An Online Literary Journal for Poetry and Flash

Month: August 2023

The Scent

Poetry by Barbara Siegel Carlson

The heart’s fingerprints are everywhere.

Richard jackson

From somewhere in the city
come the colorful pungency
of oils and spices,
the scent of wet stone,
a woman perspiring
in her high heels that click by,
and the smoke a squinty-eyed man
exhales as he taps
his ashes to the ground
a few feet from the doorway
where a raw-cheeked woman sleeps
under a blanket of particles
near a piece of mooncake some pigeons
& sparrows are sharing.


Barbara Siegel Carlson‘s third book of poems What Drifted Here was published by Cherry Grove Collections in 2023. Her previous books are Once in Every Language and Fire Road. A chapbook Between the Hours was published in 2022. She teaches in Boston and lives in Carver, Massachusetts.

deepsea census

Poetry by Kristin Van Tassel

we give you lamp
light that we might
see you transparent
sea cucumber in sheer
pink open blossom 2
miles deep—& see
you yeti crab, pincer
thin arms frost furred,
or you blind lobster,
needle nosed pliers
in open jaw—& you,
comb jelly, trailing
translucent tulle
veins glowing LED
cool, sliding starless
sky 4.5 miles below
our surface—so
quiet, this cold


Kristin Van Tassel lives and teaches in rural Central Kansas. She writes essays and poetry about place, travel, and teaching. Her work has appeared in World Hum, Wanderlust, Whale Road Review, The Land Report, About Place, Porcupine Review, and Ecotone.

Birds at Dawn

Poetry by Sarah Das Gupta

A blackbird sings at break of day,
the notes cascading, trickling,
over sunlit tiles.
On the old flint wall
a sparrow chirps, cheekily
to an awakening garden.
A pair of thieving magpies,
black patches over each eye,
chatter like pirates
from the dark yew,
planning a surprise attack
on the treasures of the bird table;
while ring doves coo softly
from an avenue of ancient limes.


Sarah Das Gupta is a retired English teacher from Cambridge, UK. She has had work published in many magazines/journals including Bar Bar, The Bluebird Word, Cosmic Daffodil, Green Ink, Waywords, Shallot, Pure Haiku, Rural Fiction, American Readers Review, Paddle, and others.

Fall Sun

Poetry by Sharon Scholl

rises reluctantly through ground mist,
travels on the fringe of the horizon,
sinks into a cloak of early dusk.

I find the last of it in a tiny pool
and savor its remains reduced
from August lake to dim reflection.

Leaves enough remain to catch its light
and send their shadows dancing
with a scatter of dry weeds.

Lingering squashes dangle on shrinking
vines while single pumpkins sit deserted
in a field of empty furrows.

This is the season of farewells
to spring wonders worn and drab,
to the past that fades in memory.


Sharon Scholl is a retired college professor (humanities) who convenes a poetry critique group and maintains a website (freeprintmusic.com) that donates music to small, liberal churches. Her poetry chapbooks, Seasons, Remains, Evensong, are available via Amazon Books. Her poems are current in Third Wednesday and Panoplyzine.

Wandering the Mojave

Poetry by Cynthia Bernard

Along with the silvering of my hair
the years have gifted me
with a Frequent Wanderer Award
granting open access
to the Mojave of Middle-Night,
where there are many
interesting places to meander
but there does not seem to be
a trailhead that leads back to sleep—
and though I could remedy the one
with gloves, a bottle of dye,
and the laundry room sink,
there seems to be no compass
to help me navigate the other.

For a long time I grumbled about this
and stumbled through too-much-coffee tired days,
but then, during one weary too-early,
I paused to watch a horned lizard
swishing tail, flicking tongue
near the base of a Joshua tree
and noticed the almost silent whisper
of a gestating poem,
stopped to play with her for a while,
and soon I was surrounded
by her many siblings, cousins, and rivals—
quite a lively little nursery
with a hungry baby sonnet I’d almost forgotten,
two toddling villanelles fighting over a yucca flower,
and a pantoum with sand in her eyes crying in the corner.

Middle-Nights now, when the Mojave calls,
I am ready, having indulged in another
gift of the years, the afternoon nap.
I brew up a pot of cactus flower tea,
toss my tinseled hair over my shoulder,
grab my favorite pen,
and set out happily a’wandering.


Cynthia Bernard is a woman in her late sixties who is finding her voice as a poet after many years of silence. A long-time classroom teacher and a spiritual mentor, she lives and writes on a hill overlooking the ocean, about 25 miles south of San Francisco.

Wouldn’t it be something

Poetry by M.S. Rooney

to meet the one
who invented the spoon, that
mouth-sized bowl, that
stirrer of soups, that
gatherer of rain water
from spring puddles.
It doesn’t seem a thing
you would think to invent
just for yourself.
After all, a stick is quick and sure,
fingers do just fine, and
you can drain a big bowl
with just one tilt.
But for the other,
the child, the beloved,
how we must have yearned
for something more shapely,
more tender, to hold,
to offer,
again and again.


M.S. Rooney lives in Sonoma, California with poet Dan Noreen. Her work appears in journals including The Blue Mountain Review, Illuminations, Leaping Clear and Pensive Journal, and anthologies including A Walk with Nature: Poetic Encounters that Nourish the Soul. Her work has been nominated for a Pushcart Prize.

In My Mother’s Last Garden

Poetry by Regina Berg

The roses near the house have bloomed
and bloomed again.
The tomato vines are lush, laden
with fruit, sun-warm, red, taut with sweetness
and crisp green globes you will slice
thin, cornmeal coat, fry golden
and wrap in a fold of white bread.

The collard greens and cabbages are full grown,
though you will leave them to tender
with the first frost. Cucumbers secret themselves
on the other side of the neighbor’s chain link fence
until your quick eye guides me.

Your eyes and ears are the only things quick about you now.
Cancer and age have leached your bones.

We sit on the small concrete patio where the sun rests
on your thin shoulders and a wind warm
as the remembrance of a Mississippi spring
soothes knuckles swollen with years and labor.

Silvered hair scraped into a single braid and pinned
at your neck, you lean close and laughingly gossip
about the young man who bought the derelict
house next door, though you call hello and wish him well.

You won’t come out here on your own, even
with your cane, you are so fearful of snakes.
and truly we may see one sunning itself
against the house once or twice a year.

When we lived in the small jumble of a house
just down the alley, you tended a patch
in a vacant lot hidden by weeds that towered
over your garden stakes.
There were surely snakes, but
you had children to feed and a sharp hoe.

You who made something from nothing
for so long, have a freezer full.

Now your garden runs
a slender path between the fence
and the concrete walk, filling every inch
with food that will feed us still
when you are gone.


Regina Berg is an emerging poet who resides in Chicago, IL. She is GGE (greatest grandma ever!), a baker, crocheter, and sometime traveler. She enjoys solitary writing, retired life, and lively conversations.

Artificial Lawn

Fiction by Amy Akiko

He flutters past concrete at the back of houses, knows the slabbed rectangles will not feed him. But look, up ahead, a square of green promise, his own emerald city of grass and worms and slugs and larvae. Swooping down, he prepares to peck into the lifegiving soil, but his beak is rebuffed by an unyielding ground―a manmade sheet of death for the fauna beneath.


Amy Akiko is an educator, journalism graduate and writer from South London. She enjoys creating various forms of fiction including poetry, children’s stories, flash and short stories. Her work is soon to appear in The Tiger Moth Review, and she is currently editing her first novel.

Ruth and Oscar

Nonfiction by Angela Townsend

Ruth and Oscar have been married forty years, and they have drawn stares for every one.

Oscar, crafted exclusively of knees and elbows, is the word “jaunty” sprung to life. Eighty-six and five-foot-two, he commands eyes bluer than the Earth from space.

Oscar will neither retire from paid work nor stomach being told that he is in any way impressive. What he will do is elbow you, an instant co-conspirator in this majestic business of being awake, and call you “kid” until you wish it was your given name. His polo shirts are sky and indigo, bright enough to spot him across a century.

Statuesque at seventy-eight, Ruth is a cloud of concern, claiming herself unworthy of her white halo. Her mouth is mournful, and if she didn’t love you, she would distrust you when you insist she is one of the kindest people you know.

But Ruth does love you, almost enough to believe the unfathomable things you believe about her. Proficient in ganache and genealogy, she makes cold rooms feel like dens. She feeds strays, only a few of them feline, and lies awake worrying who might be alone this Thanksgiving. Ruth cried when she learned that introversion is an honest, honorable trait, not a shortcoming.

Oscar and Ruth have toilet paper emblazoned with the face of a political figure.

When Oscar sees me, he hugs me so tight I nearly need to have his elbows surgically removed. Ours was one of those instant bonds that makes you wonder if your families touch fingertips above the treeline. Far beyond DNA, Oscar is family now, equal parts scampish brother and Father Abraham.

Ruth learns through cautious eyes but raced through the pages of my affection like one of her Revolutionary War novels. For ten years she has been perplexed by my admiration, telling me I’m kinder than cats and twice as daft. But when Ruth sees Ruth in my mirror, the truth makes her taller, and she shines like God’s angel in her sturdy denim dress.

On my birthday, Ruth carefully lays out cards on her desktop computer, photos of their cats with wry bylines like, “Sage was going to wish you a happy birthday, but she had to eat her third breakfast instead.” I save every one.

Ruth and Oscar are the rare friends with whom I’ve discussed our rare friendship. None of us has any explanation for why we loved each other so quickly and entirely, only that we are very, very fortunate.

I had to downplay the distress of my divorce to Oscar, who shuddered with tears anyway, lip quivering. “This, to the best person we know!”

But Ruth and Oscar found each other after divorces of their own, pasts they don’t discuss, histories that had to happen for us to have Ruth and Oscar.

Oscar and Ruth give me hope.

Oscar and Ruth had better both reach one hundred years.


Angela Townsend is Development Director at Tabby’s Place and has an M.Div. from Princeton Seminary and B.A. from Vassar. Her work has appeared or will be published in upcoming issues of The Amethyst Review, Braided Way, Fathom Magazine, and Young Ravens Literary Review, among others. Angie loves life dearly.

The Visit

Poetry by R.M. Kinder

This house bursts with loving you—
all of you—our voices, vernacular:
“going out of a night,” “Virgie’s man,” “I had went.”
Dear to me, that peasant language I once spoke freely and well,
but it charmed only a few.

Our breed laughed often, sometimes so heartily
the laugh itself was the greatest pleasure of a day,
a day of work—toil—thorough and demanding and done!
We laughed before supper and after,
prayed before the meal and before bed.

What was class and status
but a cloud over land not ours?
We had dumplings, and pot roast, weather,
and animals close to us, named, and well kept.

I loved all of you, and, then, even our enemies
who seamed us together, separate, whole,
a nature, bearing the flags of ourselves,
nothing but that, and proud, proud, proud.


R. M. Kinder is a Missouri writer, author of three collections of short fiction and two novels. Her poems have appeared in Cottonwood, SHR, Appalacian Journal and other journals; her collection, The Likes of Us, was a semi-finalist for the 2019 Cowles Poetry Book Prize at SE Missouri State University.

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