An Online Literary Journal for Poetry and Flash

Month: January 2025

Cookies with Grandson

Nonfiction by Rusty Evans

I spent some time with my grandson the other morning talking about trucks. He is interested in them, especially the big ones, like bulldozers, dump trucks, and excavators. I told him things I’ve learned about them in my life—like they’re usually yellow and smell like diesel.  I know “torque” is essential, but as soon as I brought it up, his eyes darted around the house, settling on the kitchen, where he got up to go. “Cookie,” he explained. I got up, too, figuring our bonding included us doing stuff together, meaning I would have to have a cookie. These are the sacrifices good grandparents make.

The kitchen was messy from yesterday, not that my grandson cared. I told my wife, Grandma, to leave it last night and promised to clean it up first thing tomorrow, which is today. But I didn’t. In my defense, the morning had gotten away from me: My laptop needed charging because it hadn’t been plugged in. I had to refill the paper towel holder from the Costco stash in the garage.  And change one of my picks in the football pool for tonight’s game. All important stuff, for sure.

Nevertheless, the clean-up needed to happen before she returned from running errands. To remind me of that, I put it with an asterisk on top of my daily “to-do” list—*clean-up kitchen. Then, I slid the list under a stack of magazines. No worries—take magazines to recycling bin was on there too. The funny thing is, clean inside of recycling bin was also a “to-do,” way further down the list.

As we ate our cookies together, it occurred to me that I hadn’t thought about any of those pressing duties since listing them. I may have subconsciously or unconsciously (or both) avoided them all morning. You see, I’ve been in the moment. I’ve only thought about what’s inside the little circle around me, which includes this growing, living masterpiece of a child. Maybe I had achieved what had alluded me my entire adult life: Mindfulness. Meet my personal Dalai Lama, my Grandson. To think he’s not even two years old yet.

Being mindful hasn’t been difficult with him around. If I’m living in the now, how could I sweep the garage when there’s a poopy diaper to change? Or power wash the deck when my Grandson wants me to read “Goodnight Moon?” I suppose I could see if he’ll read the updated medicare handbook instead to satisfy a to-do. Even if he agrees, I’m not sure you can do two things simultaneously and remain in the moment. 

The fact these tasks aren’t getting done proves I’m more concerned with my grandson’s safety and development than any silly, outdated, written “to-do” list. That stack of Corelle in the sink might signify something good. Of course, if I try to justify its continued existence after my wife gets home, I might have to check off another to-do: put clean sheets on bed in spare room.

My Grandson offers no judgment. Others have told me my head is often in the clouds, and I sometimes don’t see what’s right in front of me. But it’s different with him. My head’s on straight and attached to my body, firmly on solid ground (mop floor), often surrounded by my grandson’s Hot Wheels collection. I now know how Gandhi might have felt sitting all cross-legged in silence. Except in my case, I was listening to little metal cars crashing into one another.

If he notices my occasional wandering mind, he never lets on or says a word. I’m betting my great-guru grandson respects how I generally walk with eyes wide open. It’s fulfilling yet exhausting, neither of which I expected to feel at this age. After all, I’d finally reached a point in my life where I had earned the right to NOT pay attention.

Maybe the Buddha belly (do 3x :10 planks) I developed when I got older was a good sign. Indeed, the karma from spending time with my grandson has unexpectedly brought enlightenment. It could be my morning caffeine kick-in or something more substantial: Nirvana. I am unconcerned about anything outside our interaction during our time together.

I’m at peace today, and one with my future, even knowing it includes completing a few of those “to-dos.” My grandson has expressed to me that he is good with this. Just as long as at the top of my list, with an asterisk, is: *Cookies with Grandson.


Rusty Evans was a husband first, then a Dad, and finally a Grandpa. He hopes the trend continues. He lives and writes on the Central Coast of California.

The Calendar Ritual

Poetry by Melanie Harless

It is the end of one year
the beginning of another
I take out all the calendars
sent by charities pursuing
donations

and choose one with lovely pictures
and the largest day blocks
with enough space to write many
upcoming events on a busy day

the calendar is smooth and new
holds the promise of a smooth new year
I hope that lunches and parties
will be filling the spaces, not doctor
appointments or boring meetings

I am already filling up the days
of January and will go through
each month and write in birthdays
and regular scheduled meetings

many people have online calendars
but I have launched a new calendar
with high hopes for the coming year
for as long as I can remember

I take my cup of coffee and walk
to the calendar each morning
and am greeted with a beautiful scene
as I check what awaits the new day


Melanie Harless began writing after retirement as a school librarian in 2006. She is an award-winning writer with poetry, fiction, non-fiction, and photography published in anthologies, journals, and magazines. She is a board member of Tennessee Mountain Writers and leads excursions for the Oak Ridge Institute for Continued Learning.

January Walk

Poetry by Laura Hannett

Trudging in my brilliant scarf
my coat, my hat, my gloves
I see that
as much as any other creature
I am an adornment to the world
The cardinal
so lavishly and recklessly red
in the black-and-white tracery of snowy branches
is not more bracing to the eye

Shaking not a little
from the pitiless wind
I fear that
as much as any other creature
I am a trifle to the world
The rabbit
huddled with ruffled fur
beneath the spirea’s bones
is not more exposed to the cold

Returning home
to warmth that bathes my icy face
I own that
I am some fortune’s darling
The cats
so thoroughly and sensuously lost in sleep
on this freezing afternoon
are not more spoiled than me


Laura Hannett lives in Central New York with her marvelous family. She is a graduate of Hamilton College and the College of William and Mary.

Tabula Rasa

Poetry by Jennie Meyer

The beach a sheet
of untouched morning snow—
the sweeping tide a distant rumble.

My scuffing footprints
as I draft this new poem in steaming breaths—
the first and only brushstrokes.

Not a soul on the beach— no bird, no human,
no dog, not even a fowl’s fork-print embossed.

An empty canvas, free of life’s clamber.

Only one white car parked on Atlantic Ave.
One song sparrow singing like its spring
from some snow-filled limb.

One black mussel reaching out
from beneath the white sheet.

One seagull lifting off from tidal stream,
landing on the blanketed beach, mirroring
its purity with her white sloping belly,

painting it, Pollok-like, with one blast of scat.
Each of us engaged in her craft.


Jennie Meyer’s poetry has appeared in two print anthologies and numerous print and online publications. She is a 2024 finalist for Cathexis Northwest Press: Unpublished Author Chapbook contest, a 2023 winner of Beyond Words: The End of the World Creative Writing Challenge and a 2022 grant recipient from Discover Gloucester.

Tsuga of the Pine Family (Haiku Sonnet)

Poetry by Kersten Christianson

Soft-needled hemlock,
sculpted by edged breeze, you are
both branched, bare-barked, your

evergreen voice notes
a wooden, wild chime chanting
against trunked neighbor.

Tonal clopping, wood
on wood on wood, whispering
needle, shuffling dried

pages of gale, tea-
tossed fluttering paper, winged
winter hummingbirds.

Twinkled spell of fête, nip, rime,
you are welcome in our home.


Kersten Christianson is a poet and English teacher from Sitka, Alaska. She is the author of Curating the House of Nostalgia (Sheila-Na-Gig, 2020) and Something Yet to Be Named (Kelsay Books, 2017). She serves as poetry editor of Alaska Women Speak. Kersten savors road trips, bookstores, and smooth ink pens.

Calling Out for Color

Prose Poetry by Kathryn Ganfield

Through the dirty, double-paned windows, screens blackened by a box fan that perches there five months of the year, I see snow poured out blue as gas station slushees or abandoned bottles of glacial electrolytic drinks. But when I open the back door, call out hoarsely to the dog, the snow is not blue after all. Not a bit blue, not even a little. Snow is mauve by the seasoned cedar fence, the fence we always meant to stain, but now seven years have gone by, and the weather beat us to it. Snow is black from puppy paws. Snow is divots and sand traps and even a mangrove back by the barbecue grill and the shade garden where, slicked green, the hosta leaves are a fitted sheet under a snowy duvet. And finally, eyes adjusted to winter’s light, I see the snow for what it is. Not white or blue or any of these colors, but, of course, a color sent south from Canada. The color of goose down—sharp, curling and cold.


Kathryn Ganfield is a Minnesota-based nature writer and essayist. She was a Loft Literary Center Mentor Series Fellow, 2023 Paul Gruchow Essay Contest winner, and a two-time Pushcart Prize nominee. Her words have been published in Water~Stone Review and Creative Nonfiction, among other journals. Find her at kathrynganfield.com.

Maisie at Folsom Lake

Poetry by Cecil Morris

On this January day the sky opens wide and bright,
a dream of blue realized and guileless, and the lake,
thanks to a December of bountiful rain and snow,
looks again like a lake where a teenage boy might water ski
through the sear of August and right into the start of school.
My best friend and I take turns throwing a tennis ball
for his galloping Labrador retriever that chases
every arc and leaps into the risen water with a joy
inexhaustible as the sky. She hardly needs a name,
this year-old eagerness, this incarnation of galumphing.
I watch her mad rush and think of Sisyphus. Maybe he loved
the boulder, the reassuring weight of it, the thunder
of its roll. I see rapture in her eyes, her open mouth,
the pink expectation of her tongue, the whole body shake
and spray of water flung off: a little galaxy
of love, of canine glee, of heart in orbit tight,
around and around a simple repetition.


Cecil Morris, a retired high school English teacher and Pushcart Prize and Best of the Net nominee, has poems appearing or forthcoming in The Ekphrastic Review, Hole in the Head Review, New Verse News, Rust + Moth, Sugar House Review, Willawaw Journal, and elsewhere.

Pears

Poetry by Barbara Santucci

Remember those golden d’Anjou pears
that arrived every Christmas Eve in a wooden box,
each flirty orb nestled inside brown shredded paper.

On Christmas morning, their gold
brightened frosty windows panes,
like ornaments glittering on the tree.

You sliced down to the pear’s core,
spread warm Brie over firm flesh
while warming your toes by a fire.

Now, lips chapped by January frost,
hunger for their subtle sweetness.
Dry cracked hands long to cradle their soft skin.

What would you give
for those golden d’Anjou pears
that arrived last Christmas Eve in a wooden box?


Barbara Santucci is a literary and visual artist. She explores the themes of nature, family, and self-reflection. Her poetry has been published in several journals: Plants and Poetry Journal, The Bluebird Word, Writing in a Woman’s Voice, and Macrame Literary Journal. Barbara has published three picture books. Visit her at barbarasantucci.com.

Lies and Happy Chickens

Nonfiction by Robert Wright

At the turn of the last century, they came to Oregon from Italy to start new lives. They labored in the fields of Southeast Portland. With Italian roots from my immigrant grandparents on my mother’s side, I grew up in this area.

The Italians’ culture and traditions were reflected in their recipes. My grandmother and mother could cook with the best of them: ravioli, lasagna, minestrone, meatballs with spaghetti smothered in mushroom-tinted Bolognese sauce – and Lies.

I was fascinated watching my mother prepare Lies. With a rolling pin she made a thin pasta sheet, pasta sfoglia, from sugar-sweetened dough. She cut away inch-wide strips about six inches long and cut a lengthwise short slit down their centers to make her signature Lies. One end of the dough strip was folded and loosely pulled through the slit resulting in a loop resembling a bow. They were a holiday treat at Christmas time.

Floating on the surface of deep hot oil, the puffed bows became crisp, airy and slightly brown. Then, fished out, while still hot, they were laced with powdered sugar looking like they had been dusted by winter snow. A bowl filled with Lies was often the centerpiece of our dining room table where friends and family gathered during the holidays.

These thin crispy powdered-sugar treats were linguistically linked to an unfortunate pervasive part of human nature: lying. In Italy, lies are called Chiacchiere, for chit-chat, light bits of possibly untruthful, sweetly anticipated gossip.


A flock of Rhode Island Reds lived in a chicken coop out back. I gathered their eggs or fed them vegetable and fruit scraps from the kitchen. The chickens pitched right in and eventually became the central part of my mother’s recipes: Pollo alla Cacciatora, Pollo alla Parmigiana, and crisp fried chicken. In the interim, they were happy unknowing creatures, made all the happier one year, indirectly, by Christmas Lies.

Across the street lived the Okamoto family. They settled there following their forced removal from Portland to Minidoka War Relocation Center in Idaho during World War II. The wounds and racial suspicions from the war healed slowly. One Christmas holiday season my mother decided to help with the healing process. She prepared a large batch of Lies. I accompanied her to deliver the gift. She held the big bowl and knocked on the door. A short, polite Japanese woman answered: Mrs. Okamoto. Of course, they knew each other. But this was special. With a customary slight bow and a smile, she reached out and accepted the Lies and my mother’s holiday intent.

The following evening, I heard a knock on our door; there stood Mrs. Okamoto. Again, there was a slight bow as the gift from the Okamoto family was held out to my mother. The plate was covered with wax paper that hid the gifts underneath. My mother reached out and accepted it with sincere thanks. Mrs. Okamoto left having contributed to neighborly healing. My mother put the plate on our kitchen table for the unveiling; it felt like we were opening a Christmas present.

The array of Japanese handmade edibles was beautiful. Short cylinders of white rice, about the size of small round tuna fish cans, were wrapped around their sides with black dried seaweed. On the center of each rice cake was a small cluster of raw reddish something. We all looked at each other, then at the rice cakes, then at each other, then at the rice cakes. Finally, my mother nibbled at the seaweed edge and wrinkled her mouth, then took a bite out of the center. She knitted her brows and pursed her lips. My father and older brother were next with the same reaction. Watching their expressions, I hesitated, then summoned up all the young tastebud courage I had and gave it a go. The taste was certainly different, far different than Lies or my favorite ravioli.

Without further ado, the plate of rice cakes found a home in our refrigerator to possibly tempt us in the days ahead. There were no takers. European and Asian palates and eating habits were different. For us, the rice cakes were an acquired taste. We lacked patience for this acquisition.

Finally, following my mother’s instruction, I unceremoniously dumped the rice cakes on the ground in the fenced chicken yard. The hens ran over fully expecting kitchen scraps and didn’t hesitate. They pecked and pecked and devoured everything; rice, seaweed, red something, and all. They clucked and clucked. The colorful rooster watched over his feasting hens, stretched his neck up and crowed. They were happy chickens.

In the following days, there was careful questioning. We didn’t want to offend and learned that the red something was raw octopus. We lied, and said we enjoyed the rice cakes. Rarely, lying sometimes can be for greater good.  


After an Air Force career, Robert Wright took to writing in his retirement years and capitalized on his extensive life experience. He has self-published: You’ve Got Rocks (anthology of memoirs); The Brass (non-fiction, famous pub in Portland, Oregon); 3FTx – Timed Terror (fiction, suspense/terror); Nudging Nyame (hard science fiction, suspense/thriller).

February Morning in Palm Springs

Poetry by Suzy Harris

Blue sky laced with clouds, chilly breeze.
Sometimes the sun breaks through to kiss

a cheek, a shoulder, then hides again.
Sandals and sun hat emerge from hibernation.

It is all about the light here,
how it sets the lemon tree aflame,

each lemon a small sun of tart brilliance.
Each cell dulled by winter stirs,

arises to greet the day. Day is still
getting used to these strangers,

prods the multi-celled being
we call human to watch

a hummingbird hovering the base of twin
palm trees, to notice the stalk

arising from the center of an agave,
its death bloom still tightly curled.


Suzy Harris lives in Portland, Oregon. Her poems have appeared in Clackamas Literary Review, Willawaw Journal, and Wild Greens, among other journals and anthologies. Her chapbook Listening in the Dark, about hearing loss and learning to hear again with cochlear implants, was published by The Poetry Box in February 2023.

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