Month: January 2026 (Page 2 of 2)

Bunny in Brown Bear’s Coat

Poetry by Stephan Hermann

I own a coat
A big brown thing
Bought it off an old guy
In August
A few years back
When I lived in rain city.
Smelled like cigarettes
Cigarettes and dust
Dust and wear
Wear and tear.

That three dollar coat
Only one I brought with me
Back in August
When I first came here
Across the mountains.
Gets me through rain
Rain and wind
Wind and snow
Snow and snow and snow.


Stephan Hermann is a poet, creative, and student from the Pacific Northwest. Their poetry is inspired by their day to day happenings as a young, queer person navigating today’s world. When not writing, Hermann studies economics and music at Whitman College and plays desktop solitaire (rather poorly).

Snow

Poetry by Aidan Russell

While in the night we soundly slept,
A winter storm came by
and covered all the world in white,
With snow banks piled high.

So in the morning we awoke
And looked out at the sight,
Of all the city buried deep,
in snow so clean and white.

We dressed ourselves and wandered out
Into that wonderland,
And sought to find ourselves some fun,
Though nothing we had planned.

In trudging down the empty street,
We saw no other soul,
And so alone we went along,
A solitary stroll.

Then at the park we found a bench,
Beneath a bare oak tree,
Where we decided then to sit,
The snow-filled world to see.

So there we sat upon the bench,
Just you and me alone,
And watched the winter world grow still,
And heard the cold wind moan.

What sacred beauty there we saw,
As flurries seemed to grow,
The world without mistake or flaw,
White blanketed with snow.


Aidan Russell is an American poet and filmmaker. He was a finalist in the Unity in Verse Poetry Contest. He is also the writer and director of a number of short films, most notably: A Criminal Misunderstanding and The Legend of John Henry. He lives in Southern California.

Puck’s Paper

Poetry by Sarah Das Gupta

I scribble a note on a summer leaf
plucked from a beech or the bole of an elm.
In autumn I write a joke on a hazel nut shell
blown and tossed through the forest dell.
When playing tricks with Oberon,
the silvery bark from the delicate birch
is fit for regal missives borne on the breeze
from the magical mists of Fairy Land.
Secret messages written in dewy ink,
in velvet darkness below a gibbous moon,
emblazon the white mushroom tops
which mark the circling fairy feet.
When icicles hang from farmyard pumps,
I trace out my thoughts on virgin snow
which last till Boreas begins to blow.
On cottage roof tops I arrange the moss
to warn the small birds of impending doom,
the bird lime which awaits them in the gloom.
Nature, through the seasons of the turning year,
passes on my messages, mischievous, yet clear.


Sarah Das Gupta is a writer from Cambridge, UK who has lived in India, Tanzania and UK. Her work has been published in magazines and anthologies in over 25 countries. She started writing aged 80, when a disabling accident limited her mobility. Nominated for Best of the Net and Dwarf Star.

Darjeeling Tea

Poetry by Shreya Datta

If you like your pleasures subtle,
and your caffeine lean,
I present before you
the delights of Darjeeling.

Not the tea bags — get the actual leaves.
No Earl Grey, sugar, or additives.
One teaspoon for a cup so fine
warrants a pretty tea set — I’ve got mine!

Steep, sip, savor —
the foothills’ Himalayan flavor.
Can you taste inspiration,
with a hint of salvation?
Inhale the mountain’s lessons,
let your tongue explore those Darjeeling sensations.

Improves your enjoyment of books,
gifts you a contemplative outlook.
This isn’t matcha or chai —
it’s its own serene high.

Like a woman, this tea blushes
in different hues with its seasonal flushes.
A handshake in a cup, the Champagne of all teas,
a quiet ritual so comforting.
Sip slowly, breathe with ease —
and fall in love with Darjeeling, please.


Shreya Datta is a Philadelphia-based poet whose work dwells in small beauties and quiet awakenings. Her poems appear or are forthcoming in Lighten Up Online, Rue Scribe, Poets Choice, Wingless Dreamer Press, and Moonstone Press. She writes about tenderness, belonging, and the art of seeing.

New Year’s Eve, New Year’s Day

Poetry by Cecil Morris

Last day, first day, side by side. Please, no.
I’d like a break, a pause, a little intermission,
like school with that last day in early June
and the first day held off until late August
or early September, one a sunny swell
of promise and satisfaction at having done,
the other a sunny swell of promise, too,
another chance to do things right.
Please, don’t give me a sandwich of now and then
with filling to airy thinness beat, the merest hint
of butter, jam. Please don’t give me a restless
interval too brief for number, a wink,
a blink between who I was and who I want
to be—really just another slice
of white bread from the same old loaf.
Give me a chance to change.


Cecil Morris is a retired high school English teacher, sometime photographer, and casual walker. His first collection of poems, At Work in the Garden of Possibilities, came out from Main Street Rag in 2025. He has poems in The 2River View, Common Ground Review, Rust + Moth, Talking River Review, and elsewhere. He and his wife, mother of their children, divide their year between the cool Oregon coast and the hot Central Valley of California.

Infinity

Poetry by Jeanine Stevens

Here at the beginning of the year,
dinner of broiled scallops,
     Sonoma Valley wine.

In twilight, Venus forever shy, wavering.
I sit in the redwood gazebo
     goblet in hand

In my worn Uggs and infinity scarf
not allowed to go in just yet.
Faint starlight, orange slit of sun—
     my hands folded.

A heavy presence, maybe a spirit,
even more than one, muscular
and brown, apart from the living.
Perhaps a thing unfinished,
     still wanting.

And with intention
just this night, in the quiet
of late commuters I stay long
     in the retreating hour.

Wind chimes hold zinnia’s dust,
each day alike, not exactly the same.


Jeanine Stevens has a number of poetry collections and award winning chapbooks. Poems have appeared in Rosebud, Poet Lore, Evansville Review, The McGuffin, Comstock Review, North Dakota Quarterly, Chiron Review, and Two Thirds North (Sweden), among many other publications. She is Professor Emerita at American River College.

Papa’s Garage

Poetry by Sarah Pouliot

I stood in your garage, inhaling sawdust
like incense as you unveiled the new altar:
a dove and an olive branch etched into peeling
cedar, curled shavings scattered on cement
like split ends at a barber shop.

“There’s a sculpture inside every sapling;
my job is to set it free,” you told me—
voice as rusty as the metal bench I leaned on.
I didn’t know you were quoting Michelangelo
until “Taps” resounded from a bugle

and two men folded an American flag
into a perfect triangle—the day New
Hampshire’s bleached sky became
an ocean of arctic terns, white wings
coalescing behind their captain.

Now, I stand in your garage.
It’s cleaner than ever.
No shavings stick to my soles
as I glimpse the sallow glow of Christmas lights
Dad hangs with your hammer.


Sarah Pouliot is a poet from Titusville, Florida. She believes that poetry holds the power to bring stillness and meditative reflection amid life’s chaos, and she hopes that her writing can do this for you—even if only for a moment.

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