An Online Literary Journal for Poetry and Flash

Month: November 2022 (Page 2 of 2)

Happy 125th Birthday Miss Earhart

Poetry by Melissa Wold

Oh Pidge, it’s just like flying.

Amelia Earhart (july 24, 1897 – january 5, 1939)

Like Nike, were you fated to fly
from a box off the roof of Grandpa’s shed
into clouds of gossamer sighs?

Did your treetop view of birds in the sky
propel your wings of imagination to spread?
Like Nike, were you fated to fly?

In your Electra sleek and spry
from the ordinariness you fled
into clouds of gossamer sighs.

Your tenacity and daring mystify
those of us who live in fear and dread.
Like Nike, were you fated to fly?

Did you hear the hue and cry?
Your loss left the world bereft; grief bled
into clouds of gossamer sighs.

On an island unknown, bones petrify.
Your story’s end remains unread.
Like Nike, were you fated to fly
into clouds of gossamer sighs?


Melissa Wold is retired from a career in higher education. She writes with a group affiliated with Mobile Botanical Gardens in Mobile, Alabama. She lives with two rat terriers named Rocket and Spark Plug. They refer to her as their live-in help.

lightning bugs

Poetry by Caroline Randall

at the park, we sit at a picnic table beneath a tree, our faces disappearing in the wane of

daylight. the night is warm with a cooling wind and the scent of distant rain, but we are here,

beneath this tree, discussing the deer across the field and the amount of people still

in the park. we speak of lightning bugs and their absence, and as if summoned,

a single lightning bug glowed, then another, and another until I lost count of their

individual orbs, and i thought,

what kind of magic is this?

that led me beneath this tree?

that brought me to you?


Caroline Randall is a writer and painter living in Louisville, Kentucky. She holds an MFA and a BFA in creative writing from California College of the Arts and Spalding University, respectively. She currently proofs and edits court transcripts for a living.

Mid-Summer Saturday

Fiction by John Sheirer

2:10 p.m.: He awoke with an insect crawling inside his left ear. 2:05 p.m.: Darkness. Only darkness. 2:04 p.m.: He was surprised to notice the unscuffed red paint on the underside of the wheelbarrow. 2:03 p.m. The leaves rustled in the swaying treetops even though there was no wind. 2:01 p.m.: Sweat stung his eyes as he leaned on the sledgehammer handle. 1:38 p.m.: He split the first chunk of wood, beginning the pile for that night’s neighborhood firepit gathering. 1:36 p.m.: “Of course I won’t overdo it,” he assured his wife as he stepped from their air conditioned home.


John Sheirer lives in Western Massachusetts and is in his 30th year of teaching at Asnuntuck Community College in Enfield, Connecticut. His latest book is the award-winning short story collection, Stumbling Through Adulthood: Linked Stories. Find him at JohnSheirer.com.

Haunted Lake

Poetry by Sheryl Guterl

Local legend tells
a winter tale:
A southbound stagecoach

took a short cut
across the frozen water,
hit a soft spot, and sank,

taking passengers,
luggage, and horses
to the bottom.

True or not, it’s reason enough
for mapmakers to name
this lake Haunted.

In an early September morning,
cooled night air
meets summer-warmed water.

Cotton-candy puffs
of fog roll over the lake’s surface.
Eerie, vaporized visions of pines,

cabins, docks, and beaches
come and go.
Spirits rise from the waves.


Sheryl Guterl claims these titles: mother, grandmother, former English teacher, former elementary school counselor, wishful poet, Albuquerque Museum Docent, alto, bookworm. Presently, she is cozied in a New Hampshire cabin, surrounded by water, birds, tall pines, and myriad critters. She will travel back to Albuquerque for the cold months.

My Mother, Feminism, and Barbie

Nonfiction by Anna Stolley Persky

When I was about five or six-years-old, I asked my mother for Barbie dolls. I also wanted the Barbie Dreamhouse, which had an elevator. My friend had several Barbie dolls and a Ken doll, along with the Dreamhouse, and we would spend hours dressing the dolls and sending them up and down the elevator, only to change their outfits again and send them back up and down the elevator. We had to hide the Barbies and Ken if my friend’s brother approached us because he would pop their heads off, but other than that, I found my Barbie time to be tranquil and wanted to replicate the experience at home.

It was the mid-1970’s, and my mother, who was just returning to work after having three children, was dabbling hard with feminism. Barbies, she said, did not represent our values. Barbie was a bad role model. Her body was unrealistic. Barbie, my mother said, was all about materialism. She cared only about her looks and fashion, maybe Ken.

My mother said she didn’t want me to become materialistic. She refused to buy me any Barbie dolls. I cried. My sister, five years older than me, comforted me, but didn’t relate at all. She had no interest in dolls of any kind, and also hated to dress up, which my mother made us do when we visited her side of the family. Sometimes my mother had the three of us wearing matching dresses embroidered with kittens. We even had matching brown tights.

But at Barbie she drew the line.

I kept asking for Barbie dolls. I longed to be handed a gorgeously attired Barbie with tiny high heels, still in her box, waiting for me to free her and undress her, then dress her again.

One afternoon my mother presented me with a garbage bag filled with naked hand-me-down Barbie dolls, their limbs tangled against each other, their hair knotted and matted.

“Here are your Barbie dolls,” my mother said. She then handed me a sewing kit. “If you want to dress them, you’ll have to learn to make their clothes.”

I didn’t touch them. I gave up on asking for Barbie dolls. I moved on to toys my mother wouldn’t find objectionable. But a simmering anger stayed with me. Even at that age, I knew that while my mother had made her point with dramatic flair, she had done so at my expense.

I grew up, went to college, then started applying to law schools. My mother asked me if I was sure I was smart enough to compete with all the young men in law school, and I remember thinking, ah there’s the mother I know, still one foot in and one foot out of the feminist movement.

After my first semester of law school, I flew from California to stay with my parents in their new house in Maryland. My mother led me on a tour around the house that she had decorated. We came to her study, and a giant glass-fronted cabinet filled with her latest hobby – collecting Barbie dolls. There were some traditional Barbies, dressed in pink or evening gowns, then one with roller skates, a cowgirl, a Barbie in a suit. Several of the dolls in her collection were from the 1970’s, some of them still pristine in their boxes. She’d also bought a tongue-in-cheek black market White Trash Barbie.

“You have to be f***ing kidding me, Mom,” I said, shaking, livid. “F***ing Barbies?”

My mother quickly reprimanded me, as she always did, for cursing. Then she asked me why I was so angry.

“You didn’t let me have Barbies, remember? They aren’t feminist.”

“I don’t remember that,” she said. “Or maybe I do. But that was a long time ago. See, they have career ones now.”

“Yeah,” I said. “I hate your dolls.”

My mother’s face crumpled. At that time, I loved to try and make my mother cry. If I succeeded, I felt happy and then overwhelmed with guilt. She started crying. I apologized, but for years, she couldn’t mention her Barbie collection without igniting in me a seething fury. Maybe she mentioned it to see if I would still get angry, and I responded in a sharp, spiteful way to see if she would still get upset. Maybe we needed to know that we were still connected enough to elicit emotion from each other.

My sister was unfazed by the Barbie collection. She told me in private they were ugly, but she didn’t care what our mother collected. She had plenty of leftover anger from our childhood and failing to meet our mother’s conflicted expectations, but none of them involved dolls.

“You were my real live baby doll,” my sister said to me years after our mother passed away. “Why would I want anything else?”

After about ten years, my mother sold off most of her Barbie collection, doll-by-doll. Each time I visited her, there would be a few less of them in the cabinet.

I inwardly celebrated their quiet disappearance. I said nothing to my mother for fear that my response would somehow change her mind, produce a rebellion against me, convince her to start collecting them again. It wasn’t long after that that I had my own babies, twins, to dress in matching outfits, but by then my mother was too weak to hold them.


Anna Stolley Persky, a lawyer and award-winning journalist, lives in Northern Virginia. She’s pursuing an MFA in Creative Writing at George Mason University. Her fiction has been published in Mystery Tribune and The Plentitudes. Her creative nonfiction has been published in Pithead Chapel.

Dear Anthony

Fiction by Alison Sanders

A week later he was still numb with shock, and as he stood staring at the kitchen floor Anthony searched for signs of her there – a crumb from a bagel she’d toasted, maybe a strand of long, brown hair. He found nothing, and the fridge hummed loudly, and he wondered how long he could go on in this empty house.

He’d stopped crying. He’d turned off his phone, ignored the knocks at the door. He wasn’t hiding, exactly. He’d simply gone silent – bewildered and hurt, like a child slapped by his mother for the first time.

There was movement outside the kitchen window and Anthony saw it was the mail carrier. The young man wore sunglasses and pleated shorts, and he strolled up to the mailbox at the end of the driveway, inserted a tidy handful of envelopes, then continued on to the next house, eyes on the stack of mail in his arms. A car drove past, and the mailman glanced up, gave a small wave. It all seemed so casual, so efficient. So indifferent. Anthony had to look away, back to the kitchen floor. How dare he, he thought. How dare that man deliver mail like it’s any other day? And how dare the person in that car just drive and wave and live their life? How dare the sun shine, how dare the earth spin.

He realized he hadn’t checked the mail since the accident. This was a Thing Which Must Be Done. There were things like that – tasks which took all of his energy, all of his strength, every ounce of willpower he had, but he knew he had to do them. The hardest was walking out of the hospital and leaving her there, knowing that as soon as he left they’d pull a sheet over her face and roll her to the basement. The thought of her alone in the dark made him howl inside. How could he leave her? But he knew he had no choice. He’d stared at his feet, willing them to move, left – right – left – right, down the hall, through the sliding doors, out into the terrifying cruel sunlight. Then there was getting out of bed a few days later. It took hours to convince himself. Hours of staring at the ceiling and willing himself to move. But he did it, eventually. He got up. He rubbed his face, which felt puffy and soft in his hands, and he drank a glass of water. There were just some things, he knew, which still needed to be done.

He stepped out into the soft evening light. In the mailbox he found a small stack of envelopes. He carried them inside and placed them on the kitchen counter, then took a step back for a moment and watched the small pile. What stirred in him was not just exhaustion from having just completed one Thing Which Must Be Done, but also a growing dread. It was the realization that her name might be on some of that mail, and the fear of what would happen in his heart if he had to see that. He couldn’t do it. He stared at the stack and for a moment all he could hear was his own breath, shallow in his throat.

But the envelope on top was addressed only to him. In slanted block letters. After a pause he eased it open. It was a thick card with a watercolor painting of a tree on the front. Inside were handwritten words, in a shaky scrawl which leaned to the right as if blown by a strong wind: “Dear Anthony, We’re so sorry for your loss. May God wrap His loving arms around you. Love, Bill and Connie Matsumoto.” Matsumoto? For a moment his mind was blank. The old folks in the little grey house down the street? He barely knew them, other than casually waving as he drove to and from work. He tried but couldn’t recall the last time he’d said a word to either of the Matsumotos.

But now he pictured them together, wearing their matching sneakers with Velcro tabs, driving to the store, for him. He imagined them shuffling down the card aisle to the SYMPATHY section, choosing a card, for him. He pictured Connie sitting at her kitchen table, with a ballpoint pen gripped in her tiny hand, writing those words. And he pictured Bill – his bald head like a speckled egg – placing the envelope inside their mailbox, raising their little metal flag. For him.

He reread the note, and held that card for a long time, staring at the tree on the front. After a while, emboldened maybe, he flipped through the rest of the envelopes. They were all addressed just to him. And so he opened the next, and the one after that, and in between each he paused, and at some point he found his face wet with tears. He stacked the cards neatly on the counter and placed one hand on top, and in that moment he was overwhelmed with such gratitude he could hardly breathe. This world. It could be so cruel, so vicious, so unfair. And then, suddenly, so kind. So beautiful it could break your heart.


Alison Sanders‘ work has been published in Stanford Magazine and is forthcoming in Seaside Gothic. She lives in Santa Cruz, California and is working on her first novel.

Sweet Moon

Poetry by Ursula McCabe

This morning I sliced into a cantaloupe
with ripe musky aromas.
Orange flesh unfolds as I split
the pock marked rind.
Opening up this soft melon
releases an aria of river floating times.

Years ago I rafted down the Salmon River,
an Idaho primitive wilderness area.
We returned home in a panel van
with too many people and a leftover cantaloupe
that had gone uneaten.

Six of us had drifted down the old river
through canyons with 100 foot basalt walls.
Rainbow trout practically
jumped in the boat, pink membrane mouths
puckering up as we slipped barbless hooks
out with our slippery fingers.

After churning rapids tumbled rafts
we warmed ourselves around campfires.
Flickering orange sparks skipped up to the stars,
where a fat round moon looked down.
That moon was as sweet and soft
as the cantaloupe I’m eating right now.


Ursula McCabe lives in Portland Oregon. Poems can be found in Oregon Poetry Association’s Verseweavers Anthology, Piker Press, The Avocet and Academy of the Heart and Mind.

What a Nature Poem Can Learn from a Love Poem

Nonfiction by Jesse Curran

Here I find myself: ten years into a marriage, seven years into two kids, two-plus years into a pandemic. Eros has gone dormant, a long winter of eating potatoes and squash and quietly reading books before seeking deep sleep. But it’s spring and I’m dwelling in things that used to be. I’ve been digging through the old file boxes, trying to find that poorly proof-read graduate paper. The one from the Romanticism seminar. The one about Shelley hugging the tree. About the roaring inside. About laying your body next to the earth. I was twenty-five and on fire, the libidinous pulse of poetry reached into every mundanity and exaltation of the day. For those years, everything was erotic. Everything was about connection. About a radical sense of continuity. About reaching through the loneliness. It was running and running and running and being not yet arrived. Whitman’s lusty oak. A Georgia O’Keefe poppy. It was the only subject. The tree-hugger was it: a symbol of the magnetic pull toward a forgotten union. Then something shifted. I turned thirty, I got married, I got pregnant, I got tired. For the past half dozen years, I’ve been working on the virtue of contentment—an often Buddhist and sometimes Stoic sense of equanimity. But still I burn. My god, I burn. I steep like compost at heat; a bowlful of watermelon rinds and coffee grinds and a bucket of crumbling oak leaves sparking something in the backyard. The tree is rooted in the earth. It does not walk. We move toward it and it stares back at us. I long for it to tear its roots, stretch its mycelium, and walk toward me. And sometimes in April, when the colors splatter, when the candy tulips and the dayglo maple leaves buzz with a heady fecundity, when a friend offers to take the kids back to her house after the school pick-up, when it’s suddenly quiet—sometimes, in April, verging on May, I take my seat on the porch and feel the maple shoots lean toward me.


Jesse Curran is a poet, essayist, scholar, and teacher who lives in Northport, NY. Her essays and poems have appeared in a number of literary journals including About Place, Spillway, Leaping Clear, Ruminate, Green Humanities, Blueline, and Still Point Arts Quarterly. Visit www.jesseleecurran.com

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