Month: December 2025 (Page 1 of 2)

December’s Eve

Poetry by Kersten Christianson

I dream of dark crow
night, stars or snowflakes shimmer
their wan-lit path down,

down, down to wave-tossed
sea. Three weeks yet ‘til Solstice
when we turn a left

on a pitted road,
put ear to the ground, listen
for returning light’s

arrival. My skull
rattles from so much darkness,
echoes a tuneless

song. Split the wood, add
the tinder, build the bonfire
to welcome the sun.


Kersten Christianson derives inspiration from wild, wanderings, and road trips. Her newest poetry collection, The Ordering of Stars, will publish with Sheila-Na-Gig in 2025. Kersten lives in Sitka, Alaska. She eyeballs tides, shops Old Harbor Books, and hoards smooth ink pens.

Winter

Poetry by Jeffrey Sommer

As trees go bare
As days grow dark
I look toward winter
When the snow will start

Soon the grass stops growing
Roses bow their heads
Stray cats are sleeping
In the flower beds

Then the snow clouds form
The sun goes to sleep
Farmers cover their crops
And shelter their sheep

When at last the snow comes
I rummage through the shed
Where I keep the shovel
And my rusty old sled

Before the sun breaks though
Until the snow begins to melt
I go sledding down the hill
To remember how it felt


Jeffrey Sommer enjoys writing poetry on social issues as well as relationships between people and the environment.

Alma’s Baked ‘Possum: A Thanksgiving Tradition

Nonfiction by Mark Hall

Times were often lean, growing up in rural South Georgia, where a Thanksgiving turkey was a luxury many families could not afford. But a holiday feast could still be had with “Alma’s Baked ‘Possum.”

Fresh out of college, I left my Southern home for a job on the West Coast. In California, I missed the simple country food of my upbringing. At the time, I helped out occasionally in the kitchen of my friend Shoen, a personal chef recently returned from a stint cooking on Cher’s latest tour. While I zested Meyer lemons for flambéed peaches with cognac and Cointreau, I chronicled my hunger for the ordinary. Instead of the nourishing goodness of Hoppin’ John, collards, and cornbread, in California even the humble burger seemed to be tricked up into something needlessly complicated. Draped with sheep’s cheese and wilted radicchio bathed in balsamic vinegar, meatless patties were delivered to the table not with fries, but with a thimble full of chilled carrot, orange, and cardamom soup, with a delicate tower of sourdough crostini perched on top.

The Southern palate, I explained to Shoen as I stirred toasted cumin seeds, is fundamentally different from those of other regions. According to Mrs. S. R. Dull’s 1928 Southern Cooking, the Bible in my grandmother’s kitchen, Southerners don’t even have the same food groups as other folks. Instead of Grains, Fruits and Vegetables, Dairy, and Meat, Mrs. Dull taught us that there are not four but five food groups:

  1. Cereals, wheat, flour, cornmeal, rice, bread, and macaroni
  2. Milk, eggs, cheese, meat, fish, peas, beans, nuts, and game
  3. Fats, butter, butter substitutes, drippings, cottonseed oil, olive oil, and bacon
  4. Sugar, syrups, honey, jelly, and preserves
  5. Vegetables and fruits

If Shoen’s menus of iced black bean soup with chipotle cream and chargrilled Belgian endive with Fontina and yellow pear tomatoes were any indication, however, Californians eschew the humble staples of Southern cooking. Folks from San Diego to San Francisco apparently live their entire lives without the “drippings” necessary to nourish the body.

When a ‘possum set up housekeeping in my basement just before Thanksgiving, I saw this as a perfect opportunity to demonstrate my point about the simplicity and goodness of Southern food. A neighbor loaned me what he termed a “humane” trap to capture my visitor. Three nights and as many pounds of Purina Dog Chow later, I found a dazed but sated ‘possum squeezed into a too-small cage intended for an errant squirrel.

In the meantime, I consulted Mrs. Dull for advice about its preparation. No haute cuisine Mrs. Dull’s cooking. Of ‘possum she directs: “Put 1⁄2 lime in about 1 gallon of boiling water and scald quickly, and pull off hair while hot. Scrape well—remove feet, tail and entrails—like you would a pig.”

I photocopied the recipe, affixed it to the ‘possum-stuffed squirrel trap, then left them together on Shoen’s doorstep. Her apartment was one of those in which all the entrances open onto a common hallway. As a result, mouths watering, neighbors sniffed the air and leaned in each day as they passed her door, wondering what delicacy simmered within. Shoen would not be home for some time, and to me, this was ideal. Neighbors would have ample opportunity to walk by and see the live caged ’possum waiting at her door. Hearing its faint scratch-scratch, they would move in for closer inspection, only to find those bulbous pink eyes staring up at them, along with Mrs. Dull’s recipe for “Alma’s Baked ‘Possum.” I imagined Shoen’s own walk down the hallway, arms piled high with Bosc pears, watercress, and lamb shanks. Slowly the cage would come into focus, then the ‘possum itself.

I returned home to wait by the phone. Shoen, herself a vegetarian, would free the ‘possum in the park across the street, and later, when I’d let down my guard, she would get even. Shoen can give as good as she can take, and so I set myself to imagining her revenge. But no phone call came. Had Shoen stayed out all day? I worried that the ‘possum might suffer in the cage, dehydrate, or worse, die. Should I return to check? I waited. Late that evening, my doorbell rang. On my doorstep I found several covered dishes. Atop the largest was an artfully calligraphed menu:

Bacon, Arugula & Leek Salad
Petits Pois & Prosciutto Soup
Lemon Mint Tagliatelle with Truffle Butter
Alma’s Baked ’Possum

    As expected, Shoen gave as good as she took. The next morning, she phoned to ask how I had liked my supper. Only then did she reveal that “Alma’s Baked ‘Possum,” was, in fact, organic free-range turkey.


    Mark Hall lives in North Carolina. His creative nonfiction has appeared in The Timberline Review, Lunch Ticket, Passengers Journal, Sand Hills Literary Magazine, Hippocampus, The Fourth River, Tahoma Literary Review, and elsewhere.

    Antipodes

    Poetry by Laura Hannett

    for Fiona

    She has the fanciful idea
    that the flowers that have vanished
    for the winter have migrated,
    not unlike the birds,
    and are spending these cold days
    in the antipodes.

    They have packed their buds and leaves
    and gone to balmy climes
    to turn their faces to the sun
    and reminisce about their times
    in other gardens, far away—
    to spread their leaves and petals
    in a different summer’s day.


    A native of Central New York, Laura Hannett relishes the distinct seasons in this beautiful part of the world. Other work has appeared in Pulsebeat Poetry Journal, Neologism Poetry Journal, Amethyst Review, Last Stanza Poetry Journal, Mania Magazine and Verse-Virtual.

    Two Little Jews on Christmas Morning 1971, with

    Poetry by Lana Hechtman Ayers

    breath of ginger, cardamom, peppermint,
    a special holiday blend of ice cream we spoon up
    for breakfast, watching Saturday morning cartoons
    and movies where fire-mouthed Godzilla tramples Tokyo,
    then foils three-headed winged Ghidorah, his fiercest
    opponent, and being Jewish, I don’t know what Christmas
    means, or the word grace, or which monsters are real.
    For years, brother, you instruct me in the fantastical
    ways of Star Trek and Battlestar Galactica,
    Buck Rogers and Doctor Who, and it’s all such fun,
    good guys winning in the end, but when you introduce me
    to reruns of Outer Limits and The Twilight Zone we grow
    up in a world where the space shuttle explodes before our eyes
    and the twin towers go up in flames with no aliens to blame—
    only human hubris and brutality. This week, I rode in a hot air
    balloon and witnessed the curvature of earth, the edge of all we are,
    and nearly tumbled out over the realization of how beautiful
    life could be if only we would cease battling one other, brother.

    [Author Note: This poem begins with a line from Patricia Fargnoli’s “Winter Sky Over Cheshire County, New Hampshire” and is dedicated to my brother Alan.]


    Lana Hechtman Ayers shepherded over 150 poetry collections into print in her role as managing editor for three small presses. She lives in Oregon on the unceded lands of the Yaqo’n people, where on clear, quiet nights she can hear the Pacific ocean whispering to the moon.

    Santa V Moon

    Nonfiction by Deborah Shouse

    “What if the moon is watching over us, to see if we’re good? Then the moon reports to Santa,” my seven-year-old grandson speculates. We are luxuriating in a early morning walk under a lush full moon. Robert has spent the night, and I’ll be driving him to his tenth day of second grade in an hour. Meanwhile, he is walking barefoot, tiptoeing around the sticks and acorns splayed against our suburban sidewalks, still wearing his orange and silver space ship pajamas.

    “That’s an interesting idea,” I say.

    “Well, Santa couldn’t really visit your house to find out. I mean, he eats too many cookies.”

    Robert has a point. The whole all-knowing “naughty or nice” mythology is truly hard to rationalize. If the North Pole is the source of all longed-for presents, then they should be in high production mode by now. And Santa really needs to be there to guide and inspire his team. So how could he be observing all the children of the world while he’s running a Fortune 500 industry?

    As Robert and I gaze at the moon, I imagine Santa popping down Robert’s chimney to take a look-see and double check the lad’s behavior. If Mr. Claus doesn’t watch his step, he might slip on a stray Lego or marker. Or, depending on his mastery of time zones, the Jolly One might arrive at dinner time. My daughter would mask her surprise and graciously invite the intruder in to join them for the meal, after checking his ID, of course.

    As Robert and I walk, we count the number of dogs and relish the early morning birdsong. Then, in a parting of trees, the moon again beams over us, now surrounded by a coterie of peach tinted clouds, illuminated by the emerging sun.

    “Maybe the clouds watch us,” Robert says. “Then they tell the sun, and the sun tells the moon, and the moon tells Santa.”

    Even Orwell, with his famous views on Big Brother cataloging our every move, hadn’t thought to harness the kings and queens of the sky to do the spy work. I feel a swell of pride at my grandson’s problem solving abilities. He’s faced with information he cannot quite accept and yet he loves Santa and the holidays. He wants to believe but he is practical enough to require some foundation for this leap of faith.

    “Maybe the clouds and the sun have the day shift and the moon works at night,” I say.

    “Maybe,” Robert says.

    Our walk is almost complete; we are nearing our house. Inside, we become efficient, achieving breakfast, packing Robert’s lunch, gathering his backpack, brushing hair and teeth.

    Once in the car, we search the sky for the moon. But it’s already melted away, leaving only the frivolous clouds and the saucy sun as sentinels. Still, I hope they’re watching and appreciating Robert’s imagination and analytical thinking skills. I hope they give the moon, and Santa, a good report. On both of us.


    Deborah Shouse is the author of Letters from the Ungrateful Dead. She has an MBA but uses it only in emergencies. She has written a myriad of essays and many books, including a novel, An Old Woman Walks Into a Bar. Read more at deborahshousewrites.com.

    What we give at Christmas

    Poetry by Chantal Travers

    Without fail, every Christmas Eve
    her cracked winter fingers
    would peel chestnuts for the stuffing
    No matter how much soaking before the roasting
    the hard rind of this festive victim would splinter into tiny sharp slivers
    making their way inside thinning nailbeds
    turning from pink to angry crimson
    Without any attachment to this seasonal side
    he would tell her it wasn’t worth it
    But she refused his suggestion to forget about them
    their hearthy scent, this fiery holiday flavour
    Salted buttery slugs steeped in her body since childhood
    and in mine


    Chantal Travers, originally from London, has lived in Hong Kong, Singapore, Beijing, and currently Sydney. She is studying a Master of Arts in Writing and Literature at Deakin University, and she was recently published in Visible Ink. Chantal enjoys Qi Gong, Cacao and travelling but misses English Christmas.

    Orange at Christmas

    Poetry by Cecil Morris

    The dwarf mandarin in the back yard is
    so loaded with fruit it is more orange
    than green, more fruit than tree, more and more,
    an abundance beyond all eating
    of our reduced family, children gone
    to their own lives. We eat 8 or more
    a day. We fill bags for neighbors right
    and left and across the street, and still
    fruit remains, grows soft, falls to the ground,
    and rots, wasted. This lone tree presents
    a bounty too great and makes me think of
    “My Cup Runneth Over” and Ed Ames,
    his rich baritone, and Psalm 23,
    the goodness and mercy and plenty
    and not the evil or shadow of death,
    and my parents who told me oranges
    were a luxury when they were young,
    a treat, a Christmas gift and, some years,
    the only gift. My parents, children
    of the Great Depression, filled our lives
    with gifts. On Christmas mornings before
    we could play with anything, we had
    to arrange all our gifts on our beds,
    a display of how far they had come,
    a proof of how they spoiled my sister
    and me. When I see my mandarin tree,
    its wealth of miniature oranges,
    I see that embarrassment of riches.


    Cecil Morris is a retired high school English teacher, sometime photographer, and casual walker. His first collection of poems, At Work in the Garden of Possibilities, came out from Main Street Rag in 2025. He has poems in The 2River View, Common Ground Review, Rust + Moth, Talking River Review, and elsewhere. He and his wife, mother of their children, divide their year between the cool Oregon coast and the hot Central Valley of California.

    The Weight of Christmas Past

    Poetry by Mitch Simmons

    I remember the winters when the lights were few,
    When Mama stretched a dollar till the silver shone through.
    My sister and I would laugh by the tree so small,
    Paper stars and dreams were our gifts, that was all.

    We had no feast, no glittering store-bought cheer,
    But love filled the cracks of each passing year.
    Mama’s hands were weary, yet her smile never waned,
    And my sister’s laughter was the song that remained.

    Now the table is full, and the candles gleam bright,
    But silence has settled where joy took flight.
    The house is warm, the cupboards abound,
    Yet echoes of yesteryear are the sweetest sound.

    I’d trade all the gold, all the gifts, all the means,
    For one more Christmas where love filled the seams.
    For Mama’s soft humming, her voice pure and kind,
    And my sister’s embrace, forever entwined.

    The holidays come now with comfort and pain,
    A blessing of plenty, a shadow of rain.
    I stand in the glow of all I have earned,
    But ache for the hearts that will not return.

    Still, I light a candle for each of their names,
    For the lessons they taught me through struggle and flame.
    Love was our treasure when times were lean,
    And even in loss, their spirits are seen.

    Through every twinkle, each carol and prayer,
    I feel them beside me, they’re still there.


    Mitch Simmons is a writer who lives in Virginia.

    A Doll for Christmas

    Nonfiction by Melanie Harless

    As I search online for a Christmas doll for my five-year-old granddaughter, I am astounded at how things have changed since I was her age. There are so many choices. There are the baby dolls that don’t really do anything special and then there are the ones that, thanks to modern technology, seem almost alive. One giggles and plays peek-a-boo, another speaks two languages, and one even “eats” and “poops.” The most fantastic of all is a doll that engages in two-way communication, sees and hears, and expresses real emotions! Of course, I can always get one of those fashion-type dolls that look like miniature teenagers, but won’t that make her want to grow up too soon?

    My mind drifts back to my first Christmas doll when I was about my granddaughter’s age. Santa Claus came to our house early on Christmas Eve while we were next door at my granny’s house for a Christmas Eve supper. When we got home, I could not believe all that Santa had brought me. There were lots of toys, but what caught my eye was the beautiful doll lying in a baby buggy. She was just what I had asked Santa to bring.

    On Christmas night, I put my new doll down to sleep in her buggy and my family went back to Granny’s for Christmas dinner with all the relatives. Then chaos erupted. I never really knew for sure if the Christmas tree had caught fire or if something else caused our little house to go up in flames and burn to the ground taking my pretty doll with it.

    I was upset about losing my new doll at first, but I guess I had not had it long enough to grow too attached. A few weeks late my mother made me a sock doll with blue button eyes, a red button nose, and a permanent red stitched smile on her face. It was not beautiful like my Christmas doll had been, but it was soft and huggable. I carried it everywhere and slept with it every night.

    When I was six or seven, I received a Sweet Sue doll for Christmas with a complete layette that my mother had sat up late many nights sewing while the rest of the family slept. Sweet Sue, a 24-inch walking doll made of hard plastic, was the latest in doll technology at the time. She had beautiful blue eyes that opened and closed, long eyelashes, and curly auburn hair. As I held her hand, she walked beside me and turned her head from side to side.

    I had never seen anything like her and played with her for many years, even after my brother knocked her head off a few months after Christmas. A metal post inside connected her head to her legs and after her head was knocked off she could no longer walk properly but the post kept her head on her neck in a cute tilt that looked as if she were looking up at me when she was sitting. It made it easier to dress her. I just lifted her head off!

    For my ninth Christmas, my parents decided I should have a doll that wasn’t broken, and so I found under the tree a doll that took a bottle and wet. Along with it was a beautiful blue baby carriage. It was similar to the doll and carriage that had burned in the fire many years before. That same year, my new baby cousin was born right before Christmas and came to our house to stay while my aunt got her strength back. I had a real live baby to play with. I didn’t need dolls anymore.

    I put the new doll and her carriage in my closet along with my broken Sweet Sue and the now raggedy sock doll. Occasionally, I took them out and played with them, trying to recapture feelings they had brought me, but only the beat-up old sock doll that my mother had made still made me smile.

    After mulling over my doll history, I try again to choose a doll for my granddaughter. Would she be overwhelmed with a doll that can do almost everything or thrilled like I had been with that Sweet Sue walker? Would she rather have a baby doll with a carriage or a Barbie doll like so many little girls these days? Which doll would make her smile long after Christmas was over?

    Then I knew the answer! I leave the online store and begin a new search—how to make a sock doll.


    Melanie Harless began writing after retirement as a school librarian in 2006. She is an award-winning writer with poetry, fiction, nonfiction, and photography published in anthologies, journals, and magazines. She is a board member of Tennessee Mountain Writers and leads excursions for the Oak Ridge Institute for Continued Learning.

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