An Online Literary Journal for Poetry and Flash

Author: Editor (Page 42 of 50)

Who Knew

Poetry by Barry H. Gordon

Someone wrote tenderly,
knowingly,
of the death of a classmate,
as we casually prepared
for the reunion
of the living
next summer.

Who knew, Durbin,
that your oddness,
your awkward efforts
to connect,
were linked to years,
fourteen we are told,
in a foster home.
And who knew
of the heartache
you carried at graduation
because your father
hadn’t survived to see you
walk across the stage
of life.

And who knew
really much of anything
about the true you,
or the true me
for that matter.
We just walked across
that stage
and most of us
kept on walking.

Still, I am jolted
to hear
you have dropped out of line
and I have missed
my chance to know you.


Barry H. Gordon is a retired psychologist and a published author of Your Father, Your Self and two co-authored books. He is an emerging poet who has been writing poetry throughout his career.

Sparrows I Have Known

Poetry by Catherine Coundjeris

My first memory is of song–
song in sunlight rapturous and bright.
Elusive bodies hopping in branches
and on rooftops, lining wires
and chattering back and forth.

In Boston to my delight,
by old Ironsides, they
came to rest on my table.
Perching on the backs of chairs,
begging for morsels.

With my brother in Oxford,
we noticed their variety
marveled at their language
photographed them on walks.

Now in Frederick, outside Walmart,
they sit on baskets, flit
between cars, and angle
for scraps still curling along
the macadam.

It is April and I remember
our trek through back roads,
looking for hawks and eagles
with sparrows for company.

I have seen them
beat each other up
at bird feeders.
We have my brother’s old
feeder but we need
to buy a post for it.

They come anyway and
taste the seeds
on our fruit trees,
alighting on the wildflowers
on the hill behind our house.
My brother would have enjoyed it here.


A former elementary school teacher, Catherine Coundjeris has taught writing at Emerson College and ESL writing at Urban College in Boston. Her poetry is published in The Dawntreader, Visions with Voices, Nine Cloud Journal, Academy of the Heart and Mind, Bombfire, Paper Dragons and many more.

Jeffrey died healthy

Fiction by Mike Paterson-Jones

Jeffrey was a fifty looking, thirty-year-old man who was not good looking. He was overweight, with lank unkempt dark hair. He rarely smiled, mainly to hide his teeth which were crooked and stained. Jeffrey worked as a shipping clerk and his employer had him out of public view in a corner office. Jeffrey lived in rooms above the shipping business in a dingy street near the docks.

Jeffrey had no friends except the cat that came to his door every night for food. He did not have any family. He was an orphan. After work he always went to the diner down the road for a sausage, an egg and a large pile of fries liberally covered in ketchup. Having eaten, he would walk slowly back to his rooms where he lay on his bed and listened to the radio. He loved to listen to jazz guitarists such as Jimi Hendrix and Eric Clapton. He longed to be like them.

One evening he had an ice-cream as well. Afterwards he felt bloated and decided that he should go for a walk. Without noticing, he found himself away from the docks in a strange area. He was about to go home when he noticed that he was outside a pawn shop. In the window was a solid body guitar and amplifier for sale for a hundred dollars. It took him two days to pluck up the courage to go and buy the guitar, but once he had bought it, he only put it down to work, eat and sleep.

Jeffrey discovered that he had a talent for the guitar. Within months he was playing many of the pieces he heard played by his favourite musicians. As he played more confidently, he played his music more loudly. He didn’t need to worry about disturbing his neighbours as he didn’t have any after dark.

On the day that marked Jeffrey’s tenth year with the firm, his boss planned a party for him after work at the office. It was a Friday. Jeffrey had never had an alcoholic drink but was persuaded by his colleagues to have a beer and then another. He liked the feeling the alcohol gave him and became more talkative. He told his colleagues about his guitar. One of them suggested that Jeffrey get his guitar and they all went to McGinty’s along the road. Friday was ‘Talent Night’ at McGinty’s.

Well-oiled by five beers, Jeffrey stepped confidently up to the microphone and played and how he played. He was a virtuoso on his pawnshop guitar. The crowd in the bar stopped drinking and talking and just listened. Jeffrey played until he was exhausted and very drunk, a condition that seemed to have little effect on his guitar playing ability.

Jeffrey woke the next day with a massive hangover. As he gradually surfaced, he discovered several things. Firstly, he didn’t really like alcohol. Secondly, he had left his guitar at McGinty’s and finally discovered that he had an agent. According to what was written on a folded McGinty napkin, his agent was a Sue-Beth Combrink. He did vaguely remember her. By that evening he felt somewhat better and made his way to McGinty’s where he was greeted fondly by the bar’s patrons.

Jeffrey asked for Sue-Beth. The barman explained that Sue-Beth was a ‘lady of the night’ and wouldn’t be in for another hour. When Sue-Beth arrived, she went straight up to Jeffrey and greeted him with a kiss. She was a blousy blonde nearing her ‘sell-by-date’ in her profession. Sue-Beth sat a bewildered Jeffrey down in a booth and explained that as his agent she was going to put him on the map on the local music scene. Jeffrey just said nothing and listened. She told him that one of her clients was a music promoter who had a loving wife who would not like to know about her, Sue-Beth.

The next few months passed in a busy blur for Jeffrey. Sue-Beth paid for new clothes for Jeffrey, who now did three gigs a week at McGinty’s and had stopped being a shipping clerk. She enrolled him at a gym and personally cooked all his meals, healthy meals. Sue-Beth took him to a dentist who removed all his front teeth and replaced them with implants. The new Jeffrey was trim and good looking, and his fans loved him. She also applied pressure on the music producer and in less than a year Jeffrey had two albums in the US Top 40.

Jeffrey was making a lot of money, closely controlled by Sue-Beth. She did however allow him to buy himself a 1968 Ford Mustang. It was black with white upholstery and its chrome gleamed. Jeffrey loved to drive it fast. One night he took the Mustang onto the freeway. He was going along the straight at well over the ton and approaching a curve. He took his foot off the accelerator, but it remained depressed. The accelerator cable was stuck.

The police found a dead Jeffrey in the mangled remains of the Mustang. It had missed the curve and hit a large tree on the road verge. Sue-Beth was momentarily upset but quickly consoled with a hefty insurance payout. She continued to live, wealthy, but at least Jeffrey died healthy!


Mike Paterson-Jones is a retired chemistry professor living in the UK.

Pilgrim

Poetry by Rob Lowe

I like clocks, and books, and music,
Things which structure the way forward,
Are signposts and dwelling places.

Map-reading living is my hobby;
But exploring the nature of being
Requires a compass of faith.

I am waterproofed with hope,
My thoughts are warm but breathable;
I am well-equipped for the journey.

And when at last the sun goes down
After a walk through mountain terrain,
I pitch a tent of morality.

I have no home, nor family,
My friends are birds and beasts and trees;
They talk to me nightly.

I saw a harvest once, of people,
Crowded on a plain below;
And in the midst there was a steeple

And what tolled from its Sunday bell?
There is no lasting peace until
Religion consists of poetry.


Rob Lowe has written privately for many years, but only lately started submitting pieces for publication. Typical work can be found in recent issues of Lucent Dreaming, Libretto, Seventh Quarry, Aromatica Poetica, and some anthologies. He lives in Milton Keynes in the U.K.

The Clock

Poetry by James Blears 

We bought the clock when I was ten, two or nine,
I just can’t recall, but it had a fine chime.

I do remember it ticking day and night, all in all,
Tutting, like a maiden aunt, perched on a table, in the hall.

But as minutes and months and years went by, it’s time keeping,
Became slack, then a joke and finally a downright lie.

It lost respect by losing time, so no one consulted it any more,
For when it promised it was three O clock, it was past time for a tardy tea
At well after half past four.

And then one day with its hands at noon,
Not a moment too soon, and not that far from our front door,
It’s pulse just ceased, and it was no more.


James Blears is a British journalist based in Mexico City since 1992.

Surprise on the Tollway Enroute to New York

Poetry by Carol Coven Grannick

Indiana, you surprise me:
in the rain, a painting unfolds
of clouds outlined with your gold brush
as if placed in for effect
and clouds from brushes
dipped in grey and swiped across
the sky, shaping the rhythm
of breath as it flows
over the open land
gazing at burnished corn stalks,
food gone for feed
and under the signature of the grey brush
a quiet low-hanging pink
that begs to be seen as beautiful.


Carol Coven Grannick is a poet and children’s author whose novel in verse, Reeni’s Turn, debuted from Fitzroy Books in 2020. Call Me Bob, a nonfiction narrative in verse, will be a 2022 Oprelle publication. Her poetry has appeared in a wide variety of print & online journals.

Memories of Arenal

Poetry by Hilary Stanton

In my teacup I hear
rain—rush on the roof,
rumble of approaching jungle storm
slapping shiny leaves, broad
sides to the sun still shining.

Hammock hung under
a tin roof, open
to wind introducing
coming clouds.
The light drops,
deafening water
rattles, hammers corrugated metal.

I sip my tea.
The pitch in the cup drops,
the drops hang shining.


Hilary Stanton lives in the Boston area with her husband and their three homeschooled kids. She enjoys hiking and designing original creations using yarn, fabric, or words. Her work has been published in Cobalt Review and Light; she is currently working on a novel.

A Lifeline

Nonfiction by Gail Purdy

The afternoon was grey with light rain. No different than any other day during the winter months. The world appeared softer through the rain-spattered windshield as I sat motionless in the car outside my mother’s apartment building. I felt the deep heaviness that had made itself at home in my body. What else did I need to do before I went home and cocooned for the night?

My cell phone rang just as I turned the key in the ignition. The woman’s voice sounded harsh coming through my car’s audio system.

“This is the Director of Care at Evergreen Baptist Care Facility. Is this Gail?”

“Yes, it is.”

“We have a bed for your mother. You have until tomorrow to decide if you want it. If you do, you must move your mother into the facility within 72 hours. Normally it is 48 hours, but you have an extra day because of the New Year’s holiday.”

The idea of my mother moving into a long-term care facility was something I didn’t allow myself to think about. I didn’t want to hope. Was it possible that this journey of caring for my mother might soon end? Was someone throwing me a lifeline, and I just needed to grab hold of it? Could I grasp hope and not let it slip through my fingers?

It had only been two weeks since the case manager visited my mother to assess if it was safe for her to continue living independently. The regional health authority would decide if my mother qualified for a ‘subsidized bed’ in a long-term care facility. A decision that was weighted heavily on how many authorized services my mother was currently using. Any assistance I contracted privately to support my mother didn’t count. “I only gather the information and present it to the assessment team,” the case manager told me. “Every care facility in your immediate area has a six to nine-month waitlist. So don’t expect your mother to move soon if she is approved.”

What did live independently really mean? The only reason my mother had been able to live alone in her apartment over the last several years was because of me. She had fallen five times in less than four months, and each time I found her lying on the floor, not knowing how to call for help. When she stopped bathing, I arranged for someone to assist her. When she could no longer make sense of microwave instructions to reheat prepared meals, I hired someone to purchase groceries and prepare meals for her. Afraid of falling again, she had become reluctant to leave her apartment.

Fingers deformed by arthritis made it difficult for her to remove medications from the pharmacy-sealed blister packs. Yellow and red pills were found among the forks and spoons in the kitchen drawer, and a zip-lock sandwich bag containing a handful of pills sat near the toaster. Evidence of what had been lost and retrieved over time.

Each square on my mother’s large calendar contained the names of people who came to help her each day. Confusion set in each time she looked at it or when someone showed up to help her. “Why are you here?” she asked. “I don’t need any help.”

#

As the woman on the phone continued to speak, I heard her voice, but I couldn’t respond.

Frustration and anger had taken their toll. Trying to manage the needs of my aging mother was crushing me. As hours turned into days and days into months, I felt fragile. Feeling myself slowly breaking apart, I wondered if I would be lost in the shattering. Self-preservation was screaming at me. Responding to these needs had become a way of life for me, and I didn’t know how to be any different. And now I was slowly losing myself.

Anger bubbled just beneath the surface of my self-control. With a force and energy of its own, anger surfaced at will. I wanted to live my life, not my mother’s. She no longer knew how to keep herself safe, and I was anxious about what might happen when I couldn’t be with her. I was afraid of losing her, and at the same time, I wanted her gone. Fear and anger wrestled inside of me, each fighting to take control.

#

Only a few seconds had passed as images from the last year flashed through my mind. I slipped back into the present, aware of the rain on the windshield and the woman on the phone.

“Yes, we will take the room,” I heard myself say as numbness spread through my body. Fog descended over the streets as I drove home.


Gail Purdy is an emerging writer and multi-disciplinary visual artist living on the west coast of British Columbia. She is the runner up recipient of the 2021 International Amy MacRae Memorial Award for Memoir. Her story “The Parking Lot” was part of the 2021 Amy Award Anthology.

A moth and her flame

Poetry by Thai Lynne

the children fall asleep
my skin absorbs the violent silence
and I come alive: unfolding, expanding
like a set of lungs, a deep breath
and I exhale stardust and simplicity
but there is a restlessness in letting life decide
which direction to point my painted toes
and when to lean in but my body resists
there is a prickling under my skin
and its name is not Satisfaction
I leave it outside the door with the snow on my boots
and I unfold inside this house that isn’t mine
the flickering heat of the fireplace
is like aloe on my sunburnt skin
soothing the ache beneath and I yearn for the peace
that comes from living with intention
as though I were the architect of my own life
rather than a spectator, and I envy
this house pregnant with purpose
and its name is Contentment
a place where those of us
the weary Empaths, overwhelmed
can curl up with a glass of wine in the hot tub
and flirt with desire and design
and oh! the spicy heat that drowns us
under the burden of a life not fully lived
can either wear the mask of crippling defeat
or shining renaissance
I choose the fire.


Thai Lynne is a stay-at-home mom of three, who works construction part-time with her husband, is pursuing a BA in Creative Writing and a freelance writing career. Her work has appeared in Borrowed Solace MagazineThe Hunger JournalTwist in Time MagazineZimbell House Publishing, Dodging the Rain and elsewhere.  

Beyond the Window

Poetry by Sarah E N Kohrs

Beyond is the light-gray world
                                                              poised with clouds that linger
but my eyes settle not on those.
                                                              Instead, I see a brown moth flicker
against the screen-less window
                                                              where a trillion droplets
settle like stars. Those wings
                                                              move in such succession, my
heart seems to speed up, too.
                                                              I raise a hand, palm ready
for comforting, providing
                                                              relief, hope, even.
But the window doesn’t open
                                                              and the rain drips in dirges.


Sarah E N Kohrs is an artist and writer, with over 80 journal publications in poetry and photography. She has a teaching license, endorsed in Latin and Visual Arts, homeschools, and creates with clay in her pottery studio. SENK lives in Shenandoah Valley, Virginia, kindling hope amidst asperity. http://senkohrs.com.

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