An Online Literary Journal for Poetry and Flash

Month: January 2023 (Page 2 of 2)

Rapid Transit

Fiction by E.H. Jacobs

After some consideration, I decided to move from Town X, where I had dwelt for many peaceful, if uneventful, years, to Town Y, a neighboring municipality with which I had only a vague familiarity. I had been feeling for some time that my life had become stale and routine. I had many acquaintances but few, if any, friends, and social conversation always returned to the same topics, like a planet on a fixed orbit: that week’s golf game, the latest baseball trades, and who was meeting up with whom at which expensive restaurant. Nobody seemed interested in discussing, say, the audiobook of Hemingway stories I had been listening to. I heard that the citizens of Y were a livelier lot and that interesting things went on there.

I awoke the first morning in my new home after sleeping so deeply that my memory of the move seemed suspended in a hazy semi-conscious fog. I was surrounded by boxes neatly stacked with no markings to indicate their contents or the room in which each belonged. Perhaps the strangest thing of all: there were no flaps or openings. On top of the highest stacked box was a note that appeared to be in my mother’s handwriting, although my mother had been dead for some years, which simply said: “Don’t open anything you’re not sure of.”

I went outside to see if the newspaper had arrived and a gust of cold wind – quite unexpected in July – hit me in the face, freezing my nose and slamming shut the front door. In my pajamas, I hugged myself tightly to keep warm. The sky darkened and small, white objects began drifting lazily from above, like snowflakes. They soon multiplied and I was in the middle of what appeared to be a squall. As the objects got closer, it became clear that they were not snowflakes, but loose pages from a notebook. I grabbed a handful as they twisted and torqued around me. They were from stories that I had written. A dry, rustling sound, barely audible at first, rose in volume, morphing into laughter. It was the sound of my pages laughing at me. I was hit on the head by what felt like hailstones. After each hit, I saw fall to the ground a book. Each was written by an author whom I had grown to admire: Saroyan, Woolf and Styron. The books flipped themselves open and shook their pages in laughter.

Lying in the driveway was a black high heel shoe with the bottom of the heel roughly shorn off. I looked at my feet, as if the shoe were mine, and I marveled that I could be capable of switching identities so fluidly. Alongside the shoe was a book authored by my favorite workshop leader. The wind blew the book open to a page that read: “Lesson Five: Raise the Stakes.” At that moment, blood started dripping out of the shoe.

I walked into the house in some distress only to hear a knock at the door, commanding and insistent.

Standing with his back to me was a man, broad shouldered, in a gray turtleneck sweater. He turned, holding out two fishing rods and smiling broadly with a self-satisfied, I wouldn’t exactly call it a smirk, but with an expression that definitely showed that he knew who he was and was going to tell me who I was. He had a well-trimmed, salt and pepper beard framing a very familiar face. I opened the door.

I managed to squeak: “Ernest? Is that really you?”

Hemingway let out a hearty laugh. “I’ve come to teach you to fish!” He said a little too loudly, but with good cheer.

“F-fish?” I stammered.

“Well, it was either that or bullfighting, and I didn’t think you’d be up for that.”

“But why’d you–?”

Somebody had to. Come on, you don’t want to end up like those pansies – Saroyan, Woolf and Styron. You’ve got to learn how to fish for yourself!”

I hesitated, not knowing if I should accept his invitation or invite him in for tea. After all, how often does one get to spend time with Ernest Hemingway?

Hemingway looked past me into the house.

“What’s with those boxes?” he asked.

“I don’t know how to open them.”

Hemingway pushed past me. “What’s in them?” he asked, as he leaned his fishing rods against the tallest stack.

“Secrets?” I said uncertainly.

“What kind of secrets, man!”

I shrugged. “Don’t know.”

Hemingway took out a fishing knife. “Well, let’s find out then. There are stories in there! Let’s get to work.”

Before he could start cutting the boxes, I blubbered: “But my mother—”

“Your mother? Do you always listen to your mother? I’m sure she was a lovely woman, but still, you know – fish for yourself!”

I nodded and, with shaking hands, pulled down the first box.


E.H. Jacobs is a psychologist and writer in Massachusetts. His work has appeared in Coneflower Café, Santa Fe Literary Review, Permafrost Magazine, Hawaii Pacific Review, Storgy Magazine, Streetlight Magazine, Aji Magazine, and Smoky Quartz. He has published two books on parenting and book reviews in the American Journal of Psychotherapy.

The Rock Garden

Nonfiction by Ron Theel

This time, I need a rock, not just any rock, but the right shape and size rock to finish the stone bench I’m making for my backyard. Usually, I find rocks easily. I forage the edges of farmers’ fields. I scavenge the curbs of newer-home neighborhoods, tracking my quarry, old stone leftovers from rebuilt patios and walkways. I bring these home like well-deserved trophies.

I’ve always appreciated stone, its beauty and durability. Things made from stone have simple lines and natural elegance. Stone endures without maintenance. No painting, staining, or waterproofing is required. I spent college summers working for a small company specializing in “stonescaping.” I learned how to use rocks and stones to beautify backyard landscapes by creating features such as waterless ponds and dry streambeds.

Today, I need Craigslist for help with the hunt. I scour headings like “free stuff” and “gardening.” That’s how I met Ilka. I saw her post, “landscaping rocks for sale, $20 each, your choice.” An email and text exchange later, I have the address and drive up to a small ranch-style home painted Easter-egg purple, nestled on top of a hill. Rocks surround her home and front yard. Tons of granite, sandstone, limestone, and more. Stacks of rocks line both sides of the driveway. The backyard is an overgrown field dotted with clusters of rocks like wild grapes waiting to be picked.

As I walk up the driveway, a woman approaches. She’s statuesque with timeless natural beauty: a tanned face framed by long, slightly graying, blonde hair, chiseled, high cheekbones, and turquoise eyes. She speaks in a deep voice, “I’m Ilka. I grow rocks in my yard. All kinds of them. They just pop through the ground like mushrooms after a spring shower. Let me know if you need help.”

I know where the rocks really come from. Ilka’s property rests upon drumlins, small hills of rocks and gravel deposited millions of years ago by receding glaciers. The alternate freezing and thawing of the ground during winter pushes new rocks to the surface every spring. I say nothing of this to Ilka. I’m sure she secretly knows that rocks cannot be grown.

It does not take long for me to find the perfect rock for the bench. It’s a large slab of limestone, beautifully imprinted with tiny seashells and fossils. Ilka helps me hoist the rock into the back of my SUV. “Come back in spring,” she calls. “I’ll have many more rocks.”

That night, I dream of Ilka, the Druid Queen. Ilka, the Earth Mother. I see her dancing and leaping across the yard, beneath a frosty autumn moon, weaving in and out of the rock piles. I hear her chanting an ancient runic rhyme, calling forth next year’s crop.


Ron Theel is an educator, mixed media artist, and freelance writer. His work has appeared in Lake Life and in the November 2022 issue of The Bluebird Word.

Snow

Poetry by Charlene Lyon

Snow is gravity pulling crystals
which knit into a blanket
tucked under
the sleeping trees.

A muffled, fluffy quiet.
Interrupted by scrunch scrunch boots
and the woodpecker knocking
on doors for brunch.


Charlene Lyon is a writer and poet from Cleveland, Ohio. Her work has appeared in Cleveland MagazineNorthern Ohio Live, Sun Newspapers and elsewhere. Her poetry will be featured in June as part of Standing Rock Cultural Arts’ 30th anniversary calendar in Kent, Ohio. She enjoys a good espresso and walking under trees with her beloved husband.

Hide and Seek with Robin

Poetry by Lilyth Coglan

He came to visit me in September as I pulled out the weeds
I was late to gardening this season
I felt him tutting at me under his red breast
Then he left for a while
Till November arrived
I guarded the cat away from him
Telling her “He is my Robin now stay away”
He bobs his head in and out the tree
Merrily bouncing along the fence
Always chirpy, always happy
I wondered why
Then I realise,
Winter is soon to arrive.


Lilyth Coglan is a poet and a writer from Hull in the UK. Locally she has been on the radio and news sharing poetry and spoken word, and was part of a female arts festival called She Festival in lock down 2020. She writes about mental health, life, love and politics.

Faculty Recital

Nonfiction by Pama Lee Bennett

The college students straggle in, wearing shorts and graphic T-shirts. They no longer wear protective masks, nor do I. A teacher in jeans and a faded top posts a “quick response” code on the wall, and students crowd in to scan their attendance with their smart phones. I take a seat alone in the recital hall, on the aisle in the left section, where I will be able to see not only the featured flutist, but also my pianist friend’s hands as she accompanies her. The flutist, pretty, dark-haired, and unadorned in a black blouse and black trousers, enters the stage, followed by my blonde friend in a black, long-sleeved dress. They begin, and I lean forward slightly, listening, appreciative of the tone and skill of the flutist. It is my first concert in two years.

I enjoy the first several numbers: the “Andante Pastorale et Scherzettino,” by Taffanel; “Les Folies d’Espagne,” by Marias; the “Aria” by Dohnányi. The audience is still and attentive, the flute and my friend’s virtuoso piano filling the once-empty air. Even the unfamiliar tones of the Chinese variations, by Chen Yi, interest me. And then the flutist exchanges her soprano instrument for an alto flute, and they begin playing Arvo Pärt’s, “Spiegel im Spiegel,” and the low, slow, sustained notes reach deep into my being and bring me to tears. Missing pieces of my soul silently enter the room and tentatively float to where I am seated and hover above me, pieces that had left me behind when life became distanced and isolated.

Later, backstage, I hug my friend, and I am introduced to the flutist. I say how moved I was by “Spiegel im Spiegel.” She asks if I’ve ever heard an alto flute before. I say yes, once, at a master class given by the British flutist Trevor Wye.  She exclaims, “I bought this flute from him!” I stare at her, then we smile. My missing pieces begin to fall gently back into place.


Pama Lee Bennett is a speech pathologist living in Sioux City, IA. She plays in a Renaissance recorder ensemble. She has taught at summer English language camps in Poland, and at a school there in 2019. Her poems have appeared in Bogg, Evening Street Review, Dash, and Tipton Poetry Journal.

The Gift

Special Selection for the 2022/2023 Winter Holiday Issue

Nonfiction by Cindy Jones

The brunch dishes lingered on the dining table. Clothes half-out of overnight bags and pillows lined the walls. Someone had cleared away last night’s wine glasses from the coffee table. Aaron Neville quietly sang “Please Come Home for Christmas.” I nudged two friends from their private patio conversation that it was time to come in.

He sat crossed-legged on the floor next to the tree, wavy hair the color of sunlit wheat and strawberries, locks falling into his eyes, wearing a too-small Santa hat and the softest red shirt, not bright enough to be crimson, not brown enough to be burgundy, it was carmine I think. I loved him in that shirt. He made jokes, called out names and passed gifts across the room to our daughter and friends, our hearts filled with laughter and the warmth of belonging.

That might have been our 15th Christmas or our 25th, they are a jumble in my head.


My hands moved the yarn over with the hook, and under and then pulled up a loop. I worked quickly through the simple repetitive motions, counting stitches as I sat alone in the radiation waiting room or rested in bed for months at home. The evidence of my obsession was a pile of crocheted scarves and wraps that threatened to collapse when I tossed on the latest one.

My daughter laid the old camping blanket down and slid the Douglas fir across the back seat. Through my rearview, its tip leaned out the open window, bending in the wind. I dreaded dragging up the ornaments from the garage and recounting the stories that went with each one. Christmas had abandoned me in a new house in a new town. What remained were gamma rays cooking me from the inside, my daughter leaving for her father’s house and me wandering the deserted hallways of my past, tripping over the shattered dreams and broken trust.

I walked down my dark hallway, pulled a new skein of yarn randomly from my basket and got back in bed.

“I made it safely Mom,” she texted, “I’ll miss you for Christmas.”

I pulled the covers higher and reached for my hook and yarn. Long lengths of gray drifted from light shades to dark, morphing into sections of carmine, and pops of yellow, warm as Christmas lights. I began to work, quickly and mindlessly at first and then the movements became slower and slower, and more deliberate.

The sensation wafted stealthily through my bedroom window, open even in December, settling in the middle of my chest before I could stop it, blanketing me like a newly fallen snow over the rage and devastation that festered inside.

I stilled my hands from the over-under, closed my eyes to the colors, quieted my mind from the counting, inhaled the sweet belonging that lived in me, and tasted the unexpected gift of grace.

Dear Louis, Today I am filled with the spirit of Christmas. I thought of you when I saw these colors.  

After I wrapped the scarf in tissue paper and placed it in a small shipping box, I imagined his hand reaching in to lift it out, my note falling to the floor. I saw him raise his arms and slide it around his neck, brushing across his stubble to the small fine hairs on the back, as my lips used to do. 


Cindy Jones is currently living her best life in Mazatlán, Mexico while navigating Stage IV cancer. She spends her days walking on the beach, enjoying live music, writing creative nonfiction and photographing the external world in ways that reveal our inner landscapes.

Christmas Tree Thrown Away

Special Selection for the 2022/2023 Winter Holiday Issue

Poetry by Mona Mehas

Still, it lies there in the snow
All shimmer and crystal shining,
Icicles dangling all a-glow,
And with each branch, entwining.

The balls that were hung so carefully
Are now scattered upon the ground
And fallen there, disdainfully
Are candy canes with stripes around.

The lights that twinkled ever so bright
To all the world for seeing
No longer light up Winter’s nights,
Nor the souls of human beings.

The garland, and popcorn strings, and bows,
Along with children’s delight –
They’ve all tumbled to Angels’ snows,
Brilliant colors absorbed in white.

And last but not least, the star, so great,
Has been tossed aside, no doubt,
For it’s broken – count them – in pieces of eight,
As the New Year, it’s opened and let Christmas out.


Mona Mehas (she/her) writes about growing up poor, accumulating grief, and climate change. A retired teacher in Indiana, she’s at her laptop most days. She’s published in Words & Whispers, Grim and Gilded, and others. In 2020, she watched every Star Trek show and movie in chronological order. Find her on Twitter @Patienc77732097.

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