An Online Literary Journal for Poetry and Flash

Author: Editor (Page 41 of 50)

Someplace Else

Poetry by Valerie Valente

Snails line the slick pavement
like a stagnant post-office queue
They probe the damp air
with gelatinous horns
as if they would enact
a slo-mo battle with the mist

I veer gingerly around them
as they forage in scattered directions,
blindly heading
someplace else
My eyes scrunch tight and I grimace
as I hear the inevitable
crunch of my misstep
A wayward journey swiftly ended
by the grime-laden sole of my shoe.

I pause to contemplate
my habitual direction,
a path so repetitiously followed
that my muscle-memory
just pulls me along
I point my face skywards,
feel the mist upon my cheeks,
and reverently turn towards
the silver moon’s beacon
With a tentative step
I abandon all direction,
blindly heading
someplace else


Valerie Valente’s first love was poetry; she has been writing since the age of nine. Valerie has self-published two children’s stories. She is now launching a creative writing workshop business, Kist Creative, which she hopes will expose people to the joyful, therapeutic benefits of tapping into their imaginative energies.

Sweeter Than Your Name 

Fiction by Josephine Greenland

She can taste them as she puts the jars on the shelf. Plush blueberries, sweetened with sugar, exploding on her tongue like a thousand desserts. Her best batch yet, too good to be eaten, too good for the stale biscuits on the table. They could belong in a shop, in those shiny glass jars—gherkin jars she waited for the family to finish. Washed and scrubbed, to erase the brine residue. Polished so the glass can be used as a mirror. Labelled and dated, Blueberries by Ruth, July 1932, in a longhand rivalling her father’s.

‘Aren’t you done yet?’

Another face in the glass, battling her for room. Blonde and bright where she is red-haired and dull.

Mary, apple of father’s eye. Faultless, no matter what she does. ‘You promised you’d play with us.’

Us. Mary and the merchant’s daughter, who eats store-bought jam with a silver spoon, who makes Mary forget where she belongs. Ruth motions around her. ‘I have to clean up.’

‘Then let me taste!’

‘I’m saving the jam.’

‘Why?’

Because of the sigh of an empty purse. The smoke and liquor on father’s breath. The snatching of their savings when he wants more. The curses, the bruises. The suffering no mother should endure.

Ruth goes to the sink. ‘Because butter and cheese are running low.’ Mary’s been away too long, she wouldn’t understand why they can’t buy more. ‘And mother loves it.’

Mary’s eyes flash. ‘I bet father hates it.’ She edges up to the cupboard. ‘No one cares about your jam.’

Like a bird taking flight, she leaps and grabs two jars. Empties them out the window as Ruth rushes to pin her down. Their screams, like their bodies, twisting round each other.

And swarming over the jam outside, the ants.


Josephine Greenland is a Swedish-British writer from Eskilstuna, Sweden, with an MA in Creative Writing from the University of Birmingham. Her debut novel, Embers, was published by Unbound in 2021. She has won and been shortlisted in five writing contests, and had work published in various online and print magazines. 

Upwellings

Poetry by Chris A. Smith

The wind is wild and self-willed,
and I mark its passage through the trees,
shaking them like marionettes,
the neighbor’s rainbow flag snapping with each gust.
High-pressure systems, temperature inversions,
ocean upwellings, the Bernoulli effect—
the language of meteorology fills my head.
Still, there’s mystery in the wind’s rough grip.

Next to me on the couch a sleeping cat,
an ouroboros of fur, snoring lightly.
I scratch behind his ears and,
still half-asleep, he flexes his paws,
his tiny motor rumbling to life.
He’s warm, and smells of sleep,
whiskers twitching, eyes dancing behind his eyelids.
I watch the trees tremble, and try to imagine his dreams.


Chris A. Smith is a writer in San Francisco. Though trained as a journalist–he’s reported on topics ranging from African acid rock to killer asteroids to revolutionary movements–he also writes fiction and poetry. Find him at chrisasmith.net.

Jukebox

Poetry by C.T. Holte

Most nights, I am a jukebox.
Tunes play from the stash in my head—
               doo-wop to Debussy,
               Bach to Beach Boys—
chosen by a mysterious mechanism
and repeated as many times
as the system specifies:
               no Next button,
               no Mute switch,
               no Off to let me sleep.

The selection varies:
last night, the top hit
was Mozart’s Ave Verum Corpus,
               reprise of a piece I had sung recently
               at a choral workshop;
tonight, perhaps a favorite or two
               from American Bandstand
               or Casey Casem’s top forty countdown.

Music and memory are amazing gifts,
even at the price of sleep interrupted
by random hours of Deck the Halls
at any time of the year.


C. T. Holte grew up without color TV and played along creeks and in cornfields. He has been a teacher and editor, and now migrates between New Mexico and a tiny New Hampshire cabin. His poetry is found in Words, California Quarterly, Months to Years, Pensive, and elsewhere.

Paperboy

Poetry by Cosmo Goldsmith

From my bedroom window, overlooking
this tableau stillness of sheds and fields,
there is movement below
among the avenue of chestnut trees.

A paperboy ghosting through stippled shade,
luminous orange postbag strapped tightly
across his thin shoulders, first job perhaps,
so young he seems, restless and impatient,
eager to complete his round on schedule,
and keep in check the heavy tread of time,
those allotted hours and binding routines.

This is the crossover point he has reached
where suburbs give way and the fields begin;
a whole future unfolding before him
in misted prospects of treetops and hills.

And all I can do is watch and observe
from the opposite end of the telescope,
from the shrinking lenses of my vision,
for all my outlooks are gently receding.

The world out there belongs to him.


Cosmo Goldsmith is a ‘semi-retired’ English teacher with a passion for all forms of creative writing. He has taught in both the UK and Greece and still divides his time between these two countries.

Bees

Fiction by Iris J. Melton

“How many this week?” I asked.

“Three,” she answered.

“Three’s a lot. What did they say?”

She continued typing. The tap of the keys was the only sound other than the dog licking his paws under the table.

“The usual. Not the right fit for us. The selection process is so subjective. Thank you for submitting, but…

She continued to type. “Would you mind making the coffee? I just want to finish this bit before I take a break,” she said, adjusting her tortoiseshell glasses by the earpiece.

I ground the dark, oily coffee beans and placed them in the carafe of the french press. When the water I put in the microwave began to boil, I poured it over the ground coffee. Then I collected two teacups and saucers from the cabinet. None of the teacups matched. She only used bone china teacups, never mugs. She said the coffee tasted different from a teacup. Lucy and I drank from mugs at home. But it always felt like drinking coffee was a secondary activity when I drank from a mug. I was also reading, writing, or driving. But when I drank from a teacup with a saucer, I was only drinking coffee. That was the primary activity.

“I dreamt of bees again last night,” she said as I placed the cups on the table.

“Bees?”

“You know those films where they show all the bees crawling over a big piece of honeycomb?” She pushed the press down to the bottom of the carafe slowly and then poured the coffee into my cup. It smelled of bittersweet chocolate and orange peel.

“Was it scary?”

“Scary?” She considered for a moment and pushed a loose strand of her dark hair behind her ear. Then she poured coffee into her own cup. “No, not scary. There were just…so many.” She held the cup under her nose and inhaled slowly. Then she lowered it to her lips. 

“Have you been reading about bees?”

“No. Swords,” she answered.

“Swords?”

“For the book. How they’re made. The percentage of carbon to steel. How a smith forges and heats and quenches them,” she answered.

“Quenches? What’s that?”

“It’s when the sword-smith plunges the heated blade into oil or water to rapidly cool it. Part of the process,” she answered. “I like that word. Quench.” She took another sip of coffee. The teacup made a small, clinking sound as she replaced it in the saucer. “What would it mean if it were a noun. What would a quench be?”

“Oh, I don’t know…maybe a small, nocturnal mammal that eats only…honey?” I mused. I rubbed the knees of my corduroy trousers and looked at the gray afternoon sky out the window.

“Hmmm…I like that. Only honey,” she said. “How many for you this week?” 

“Five,” I answered.

“Five’s a lot. Time consuming,” she said. 

“What else am I doing?”

“Still, five. Five resumes, five cover letters. It’s a lot of stories. A lot of different stories.”

“Everything’s a story,” I answered.

“Oh, I forgot to tell you…I got an interesting rejection last week. It wasn’t the usual rejection letter.”

“How do you know?” I asked.

“They said so. They said This is not our usual rejection letter. Then they complimented me on my writing and suggested I send them more.”

“Well, that’s encouraging, isn’t it?” I asked.

“A no dipped in honey is still a no,” she said. “Imagine if it were like the old days and I had to print everything and go to the post office.”

“That would be a lot of postage,” I said.

“Expensive…paper, ink cartridges, postage.”

“But you’d get to know the postal workers. Probably by name,” I said. “And they’d probably talk about you when they went in the back. They’d say It’s that aspiring writer again.”

“Oh, I hope they wouldn’t say that.”

“What would they say, then?” I asked.

Writer. Just writer.”

She poured more coffee into my cup, and then refilled her own. The loose strand of hair slipped out from behind her ear.

“Don’t they die after they sting you?” I asked.

“What?”

“Bees. Don’t they die after they sting you?”

Her mouth slowly widened into a wicked looking grin. “They do,” she answered.

“What’s so funny?” I asked.

“Just an evil thought,” she laughed. She stretched her hands on each side of her cup, with the fingers outstretched. The nail of her index finger was broken down to the quick. “I know what a quench could be…a writer in her forties who desires to be published but has not yet found a publisher. In spite of actively looking.”

Assiduously looking, maybe,” I said.

“Yes. That’s better. Assiduously looking.”

“Or maybe a quench could be a man in his forties who desires to be employed. But has not yet found a job. In spite of assiduously looking,” I said. 

We sat in silence for a moment.

“Where are you off to next?” she asked.

“The post office, oddly enough. I have to mail some pillows for Lucy,” I said.

“Who ever thought people would buy so many decorative pillows?” she asked. “I think Lucy is brilliant.”

“When we were first married, Lucy used to buy a lot of decorative pillows. We even used to fight about it,” I said.

“It probably wasn’t the pillows you were fighting about,” she said.

“No, it wasn’t.”

“What were you fighting about?” she asked.

“I don’t remember. I just remember being really angry about the pillows. There were so many!”

“Like the bees.”

“The bees?” I asked.

“There were so many,” she said.


Iris Melton is a former waitress/attorney living in the Appalachian Mountains. She learned to swim from a book and has a perverse affection for the Oxford comma.

The Swinger

Poetry by Carl Hubrick

Although traditions have we many
and technical skills beyond compare,
despite our thoughts and ideas aplenty
stored in computers everywhere,
’tis best at times to just remember,
and to ourselves gently remind,
that following us close in evolution
swings the chimpanzee with his
bare behind.


Carl Hubrick has a Bachelor’s in History and English and post-graduate diplomas in teaching, including teaching the Deaf. He first worked in the television industry as a director and later in teaching. His teenage novel Target for Terror (2008) is still in use in many New Zealand schools today.

Crumbs

Poetry by t.m. thomson

Maybe the woods are on fire with green.
Maybe wild violets pepper the ground
in the March-cool air. Maybe leaves hang
from rain-drenched branches slick

with October or maybe snow’s audacity
coats ground & breath. Maybe regardless
I choose to sit in a broad-seated swing
pump my legs & sweep back & forth

scraping soil & coming face-to-face
with sky. Maybe I slow-kiss dawn & savor
afternoon & trust twilight, staying out
as long as moon & wearing a red dress.

It would be lovely if women would dance
below me. They could wear red as well
& shout encouragement at me & Glee
would rule the day & night.

Laughter & off-color conversation
would raise temples from mushroom
& moss. Surely the gods of the forest
would hear & come slithering/hopping/

soaring with heads raised & noses
twitching their curiosity at our offerings
of stirred leaves & shuffled snow
revealing black seed & apple rind

shards. We are but crumbs of cosmos
ourselves—why not blaze woods
with the green of our voices, shower them
with ahhh, shiver them with Yes?

(inspired by Niels Corfitzen – “Swimming Between Clouds,” 2021)


Three of t.m. thomson’s poems have been nominated for Pushcart Awards. She is co-author of Frame and Mount the Sky (2017), author of Strum and Lull (2019), which placed in Golden Walkman’s 2017 chapbook competition, and The Profusion (2019). Her first full-length collection, Plunge, will be published next year.

October Baseball in Mississippi

Fiction by Mathieu Cailler

The pitcher for the hometown Jackson Prairie High School has just given up a two-run shot into deep right. A curveball that got away from him. He knew immediately from the sound of wood on leather, a perfect pop. The scoreboard tiles flip, heavy, like a vintage alarm clock, and he studies the cocky toss of the bat from number 22, end-over-end, till it settles onto manicured grass; then watches the stride of the batter as he turns first and second, causing soft puffs of dirt to rise from his cleats then settle. The pitcher allows himself rage, doubt, pity for the entirety of the batter’s lap around the bases. But, as soon as 22’s left heel scrapes the rubber of home, the pitcher treats himself to a heavy pour of amnesia. He takes a breath with his whole body, feels the tissue of his lungs fully deflate and rise again. The next batter—Langston McFee, a lefty, a powerhouse with scouts in the stands—strolls into the box, rubs his toe in the dirt, spits accurately. The pitcher collects a new ball from the catcher. High on the mound, sixty feet and six inches away from terror, he reads the signal from his teammate. He nods. He licks his fingers. He fires up his knee, juts his shoulder—every fastball a new beginning.


Mathieu Cailler writes poetry, fiction, essays, and children’s books. His work has appeared in publications including The Saturday Evening Post and the Los Angeles Times. Author of six books, his most recent–Heaven and Other Zip Codes (Open Books)–was winner of the 2021 Los Angeles Book Festival Prize.

Heartfelt: A Bilinguacultural Poem

Poetry by Yuan Changming

感:/gan/ perception takes place 

        when an ax breaks something on the heart

闷:  /men/ depressed whenever your heart is

        shut behind a door

忌:/ji/ jealousy implies 

         there being one’s self only in the heart

悲:/bei/ sorrow comes 

         from the negation of the heart

惑:/huo/ confusion occurs 

       when there are too many an ‘or’ over the heart

忠:/zhong/ loyalty remains 

       as long as the heart is kept right at the center

恥:/chi/ shame is the feel 

       you get when your ear conflicts with your heart 

怒: /nu/ anger influxes when slavery 

      rises from above the heart

愁: /chou/ worry thickens as autumn 

     sits high on your heart

忍:/ren/ to tolerate is to bear a knife

      straightly above your heart

忘: /wang/ forgetting happens 

      when there’s death on heart

意: /yi/ meaning is defined as

      a sound over the heart

思: /si/ thought takes place 

      within the field of heart

恩: /en/ kindness is 

      a reliance on the heart


Yuan Changming hails with Allen Yuan from poetrypacific.blogspot.ca. Credits include 12 Pushcart nominations & chapbooks (most recently LIMERENCE) besides appearances in Best of the Best Canadian Poetry (2008-17), Poetry Daily & BestNewPoemsOnline, among 1929 others. Yuan served on the jury and was nominated for Canada’s National Magazine (poetry category).

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