An Online Literary Journal for Poetry and Flash

Month: October 2022 (Page 1 of 2)

Untitled

Poetry by Melissa Donati-Pizirusso

I am a helium filled balloon
Released from the hands
Of a little girl
Staring in wonder at the sky

A balloon that floats freely
Up
Into the wind
Caught in branches
Waiting for the next breeze to set me free

Descending then to the ground
And then picked up
By another breeze
Sending me to low points and then high
Low
High
Sweeping at the ground
Then dropping
Into a foliage of leaves
Waiting to be lifted again

By a breeze
That may never come
Or one that may bring me even lower

Until once again
I am picked up
by the hands of a child
that holds me like a treasure
to their chest.


Melissa Donati-Pizirusso is a Mom, Writer, and Assistant Principal. Her love of writing and poetry goes back to when she was a child writing numerous stories and poems on a daily basis. She is a graduate of SUNY Albany where she studied Sociology, Italian and Journalism.

What the Old Want

Poetry by Steven Deutsch

Not much—
friends
and family
I suppose—
for short visits
involving meals
at restaurants
with tablecloths,
or something sumptuous
simmered for hours
over a low flame.

How about a week
without a visit
to a doctor
or a single
medical test.
No MRI or EKG
or CAT scan,
or even
a tube of blood
with my name
in magic marker.

Time
is in free fall.
Like riding
an elevator
held by a single
strand of steel
down from
the 93rd floor.
Bring kindness.

And, when all
else fails,
a recliner—
well worn
in all the right
spots.
A coffee
straight up
and the book
I loved best when
I was young.


Steve Deutsch has been widely published both on line and in print. Steve is a three time Pushcart Prize nominee. He is poetry editor for Centered Magazine. His poetry books; Perhaps You Can (2019), Persistence of Memory (2020), and Going, Going, Gone (2021), were all published by Kelsay Press.

You Never Know

Fiction by Paul Dubitsky

My very first class, on my very first day of High School was English. How could I possibly like English class? I didn’t like to read. I didn’t like to write. I expected it to be my least favorite.

My English teacher, Ms. Mac, assigned seats alphabetically. Mine: second row, first desk.

Nowhere to run, nowhere to hide.

She asked the class, “What did you read this summer?”

“What did you read?” What a dumb question. It was summer; I didn’t read. Sure, this was the class with the smart kids, but c’mon.

She called on each of us. Up and down the rows. I heard all kinds of answers, The Great Gatsby, Great Expectations, War and Peace.  

Are you kidding me? War and Peace?

My turn next. Think man, think.

The teacher stared right at me. “What about you?” 

I thought I might impress her with honesty. “It was summer, I didn’t read…wait. I did read the newspaper.”

Was that a smirk? Or hint of a smile?  She asked, “What did you read in the newspaper?”

Fair question. Deserves an honest answer.

“The Daily News. The sports pages. I follow the Mets.”  That oughta  impress her.

Ms. Mac put a hand on her hip, turned away and stared out the window. She seemed lost in thought. She slowly shook her head. It seemed that we shared a common thought, this could be a long year.

Finally, she turned away from the window and looked back at me and asked, “If someone called you the epitome of asinine stupefaction, would you be angry or pleased?”

I shrugged, then decided to give honesty another chance. “I don’t know.”

This couldn’t get any worse. But wait, it could, and it did. In the third row, second desk, diagonally back from me, sat the prettiest girl I had ever seen. I heard her whisper, “What a jerk.”

The teacher walked closer to me. She leaned in, resting her hand on the corner of my desk. She smiled, not a smirk, a warm, caring smile. In a soft gentle voice, meant only for me, she quietly said,  “That’s why you need to read.”

Life is funny. Ms. Mac became my favorite teacher. That pretty girl became my wife.

You never know. It turns out, they both valued honesty. As for me?  I still read about the Mets. You never know.


Paul Dubitsky is a retired, medical professional who has been encouraged to write by friends who have enjoyed his stories.

The Color of Noise

Nonfiction by Sandra Marilyn

The noise seemed to have been born of the profusion of color that swirled around the hundreds of people sharing the streets on our first day in India.

It was as if one of the gods or goddesses said, “There will be too many of you and you won’t have much money, but I’ll give you an extra serving of color and it will define your brave spirits.”

Then the color rained down on them in great splashes making their houses lavender and orange, or outrageously crimson, making their lorries bright yellow each with an individual design of flowers on every paintable surface. The color even splashed on the horns of the garlanded cows occupying their rightful place in the streets.

 The temples rose steadily up into the sky with layer after layer of deities, demons, monkeys, elephants, cows, and garlands all painted in every vibrant shade of beautiful with none of the West’s concern about appropriate combinations. My heart flew to the heavens with the soaring temples as I stood looking up letting the colors shower me with their abundance.

In the markets women with long strings of flowers in their hair sold powered colors that were displayed in rows of perfect pyramid shaped piles. The cobalt blue, lime green, scarlet, gold, orange, violet of their saris wrapped around their bodies as if to protect them from the tediousness of the world. There were no black, gray, or brown saris. The women on pilgrimage together at the shore all wore vibrant orange and yellow saris and moved laughingly together like a giant orange flower with yellow borders on its pedals.

Cars honking, cows mooing, children laughing, motorcycles revving, people shouting. The noise that might have been jarring took on the life of the colors running together in an ecstatic cacophony. Even in the noise there was no gray.

When I returned home my old house looked much bigger, much more convenient, much more reflective of my privilege than I had noticed on returning from other trips. Yet, the lack of noise and color was unsettling. I stood at the window feeling a profound boredom settle into my bones. Most of the houses I could see were versions of beige; many were gray; one was actually black. There were no flowers painted on trucks or cars; there were no animals walking freely down the street; women leaving their houses for work wore predictably dull clothes. I wondered if I would be able to live with the cheerlessness of our normal.

In the next few weeks I pulled out the ladders and tarps and set about the long task of painting my house a considerably brighter blue, shiny periwinkle actually, than it had ever been before. All the while I scraped and sanded, lugged paint buckets, and dragged my weary legs up and down ladders, I was saying a sort of prayer for my old house.

“I will honor your soul with this magnificent color if you will protect me from the bleakness and harshness of the world.” She agreed, of course.


Sandra Marilyn, her wife, and a dog live in an old house on the side of a hill in San Francisco. She looks out the window at a view of the city and wonders about the lives of people who live in other cities. And she writes about them every day.

i have flown from my home

Poetry by Jonah Meyer

i have flown from my home
up into that carolina blue embrace which is the sky
past houses i have flown
past families in yards, past
automobiles quick on the way to somewhere else
past the factories, the outdoor picnics, the baseball games
heavy in extra innings

here i have grown, have spread two yellow wings
out over o.henry’s town, that tiny
dragon-tongue below,
over the births and the deaths and the
songs being sung inside radios

i climb, i climb, the hot thick clouds
are silk-white blankets, rugs by
my fox-trotting feet,

and still i soar into
a universe dream-eyed and naked …

O! that the night is a staircase rising,
pure piano-forte,
and i — thrown by harsh desire — i am
all-too-happy to hear such symphonic
orchestration first-hand

bending, climbing, stretching long pale arms
through such sky-dew, even the birds now

believe me
insane


Jonah Meyer is a poet, writer, and editor in North Carolina. His poetry and creative nonfiction has been published widely. Jonah plays guitar and piano, shoots photography, and studies neuroscience and Buddhist philosophy. He serves as Poetry Editor of Mud Season Review and Assistant Poetry Editor with Random Sample Review.

Trace Fossils

Poetry by Carole Greenfield

Small children do not wait for pain
to make a lasting mark. They give fair warning;
we have time to wipe off tears, mop up trouble,
kiss a bruise, pronounce it healed.

But love leaves an impression that won’t be kissed
away. An imprint left in something soft hardens
and congeals. What passed through fire once
is tempered, then annealed.

Children trace their fingers over fossils, guess
at what’s revealed: evidence of ridges, indentations,
life long over, heart’s rush sealed.

Trace fossils: fossils in which evidence of organisms, rather than the organisms themselves, are preserved.


Carole Greenfield grew up in Colombia and lives in Massachusetts, where she teaches at a public elementary school. In the last century, her work appeared in Red Dancefloor, Gulfstream and The Sow’s Ear.

A Painting features Forever

Nonfiction by Meredith Escudier

A woman, pear-shaped and clad in a modest swimming suit, edges her way into the
water. Her toes sink into the wet sand, partially disappearing into a cushiony
softness as a few gentle waves ebb and flow. Despite her tentative approach, her
stance gives off a certain determination. Clutched securely in her right hand is the
left hand of her grandson. Together, in a kind of cross-generational unison, they
advance into the gentle Mediterranean.

Little by little, the waves ripple and swell. By the time the water swirls around her
knees, he will already be waist deep. Mindful of this, she goes no further, not for
now. This will be just a teaser, a taste, an awareness of why a beach holds sway,
why they are here today. The sky, in a wash of orange watercolors, gradually
transforms as the day wears on. The light brightens, nearly blinding in its
luminosity before it recedes, as the day proceeds, as life proceeds, gradually
darkening into another palette of grey and purplish navy blue.

Though the watercolors, light and lovely, maintain their transparency, something
has changed. The grandson will come to approach the water on his own one day,
arms held aloft in greeting, a young expectant heart soaring. She knows this. As a
promoter of life, she somehow hungers for this and yet, looking at the horizon, she
also knows she is enacting a certain lesson, a teaching for him, yes, but also for
her.

He will go on, a member of the future, embracing life on his own. And she, the
grandmother, will follow him along with her eyes, quietly drinking in his wonder
and waving to him, tenderly, from afar.


Meredith Escudier has lived in France for over 35 years, teaching, translating, raising a family and writing. She is the author of three books, most recently, a food memoir, The Taste of Forever, an affectionate examination of home cooks that features an American mother and a French husband.

Lydia Palmer: Redwing, 1888

Poetry by Katharyn Howd Machan

Old idea, a hope chest. Girls already
diligent wives in fond imagination.
No dreams of travel, friendship, books,
deep treasure of solitude.

My mother’s mother started mine:
wedding quilt, baby blanket,
dainty towels with crocheted edges,
tablecloth hemmed with her love.

Oh, I understand her gifts!
She wants her world to be mine.
And I’ll lay them all aside with care
as I repack that flowered trunk.

My future’s shaped by a wide hill
overlooking Cayuga Lake.
There I’ll study more than she
could ever think a girl should need–

but in my sleeve, to honor her,
I’ll tuck the handkerchief she’s stitched
with tiny violets, purple and bright,
small daisies opening into sun.


Katharyn Howd Machan has been writing and publishing poetry for half a century. She lives and teaches in Ithaca, New York with her beloved spouse and fellow poet Eric Machan Howd. She directed the Feminist Women’s Writing Workshops, Inc., and served as Tompkins County’s first poet laureate. She belly dances.

Afternoon by the Brick Pond

Poetry by K.L. Johnston

The fisherman left his folding
chair under the oak in leafy
coolness where occasionally
it’s borrowed to mind the pond.

Content to view its mysteries,
passed by, to watch the young parents
with their daughter discovering
mud, laughing as she finds something

startling that splashes and flicks
away. They scoop her up, strolling
on unmindful of fingerprints
and red clay. They pass the dragon

elm that is far from home, but thrives,
happy to be surrounded by
the wild natives, cinnabar heart
visible through its shrinking bark

next to sycamores flaunting pale
green and white skins. At their dark roots
the bumblebee sits unmoving
on the swamp sunflower, so tired

by afternoon, with few blossoms
left unvisited, he sleeps on
in the acute angles of stem
and sun while pollen shimmers,

a dust of fantasies on the
waters of the pond where carp rise
up from green and purple shadows,
grazing in brilliance, uncaring.

Fierce, the kingfisher darts by blue
and shaded. Not the most brilliant
or the biggest or most deadly
of hunters unless you are small
and a fish! a fish, a fish.


K. L. Johnston‘s favorite subjects are whimsical, environmental and/or philosophical. Her poetry appears in journals ranging from Small Pond magazine in the 1980s to work recently appearing in Humana Obscura and Pangyrus. She is a contributor to the recently published anthology Botany of Gaia.

A Special Place

Fiction by Laurel DiGangi

Judith and Marlon sat on their veranda, sipping Château Lafite Rothschild and nibbling chunks of a divine French brie. The setting sun painted the clouds above and ocean below in iridescent strokes of color. But they didn’t know what specific ocean they viewed, nor could they describe the colors since they didn’t exist on the spectrum.

A year earlier, Pastor Ned had told Judith, Marlon, and the rest of his congregation that there was a special place in heaven for those who put their total faith in the Lord. Believers, true believers, did not need masks, vaccines, seat belts, safety razors, smoke alarms, carbon monoxide detectors, or non-slip bathmats.

Now, here they were, the both of them.

A trio of humpback whales breached in the distance.

“Magnificent creatures!” announced Marlon.

“Yup,” said Judith, but they only reminded her of their three grandchildren. She tried not to miss them because she felt guilty when she did, as if wishing for their early demise. 

Suddenly Marlon sprung from his lounge chair. “I think I’ll go for a run,” he said.

“Have fun,” said Judith, but she was thinking, “Don’t come back.”  If it weren’t for Marlon, she could be jangling her hip scarf at belly dance lessons or helping her grandkids look for seashells and hermit crabs on a real, living beach. Instead she’d spent her last semi-conscious days traumatizing them, their parents, and her friends—including a special friend who couldn’t visit her in intensive care because their friendship was, well, secret.

Judith felt achingly lonely. Sensing this, her lifetime’s accumulation of dogs, five mutts, a dachshund and a Lab, ran out the back door to join her. A plate of doggie treats and chocolate chip macadamia nut cookies appeared. The dogs sat in a row on their haunches and waved their forepaws in the air like little beggars. They were never this well-behaved when alive, but rowdy or polite, they were now one of her few joys.  

She tossed treats at the dogs. She ate the cookies. And no matter how many she ate, more would appear. She tried a dog treat, just for fun. It tasted like ambrosia.

Judith leaned back and cracked open her book, a tell-all memoir written by her favorite actor after his death. The dachshund jumped on her lap, waves churned in the distance, and by page 12, she had fallen into a light slumber.

When she awoke, Marlon was hovering above her, scowling.

“The people down the shore have a gazebo,” he said. “And a fire pit, hot tub, and swimming pool.”

“Cool,” said Judith. “Maybe they’ll invite us over.”

“No. Not cool. We deserve everything they have, plus maybe a fifty-foot catamaran and our own private pier!”

“What makes you think we deserve anything?”

“We were specifically told, a special place in heaven!” Judith had no words. All she could do was glare at her husband. She glared for a long, long time, as time was now mockingly irrelevant.


Laurel DiGangi’s writing has been published in The Chicago Reader, Denver Quarterly, Fourth Genre, Asylum, Atlanta Quarterly, Cottonwood, Two Hawks Quarterly, and Under the Gum Tree, among others. A Chicago-born, former graphic designer and illustrator, she now teaches and is coordinator of tutoring services at Woodbury University in Burbank, California.

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