Author: Editor (Page 42 of 62)

The Blur

Nonfiction by Joan Potter

Every day when I take off my glasses to brush my teeth, I see my blurry face in the mirror above the sink. I close my eyes before I start brushing so the mint spray won’t hit my sensitive eyes. But when I’m finished and put the glasses back on, the bathroom, the kitchen, the whole apartment is still fuzzy.

My eye condition, macular degeneration, was diagnosed three years ago, and is gradually getting worse; I know it can eventually lead to blindness. At two o’clock in the morning, when I tend to wake up awash in anxiety, I start thinking about what my life will be like as the blurriness, the distortions, the wavy lines and blind spots, keep getting worse. What if I can no longer read, or stream movies on my iPad? I wonder what people do all day when they can’t see.

I’ve been receiving treatment – regular injections into both eyes. It’s not as bad as it sounds. Searching online, I read about aids for people with what is called low vision. There are magnifiers of various sizes, voice-to-text software, text-to-voice software, and other devices I might have to use someday when my world gets foggier.

I try to avoid telling people about my diagnosis. When I do, I feel embarrassed, apologetic, and strangely ashamed. My sons know, of course. They drive me to the supermarket and Target and help me find things on the shelves. They watch me carefully when I’m walking with them to make sure I don’t trip over a bump that I didn’t see. I’ve told a few friends so they’ll understand why I can no longer drive to their houses or take long walks.

One of the first symptoms of this condition is the inability to make out faces of people seen from several feet away. It’s almost impossible for me to recognize acquaintances who are across a room or heading in my direction when I’m walking down the street.

Sometimes I see a friend, Lisa, coming my way. On warm days I know it’s her because she always wears a white shirt with the sleeves rolled to the elbows, revealing her many tattoos. But one day her sleeves reached her wrists. I didn’t wave and smile as this figure walked toward me; when we were face to face I explained why. Now, whenever I bump into her downtown, she comes really close to me and announces, “I’m Lisa.”

Two weeks ago, a smiling woman waved to me in the library parking lot. I responded with a tentative gesture but couldn’t figure out who she was until she had already driven away. A couple of days later I squinted at a man relaxing on a bench in the sun near my apartment building. I thought he might have been one of my favorite neighbors, but it was too awkward to approach him for a chat, in case he wasn’t.

So far, the worst experience was when I didn’t recognize one of my closest friends, a woman I’ve known for twenty-five years. She was walking toward me on a downtown street. From the little I could make out, she appeared to be happy to see me. Hers was a face I had looked at hundreds of times. And yet, she had to do what Lisa had done, stand close to me and say her name.

For days afterward, I was haunted by the scene. Not only that I couldn’t see her face, but that I imagined she saw me as pitiable, a version of myself – once energetic and independent – that I’ve been trying to conceal.


Joan Potter‘s personal essays have appeared in several anthologies as well as such literary journals as Persimmon Tree, The RavensPerch, Bright Flash Literary Review, Iron Horse Literary Review, Stone Canoe, New Croton Review and others. She is the author of several nonfiction books.

A Windy Day on Sans Souci Drive

Poetry by Gordon W. Mennenga

There go the garbage cans
And my neighbor’s loose-lipped lover
Duck! here comes the Public Library snowing pages
And oh those unwilling Clydesdales galloping sideways
Next the organ from St. John’s Church humming a flirty mystery hymn
A police car celebrating being quick and blue
Some little things: a wig without a woman, a man without a damn
Uncle Frank’s rabbit hutch then Uncle Frank

Did I see truth chasing gossip?
A cart and then a horse?
A shoal of minnows swimming the wind to big water
A flock of hallowed words
A herd of No Trespassing signs free at last
Six senators chasing their reputations
Then naked notes of happiness, regret and ecstasy
A rapturous tillerless sailboat
Bubbles of existentialism staying low to the ground

Algorithms and syllogisms galore
Smokey riffs from Nina, from Chet, Dinah and Billie
Boredom blown to ashes
Sid, the cardiologist, wearing a nice pair of loafers
Herds, coveys, caravans, gaggles, packs and pods
Me, I’m lifting off, not clinging but joining.


Gordon W. Mennenga has had work featured on NPR and published in the Bellingham Review, Epoch, Citron Review and other literary journals. He earned an MFA from the Iowa Writers’ Workshop and lives in Iowa City, Iowa.

A Birthday Meteor

Poetry by Jeff Burt

When the last bird-wing rose
and the bottom of the open window
became a bed for a creek of cold air
to enter the room, I saw a streak
of acetylene on the western edge of darkness
and found between my sixteenth-century Shakespeare
and my twenty-first century Einstein
a tussle between the optimistic flush of good omen
and scientific swagger that pronounces
a romantic stone a rock,
and I looked over your shoulder,
felt both lucky and fated to be with you,
and eyes lifted, wandered in the early stars
brushing against galactic wonder.


Jeff Burt lives in Santa Cruz County, California, with his wife, alternating between dreams of fire evacuation and dreams of floods. He has contributed to Gold Man Review, Rabid Oak, Williwaw Journal, and others. Read earlier work from The Bluebird Word’s March 2022 Issue.

The Leavings

Nonfiction by Susan Reese

I feel the days of parenthood creeping by, distant and unfulfilled. I hear the ticking of my children’s childhood clocks as that time passes forever by. Without a present and without a memory. These are feelings which fill my days and flood my heart with longing, the pain of separation and the melancholy of despair.

Lou Reese, #52760-080, 1992

You called late one night. You called every night, but it was unusual for you to call so late. After the kids were already asleep.

I was in our bed, exhausted from the day, finishing my tea and reading for a few minutes before turning out the light. That first year with you away in prison, it was hard to fall asleep.

We chatted about this and that. You had a new cellmate. Just arrived today. How was I holding up? Pretty good I guess. How was Beau’s sleepover with Orion last night? Fun. Uneventful.

I could tell there was another reason for the late-night call.

I closed my book and placed it on the bedside table. I turned off the lamp and lay on my back in the dark, holding only the phone, pretending you were lying next to me.

There was an awkward silence before you cleared your throat, lowered your voice, and said, “Susan, do you think it would be easier for the kids if you all stopped visiting me? Let them stay home, concentrate on school, their friends and having fun? Let them just pretend I’m away on a long business trip?”

My impulse was to comfort you, to say whatever I had to say to make you feel better, but my anger rose as I recognized your selfishness. I sat up and switched the light back on. Maybe that would be better for the kids, you’d said. My heart was racing as my eyes adjusted to the light. I was wide awake now.

How could you imagine our children not seeing you for three years? Hearing your voice from 800 miles away without seeing your face, or you theirs. Katie needing you for every precarious step from thirteen to sixteen. You were the most important male in her life. Beau needing you for the things I felt ill-equipped to handle. Sports, competition and before long, girls. And McKenzie—the baby. Needing you to be proud of her successes and your reassurance that she was not being disloyal having surrogate fathers for the first grade, father-daughter pancake breakfast and her first under the lights soccer game.

And me, needing you to be strong, to somehow manage to thrive. With the addition of everything else, were you willing to hand me the entire weight of parenthood for three years?

The longer we talked into the night, the easier it was for you to tell me the truth. I relaxed back into our bed and listened to you, my faraway husband.

 “I don’t know if I can handle this, Susan. I’m ashamed, and I hate the kids seeing me this way.” Ashamed to be in the visiting room filled with strangers. The f***ing guards on red alert watching for a forbidden kiss between us. Ashamed of the count, having the kids watch as you line up subserviently with tattooed, long-haired inmates. Ashamed. “Every time you all come to see me, I don’t think I can stand it. When you all leave, I’m a total mess.”

Yes, the leavings hurt the most. Watching us walk away from you—off to the Comfort Inn as you head back to your dorm to climb up on your tiny top bunk, put your t-shirt over your face, and cry yourself to sleep. It would be easier for you to do your time on your own. Sure, probably. But at what cost to our kids? Not a price I was willing to have them pay.


Susan Reese is writing a book length manuscript dealing with the experience she and her family had when her husband, Lou, was incarcerated for three years. Writings include poems and essays written by Lou (the insider) and Susan (the outsider), reflecting the fact that the whole family was incarcerated.

Garden Reading

Poetry by Peter A. Witt

There was a time when nannies read
stories to children in the garden
on a spring day, when butterflies flitted
flower to flower, joined by humming
birds, the occasional bee.

She would read of princes and kings,
even fairies and dragons,
children’s eyes growing wide
with amazement and excitement.

Sometimes she’d stop, direct
her gaze to an old dog sleeping
in the shade, watching his belly
expand and fall, hoping he’d make it
through the heated summer until fall.

If she paused too long the children
would say, read us more, please,
read us some more, and she’d
turn the page and read more
of whatever adventure
her gaze had interrupted.

When the sun shifted and it became
too warm to continue, she’d bring
her charges inside where the cook
had prepared jelly sandwiches and
chocolate chip cookies for the children,
accompanied by a cold glass
of farm fresh milk.

As the children’s eyes grew weary,
nanny would settle them down
for a nap, then return to a shaded
place in the garden and read
her own book, accompanied
by the sleeping old dog.


Peter A. Witt is a poet, family history writer, active birder and photographer. Peter retired in 2015 from a 43 year university teaching and research career. He lives with his wife and Keeshond in Texas.

Later

Poetry by Robert Nisbet

By now he was washing his feet
with difficulty, ached a lot
most mornings, but always he walked,
first with the dog, then, when she’d gone,
striding alone round his domain.

It was a tour of inspection, decades
of shift and character and happening,
remembered and re-created.
Most treasured of all, the Common,
its cricket pitches and its trees.

His initials and Moira’s were carved,
fading, blurred but readable still,
in the mighty oak beside the seconds’ pitch.
His sons, the crowds, the matches,
once, the breathless pleasure
of his granddaughter’s single game.

Walking back, through unexceptional streets,
he would trawl his shoal of recollections,
alliances and families, time’s dole,
how Moira married the aircraftsman,
but that didn’t in the end gainsay
the good of all that happened otherwise.


Robert Nisbet is a Welsh poet, a now-retired English teacher and college lecturer, who wrote short stories for forty years (with seven collections) and has now turned to poetry, being published widely in both Britain and the USA, where he is a four-time Pushcart Prize nominee.

Rapid Transit

Fiction by E.H. Jacobs

After some consideration, I decided to move from Town X, where I had dwelt for many peaceful, if uneventful, years, to Town Y, a neighboring municipality with which I had only a vague familiarity. I had been feeling for some time that my life had become stale and routine. I had many acquaintances but few, if any, friends, and social conversation always returned to the same topics, like a planet on a fixed orbit: that week’s golf game, the latest baseball trades, and who was meeting up with whom at which expensive restaurant. Nobody seemed interested in discussing, say, the audiobook of Hemingway stories I had been listening to. I heard that the citizens of Y were a livelier lot and that interesting things went on there.

I awoke the first morning in my new home after sleeping so deeply that my memory of the move seemed suspended in a hazy semi-conscious fog. I was surrounded by boxes neatly stacked with no markings to indicate their contents or the room in which each belonged. Perhaps the strangest thing of all: there were no flaps or openings. On top of the highest stacked box was a note that appeared to be in my mother’s handwriting, although my mother had been dead for some years, which simply said: “Don’t open anything you’re not sure of.”

I went outside to see if the newspaper had arrived and a gust of cold wind – quite unexpected in July – hit me in the face, freezing my nose and slamming shut the front door. In my pajamas, I hugged myself tightly to keep warm. The sky darkened and small, white objects began drifting lazily from above, like snowflakes. They soon multiplied and I was in the middle of what appeared to be a squall. As the objects got closer, it became clear that they were not snowflakes, but loose pages from a notebook. I grabbed a handful as they twisted and torqued around me. They were from stories that I had written. A dry, rustling sound, barely audible at first, rose in volume, morphing into laughter. It was the sound of my pages laughing at me. I was hit on the head by what felt like hailstones. After each hit, I saw fall to the ground a book. Each was written by an author whom I had grown to admire: Saroyan, Woolf and Styron. The books flipped themselves open and shook their pages in laughter.

Lying in the driveway was a black high heel shoe with the bottom of the heel roughly shorn off. I looked at my feet, as if the shoe were mine, and I marveled that I could be capable of switching identities so fluidly. Alongside the shoe was a book authored by my favorite workshop leader. The wind blew the book open to a page that read: “Lesson Five: Raise the Stakes.” At that moment, blood started dripping out of the shoe.

I walked into the house in some distress only to hear a knock at the door, commanding and insistent.

Standing with his back to me was a man, broad shouldered, in a gray turtleneck sweater. He turned, holding out two fishing rods and smiling broadly with a self-satisfied, I wouldn’t exactly call it a smirk, but with an expression that definitely showed that he knew who he was and was going to tell me who I was. He had a well-trimmed, salt and pepper beard framing a very familiar face. I opened the door.

I managed to squeak: “Ernest? Is that really you?”

Hemingway let out a hearty laugh. “I’ve come to teach you to fish!” He said a little too loudly, but with good cheer.

“F-fish?” I stammered.

“Well, it was either that or bullfighting, and I didn’t think you’d be up for that.”

“But why’d you–?”

Somebody had to. Come on, you don’t want to end up like those pansies – Saroyan, Woolf and Styron. You’ve got to learn how to fish for yourself!”

I hesitated, not knowing if I should accept his invitation or invite him in for tea. After all, how often does one get to spend time with Ernest Hemingway?

Hemingway looked past me into the house.

“What’s with those boxes?” he asked.

“I don’t know how to open them.”

Hemingway pushed past me. “What’s in them?” he asked, as he leaned his fishing rods against the tallest stack.

“Secrets?” I said uncertainly.

“What kind of secrets, man!”

I shrugged. “Don’t know.”

Hemingway took out a fishing knife. “Well, let’s find out then. There are stories in there! Let’s get to work.”

Before he could start cutting the boxes, I blubbered: “But my mother—”

“Your mother? Do you always listen to your mother? I’m sure she was a lovely woman, but still, you know – fish for yourself!”

I nodded and, with shaking hands, pulled down the first box.


E.H. Jacobs is a psychologist and writer in Massachusetts. His work has appeared in Coneflower Café, Santa Fe Literary Review, Permafrost Magazine, Hawaii Pacific Review, Storgy Magazine, Streetlight Magazine, Aji Magazine, and Smoky Quartz. He has published two books on parenting and book reviews in the American Journal of Psychotherapy.

The Rock Garden

Nonfiction by Ron Theel

This time, I need a rock, not just any rock, but the right shape and size rock to finish the stone bench I’m making for my backyard. Usually, I find rocks easily. I forage the edges of farmers’ fields. I scavenge the curbs of newer-home neighborhoods, tracking my quarry, old stone leftovers from rebuilt patios and walkways. I bring these home like well-deserved trophies.

I’ve always appreciated stone, its beauty and durability. Things made from stone have simple lines and natural elegance. Stone endures without maintenance. No painting, staining, or waterproofing is required. I spent college summers working for a small company specializing in “stonescaping.” I learned how to use rocks and stones to beautify backyard landscapes by creating features such as waterless ponds and dry streambeds.

Today, I need Craigslist for help with the hunt. I scour headings like “free stuff” and “gardening.” That’s how I met Ilka. I saw her post, “landscaping rocks for sale, $20 each, your choice.” An email and text exchange later, I have the address and drive up to a small ranch-style home painted Easter-egg purple, nestled on top of a hill. Rocks surround her home and front yard. Tons of granite, sandstone, limestone, and more. Stacks of rocks line both sides of the driveway. The backyard is an overgrown field dotted with clusters of rocks like wild grapes waiting to be picked.

As I walk up the driveway, a woman approaches. She’s statuesque with timeless natural beauty: a tanned face framed by long, slightly graying, blonde hair, chiseled, high cheekbones, and turquoise eyes. She speaks in a deep voice, “I’m Ilka. I grow rocks in my yard. All kinds of them. They just pop through the ground like mushrooms after a spring shower. Let me know if you need help.”

I know where the rocks really come from. Ilka’s property rests upon drumlins, small hills of rocks and gravel deposited millions of years ago by receding glaciers. The alternate freezing and thawing of the ground during winter pushes new rocks to the surface every spring. I say nothing of this to Ilka. I’m sure she secretly knows that rocks cannot be grown.

It does not take long for me to find the perfect rock for the bench. It’s a large slab of limestone, beautifully imprinted with tiny seashells and fossils. Ilka helps me hoist the rock into the back of my SUV. “Come back in spring,” she calls. “I’ll have many more rocks.”

That night, I dream of Ilka, the Druid Queen. Ilka, the Earth Mother. I see her dancing and leaping across the yard, beneath a frosty autumn moon, weaving in and out of the rock piles. I hear her chanting an ancient runic rhyme, calling forth next year’s crop.


Ron Theel is an educator, mixed media artist, and freelance writer. His work has appeared in Lake Life and in the November 2022 issue of The Bluebird Word.

Snow

Poetry by Charlene Lyon

Snow is gravity pulling crystals
which knit into a blanket
tucked under
the sleeping trees.

A muffled, fluffy quiet.
Interrupted by scrunch scrunch boots
and the woodpecker knocking
on doors for brunch.


Charlene Lyon is a writer and poet from Cleveland, Ohio. Her work has appeared in Cleveland MagazineNorthern Ohio Live, Sun Newspapers and elsewhere. Her poetry will be featured in June as part of Standing Rock Cultural Arts’ 30th anniversary calendar in Kent, Ohio. She enjoys a good espresso and walking under trees with her beloved husband.

Hide and Seek with Robin

Poetry by Lilyth Coglan

He came to visit me in September as I pulled out the weeds
I was late to gardening this season
I felt him tutting at me under his red breast
Then he left for a while
Till November arrived
I guarded the cat away from him
Telling her “He is my Robin now stay away”
He bobs his head in and out the tree
Merrily bouncing along the fence
Always chirpy, always happy
I wondered why
Then I realise,
Winter is soon to arrive.


Lilyth Coglan is a poet and a writer from Hull in the UK. Locally she has been on the radio and news sharing poetry and spoken word, and was part of a female arts festival called She Festival in lock down 2020. She writes about mental health, life, love and politics.

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