An Online Literary Journal for Poetry and Flash

Month: February 2023 (Page 1 of 2)

Heartbreak Hotel

Special Selection for One-Year Anniversary Issue

Poetry by Nancy Byrne Iannucci

My dad always thought I looked like Lisa Marie Presley.
He was obsessed with Elvis, an Italian immigrant,
who could never quite pronounce “Presley”
without it sounding like “Pretzel.”

I was five years old when Elvis died.
my parents mourned and mourned,
I thought he was my uncle.
I screamed whenever my father put on an Elvis record.

I thought if I listened to Elvis I would die, too,
or my parents would die, or my brother,
picked off like guitar strings
if they were in earshot of Heartbreak Hotel.

When I became a teenager,
I fell in love with a dead man, James Dean.
I went on a Manhattan walking tour
when I was sixteen.

The guide took us to all of James Dean’s haunts:
night clubs, restaurants, and his abandoned apartment,
where I ripped off a piece of wallpaper
and put it in my pocket.

A woman on the tour said,
“My friend and I think
you look like Lisa Marie Presley.”
She had a tattoo of Elvis on her arm.

That night in Penn Station,
waiting for a train to take me home,
a drunk man fell on the third rail,
it shook him like a possession.

Heartbreak Hotel was playing
on the 6 o’clock news this morning.
Lisa Marie Presley died,
and now you’re ready to go.

Your backpack strapped to your back,
I watch you walk onto the platform,
blowing kisses
at my childhood triggers.


Nancy Byrne Iannucci is a widely published poet from Long Island, New York who currently lives in Troy, NY with her two cats: Nash and Emily Dickinson. She has been published in 34 Orchard, Defenestration, Hobo Camp Review, Bending Genres, The Mantle, Typehouse Literary Magazine, and Glass: a Poetry Journal. www.nancybyrneiannucci.com Instagram:  @nancybyrneiannucci

Seen

Poetry by Jennifer Campbell

After being unseen
for so long
     a whiteout weekend
color drew us
     outdoors away
from anything but
a good lens
to document
the summer hues
layering the sky
two days after
a blizzard

blood orange poet’s sky
     spread across suburbs
and hard hit city center
cummings’ pied piper
     guiding walks
through soft swaths of pink
     carnation   coral    watermelon
     to tangerine    persimmon    flame
so many colors to consume
under a slim December moon


Jennifer Campbell is an English professor in Buffalo, NY, and a co-editor of Earth’s Daughters. She has two full-length poetry collections, and her chapbook What Came First was published by Dancing Girl Press in 2021. Jennifer’s work has recently appeared in Caesura, Flare, and Indefinite Space.

Taboule

Nonfiction by Leslie Lisbona

Perched on a footstool, I plunged my five-year-old hand into the sink full of cold water and grabbed for the parsley leaves that my mother had soaked.  They were elusive;  it took me several tries to catch just one. My mom was behind me, close enough that I could smell her Bal à Versailles perfume.

Although the kitchen was small, it didn’t feel cramped.  The window was open, and the spring air wafted in.  I placed the leaves on a towel on the counter to dry, my hands dripping water to my elbows.  My mom used a handheld metal contraption to shred the parsley.  It was about the size of a book and had a crank that she wheeled around.   She pushed her dark hair off her face with her wrist. Her eyes were lined with kohl.  After a long while, we had a salad bowl full of leaves. 

We soaked bulgur wheat into a big bowl of water.  My mom said it in Arabic: burhol.  She chopped scallions and let me sprinkle a thick layer of salt on top.  She cut up tomatoes into little pieces as her gold bangles made soft chime-like sounds.  She guided me to press the lemon halves onto a glass juicer.  She smiled and said we needed a rest.

We lay on the hammock on the terrace overlooking 83rd Avenue and the empty lot across the street.  We lived on the second floor, and the terrace was an extension of our living room.  My mother smoked a cigarette, pressing her red lipstick onto the filter tip, while I slid alongside her silk dress. I played with her gold bracelets.  Pigeons swooped around the courtyard below.  She opened her book and slit a page open with a butter knife, leaving a jagged edge.  Only the French books were like that.

In the afternoon, we returned to the task.  Back on the footstool over the sink, I took a handful of bulgur wheat from the water, and I squeezed as hard as I could, tightening my stomach to get every drop out.  I farted with the effort, and my mother laughed, her mouth open, her head back. I couldn’t help but laugh, too. 

I tossed the drained bulgur into the bowl with the leaves.  Then we did the same with the scallions.  The juice from the scallions was viscous, turning my hands slimy. She added the tomatoes, lemon juice, and olive oil and mixed it all together. Then she gave me a taste.  “Maybe more lemon,” I said through a mouthful of parsley, and she hugged me saying, “Ya rochi,” my darling.

Debi, my sister, came home from Russell Sage Junior High, her long blond hair hanging like ribbon past her shoulders.  “Ohhh, taboule,” she crooned. She went to our room, and I followed her like a magnet. She threw her bag on the waterbed, and I fell beside it, making waves, my body jerking up and down.  She kissed me and called me Leslie Pie.  She smelled like rebellion, cigarettes and Herbal Essence shampoo. 

My brother, Dorian, came home from work and said, “Oh wow, taboule!” and I scrambled to follow him around the apartment.  “Hey, Arn,” his name for me, and he picked me up and swung me onto a shoulder.  I loved the sheer strength of him. I rested my hand on top of his head, his dark wavy hair laced around my fingers.

My dad came home, and I ran into his outstretched arms.  His cheeks were prickly, and I put my hands to mine to protect them.  He kissed my neck. I giggled. “We made taboule,” I said.  “I can’t wait,” he said. 

I stood in the middle of my family as they moved around one another, reaching for bowls from the cabinet.  We ate the taboule with whatever else my mother must have cooked when I wasn’t paying attention.  The parsley stuck to our teeth; “Don’t ever eat taboule on a date!” my mom said. The taste was kaleidoscopic, citrusy, dense, complex, and comforting. 

My parents talked to each other in Arabic, with French words mixed in.  My mother called my dad “Cherie.” The singsong of their voices was tender and affectionate, their expressions frozen in time and unchanged since they had left Lebanon in 1949. 

The taboule gone, my mom washed the bowl and laid it on a towel on the counter, swatting the hair from her eyes and exhaling deeply.  She smiled at me and checked that her nail polish wasn’t ruined.  Sleepy, I went to the living room, dragging my feet on the tan shag carpet to find my father asleep in front of the TV, still in his suit and shoes.  I reached up and changed the channel to “I Dream of Jeanie.”  I sat on the rug near my father as he dozed, the sensation of taboule and the nearness of my mother still present in my body.


Leslie Lisbona has been part of a writing workshop for ten years. She recently had her first piece published in Synchronized Chaos. She is the child of immigrants from Beirut, Lebanon, and grew up in Queens, NY. Most of her writing has to do with her upbringing.

Fish Tales

Special Selection for One-Year Anniversary Issue

Fiction by Foster Trecost

Boredom lurked like a silent companion, sometimes causing him to see things that weren’t there, sometimes causing him to miss things that were. Such was the case when he caught sight of something he’d never noticed before, though it had been there all along. He moved in for a closer look, so close his nose nearly touched the glass, and what he saw, in the language of his age, was an assortment of creatures, some big, some small. They moved about the confined space and he wondered if they were bored, too.

His brother, a bit older and much wiser, knew things and knew how to explain them. “Where’s my brother,” he asked. 

“With his friends.” The answer was always the same, just like everything else. But the creatures through the glass were trapped, they weren’t going anywhere and neither was he. 

“What are you looking at?” His brother had returned. 

“Them,” he said, then streamed a series of questions so fast, each was asked before the prior could be answered.

“Slow down. One at a time.”

“That one,” he said, pointing to a large figure hovering in the back. “Why is that one bigger than the others?”

His brother presented a different view: “She’s the biggest because she’s everyone’s mother. All the others are her children.”

“All of them?”

“Not the skinny one. He’s the father. He worries all the time, that’s why he looks sick. They’re just like us.”

He believed every word and should have because every word was true, or at least the truth as his brother believed it. He spent the following days matching his newfound knowledge with what he saw, and concluded, just as his brother had, that they weren’t so different.

“You still thinking about them?” asked his brother. “Don’t waste too much time. It’s hard enough understanding our side of the glass.”

“You’re right.”

“Not always, but most of the time.” The two boys laughed, then his brother said something he’d never said before. “Come on, let’s go play.”

“I can come?”

“Sure, the others are waiting.” They turned away from the glass. “You want to race?”

“Can I have a head start?”

“Okay, but you better take it now before I change my mind.”

Without another word he swam away, his fish tail all that could be seen, swishing from one side to the other, and his brother swam after him just as fast as he could.


Foster Trecost writes stories that are mostly made up. They tend to follow his attention span: sometimes short, sometimes very short. Recent work appears in Potato Soup Journal, Halfway Down the Stairs, and BigCityLit. He lives near New Orleans with his wife and dog.

Stage IV

Poetry by Susan Miller

She graced many stages
in her 29-year-old life.
Clumsy, giggly ones
with slick patent leather,
pigtails, snug pink tights.
Sweaty, clingy ones
bent and twisted
under cruel disco lights.
Floating, chiffon ones
with crimson-lined lips,
pointed toes, height.
But in that icy, antiseptic
room with its swabs,
ceiling stickers, scopes
and gauze-filled jars,
the man with joyless eyes
rolled over in his squeaky
chair. And the words sliced
into the air like a scalpel,
shredding her satin heart.


Susan Miller is an editor/reporter for USA TODAY who enjoys writing poetry as a hobby.

Remember Me

Poetry by Lauren Oertel

I grew up near the redwoods.
Cinnamon-barked queens towered over us,
each containing their own majestic ecosystem.
They provided oxygen, a fresh earthy scent,
relief from the heat and noise of the city.
They whispered the soil’s secrets into my ear.
A few had been hollowed by fire,
or reduced to a stump.
Rings chronicled their long lives,
the history of what they had witnessed.

When I die, cut me in half
right across the middle.
See my rings.

Joys and terrors over the years
each reduced to a simple circle
that captures and carries it all.
They will honor the tears shed,
wounds healed.
The fine grain, nicks, and bumps,
all smoothed over with time,
turned into natural beauty.

When my body becomes a stump,
the rings will prove I was here.
Some of them will show when I stood tall,
lush with sprays of needle leaves,
umbrella-scaled cones.
My crown stretched toward the sun,
piercing the sky.
In those times I hope I gave you shelter
from the weight of daily survival.

That’s how I’d like you to remember me.


Lauren Oertel is a community organizer for Texas and New Mexico. Her work has been published in The Ravens Perch, Evening Street Review, and The Sun Magazine. She lives in Austin, Texas, with her partner Orlando and their tuxedo cat Apollonia.

Tony Told Me

Nonfiction by Susan Mannix

I remember the moment. The look he gave me through the iron bars of his stall, straight in my eye, said it all. “It’s time to let me go.”

But I wasn’t ready, no one in my family was, most of all my sixteen year-old daughter Lauren. Tony (Registered Jockey Club name: Spartans Pride) was her heart horse. The one we searched for and she chose. The one who started making her dreams come true. I remembered how her face lit up in surprise and delight as she ran across the grass parking lot to our trailer. “Mom, I won! I won! My first blue ribbon!” She held it up proudly. That was a year ago and just a month after we bought him

What a day that was. 

So different from today.

 Tony started showing signs of discomfort earlier while Lauren was at school. “Camping out” (stretching his hind legs behind to relieve abdominal pain), pawing, pacing. This wasn’t the first time with him and I waited for it to pass like it usually did.

It didn’t. The pawing became more frantic and he started to roll. 

Phone in hand, I ran out into the paddock and hollered at Tony. He popped up and as I lead him into the barn, I called our veterinarian. In the twenty minutes before he arrived, I walked Tony around in the front of our barn to keep him from rolling, which could cause a deadly twist in his intestine.

 The vet determined it was an impaction – a blockage caused by a mass of grain and hay in his gut. The only thing to do was pump mineral oil and warm water in him in hopes of loosening it. Once done, Tony was given a dose of Banamine, an equine pain reliever. 

The wait began. I checked him often, relieved to see each time he was comfortable. He even passed a little bit of manure – another good sign. Once the drugs wore off in a couple of hours, we’d know more. 

The pain returned. Then came the on-call emergency vet. By now Lauren and her sister, Brooke, were home from school and had set up in the barn with a close friend to keep constant watch on Tony. More mineral oil and Banamine, Another wait. If this didn’t work, the only option was surgery.

“He seems more comfortable.”

“I bet this will work.”

“Look, he’s nosing around for hay. That’s a good sign.”

Statements of hope that were delivered with eyes that were desperately grasping for reassurance. To each one I nodded vigorously and gave an enthusiastic “Yes, I agree!” I sent the girls up to the house for a quick break and stayed behind.

The soft spring air and the chirping of the tree frogs could not ease the heavy stillness of the barn. Darkness pressed in on all sides.

I looked into Tony’s face seeking a way to push back the darkness. Our eyes met. Mine begged him to get better; his said it’s time to face what’s happening. That’s when he told me, even though he stood quietly. 

Hours before we loaded him onto our trailer and made the fifty-minute drive to the Marion duPont Equine Medical Center in Leesburg. Before his worried, scared eyes said “I can’t do this,” as veterinary techs took his vitals. Before the staff prepped him for emergency surgery, his body wracked with pain. Before my daughter sat for hours on the cold hard floor of a dimly lit hallway, offering up her dreams so her horse could graze once again in our pasture. 

Before the phone call that woke us after only two hours sleep.

Before the desperate voice of the veterinary surgeon came through the receiver begging for permission to let him go. 

Before I knew it was time, Tony told me.


Susan Mannix is from Maryland, where she lives on a small farm with her family and menagerie of horses, dogs & cats. Formerly a biomedical research editor, she is now working towards a Master’s degree in creative writing from Wilkes University. Find her at susanmannix.com and on Twitter at @lynsuze.

The Books We’ll Never Read

Poetry by Francis Conlon

Sometimes the jacket stands alone,
A book cover with title embossed,
The text itself seems a weighty tome,
Whose message long ago was tossed.

Yet, I love a place with books,
Of course, there’s a fine library,
With small study spots in the nooks,
And, study of old thoughts contrary.

Is there a place—a writer’s cemetery?
Old thoughts and books gather about,
Ideas antiquated little scary,
In grumbling whispers but no shout?

So dusty is the old collection,
Stacks with volumes musty,
Nothing overdue in this section,
Just old spirits and grammar fusty.


Francis Conlon is a retired teacher living in Salt Lake City, Utah.

that’s enough

Poetry by Corey Bryan

I’d walk again through icy rain
to eat a chicken salad sandwich on
the world’s driest bread with you
just one more time.
I’d pretend to like seafood and say all
the right things like, “shrimp are the blue collar
workers of the ocean and it feels bad to eat them
but this cocktail sauce is way too good”
and stuff my face.
I’d support everything you
say no questions asked even if you do get a
tiny bit conspiratorial after the third glass
of the house red.
I’d tear down those reality tv show posters
they hung up on Boulevard
which cover your favorite piece of graffiti.
I’d cook you dinner
and buy all your favorite ingredients like
watermelon radishes and dinosaur kale and all the
other vegetables that sound crazy like that.
I’d watch all those shark
documentaries you love and
the more I think about it the more I think I’d
punch a shark in the nose, saddle him up
and take off for Lisbon where you are
now and say to you
“I hate shrimp and watermelon radish
and red wine and graffiti and I especially
hate dry bread
but I love you and I think
that’s enough.”


Corey Bryan is a fourth year student at Georgia State University majoring in Rhetoric and Composition. He is currently writing daily poetry prompts, along with some original poems, with a friend of his at poetryispretentious.com. He has one poem forthcoming at Sage Cigarettes Magazine titled “her kind of love”.

Thumbing a Ride

Fiction by Alison Arthur

She shifts uncomfortably in the deeply upholstered seat. Perhaps she should not have accepted the ride, but it’s too late for second thoughts now.

He pilots the car down the country road, the sun escaping below the horizon in the rearview mirror. There is a smell. Mints and something else she can’t quite place. Perhaps shaving cream or soap.  Desperation? Can you smell desperation, she wonders?

The conversation is cordial, but cautious. He wants to know where she is going, where she came from, why she is on the road thumbing a lift. She answers politely, but minimally, not sure of her situation. But he seems more paternal in his concern than intrusive. She begins to relax, sinking into the plush upholstery, her sense of dread subsiding.

He tells her he is a distributor for car parts, traveling between stores. Often with only his own thoughts to occupy him, he is happy for some companionship. When they stop for gas, he returns to the car with packaged sandwiches and juice that he shares with her. “You look a little hungry,” he says with fatherly concern. The conversation is lighter now, and she dozes for a while, hunger satiated and fear assuaged.

When she wakes, it is dark. She is unsure where they are. A backroad with no street lights, swirling mist caught in the headlights in the chill night air. Noticing that she has stirred, he chuckles and says, “Nice to see you are feeling so comfortable. Guess you have decided I’m not a serial killer.”

She straightens herself in her seat, shaking off sleep, and turns her face to him. “Oh yes, quite sure,” she replies. “After all, what are the chances there would be two of us in the same car.”


Alison Arthur is an emerging flash fiction author residing in Nova Scotia, Canada. Read earlier work from the August 2022 Issue of The Bluebird Word.

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