Author: Editor (Page 26 of 62)

French Broad River

Poetry by Douglas Cooper

The hum of traffic on the bridge overhead, blends
with the gurgle of the river as it swirls around
the dock at the kayak ramp. A man wearing a bicycle helmet
sits on the bank watching a teacup Yorkie explore.

The bank is covered with huge catalpa trees, thickets
of sunflowers, Japanese knotweed, blackberry canes,
Asiatic lilies, and sweet pea flowers, making me
a world traveler standing in one place.

My friend Mick, with a twinkle in his eye,
asks the cyclist how many CCs his
electric bike could do. The cyclist answers
straight-faced, “Up to 30 miles per hour.”
“How many miles per gallon?”
“I can ride to work and back on one charge.”

About then, the Yorkie scampers across
the sidewalk toward an 80-pound husky
straining on his owner’s leash – a tiny hurricane hunter
flying straight into the storm.                               The cyclist
picks up the small dog and puts him in his cloth shoulder bag,
riding to safer places to explore the wonders of this world.


Douglas Cooper lives in the mountains north of Asheville, NC, with his wife and three pets. He has a BA in English from the University of West Florida, and attended many workshops with poet Francis Quinn. His work has appeared in Crosswinds Poetry Journal and The RavensPerch.

Early Spring

Poetry by Sharon Scholl

When everything portends,
clings to the edge of not quite yet,
teeters on perhaps.

Just a hint of green
pokes from wilted stalks,
risking little, wary of reversal.

Nothing signals go ahead!
Nothing gestures all safe now
to a land still hovering.

I sit with my seed catalog
deep in petunia fantasies
despite its warning, sow after frost.


Sharon Scholl is an ancient poet (91) still very active as convener of a poetry critique group and poetry editor of a local women’s journal. Her poems currently published are in Front Range Review and Third Wednesday.

The Pillars of Creation*

Poetry by Arthur Ginsberg

The pillars of creation fill my sight,
in ways I cannot fathom make me pray
and revel in the origin of light.

Though Galileo knew the stars were bright,
he could not know red dwarfs, light years away.
The pillars of creation fill my sight.

The James Webb telescope has taken flight
with golden panels opened wide today
to gather in the origin of light.

Men who’ve slipped earth’s bonds can ignite
the rapture mortals see in cosmic clay.
The pillars of creation fill my sight.

We peer now into space beyond the height
where angels fly and clarion trumpets play
and revel in the origin of light.

Beloveds who passed through tunnels, brilliant white,
came from the stuff of stars at which we gaze.
The pillars of creation fill my sight,
I revel in the origin of light.

*molten rock and dust in the shape
of pillars seen through the Webb
telescope, glowing in deep space


Arthur Ginsberg is a poet based in Seattle. Past work appears in the anthologies, Blood and Bone, and Primary Care. He received the William Stafford prize in 2003. He holds an MFA degree from Pacific University in Oregon. His most recent book, Holy the Body was published by Kelsay Books.

Hell’s Kitchen

Nonfiction by Leslie Lisbona

We were in my father’s car on Sixth Avenue driving uptown towards Central Park, or maybe we were on Third Avenue approaching the 59th Street Bridge, when my father said, “Don’t marry him.  I’ll take care of you.” After a long silence I said, “But Dad, I love him.”

My mother had died a few months before, and it was just my father and I in the house in Queens where I had grown up. I worried about him. I knew it was too soon to leave him alone. Val was living in New Jersey at the time. My father put his arm around Val’s shoulder and convinced him to move in with us. “After the wedding, you can look for an apartment together,” he said. 

Val moved in three months before our wedding. We slept in separate rooms. He called my dad Mr. Lisbona.

We got married on a beautiful day in April. I invited my mom’s friend Beatrice to attend.

On my wedding day, my father said, “Can you stay with me a little longer?” When Val agreed, I thought he was so understanding; he was so nice about it.  But then I noticed how well he got along with my father. They sat in the living room watching TV together and laughing at the same jokes. Val walked around on Sunday mornings in pajamas while my dad made coffee for them both, and on Sunday afternoons the two of them went food shopping on 108th Street. If something needed fixing, Val was eager to do it.  He started calling my father Leon. When I suggested a neighborhood that might be good for us to live in, Val didn’t show any interest. My father said, “Stay here and save some money,” and Val smiled conspiratorially.

We lived eight months as newlyweds in my father’s house. 

Toward the end of that stretch, Beatrice came for an overnight visit. I noticed how happy my dad was, and then I spied them. It was just a moment, through a slice of door: She was on the bed, he was in his bathrobe; he leaned over her. I caught my breath and recoiled. I slinked down the stairs and hurried out of the house. I walked to the subway and felt the urge to squeeze my eyes shut, trying to unsee the image of my father and Beatrice that kept fluttering to my mind. By the time I got to the train platform, I realized that this was my chance to leave. The moment had presented itself like a gift.

Without telling Val, I found us an apartment on my lunchbreak. The one-bedroom was walking distance from my office building on Sixth Avenue. That evening, after kicking off my boots, I gathered Val and my father at the round table in the kitchen and announced that Val and I were moving. Val said, “We can never afford it,” and my father said, “A two-year lease?” and I said to Val, “We have five days to pack.” My father lit up a cigarette and inhaled deeply. 

A week later we took a few boxes of clothes and two rolled-up Persian rugs to the twentieth floor of 301 West 53rd Street in Hell’s Kitchen. I liked the name of my new neighborhood. That first night, Val was working across the river in New Jersey. I was alone.

The apartment was bare. Our wedding presents, still in their unopened boxes, were scattered in our empty living room. Our only piece of furniture was our too-hard bed, which we had bought that day without thinking it through.   

I lay in the bed and looked out the large plate-glass window to see the time and temperature flash atop a taller building. I listened to a bouncer arguing loudly with a patron at the back entrance of the Roseland Ballroom. I heard the trucks rumbling up 8th Avenue and the horse and carriages ambling towards the stables. I wished Val were there on my first night away from home. Somehow, despite all the city sounds, I fell asleep.

One hour before I needed to wake up the next morning, my dad called, a pattern he took years to break. We chatted until I was sufficiently awake. 

I put my feet on the Persian rug. I pulled out from a box something to wear to work. I walked two short blocks to my office and never wanted to set foot on the subway again. 

In the evening, Val and I went to Central Park, walked to 9th Avenue, and ate in a little restaurant. On the way home we stopped at Tower Records, our fingers interlocked. Val loved the spartan apartment and declared that we didn’t need any furniture. “Where will we eat?” I said.  “In our hard bed,” he said, and we both laughed. 

I loved him so much, and I was so happy.

A year later I was pregnant with Aaron, and my father remarried a woman who wasn’t Beatrice.


Leslie Lisbona recently had several pieces published in Synchronized Chaos, Dorothy Parker’s Ashes, The Bluebird Word, The Jewish Literary Journal, miniskirt magazine, Yalobusha Review, Tangled Locks, Koukash Review, Metonym Journal, and Smoky Blue Literary. She is the child of immigrants from Beirut, Lebanon, and grew up in Queens, NY. Read Leslie’s earlier essay Taboule in The Bluebird Word.

Aviary

Poetry by Konrad Ehresman

In the dark I hear the owl in my attic,
three beating thrums and a woosh,
screeching,
the sound of wings confined.

In the light,
I collect stray feathers
and celebrate silence.

Every day I think it gone,
but
every night,
the gift,
of being wrong.

I tell my family
but they can’t hear it,
say my mind is playing tricks,
I wonder where my brain mastered illusion,
how it chose
owl over
dove.

I could just show them,
pull on dangling cord,
turn shut door to yawning mouth,
bathe in the vindicating warmth of trapped air,
watch an owl erupt
from the parted lips of our house.

But I worry,

when I ask the attic to speak,
that it will refuse an audience,

that it will share only,
quiet settled into dust.

And I worry,

they will pity me as
I write pleas in the grime,
beg stale air to let them hear,
to teach them the music
of flying into walls,
the song of soaring
while starving.

But mostly,

I worry that if we look,
I might come to find,

there was no owl,

and the noise
is
mine.


Konrad Ehresman is a creative living on the central coast of California. His work has been featured by Ariel Chart, Awakened Voices, You Might Need to Hear This, and he has work upcoming in Mocking Owl Roost. When not writing Konrad can be found baking bread and being a nuisance.

Storms

Poetry by Diana Raab

Life is scattered with storms—
emotions and weather
that have run wild.

After a seven-year drought
I finally see rain trickle
down my bedroom window

as I rejoice that our reservoirs
will fill. This also makes me think
about how often life flows,

when a swift storm hits our psyche:
while trees and debris clutter
our path, and then,

during our psychological
clean up we pave the way
for clarity to be followed
yet by another storm.


Diana Raab, PhD, is an award-winning memoirist, poet, blogger, speaker, and author of 13 books. Her latest poetry chapbook is An Imaginary Affair: Poems Whispered to Neruda. She blogs for Psychology Today, Thrive Global, Sixty and Me, Good Men Project, The Wisdom Daily and many others. Visit: www.dianaraab.com.

acquisition

Poetry by Charlie Steak

walking
on the beach
I pick up shells
at the surf line
each tiny, perfect
(to me at any rate)
          pale petal pink
delicate, ridged, lined,
          butter paper yellow
rinsed in swirling water,
eluding my fingertips
          chalkboard black
I have no purpose
for this handful of
          bleached white
deserted homes,
is it ungrateful
to re-scatter
I’ll keep
one


Charlie Steak is an author and playwright currently living in the southwest USA. The winters are great but gardening in summer resembles Armageddon. Or maybe Mordor. He has written for Space 55, Synthetic Human, Rising Youth Theatre, and many other organizations. His poetry will be published in Constellations this winter.

A Night in Alaska

Poetry by Ellen Skilton

There are raccoons in the floorboards,
and to-dos sprouting from my ears.

                                                            The dog wedges himself under the bed to
                                                            monitor anxiously the vermin’s every move.

The Philly basketball announcer gets
hyped up about a free-throw parade.

                                                            But her enthusiasm doesn’t shake
                                                            my seeping sadness. Like the melting
                                                            ice outside, it finds every crevice to fill.

Across town, a man dreams of a night
in Alaska, so cold there is no hospitality.

                                                           He tells his son — being an old husband
                                                           is kind of like being a baby. Now, I can’t
                                                           un-see the word hospital in how we care.

I may have lied about my vision to get ugly
glasses in 1972, but today I am forgiven.

                                                          This morning’s sunshine on the winter trees
                                                          makes now seem so distinct from then.
                                                          Like a ski-lift, I float high above old mistakes.


Ellen Skilton‘s creative writing has appeared in Cathexis Northwest Press, Literary Mama, Ekphrastic Review, and Dillydoun Review. In addition to being a poet, she is an educational anthropologist, an applied linguist, and a Fringe Fest performer. She is also an excellent napper, a chocolate snob, and a swimmer.

Buy the Fanciful Ones: A Tale of New Shoes

Nonfiction by Melanie Faith

For over three years, I’ve gone almost nowhere to try to stay healthy. Thank you, Covid. (Eyeroll.) Although I’m short, my natural go-to is a flat shoe with a buckle or a sneaker, because they feel the best and are most practical (read: match with everything). Recently, I found a pair of burgundy mary janes with thick, ‘90s 2-inch chunky heels. This was my first time in years wearing heels, and I’d only ever worn the lower, chunkier heels (never spikes—the thin, pointy, rickety kind).

The price was right on these designer-label babies ($29.99) and just looking at the shiny upper razzle-dazzled me, so they went home with me. What did I learn from wearing them for the first time, attempting to break them in?

Joy is a shoe that you won’t wear every day. As a telecommuter who still only goes out two or three times a week briefly on errands like the grocery store, these babies aren’t gonna get daily use. But who cares? Ever hear of the good plates? As in, family china handed down that only gets a Thanksgiving or Christmas or Easter place on the table? Do we like them any less for that? Hardly. They denote special care and the thought placed into the meal. These shoes denote something similar: care.

Know what you’re dealing with. Even chunky heels that disperse weight more evenly on the foot aren’t as comfortable as a flat boot or tennis shoe. Pick your places wisely. Ease into it if you have to. I wore mine around the kitchen as I made warmed-up tacos. Then I sat to eat. New shoes take a while to break in, and after a half hour, I felt done. I popped them off for stocking feet, the bones below my toes not exactly aching but calling for a break already.

Sometimes, playful and fun are worth it. It’s been a long, hard few years. Illness, the pandemic, wars, dramatic rises in costs. We’ve been bogged down and more than earned a treat, something that lights us up inside just looking at them, and these shoes do. Yeah, they had the same pair in my size in neutral black, but there was no contest: the oxblood glimmers and puts a smile on my face. They recall the ‘90s of my youth and the untold happinesses that could be around the corner now. They are a hopeful shoe. They also remind me of the kinds of shoes worn for flamenco dancing and tap dancing—two movements that surely bring a whirl to the dancers. Do I dance? Around the office for an audience of me, myself, and I. Does it bring me any less joy? Not even close!

Your frivolous something might not be shoes or something you buy at all. It might be taking a morning off to return to a hobby you’ve been meaning to do but that kept getting shoved aside for the day job and family functions. It might be getting your bike or skates or basketball or gym clothes out of storage and gearing up for some head-clearing exercise or a walk on your own around the block. Or letting your old digital or analog camera walk with you around the neighborhood.

These activities, like my shoes, give a person something to look forward to, no matter how near or far that might be. Investing in whimsy and in ourselves with just a little effort or money often lightens our moods and puts a spring back in our step. They are an engagement with the world and a reengagement with self. Priceless.


Melanie Faith is a night-owl writer and editor who likes to wear many hats, including as poet, photographer, professor, and tutor. Three of her craft books about writing were published by Vine Leaves Press in 2022. She enjoys ASMR videos, reading, and tiny houses. Learn more at https://melaniedfaith.com/.

And Yet This Life

Poetry by Lisa Low

                                  Is still worth living;
even now the rain is falling, making
mud from dirt around the roots and filling
in the ragged spots where grass hardly
ever shows. Tomorrow, too, the sun
will bring its healing mix of heat and light,
and make the flowers grow, more firmly
capable, their fancy floral dresses
stiff, each new eye glazed with thick black stripe
of paint, each marigold more grandly
dressed, more rich with bright silk fabrics hung,
orange vests and epaulets . . .


Lisa Low’s essays, book reviews, and interviews have appeared in The Massachusetts Review, The Boston Review, The Tupelo Quarterly, and The Adroit Journal. Her poetry has appeared in many literary journals, among them Valparaiso Poetry Review, Phoebe, Pennsylvania English, American Journal of Poetry, Delmarva Review, and Tusculum Review.

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