Author: Editor (Page 27 of 62)

Angel

Fiction by Paul Hadella

“You can say sorry all you want about breaking the lamp,” Mom said at the top of her lungs, “but this isn’t about breaking the lamp.” Then she stomped out of our apartment and slammed the door.

I asked Vince, “What’s she mean? If she’s not mad at us for breaking the lamp, then what’s she mad about?”

“Maybe she meant it’s about the money,” he said.

“The money?” I said.

“That now she has to buy us a new lamp,” my brother said, “and she doesn’t have the money. She never has the money for anything.”

“Do we really need the lamp?” I asked.

“I guess so,” said Vince. “I don’t know.” Then he asked me what I thought she meant.

“Beats me,” I said. “That’s why I asked you.”

“Could be she’s just mad because we’re boys, and boys play rough,” Vince said. “She really wanted girls. How many times has she told us that?”

I said, “She’s just teasing us when she says that.”

“Just teasing?” Vince grumbled. “Get real.”

Anyway, I’m not blaming the broken lamp all on Vince. It’s true, though, that I didn’t start it. He was the one who brought home the tennis racket with two busted strings. He found it on the grass outside Building Five. “It was just laying there,” he told me.

“What good is it?” I asked him.

“Watch,” he said. Then he went into the kitchen and came back with a sponge, just a bit damp, so it had some weight. Then he started whacking the sponge around the living room, using the racket like a hockey stick. “You be the goalie,” he told me.

We slid the coffee table against the wall and made it the goal. Then things got a little out of hand.

Mom walked through the door, home from work, about five minutes after we broke the lamp. She saw we were picking up the pieces.

Right away, Vince said to her, “Sorry for breaking the lamp.” I said it next. Mom tried plugging her temper but couldn’t. She yelled that thing about it not being about the lamp, then left me and my brother standing there in the living room, our heads down.

It wasn’t the first time Mom has stomped out of the apartment. It’s happened, I think, five other times. So me and Vince know how to handle it by now. First, we give Mom about fifteen minutes to cool down before we go get her and bring her back. We know where she’ll be. She walks down to the pond behind the apartment buildings, sits on a bench, and stares at the water.

Here’s how it usually goes.

First, when Mom hears us coming, she scoots to the middle of the bench. That gives me room to sit on one side of her and Vince on the other.

Then I take one of her hands, and Vince takes the other.

Then we all sit there and watch the water for a few minutes. None of us says anything.

Then I tell her I love her. Vince says it next. He should go first, because he’s older, but he always waits for me.

Then we promise we’ll try to behave better, and not make her life so rough.

Then we ask her to please come back home because we can’t live without her.

Then she kisses both of us on the cheek, and we walk back to our apartment together. Mom might even crack a joke or two to show there’s no hard feelings.

That’s how it usually goes—but that’s not how it went yesterday, after we broke the lamp. Not exactly. Yesterday, when me and Vince got to the edge of the parking lot behind Building Ten, we saw Mom down by the pond, just like we expected. She was even sitting on the same bench she always sits on.

Yesterday, though, she wasn’t there alone. She had company. Not a person—but a big white swan. There’s a bunch of swans that live at the pond. Yesterday, all but this one were out on the water, cruising around like little ships. They plowed right through the creases the breeze was making. This other one, though, was sitting on the grass, facing Mom, about ten yards from her and the bench. It looked white as an angel.

Even from where me and Vince had stopped, at the edge of the parking lot, we could tell Mom was talking to the swan. Talking and talking. Her hands moving to her words. You could bet she was telling the swan about our hockey game that got a little out of hand. I could almost hear her saying, “But it isn’t about breaking the lamp.”

The swan bobbed its head up and down as Mom talked. It was like an angel telling Mom, “Yeah, I get exactly what you’re saying, and I take pity on you.”

It even opened its wings and flapped them a couple of times—which made it look even more like an angel—a mighty angel. Maybe by flapping its wings it was giving Mom a blessing.

I spent a year in Catholic school, second grade—which is probably why I saw an angel and Vince just saw a swan. Vince has always gone to public school. He did think of something, though, that didn’t cross my mind. He said, “That swan must be a she.”


Paul Hadella is a journalist, creative writer and musician, living in Ohio. “Angel” is from a series of stories about his childhood on Long Island, New York.

On the Mend

Poetry by Andrew Shattuck McBride

Until we die our lives are on the mend.

Richard hugo

At the shoreline near the coffee shop,
someone has balanced shards of stone
tip to tip in ragged stacks, creating
a forest of stone above the water.

Under a bench, a pink pacifier, forgotten.
Further down the paved trail, a woman
gathers another woman who is weeping
into a fierce loving hug, murmurs comfort.

A curtain of rain cloud passes overhead,
and steady rain soaks us as I walk by.
Cherry trees are in bloom. Sodden
pink petals redeem pavement and lawn.

There are fewer discarded masks.
The rain, gentle, comforts like a hug.
I don’t hurry. I’m on my way home,
toward something resembling hope.


Andrew Shattuck McBride grew up in Volcano, Hawaiʻi, six miles from the summit of Kīlauea volcano. Based in Washington State, he is co-editor of For Love of Orcas (Wandering Aengus, 2019). His work appears in literary journals including Rattle, Clockhouse, and Crab Creek Review.

Breath

Poetry by Jeff Burt

In the shower from a hose
over tomato vines, an Anne’s hummingbird
entered and rinsed and hovered
a foot from my face, then landed
on my chest to catch a breath,
feet gripping my shirt like a newborn.

I thought of the forty beats
per second of its wings
that I could both hear and feel,
wondered if it slowed and felt the torpor
of stasis come over like sleep,
but in the moment my mind wandered
the hummingbird had flown.

To catch a breath, to enter the mist
and rest on the dusty, arid day–
I thought of the taxi driver
from Eritrea who said he drove
each day until he couldn’t stop,
then he’d stop, he laughed,
he had many mouths to feed,
and hustle is all he knew, cabbie, valet.
When I touched his shoulder,
I could feel his heartbeat slowing down,
body harbor below my hand.

So many months have passed
and he stayed in my thoughts
in the mass where I store
random things I cannot place,
but today I knew,
he was a hummingbird,
beating his wings all day
against the dead air
to stay alive for others,
clutching for a foothold
and turning his throat
skyward for a breath.


Jeff Burt lives in Santa Cruz County, California. He has contributed to Williwaw Journal, Rabid Oak, and Willows Wept Review, and has a chapbook at Red Wolf Editions and a second chapbook available from Red Bird Chapbooks. Read earlier fiction and poetry in The Bluebird Word.

Tanka for the New Year

Poetry by K.L. Johnston

cathedral of pines
capturing
                   light and silence
carpet of needles
shushing our footsteps
                                                 our breath
rising white
                  with songbird wings

 


K.L. Johnston is an award-winning haiku poet and author whose works have appeared in numerous literary journals and magazines. She holds a degree in Literature and Communications from the University of South Carolina and is a retired antiques dealer. You can follow her on Facebook at A Written World.

Some Kinder Resolutions for a Better Year

Poetry by Cecil Morris

Learn from the cat. Settle in sunny spot and stretch
oblivious to obligation or cascading shoulds
or judgmental stares. Let the bones go loose,
all muscles relaxed and negligent.
Turn off notifications and ringers,
all beeps and trills and buzzing vibrations
that call the mind from its rightful work
of undirected cogitation.
Commit to silence for one hour
each morning and each night and, maybe,
each noon, too. Take those quiet hours
to notice the world at its business—
the pale shoot splitting the sunflower seed
to seek the sun, the unhurried humming
of a bee progressing from blossom
to blossom, the tulip’s reverent pose,
the way a bit of dust can levitate
in a slice of light. Do not make haste.
Every moment does not need to yield
a product or an accomplishment.
Laziness is a healthy pleasure
so make of its indulgence an art.
Make of indolence a new hobby.
Linger over a favorite song.
Let it play twice.
Enjoy.


Cecil Morris retired after 37 years of teaching high school English, and now he tries writing himself what he spent so many years teaching others to understand and (he hopes) to enjoy. Poems appear or are forthcoming in Ekphrastic Review, Hole in the Head Review, Rust + Moth, Sugar House Review, Willawaw Journal, and other literary magazines.

Brixen in Winter

Poetry by Jeannette Tien-Wei Law


Frost flakes, Yule tide, blink lights glow

Dove haze, slab streets, wish for snow

Star child, sweep stacks, coal smudge face

Sky blush, Year dawns, white spot doe


Jeannette Tien-Wei Law grew up celebrating the holidays with her family in St. Louis, Missouri. Festive dinners often touted steamed rice and stir-fried broccoli alongside the roasted turkey and traditional trimmings. Jeannette now makes her own stuffing with apricots, wine and Italian sausage as an international educator living in Milan.

Christmas Dessert

Poetry by Inge Sorensen


Black, Blue, Raspberries

Topping Dollop, Fresh Whipped Cream

Festive Pavlova


Inge Sorensen is a poet and short story writer born and raised in California’s Bay Area. Her pieces have been featured in the Viewless Wings Poetry Podcast, Wingless Dreamer, the Humans of the World blog, and Poet’s Choice Autumn Anthology.

Sing a Song of Midnight

Poetry by Bonnie Demerjian

Step through the door into the new-hatched year.
There’s promise of a light ahead,
the balance tipped, the finger points toward spring
but not just yet.

For now, we’re in that spacious room of dark —
no floor, no walls, no roof above.
In amniotic space, we’ll first unfold
then wait to be unsealed.

In this hour the frost world is our home
so sink into its artful wealth.
Fluff your feathers like the roosting hen,
and settle safely in.

Outside the porcupine and deer will roam,
so wary in the light of day,
tonight in silky freedom nose your gate,
befriended by the shade.

Oh birds, the city lights scream certain death,
a warning never known and yet
somber incantation chants a highway for
your journey lit by dark.

Unlatch the door to constellations and
the fickle waltzing moon.
A shooting star may plunge and bring you promise
of a world renewed.

Curtains drawn and door against the night,
turn again to your true love.
The candle of affection brighter for the
season’s windblown gloom.

So welcome Mother Dark, she nourishes,
sustains us with her mystery.
And though our hearts quail with diminished light,
her secrets feed our journey.


Bonnie Demerjian lives in Southeast Alaska and writes from her oceanside home which inspires much of her writing. She is a birder, a gardener and a cellist. Her work has been published in The Bluebird Word, Tidal Echoes, Blue Heron Review, Pure Slush, and Alaska Women Speak, among others.

Two Dolls and Three Kings

Nonfiction by Antonia Wang

I only ever owned two dolls, delicate treasures in a world where Barbies belonged to children with ties to distant lands like the United States or, in a bygone era, Venezuela.

My dolls weren’t the coveted reborn dolls of the ’80s, the ones I daydreamed about swaddling and adorning with miniature outfits like real infants. No, my dolls were not my first choice, but they were unique— a second-hand, silicone-skinned Japanese doll with straight chestnut hair, a miniature yogi ready to bend and twist to my whims. The other, a robust, plastic blonde doll with pigtail braids, remained shelved most of the time, but I could never forget her.

How did I come to possess a Japanese doll while living in the insular mountains of the 1980s Dominican Republic? My recollection is hazy, but I remember it as a gift from a Spanish missionary whom my family hosted one summer while she worked with the church. The doll had meager clothes, so I fashioned her an outfit with the little fabric I could find and my rudimentary sewing skills.

The blonde doll had been a “Three Kings” gift from my dad. Christmas gifts were for Americans. Dominican kids didn’t have Santa. We had the Three Kings, who somehow made no noise as they filled our rooms with their camels on the eve of January 6th, delivering our toys. Oh, coveted joy! They were the only gifts of the year for many of us. “At least you had toys,” my siblings would chime in. But this isn’t a sad story about growing up in a small town in the countryside of a humble island. This isn’t a sad story at all.

Sure, we had limited means, but we never lacked what truly mattered: a roof of our own, honest and loving parents, friends galore, and a multitude of cousins. Cousins to play hide and seek with, tackle homework with, attend church together, and, of course, get into the occasional trouble with. And then there were the lush mountains, always smiling around me, offering endless adventures and mysteries. Our home had no television when I was a kid, and it wasn’t until I reached my teenage years that we got a fridge. Bicycles or scooters were scarce, and cars? They were a luxury reserved solely for the ‘rich,’ although even those we deemed ‘rich’ carried their own burdens—a spouse who had migrated to the United States, the trials of managing a small-town business, or concealed guilt.

No, I never felt poor. We had what we needed and nothing more, except for food. Come what may, we had food—for everyone at home, for the neighbor who couldn’t afford to cook, for my grandpa who preferred my mom’s cooking though he didn’t live with us, for the occasional country visitor, my father’s third cousin, or the Haitian woman with a child who stopped by every few months. I couldn’t remember her name or whether she had a home. There was always plenty of food, even if my mom had to make herself a meal from our leftovers. But this isn’t a sad story, no.

This is a tale of devotion—a father who wanted to give me the childhood he never had growing up as a farmer’s kid in the mountains of Camú.

One evening, approaching January 6th, I witnessed a secret ritual. My late father, convinced I was asleep, concealed a grand, plastic doll within a duffle bag hanging from a nail on the wooden wall, believing he had hidden it where I would never think to look. I smiled and turned sideways, pretending to be sleep.

Outside, the chorus of crickets remained silent. The unsightly toads in the nearby miniature swamp, where taro root and yautía malanga thrived unbidden yet embraced, also remained silent. Nor did I hear a whisper from the brown geckos that crept about our small-town dwelling, which we regarded as an auspicious omen.

The next day, I didn’t say a word, filled with excitement as I eagerly awaited the surprise at the foot of my bed on Three Kings’ Day. I remained silent because, more than a toy, I cherished the joy of my father’s belief in magic.


Antonia Wang, poet, nature enthusiast, and yogi, weaves intricate, symbolic poems from the tapestry of everyday life and the natural world. Exploring universal themes of relationships, self-discovery, and philosophy, Antonia’s work exudes a nostalgic Caribbean essence. She writes in English and Spanish, and lives with her family in the USA.

Blue Snow Globe

Poetry by Jennifer Smith

My winter is ice, but its depth is of my choosing.
Not a sharp, piercing icicle to stab my soul,
but slender glistens of frozen branches on bare trees along our Smoky Mountain trails.

My December ice is not the weak spot on a frozen Tennessee lake.
It is twilight snowflakes with sapphire and silver sparkles,
brushing our faces and street lamps on a Winter Solstice walk downtown.

This seasonal ice is not the danger of a polar path I slip on.
I select shelter in warmth of a southern snow castle,
illuminated in pink pearl tones of protection from darkness and harsh mountain winds.

The blue of the season is not desolate steel grey from a palette of mourning.
My shade is Atlantic Ocean turquoise,
washing ashore your message in a bottle at wintertide on Orange Beach.

Any frost of mid-winter blues is soothed by tunes from a playlist of our Maui shore memories.
My coldest days are layered with island glory,
in songs and swirls of ultramarine and sea, of cobalt and sky.

On a night designed for confetti and celebration, the clock counts down hours, minutes, seconds.
I wrap myself in luxurious, rich velvet of indigo midnight,
and see our friendship amid the stars of a New Year.


Jennifer Smith is a retired speech-language pathologist, residing in Northwest Georgia. She is published in Fictionette and Fifty Word Stories. Jennifer holds an Educational Specialist Degree in Curriculum and Instruction from Lincoln Memorial University and a Creative Writing Certificate from Kennesaw State University.

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