An Online Literary Journal for Poetry and Flash

Month: February 2025

September 29

Poetry by Lorelei Feeny

for Dad

Today might be your last full day on earth
but know that I’ll think of you
every time I go to the Dollar Tree.

And whenever John Grisham writes a new book
I’ll put your name on the waiting list
even though you said he always tells the same story.

I still have your pocket avocados growing in my apartment,
windowsills lined with trinkets
given to me when I was a little girl.

and after
all these months
i can release
my grief
held hostage

From endings, new beginnings.


Lorelei Feeny was born and raised in Raleigh, North Carolina. She loves words and learning foreign languages. Her dad inspired her to write poetry. Read his poem The Garden published in The Bluebird Word in July 2023.

Only Windows See

Poetry by Rebecca Nacy

harvest hues hugging
pointed rows of houses,
horizon decorated with
shimmering skyscrapers.

roasted reds and golden grasses
settled to support sparkling shorelines.

sky and sea
separated
by soft stratospheric spectacles.
scene only visible through satellite-sight

rows of grey ovals closed shut,
darkness stales the cabin still.
airborne sleepers snore,
as windows and wings watch.


Rebecca Nacy is a ginger born and raised in Mexico, replanted in Southern Florida. When not researching in a lab, you can find her covered in mud, measuring oysters. While her brain thinks in STEM, her heart loves the arts like singing, tap-dancing, and of course, writing.

Hold and Release

Nonfiction by Tracey Ciccone Edelist

I am floating on top of a smooth blue sky with dappled clouds that break apart with each dip of the paddle. When the wind picks up, the sky in the lake becomes partially obstructed by privacy glass ripples, obscuring both sky above and underwater life below. Gliding further south, the ripples swell, and now I’m riding dark molten silver waves, the paddleboard gently rocking across the undulating liquid metal. I expect the paddle to drip silver-plated out of the water, but the splashes on my feet are clear and wet. Entering a small bay where the sun peeks through tree canopies, the water becomes like an oil spill, smooth and slick iridescence. I listen to the rustle of the trees as blue jays flit from branch to branch just above the water, breathing in the earthy smell of the damp bank and the leaves lying in varying layers of decomposition on the forest floor. As I drift away from the shoreline, the faint hint of a bonfire wafts through the air and I see a wispy plume of white smoke rising from a cottage clearing across the lake.

Sitting on the silver waves ahead, I see the young loon I’ve watched grow all summer, enjoying an independent swim. The sun reflects brightly off her long beak, not yet having turned black. She startles when she sees me and dives underwater. When she pops back up seconds later, she’s still close. She is almost fully grown, but her feathers haven’t changed from baby gray to the signature black and white adult markings, and she hasn’t yet earned her white necklace. She disappears again and I wait for her to surface. One minute, then two minutes.

Just as I’m wondering where mama loon could be, she swiftly swims to the place from which her loonlet has disappeared. Mama dunks her head below the water’s surface, searching the dark depths for her chick. She raises her head back up to scan across the lake, calls out loudly, and dunks again. I too continue scanning the lake. At last, the chick appears a few feet away and mama and baby swim quickly toward one another, baby bumping up against mama’s breast. The loonlet makes herself as small as she can on top of the water, scrunching her body down close to the surface near mama, hoping I can’t see her, but I can.

I remember how our youngest daughter took a few weeks after birth to unfurl her body from the position she held in my uterus. Born a couple weeks early, I imagined she’d rather be back in her confined amniotic home, riding the waves of my body, than out here in the open where air hit her skin and filled her lungs, and where she had to learn to feed herself from my breast. She wailed to be held at all times, heart to heart, eyes pinched shut, in protest against the vastness of this outside world. Holding her tiny compact body with curved back, arms and legs folded and tucked in tightly toward her center, was like holding a roly-poly hedgehog curled in on itself. We called her Scrunchie, until she began to relax her legs and straighten out her backbone.

Now she stands taller than me, straight-spined, long arms and legs swinging freely in the world she explores on her own. I find solace on the lake, and call her to me when she strays too far for too long.


Tracey Ciccone Edelist has a PhD in social justice education and is a critical disability studies researcher and educator. She had a previous career as a speech-language pathologist, and then as a fine chocolate entrepreneur. Now, she’s making sense of life through creative nonfiction.

Spaces

Fiction by Christine Breede

My son has outgrown me. He leans down for a fleeting hug, then turns away; he’s already on his way out again. I stand with both hands on my hips, eyes following him, seeing a boy in a man’s body. Where are you going?

Maybe this is a story about destinations.

We are not talking, I say. Why can’t we sit and talk? What’s going on? I ask. My son is making plans with a friend on the phone, and I am asking him to speak to me—now.

Maybe this is a story about making plans.

I buy new books, schedule yoga classes and getaways. I see my friends, spend quality time with my partner, eat out and eat in, plant herbs, work more than I should. I’m energized in the morning and drained by nightfall when I see his room empty.

Maybe this story is about newness.

I am listening to my son’s voice change. I am watching him cook pasta al dente and call the hairdresser himself. He talks to my mother whenever we visit, making her laugh—until he stands at her grave, now speaking to her in a whisper. We miss her and her voice on the phone, unmistakable above all others. I feel the void and the void growing.

Maybe voices are the story.

I remind my son of when we took a gondola in Venice, boy and mom, and after a minute of rocking in the dark canal, before we even left the pier, he closed his eyes. I remember this, he says. What can you remember? I say. You didn’t see a thing. I know, he says, that’s what I remember.

Maybe remembering is the story.

Pictures from years ago pop up on my phone. My son looking at a pumpkin as if it were an oracle. His mister spy eyes under ruler-straight bangs no one understood but him. The two of us with ice cream cones and big smiles. My head leaning on his shoulder after a birthday dinner.

Maybe this story is about appreciation.

Everything about him is as it should be. I have a strong sense of his being. He has a strong sense of his being. But I don’t know where we are.

Maybe fear is the story.

I am watching my son grow big and myself grow old. It’s about aging with grace, someone says. Who the hell ages gracefully? It’s about aging with mischief, with bold beliefs, with a heart in the right place, I tell myself on a good day.

Maybe courage is the story.

His eyes are telling me his heart is in the right place. His stillness is telling me I need to listen. I watch him get ready to go out. I resist an impulse to go over to him, resist again. I feel the space between us and the space within me.

Maybe this story is about listening to space.


Christine Breede writes long, short, and very short fiction. Her work has been recognized by several leading contests. She was nominated for the Pushcart Prize 2020 and has won the 2022 Bumble Bee Flash Fiction Contest. Working and collaborating with fellow writers is one of the things she enjoys most.

In a far field

Poetry by Mark Clemens

for Charles Everett Clemens, 1922-1992

The ground
where my father lies
by now has settled some.

The clods
that tumbled moist
from a digger’s spade three decades past
by now have crumbled
as he crumbled some
between his fingers in the garden
so long ago.

The sod
that flourished green upon his grave
by now has withered at the fringe
and a few hard brown blades
bristle in the wind.

The flowers
though faded pale
and clasped dry against the coffin lid
are yet the flowers his loving flesh
laid white and fresh
within his final grasp.

And in a ruffling breeze beneath sun-shot clouds
where sparrows harry dumb black crows
birds feel free to light upon his plot
to hop and, pausing, bend eyes sidewise
for some grub from his piece of earth
one place like any other
down the mounded rows.

Good ground
the ground where my father lies.
lovely ground
by now.


Born in Missouri and raised in Iowa, Mark Clemens earned an M.F.A. from the University of Montana. Through the following years, he wrote part-time while working at newspapers, state agencies, and colleges. Now he writes full-time where he lives on the Quimper Peninsula by the Salish Sea in Washington State.

Climbing Tree

Poetry by Ava Spampanato

The last time I sat in the hallowed out nook of climbing tree was a warm spring afternoon
The grass was dappled with buttercups
while cousins ran through sprinklers rainbow mirage
sidewalk chalk dusted knees
made wishes on dandelion cotton breeze

Each pappus packed with hopes of
Cotton candy castles
and pirate treasure

When our wishes got tangled amongst the leaves of climbing tree
My pollinated fingers grasped onto thick belly out branches
While the splintered brown bark aged my youthful step

I tried to grab each childlike dream and cup them in my palms
But the mourning doves claws captured each cotton desire
And her soft coos reminded us our days of childhood bliss were fleeting


Ava Spampanato is a surfer from the Jersey shore, and currently writes from South Florida. Her writing is inspired by the ocean and the natural elements around her.

Walking with a Leaf in Winter

Poetry by Christine Andersen

I don’t know where it came from
since the tree limbs around me were bare—

the leaf was slight, brown,
jagged at the edges

like a scrap torn from
a paper bag,

but there it was beside me
drifting on a cold, slow,

February wind,
keeping pace

as if we were connected
by a slender thread,

an odd companion,
wafting,

remarkable as a sunset,
easy, debonair

falling away with a wink
too elegant for words.


Christine Andersen is a retired dyslexia specialist who hikes daily in the Connecticut woods with her five dogs, pen and pad in pocket. Publications include the Comstock, The Awakenings, New Plains and Gyroscope Reviews, Slab, and Glimpse, among others. She won the 2024 American Writers Review Poetry Contest.

Plumage

Poetry by Sam Barbee

The red cardinal, whose head-feathers
have fallen out, sits on the wooden fence.

He notices our yard full of movement, shapes
big and small imparting various shades –

blue sky with white clouds, zinnias.
Dogwood wavers with breeze he does not see.

Motionless, one coarse and knotted branch
cradles the nest he feeds. The birdbath

bends a murky prism, a reflection of scruff
on his grey-red tuft. Unlike full-feathered

finches, and pileated cousins pecking a maple’s trunk,
he can only imagine a proper bonnet of feathers –

not molt or baldness from mites. Not scar
of low-branch wound. Perches content without

storybook color or crest. His grandeur resets
the order. A quest for tranquil, preening wings

on the wooden fence. Sanctified to guard
against squirrels or Cooper Hawk carnage,

he flaps to the nest of hatchlings,
content with reimagined beauty.


Sam Barbee’s newest collection is Apertures of Voluptuous Force (Redhawk Publishing, 2022). He has three previous poetry collections, including That Rain We Needed (Press 53, 2016), a nominee for the Roanoke-Chowan Award as one of North Carolina’s best poetry collections of 2016; he is a two-time Pushcart nominee.

Family Flock

Poetry by Danita Dodson

Daily I count turkeys on my land—
                    one, two, three, four, five,
                    six, seven, eight, nine—
willing this family unit
to stay together forever, wishing
to goodness that not one of them
will ever be lost from the circle
when winds blow or rifles rise,
hoping they’ll keep close to home
in the unknowns of shifting storms.

At twilight, they nest in the trees,
finding refuge in the folds of earth,
the sky a quilt of fading autumn light
that draws them near as one,
like a cabin’s warmth at day’s end,
kinship a shield against the cold.
And I pray for them as a brood—
                    one, two, three, four, five,
                    six, seven, eight, nine—
what I’ve prayed for my own family.


Danita Dodson is the author of three poetry collections: Trailing the Azimuth, The Medicine Woods, and Between Gone and Everlasting. Her poems appear in Salvation South and elsewhere. She is the 2024 winner of the Poetry Society of Tennessee’s Best of Fest. She lives in Sneedville, Tennessee. More at danitadodson.com.

Season’s Farewell

Fiction by Kira M. Tjomsland

The lonely breeze moaned through the sepia grandeur of autumn decay. Muted rays of off-gold sunlight filtered through crisp crabapples; branches permanently withered from the memory of heavy harvests. Their roots were soiled with the rotting remains of their life’s work.

Deep in an abandoned hollow, where spiders spin tapestries of silk and antlers lay abandoned, the dragoness lifted her aching neck, tasting the breeze as it kissed her scales. Her eyes, gold laced with an aged fog, caught a brittle leaf twirling in helpless descent. Tucking her wings closer, the cold-blooded wyrm shuddered from the chill. She had to keep moving.

Her scales, once a brilliant suit of amber and bronze, were now dull brown. Her limbs shuffled with the gritty gait of arthritis—her heavy wings too tired to fly. Still, she pressed on, only pausing for breath when she reached the gaping maw of an ancient stone cave. For a moment, she stood at the threshold, feeling the flame in her breast sputtering and losing heat. Then she ducked inside, the blunted edges of her horns scraping the rim.

The dragoness tried to ignore the blanched bones piled up before her, empty eye sockets staring at the next priestess—the next sacrifice. She kept her eyes on the object before her, stumbling and falling before the altar just beginning to film over with a thin coat of frost. Prostrate and trembling as her own claws began to freeze over, she strained to look up at the stone statue crumbling to life.

Scales peered from the heartless gray, glacier-white and brilliant. Eyes opened, deep and blue as arctic waters, as a crown of horns clattered like freshly-formed icicles. Dappled wings stretched open—a plume of frostbreath whispering into the air, dancing with the beauty of winter’s birth—and the world went dark.


Kira M. Tjomsland is published in national journals including The Rectangle, The Westmarch Literary Journal, and Timada’s Diary. An avid bookworm and scholar, her adventures include a semester at the University of Oxford. Living with her husband in West Palm Beach, Kira is an editor for PBAU’s Living Waters Review.

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