An Online Literary Journal for Poetry and Flash

Month: September 2022 (Page 2 of 2)

Sunday Afternoon on the Eagle Trail

Nonfiction by Stacie Eirich

On a path towards peace, I wind my way past families, grandparents, children, couples, dogs, bikers — eclipse them and am surrounded by trees, stillness, and sun. Heat rises as I step past fallen leaves, pinecones, branches, roots, mud piles, marsh. Dry stretches crackle under my old tennis shoes, wet patches soggy with mud, leaving smears of earth on my calves.

At a fork in the dirt marked by wooden signs I read ‘Eagle Trail,’ follow the winged path deeper into the trees. Light shines through in spaces, dappling a canopy of leaves overhead, a crochet pattern of glaring green, rust red, burnt brown. I stop, listening to distant sounds of humanity, drinking in the moist scent of warmth. Only the breeze speaks, moving long grasses slow and tender. A rustle now and then, creatures scattering, hidden under fallen logs, months upon months of earth. A silent fluttering of yellow moth, I watch her fast flight. She could have spawn from the sun, she is so bright.

She lingers as the sun settles into my skin. Each step takes me further from the road, deeper down the path, zig-zagging past places where time matters. Into a space without, a space to just be.

There are signs of death among so much life, signals that nature runs a course and falls prey to a cycle. Not one destined by years or months, days or hours on a clock or calendar, but seasons of light and dark, warmth and chill, nourishment and hunger— the steady dawn and relentless night that comes. A tree may live hundreds, even thousands of years, but even it must rest. Like a giant trunk hewn from Earth, unmoored, with a pool of life underneath, even the greatest, oldest tree must sleep. (So many dead things amongst teeming life…the trail speaks to me of sadness and grief yet yields to acceptance and change.)

There is beauty in its space apart from us, in its perseverance to thrive. Wild iris, purple bulbs bursting from tall grass shoots in marsh waters. Ruby red Cape Fuchsia flowers droop upside down in bunches, their bleeding hearts like offerings beside the path. These are few but sparkle within a landscape of green, rust, brown. In the moss and algae covered waters swim turtles, their dark heads peeking up at blue bared sky.

I wait on the footbridge for a grandmother to lift her grandson to see them, exclaim how many he sees. Then he rushes past, small sandals clomping down the boards, grandma following. The turtles scatter as I bid them a quiet farewell.

I lift my face to the sun, breathe in—breathe out. Step forward, rising to meet the life that awaits on the other side.


Stacie Eirich is a writer, singer & library associate. She holds a Masters Degree in English Studies from Illinois State University. Her work has recently appeared in Art Times Journal, Avalon Literary Review & The Bluebird Word. She lives near New Orleans with three cats, two kids and one fish (www.stacieeirich.com).

Six Months After Father’s Leave-Taking

Poetry by Nancy Kay Peterson

There is no word
for the weight of winter,
no number for the centuries
that press upon bone.

Alone in my father’s meadow,
drifted with moon-lit snow,
I count the Indian burial mounds
that lie at forest’s edge.

At 30 below,
everything is clarity,
the line of black trunk,
the curve of white land.

Everything is soundless
except my whispered leave-taking.
I make no promise
to come again.


Nancy Kay Peterson’s poetry has appeared in Dash Literary Journal, HerWords, Last Stanza Poetry Journal, RavensPerch, Steam Ticket, and Tipton Poetry Journal. From 2004-2009, she co-published Main Channel Voices: A Dam Fine Literary Magazine. She has two poetry chapbooks, Belated Remembrance (2010) and Selling the Family (2021). Visit www.nancykaypeterson.com.

Artifacts

Poetry by Kristin Chemis

Inside your house
you have pieces
that seem to have been there from
an ancient time, old relics of days
when you were happier
and could afford to gather adornments lightly—
when you took unwanted
furniture off others’ hands
or delighted in an unexpected find,
filling up your home and all the while laughing, planning
your future and moving forward, always moving forward,
until many years later
when you look back and a hazy amnesia has crept in—
where did I get this, who might have used it before me?
Why did I even bring this into my home,
and—how did I manage to forget?
The unrooted ties to an ever-changing past
float around you and seem to change
their color, their look. They are almost
no longer recognizable, except for a hint
of some pleasant memory, some remembered feeling
of lightheartedness and freedom.
The clock’s hands have journeyed
around and around a million times, and you
don’t even know now where the clock came from.


Kristin Chemis is the mother of twin boys and a baby girl. Her writing has been published in Press 53, Apple in the Dark, and San Diego Woman’s Magazine. Kristin is also the author (under pen name K.K. Tucker) of the children’s book The Parrots Next Door.

Distance

Poetry by Braden Hofeling

Nothing has distance,
I think as I stare skyward,
celestial blue connected to fluffy white,
stars, suns, planets, courses set.
Even the wind, my ruffled hair–the current connects.
Everything in my world touches
one another, branching into a singular something,
inescapable as the tides that turn
craggy shoreline into ocean floor.
I wonder if I flung myself into space, into
the furthest reaches of the black cosmos,
could anything touch me there?
Could people still wrap me into a word,
binding me to this claustrophobic sphere?


Braden Hofeling is an emerging poet located in Portland, Oregon. He has two self-published collections of poetry and is hoping to publish his third book through an independent small press.

A Hawk in the Night

Nonfiction by Claire Galford

“All right, folks,” the naturalist says. “We’re about to start our Birds of Prey presentation. But please don’t step any closer than that line on the floor.” I get it—some of the larger raptors look as though they could rip your face off before you could flinch. 

I’m at the High Desert Museum south of Bend, Oregon, a thoughtful and humane mix of live animals, history, Native American artifacts and native flora on the edge of the Central Oregon desert. The Museum is a great place for serendipity: you can wander around inside or outdoors without a plan and usually come across something new and interesting.

I’ve been distracted by the rattlesnakes in an exhibit adjacent to the Birds of Prey talk and am now trying to locate my family, probably outside at the River Otter Pond or the dirt-floored pioneer cottage. Poisonous snakes make me uncomfortable, and the Museum has some huge ones (“Big shouldered snakes,” as one tribal chair always described them to me). I notice the raptors and happily conjure up an image of the larger ones grabbing and eating the snakes.

The naturalist points out the floor-to-ceiling window across a stream to the large wire screen enclosure that’s home to the raptors when not being shown. “Now, all our birds at the High Desert Museum are rescue animals. All of them have some condition that makes it impossible for them to survive in the wild.”

He describes each species, its habits, characteristics and role in the high desert biome. He points out each bird’s disability (e.g., broken wing, partial blindness, injury to beak or talon) that keeps it from living out its life in the wild. I touch my knee, the one without any cartilage, that someday soon will end my running, my antidepressant of choice for 45 years.

One by one, the naturalist holds and describes each member of the Museum’s Birds of Prey cohort: Great Horned Owls, bald eagles, hawks, Golden Eagles, falcons and vultures. He lets a Red-Tailed Hawk perch on his arm, her talons gripping the thick leather glove that extends to his elbow.

“Now this gal here is different. Of all our birds, she alone does not have any disability or impairment. She is as physically healthy as she can be–a perfect specimen. Yet, she can’t survive in the wild, maybe less so than many of these birds that have been injured. Although she was born and raised in the wilderness, she was not raised as a hawk. She was raised to be a Great Horned Owl. I’ve been doing this for 19 years, and this is the first time I’ve seen anything like it.”

We have nesting Great Horned Owls at our place, and I’ve watched them for years. The big Owls do not build nests. They steal the nests of other sizable birds, usually hawks. Quite likely, there was a hawk egg in a nest that a pair of Great Horned Owls commandeered. They hatched and fed this hawk and tried to teach her their ways, and the hawk imprinted on the owls.

I envision her trying to hunt at night, in the darkness, to move around in the forest without making the slightest sound, to catch and eat animals like squirrels and skunks. But hawks have evolved to hunt by day, while riding wind currents, not from trees at night. Red Tailed Hawks aren’t large enough to kill and carry off many of the mid-sized mammals that Great Horned Owls feast on. In nature, this hawk would die from long, slow starvation, frustrated at her inability to do what her adoptive parents expected of her. She had never learned the ways of hawks growing up, and other hawks wouldn’t accept her as one of them. She was alone and unable to live as a member of either species.

The hawk’s plight resonates with me. I am a female born and, until recently, living most of my life, decades, in a male body. The divergence between my female psyche and my socialization as a boy and man, which started at the moment of birth and went on in a million subtle ways, has grown into a chasm. Yes, gender is a spectrum, not either-or poles, but our mainstream culture tries to impose a sharp divide between male and female roles. I know I should embrace my part in blurring gender dichotomy, in giving the generations that follow mine greater freedom to be who they are. Still, even at this late point in my life, it feels impossible for me to reconcile what I feel and what I have been taught. Like the hawk, I belong to neither world.

I long for connection, attachment, an escape from loneliness. Does something primal in the hawk ache to soar in the air currents high above the fields and forests like other hawks? Does she feel failure because she can’t emulate her owl stepparents? Does she yearn for a mate who will love her as she is? Does she, like me, hunger for a deeper bond with her own kind, to feel more comfortable in her own skin?


Claire Galford writes from the perspective of one who has lived as a boy, a hetero man, a trans woman and now, a woman. She writes about the emotional and interpersonal aspects of her lifelong journey to self-discovery and the costs and trade-offs involved.

Life at Large

Poetry by Judith Yarrow

I sail the little boat
of my consciousness
on the great sea
of the universe

tossed about
by waves invisible
to me and toward
a faint horizon

maybe a harbor
or maybe just a cloud
receding. Still I sail.


Judith Yarrow lives in Seattle, Washington. She’s been published in Women’s Words, Cicada, Bellowing Ark, Backbone, Aji, and others. She was the featured poet in Edge: An International Journal, and her poems have been included in the Washington State Poet Laureates’ 2014 and 2017 collections.

The Train

Fiction by Beth Ford

Macy would always remember the day she became a train. It was the tail end of winter, and she had had enough.

The kiddie train in the city park had shuttered what felt like ages ago now. A flood of rainwater had barreled through the park, upending earth, sidewalk, and tracks. And, of course, covid now made the tiny train cars too close for comfort so they remained locked away.

Which meant here they were, with Brendan melting down alongside the mini train tracks because there was still no train. She had walked them past the loop of track on the way back to the car, not thinking it would be a problem. But after telling him twice the train was not running, he had started crying. She wasn’t even sure how he remembered the train. He couldn’t have been more than three the last time he rode it.

She tried to be understanding. Everyone had reached their boiling point by this stage of the pandemic, adults included, so who could blame a child for acting out? Though the fact remained hers was the only one making a scene in the park this morning. The tantrum reached a new level of shrillness. She had to do something.

She knelt in front of her son. “Why don’t we be the train?” she asked.

He paused his screaming long enough to look up at her. He was interested, at least.

“Here. Get on my back.” She turned so he could get piggyback, then she stood and walked alongside the tracks. She felt a tug on her shirt at the shoulder and heard a loud sniffle, which probably meant the fabric had become a tissue. She ignored it and forged ahead. “Where is the train headed today?” she asked.

“Mexico!” he shouted.

Mexico? Where did he get this stuff? “All right, the 3:10 to Mexico it is.”

“Make the train whistle, mommy!”

She had to try a few times before a convincing whistle emanated from her lips, but eventually he was satisfied.

They began to attract attention. An older couple laughed and walked by with a wave. A woman and her son watched for a moment before approaching. The boy was a bit younger than Brendan, dressed in a blue t-shirt with a robot on it.

“Want to join our train?” Brendan asked from his perch. “We’re going to Mexico.”

The boy looked up at his mother. She shrugged. “Do you mind?” she asked Macy before taking position behind. The boys shouted as they went along, lots of chuga-chugas and choo-choos, and the occasional, Faster! The group had almost returned to their starting point when a little girl fell in at the rear of their train, parent unidentified.

“We’re reaching the station,” Macy said. “You boys better put on the brakes.”

Brendan made a whooshing sound she assumed was meant to be the sound of the train slowing. Behind her, the other boy simply shouted “Stop!”

She pulled up to the same tree they had begun under and let Brendan down. A mother ran from the direction of the duck pond to claim the little girl. “Sorry!” she said. “She got away from me for a moment.”

“No worries,” Macy said. They all introduced themselves. The kids grinned, thoughts of tantrums temporarily dissipated. For a brief moment, normalcy seemed restored. The sun peeked through the leaves above them, brightening the last winter chill out of the air.

“So,” she asked, “Same time next week? Different destination perhaps?”


Beth Ford lives in the beautiful Shenandoah Valley of Virginia. Her short fiction, poetry, and a novel excerpt have appeared in Embark Literary Journal, The Scores, Sangam Literary Journal, fresh.ink, and The Journal of Undiscovered Poets. For more information, visit http://bethfordauthor.com.

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