is the light-gray world
                                                              poised with clouds that linger
but my eyes settle not on those.
                                                              Instead, I see a brown moth flicker
against the screen-less window
                                                              where a trillion droplets
settle like stars. Those wings
                                                              move in such succession, my
heart seems to speed up, too.
                                                              I raise a hand, palm ready
for comforting, providing
                                                              relief, hope, even.
But the window doesn’t open
                                                              and the rain drips in dirges.


Sarah E N Kohrs is an artist and writer, with over 80 journal publications in poetry and photography. She has a teaching license, endorsed in Latin and Visual Arts, homeschools, and creates with clay in her pottery studio. SENK lives in Shenandoah Valley, Virginia, kindling hope amidst asperity. http://senkohrs.com.

A Full Moon in Winter

Poetry by Tad Tuleja

The flat soft pallor of this night’s moon
Sidles noiseless to my window
Turning the slatted blinds I have not closed
Into ebony and silver prison stripes.
Whisks of moon lean in beckoning
But I am snug though sleepless
And I have been out there before
When the ground was painted ashen
And the air had given up its breath
To windless mystery. Human eyes cannot
Bear that color. What creature would be afoot
At such an hour? I hear no owl’s wings,
No coon-rattled trash cans, no feline squawking,
Only my wife’s gentle breathing, best of
Consolations, until—there!—some distance
Away, the thinnest of whines flutters
The ash, as Coyote scopes the ground
For skittering fieldmice. In safer light, tomorrow,
I will find his calling card, the berry-pocked scat
He places in driveways as if to say:
Come, drowsy brother, break fences
With me. I will show you a moon
You have not seen before.


Tad Tuleja, a folklorist and songwriter, has edited anthologies on vernacular traditions and military culture and received a Puffin Foundation grant for his song cycle “Skein of Arms.” Visit https://skirmisheswithpatriotism.buzzsprout.com for his weekly podcast. Under the musical alias Skip Yarrow, he performs songs on www.skipyarrow.com and You Tube.

Posted

Fiction by Brigita Orel

My thumbnail hurts from so much biting. He’s usually here by now. What’s taking so long?

There’s a noise outside. I peer through the crack in the curtain. It’s just the neighbour’s dog. Come on! It’s past eleven.

The doorbell rings then and my heart stutters. I fumble with the keys and it’s a good thing because if I opened the door right away, he’d know I’ve been waiting for him.

He smiles down at me and his soft eyes sparkle. He’s had his hair cut. I like it. I wonder if he’s noticed I curled mine.

“Sorry I’m late, had a flat tyre.” He grins. “Another package for you, Miss Appleby.” He holds out a book-sized box.

“It’s Alice,” I say, my voice cracking with nerves.

“Alice.”

I love the way his low voice makes my name sound glamorous as though I’m a film star not an archivist.

Confusion flickers across his features. He proffers the package to me again.

“Oh, right.” I grab it from him, heat rising up my neck. “Thank you.”

“Till next time.” I open my mouth to offer him refreshment, but he’s already descending the stairs, swinging his leg over his bicycle. He gives a short wave and he’s gone around the corner.

I go in and let the door slam behind me. I tear off the address label from the box. There’s some packaging paper in my drawer and I wrap the box so it’ll look different next time. I don’t want him to suspect anything. I write my address on it and leave it on the desk. I’ll take it to the post office after lunch. One of these days, when he’s not in a hurry, I’ll gather the courage to invite him in.


Brigita Orel’s work has been published in online and print magazines. Her picture book The Pirate Tree (Lantana Publishing, 2019) was Bank Street Best Children’s Book of the Year. She studied creative writing at Swansea University. Brigita lives in Slovenia where she works as a translator.

3 haiku

Poetry by Joyce Miller

The last leaves fall
from the weeping cherry—
          the farmer sees the city.

 

Blade of green
sharp with spring,
          in winter snow.

 

A firefly alights a light
of bioluminescence on
          a moonless night in June.


Joyce Miller served as a senior editorial assistant for The Cincinnati Review and her work has been published in The RavensPerch, Crack the SpineServing House Journalaaduna, and Venture; Ohio Voices. She currently teaches Italian in the Romance and Arabic Languages and Literatures Department at the University of Cincinnati.

The Turning

Poetry by Bonnie Demerjian

Sing a song of summer’s end —
crickets in the grass
katydids seesaw away while
locusts buzz of shortened days.
Half moon in the evening sky
veiled with trailing cloud
while the winds shush through the weeds
All restless, so restless.

The cats play ambush in the grass
heedless of the gathering dew.
In the field the dry corn stands
waiting, waiting.

Summer gathers in her skirt
apples, pears and grapes,
fragrant asters plump with bees,
sheaves of scraping insect song, and
waves of birds as they depart.

With a long and backward glance,
step by step she leaves us
soon to sink her body down.
Autumn, it’s autumn.


Bonnie Demerjian writes from Alaska. She has written as journalist and as author of four books about Alaska’s history, human and natural. Her emerging poetry and flash work has appeared in Alaska Women Speak, Tidal Echoes, Bluff and Vine, and Blue Heron Review.

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