Author: Editor (Page 20 of 62)

House Plants Lament

Poetry by Peter A. Witt

Potted I sit on the windowsill,
like a canvas painted with sunlight,
weaving patterns on my outstretched leaves,
it’s a good life, but I envy the vibrant
garden that grows outside, where
plants hear the twilling of house finches,
the buzzing of honey bees, and feel the cool
of early spring breezes, as arrowheads
of Sandhill Cranes migrate north
from their Texas winter homes.

Once my keeper carried my potted home
out to the patio on a rain-clouded day
where a gentle caress from nature’s hand
bathed the soil around my roots.

I drew the pure water into my stems,
it was refreshing after my usual diet
of salt-filled, chlorinated water drawn
from the kitchen tap. Alas, my roots
were never bathed this way again.

My owner thinks I’m happy; she sees
no bugs, no rot of my roots or mold,
no diseases, but she does not know
I feel like a prisoner in a gilded cage;
she thinks of me as nothing more
than a potted house plant with no
ambition to be something more.


Peter A. Witt is a poet, family history writer, active birder and photographer. Peter retired in 2015 from a 43-year university teaching and research career. He lives with his wife in Texas.

The Breakfast Whisperer

Nonfiction by Ellen Notbohm

Even eight-year-olds dressed up for airplane trips in the 1960s. Hence my flying from Oregon to Chicago in a bright white pique dress with a black-and-white checked collar, hem and sash. From my aisle seat at the back of the plane, I could see my parents and little brother several rows ahead. I didn’t mind sitting alone. I felt worldly. The stewardess brought breakfast: eggs over easy, toast triangles soaked in margarine, a tiny cup of canned fruit cocktail. My mother fervently despised margarine and canned fruit cocktail, so I felt even more worldly gobbling them, quite literally, behind her back. The greasy damp bread and slimy grapes sliding down my throat would never have been a first choice for breakfast, but opportunities for small acts of defiance rarely came my way. That made them delicious.

However, the egg was going to be trickier. Hard-boiled or scrambled eggs, those were acceptable ways to eat a yolk, but this one ran all over the plate like yellow blood from a paper cut. Revolted, I tried to cut around it delicately, in order to pop small bites of the whites into my mouth. Even on an airplane, it felt like it would be rude to reject the meal, even if politely. No thanks. I’m not hungry.

Then, calamity. A dot of egg yolk, blinding as the sun, landed in a splotch on my white collar, spreading through the mesh fabric like an inkblot.

I must have gasped in horror, because the man seated next to me glanced over. As I scraped at the stain with my napkin, he said gently, “That will only make it worse.”

Indeed, little balls and shreds of napkin stuck to the stain, unchanged for my efforts. When my tears welled, the man spoke again. “It’s just a small stain. I’m sure it will come out. That’s such a pretty dress. It doesn’t ruin it at all.”

“My mother will be angry,” I told the nice man, which wasn’t true. My mother never angered over small mishaps. I was angry with myself, dribbling food like a two-year-old. I added, “We’re going to see my grandparents,” doubting whether he could possibly understand how rare and important this was.

“I’m sure they’ll be so happy to see you that they won’t even notice a tiny spot on your dress.”

I finally looked up at this nice man, who had magically said exactly the right thing, wiping away my despair, if not the stain. Sandy-colored brows topped his light blue eyes, and he wore a black uniform with brass buttons and white braid trim. He said he was Captain Smith, and that he had a daughter about my age.

“She calls me Cap’n Crunch,” he told me, making me giggle in spite of myself. “But we still won’t buy the cereal.” He smiled as if he knew I would understand, and I nodded, no, my mom wouldn’t buy it either. She bought things like Kix and Cornflakes and Puffed Rice and all of sudden I was telling him why I thought Puffed Rice was ridiculous. You have to be really careful pouring the milk on or it will overflow. If it doesn’t overflow, the puffed rice just sits there on the milk, bobbing like balloons in a bathtub, until they take on enough milk to sink and turn to disgusting mush. Captain Smith laughed and said I’d described Puffed Rice perfectly, yes, it was like eating Styrofoam, and thank you, because now he would remember me and never eat it again.

At O’Hare, I introduced Captain Smith to my parents. He told them what a charming daughter they had, and wished them a pleasant time in Chicago.

Hurtling down the expressway in our rental car, my mother remarked, neither kindly or unkindly, that Captain Smith wasn’t a real captain, not in the U.S. military, and not an airline pilot. He was a captain in the Salvation Army.

The bell-ringers with the coin buckets at Christmastime? How did she know this? Something about that immaculate uniform? Then I wondered what I was supposed to do with this information. I said nothing because it made no difference to me. Captain Smith was a kind man who knew just what I needed to hear at the moment I most needed it. He was indeed my salvation. Real enough for me.


Ellen Notbohm’s internationally renowned work has touched millions in more than twenty-five languages. She is author of the award-winning novel The River by Starlight, the nonfiction classic Ten Things Every Child with Autism Wishes You Knew, and numerous short fiction and nonfiction pieces appearing in literary journals, magazines, and anthologies.

Hiding Behind a Book

Poetry by Jennifer Campbell

These days, you will be the odd one,
everyone else’s focus flickering
to the flow of a billion pixels,
attention ebbing and flowing,
the vastness of that ocean
knocking them off their feet
while your face is a changing map
of parchment, a 90-degree bend
where your nose should be,
eyebrow birds arched above the action,
and should one of them wonder
what lies behind an abstract painting,
Achilles’ empty gold helmet,
or a stark black tree,
it will be impossible to say,
your concentration popped
into the present yet needing time
to pry the words on the page
from the countless incantations
they stir in each reader,
none of which stop you
from knowing where your body is
in this glowing moment
and what they are missing.


Jennifer Campbell is a writing professor in Buffalo, NY, and a co-editor of Earth’s Daughters. Her most recent book, What Came First (Dancing Girl Press, 2021), contains reconstituted fairytale poems. Jennifer’s work has recently appeared in Slipstream, The Healing Muse, ArLiJo, and American Journal of Nursing.

Marilyn Monroe’s Lipstick

Poetry by Julie Evan Smith

She was good to me
Applying me with just the right amount of pressure
Never smearing me on in haste.
And when I disappeared in the act of kissing
It was always a sad farewell
As I liked the feel of her lips moving when she shaped words
And spoke in her soft voice.

Revlon retired my name after her death.
I am the last one of my kind
Collected after her passing
Along with receipts and gum wrappers
Furs and gowns and gloves
A frenzy of acquisition
By people greedy for the smallest part of her.


Author’s Note: According to www.juliensauctions.com, an item up for auction was one of Marilyn Monroe’s tubes of used Revlon lipstick in “Bachelor’s Carnation” dated 1947 and described as “a virtual time capsule of one of the star’s nights out on the town.”


Julie Evan Smith‘s work has been published online at On The Run Fiction and StreetLit. In addition to flash fiction and poetry she has performed personal essays at storytelling shows in Los Angeles and New York. She loves reading history, wearing boots, and eating candy corn.

New Shorts

Nonfiction by Leanne Rose Sowul

I was so proud of them: cream-colored denim with turquoise flowers, bright green leaves, and cuffed bottoms. The perfect length to show off my new, longer, sixth-grade legs.

At recess, we sat on the low ledge of the concrete court while the boys played basketball. We watched them, waiting for them to look our way. We fidgeted, hands pulling the weeds that grew up between the cracks, fingers brushing the pollen off buttercups.

Then, one of the girls said, “Hey, is that leg hair?” I felt the brush of her hand, running up my shin from ankle to knee. She was right—my leg was covered in soft down. I hadn’t noticed.

“Hasn’t your mom taught you to shave yet?” she asked. The others turned, looked, laughed. My face flushed. I looked at the other girls’ legs. Smooth, white, perfect.

The boys were yelling, laughing, piling onto each other. They’d swarm back into school with dirty knees, sweaty hairlines, and smelly pits. Still, girls would line the hallways, trying to catch their eyes.

I wish I could say that I stood up then. Told that girl off for touching my leg without permission. Made an impassioned speech about a woman’s natural body. Strode into that throng of boys and grabbed the basketball. Walked into the school dirty and sweating, happy and uncaring.

Instead, I pulled down the hem of my new shorts as far as they could go and tucked my legs underneath me. Instead, when I got home that afternoon, I asked my mother for a razor.


Leanne Rose Sowul is an award-winning writer with publications in JuxtaProse, Under the Gum Tree, Five Minutes, and more; she has performed her essays for “Writers Read” at Lincoln Center and in collaboration with Carnegie Hall. Join her “Good Character” newsletter on Substack for more.

How Light Travels

Poetry by Sheila Dietz

For Christina (1956-2017)

In this picture it’s Christmas morning
and we’re opening presents. Carl, five,
looks away from the camera at Mary
who is out of view. He holds a bag—
red fabric tied at one end
with gold ribbon. I, the oldest,
maybe ten, am trying to pull
a fat gold ribbon from a gift wrapped
in white froth. I wear a shy
smile for the camera
which has caught me in my pajamas—
the red ones with a hole in the heel.

And you, baby sister, your wild,
curly hair catching the light,
cozy in your faded red nightgown
with white buttons, are lifting your face
to the person taking the picture.

One hand is open in your lap,
fingers splayed, and still,
two of its fingers held fast
by the other hand—a nascent
reticence that has not yet reached
your mouth, which, open in a wide smile,
reveals pure joy while the light
in your gold flecked eyes
reflects a gold ornament
dangling from a nearby branch.

Oh, Christina,
how can it be that I did not see you
until just now?


Sheila Dietz also writes as Sheila Bonenberger. She holds an MFA from Vermont College, and poems have appeared in The American Poetry Review, The Antioch Review, Beloit Poetry Journal, Wrath-Bearing Tree, Denver Quarterly and The Massachusetts Review, among others. Most recently her work appeared in the 2023 One Page Poetry anthology.

Skipping

Poetry by Carolyn Jabs

The woman with the stethoscope
asks matter-of-factly,
“Has anyone mentioned
the pause in your heartbeat?”
I’m not one to worry,
but that night, in bed, I hold
my own hand and find the pulse.
No question, my heart
has taken up skipping.

All night I have uneasy dreams.
My heart pursues its syncopated ways,
as if to say don’t count on me,
things are not as certain as they seem.
At dawn I follow my heart’s direction—
skip over what was written
on the day’s agenda,
pause to listen to birds,
gossiping as the day breaks.

All morning my heart and I
are in cahoots. It sprints for a minute,
then hesitates like a toddler
seeing a dandelion for the first time.
I follow its lead. After a lifetime
of inattention, I want to know why
my heart hesitates, want to register
the moment it shakes off doubt
and decides we’ll live a little longer.


In her professional life, Carolyn Jabs contributed essays and articles to many publications including The New York Times, Newsweek, Working Mother, Self and Family PC. She is author of The Heirloom Gardener and co-author of Cooperative Wisdom, an award-winning book about an innovative approach to conflict resolution.

Sometimes the moon

Poetry by Jan Mordenski

cannot help himself.
Sometimes, with the next day
spread out before him like an azure flag,
and the golden glances of his brother—
the radiant rival on whom he so depends—
blazing across a bright tomorrow,
he cannot merely fade on cue
into his designated background
without comment, without query,
without—momentarily—
facing the morning throng
with a pale yet perceptible smile.

No, sometimes, with all the timidity,
all the temerity of a second son,
he feels he must, if only briefly,
hold his unsolid ground in that unfolding sky,
just to remind us how precious, how frail,
how necessary, is the belief in things unseen,
in persons unnoticed, in sentiments so deep,
so true yet unvoiced in those unabated moments
that are there, and then gone,
and then—hopefully—remembered
like the sighting of a summer’s moon
lingering in the morning sky.


Jan Mordenski, a trained folklorist and writing teacher, is from Detroit. Her poems have regularly appeared in print in Canada, Ireland, England, Australia, and the United States. Her poem “Crochet” was selected for the American Life in Poetry series. More of her poetry appears on Ravens Perch, and Quadra/Project.

Estate Sale

Fiction by Deborah Wessell

“Excuse me. Excuse me? Would you take ten for this?” Lois hoisted the tuxedo
pants and jacket before the bored, merciless eyes of the man accepting money.

“Tag says fifteen.”

He was middle-aged, as she was, but lean and weathered, with a graying ponytail
and bare feet. His till was a fishing tackle box. Behind him a Sunday morning crowd
picked over the debris of someone’s life, the husband who had worn the tuxedo and read Sky & Telescope, the wife given to macramé and saving cottage cheese containers. Lois wondered if they were dead, but of course it would be ghoulish to ask.

“I know the tag says fifteen. But it’s not in good shape, and anyway I only have
ten dollars with me, so…”

“So?”

“Never mind,” she murmured, but he cut her off.

“OK, ten.”

Lois was certain that the man knew she had always wanted a tuxedo jacket, just to
wear with jeans, and that she feared she was too old and overweight to carry it off. Well, was he such a prize, with that silly hair and the T-shirt with the rude slogan? She pulled out her wallet and something dropped from her purse: a slip of paper folded around two twenty dollar bills.

“Oh!” said Lois, appalled. “Oh, that’s right, I went to the cash machine last night.
I could, I mean, if you want fifteen…”

The man snorted. “Forget it.”

Lois drove home in mortification, and it was days before she could bring herself to try on her purchase. The pants, at least, made her laugh: clown pants, much too short and huge around the waist, with stiff black suspenders. Then the jacket, heavy on her shoulders. She slid her hands down the lapels and smoothed the skirts over her hips, sighing over the bulges. Then she frowned and explored a miniature inside front pocket. A small rough nugget met her fingertips and she drew it forth: a tiny ivory wedge, smooth-sided, red-brown at the jagged base. A baby tooth.

Lois had a rushing vision of a dark bedroom, a child’s breathing, a slanting slice of light from the hallway. Daddy, with his barrel belly and his suspenders and his satin lapels, on his way to some long-ago fancy night out, steps to the bedside and slips one hand gently under the pillow to exchange a silvery dime for this disgusting little miraculous tooth.

The man in the rude T-shirt, was he that child? Even if he wasn’t, he was a child once, and someone loved him, or didn’t love him. Lois was dizzied by the thought, not only of the man, but of everyone, herself and her own children and her friends and their children and oh Lord, everyone she’d ever met or would never meet and all of them, every individual on this entire warm busy planet, would someday be dead, and there would just be these little things, these objects once significant of love. The thought was marvelous but entirely too much, and Lois threw the tooth away.


Deborah Wessell writes the Wedding Planner mystery series under the name Deborah Donnelly. She is a former librarian, copywriter, and speechwriter. She lives in Bellingham, Washington, with her writer husband and their unruly corgis.

After Hours (Guggenheim Museum, 1984)

Poetry by Nancy Nowak

Day in and
up, elevated to the first
piece held in its cell, swarms

of visitors graze on
to the next, descending
away from
Picasso’s late self-

portrait, his hungering gaze
you’d know, my love, if you could
close in.

No matter our rank, we workers
keep watch over
what at times feels ours, so

after the head guard
sends the last tourists spiraling
out and commandeers
the take from my Front Desk shift

like a bluff, beneficent
uncle, he sends me home

to collect you for a private viewing
proud to break
an unwritten rule
no curator would consider.

The Museum glows, evening-lit
as you unlock
tiers of meaning in each

figure and gesture, each tribute
to forebears in a history
Picasso became
as he painted
his final night’s work.

No one else ever
will know we were here
beyond the three of us
joined by the fourth.


Nancy Nowak’s poetry appeared most recently in The Comstock Review, Poeming Pigeon, Timberline Review, and Willows Wept Review. Previously published work is found at www.nancynowakpoetry.com. From 1994 – 2016, she was an Associate Professor of Humanities at Umpqua Community College. She lives in Winston, OR.

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