Author: Editor (Page 47 of 62)

i have flown from my home

Poetry by Jonah Meyer

i have flown from my home
up into that carolina blue embrace which is the sky
past houses i have flown
past families in yards, past
automobiles quick on the way to somewhere else
past the factories, the outdoor picnics, the baseball games
heavy in extra innings

here i have grown, have spread two yellow wings
out over o.henry’s town, that tiny
dragon-tongue below,
over the births and the deaths and the
songs being sung inside radios

i climb, i climb, the hot thick clouds
are silk-white blankets, rugs by
my fox-trotting feet,

and still i soar into
a universe dream-eyed and naked …

O! that the night is a staircase rising,
pure piano-forte,
and i — thrown by harsh desire — i am
all-too-happy to hear such symphonic
orchestration first-hand

bending, climbing, stretching long pale arms
through such sky-dew, even the birds now

believe me
insane


Jonah Meyer is a poet, writer, and editor in North Carolina. His poetry and creative nonfiction has been published widely. Jonah plays guitar and piano, shoots photography, and studies neuroscience and Buddhist philosophy. He serves as Poetry Editor of Mud Season Review and Assistant Poetry Editor with Random Sample Review.

Trace Fossils

Poetry by Carole Greenfield

Small children do not wait for pain
to make a lasting mark. They give fair warning;
we have time to wipe off tears, mop up trouble,
kiss a bruise, pronounce it healed.

But love leaves an impression that won’t be kissed
away. An imprint left in something soft hardens
and congeals. What passed through fire once
is tempered, then annealed.

Children trace their fingers over fossils, guess
at what’s revealed: evidence of ridges, indentations,
life long over, heart’s rush sealed.

Trace fossils: fossils in which evidence of organisms, rather than the organisms themselves, are preserved.


Carole Greenfield grew up in Colombia and lives in Massachusetts, where she teaches at a public elementary school. In the last century, her work appeared in Red Dancefloor, Gulfstream and The Sow’s Ear.

A Painting features Forever

Nonfiction by Meredith Escudier

A woman, pear-shaped and clad in a modest swimming suit, edges her way into the
water. Her toes sink into the wet sand, partially disappearing into a cushiony
softness as a few gentle waves ebb and flow. Despite her tentative approach, her
stance gives off a certain determination. Clutched securely in her right hand is the
left hand of her grandson. Together, in a kind of cross-generational unison, they
advance into the gentle Mediterranean.

Little by little, the waves ripple and swell. By the time the water swirls around her
knees, he will already be waist deep. Mindful of this, she goes no further, not for
now. This will be just a teaser, a taste, an awareness of why a beach holds sway,
why they are here today. The sky, in a wash of orange watercolors, gradually
transforms as the day wears on. The light brightens, nearly blinding in its
luminosity before it recedes, as the day proceeds, as life proceeds, gradually
darkening into another palette of grey and purplish navy blue.

Though the watercolors, light and lovely, maintain their transparency, something
has changed. The grandson will come to approach the water on his own one day,
arms held aloft in greeting, a young expectant heart soaring. She knows this. As a
promoter of life, she somehow hungers for this and yet, looking at the horizon, she
also knows she is enacting a certain lesson, a teaching for him, yes, but also for
her.

He will go on, a member of the future, embracing life on his own. And she, the
grandmother, will follow him along with her eyes, quietly drinking in his wonder
and waving to him, tenderly, from afar.


Meredith Escudier has lived in France for over 35 years, teaching, translating, raising a family and writing. She is the author of three books, most recently, a food memoir, The Taste of Forever, an affectionate examination of home cooks that features an American mother and a French husband.

Lydia Palmer: Redwing, 1888

Poetry by Katharyn Howd Machan

Old idea, a hope chest. Girls already
diligent wives in fond imagination.
No dreams of travel, friendship, books,
deep treasure of solitude.

My mother’s mother started mine:
wedding quilt, baby blanket,
dainty towels with crocheted edges,
tablecloth hemmed with her love.

Oh, I understand her gifts!
She wants her world to be mine.
And I’ll lay them all aside with care
as I repack that flowered trunk.

My future’s shaped by a wide hill
overlooking Cayuga Lake.
There I’ll study more than she
could ever think a girl should need–

but in my sleeve, to honor her,
I’ll tuck the handkerchief she’s stitched
with tiny violets, purple and bright,
small daisies opening into sun.


Katharyn Howd Machan has been writing and publishing poetry for half a century. She lives and teaches in Ithaca, New York with her beloved spouse and fellow poet Eric Machan Howd. She directed the Feminist Women’s Writing Workshops, Inc., and served as Tompkins County’s first poet laureate. She belly dances.

Afternoon by the Brick Pond

Poetry by K.L. Johnston

The fisherman left his folding
chair under the oak in leafy
coolness where occasionally
it’s borrowed to mind the pond.

Content to view its mysteries,
passed by, to watch the young parents
with their daughter discovering
mud, laughing as she finds something

startling that splashes and flicks
away. They scoop her up, strolling
on unmindful of fingerprints
and red clay. They pass the dragon

elm that is far from home, but thrives,
happy to be surrounded by
the wild natives, cinnabar heart
visible through its shrinking bark

next to sycamores flaunting pale
green and white skins. At their dark roots
the bumblebee sits unmoving
on the swamp sunflower, so tired

by afternoon, with few blossoms
left unvisited, he sleeps on
in the acute angles of stem
and sun while pollen shimmers,

a dust of fantasies on the
waters of the pond where carp rise
up from green and purple shadows,
grazing in brilliance, uncaring.

Fierce, the kingfisher darts by blue
and shaded. Not the most brilliant
or the biggest or most deadly
of hunters unless you are small
and a fish! a fish, a fish.


K. L. Johnston‘s favorite subjects are whimsical, environmental and/or philosophical. Her poetry appears in journals ranging from Small Pond magazine in the 1980s to work recently appearing in Humana Obscura and Pangyrus. She is a contributor to the recently published anthology Botany of Gaia.

A Special Place

Fiction by Laurel DiGangi

Judith and Marlon sat on their veranda, sipping Château Lafite Rothschild and nibbling chunks of a divine French brie. The setting sun painted the clouds above and ocean below in iridescent strokes of color. But they didn’t know what specific ocean they viewed, nor could they describe the colors since they didn’t exist on the spectrum.

A year earlier, Pastor Ned had told Judith, Marlon, and the rest of his congregation that there was a special place in heaven for those who put their total faith in the Lord. Believers, true believers, did not need masks, vaccines, seat belts, safety razors, smoke alarms, carbon monoxide detectors, or non-slip bathmats.

Now, here they were, the both of them.

A trio of humpback whales breached in the distance.

“Magnificent creatures!” announced Marlon.

“Yup,” said Judith, but they only reminded her of their three grandchildren. She tried not to miss them because she felt guilty when she did, as if wishing for their early demise. 

Suddenly Marlon sprung from his lounge chair. “I think I’ll go for a run,” he said.

“Have fun,” said Judith, but she was thinking, “Don’t come back.”  If it weren’t for Marlon, she could be jangling her hip scarf at belly dance lessons or helping her grandkids look for seashells and hermit crabs on a real, living beach. Instead she’d spent her last semi-conscious days traumatizing them, their parents, and her friends—including a special friend who couldn’t visit her in intensive care because their friendship was, well, secret.

Judith felt achingly lonely. Sensing this, her lifetime’s accumulation of dogs, five mutts, a dachshund and a Lab, ran out the back door to join her. A plate of doggie treats and chocolate chip macadamia nut cookies appeared. The dogs sat in a row on their haunches and waved their forepaws in the air like little beggars. They were never this well-behaved when alive, but rowdy or polite, they were now one of her few joys.  

She tossed treats at the dogs. She ate the cookies. And no matter how many she ate, more would appear. She tried a dog treat, just for fun. It tasted like ambrosia.

Judith leaned back and cracked open her book, a tell-all memoir written by her favorite actor after his death. The dachshund jumped on her lap, waves churned in the distance, and by page 12, she had fallen into a light slumber.

When she awoke, Marlon was hovering above her, scowling.

“The people down the shore have a gazebo,” he said. “And a fire pit, hot tub, and swimming pool.”

“Cool,” said Judith. “Maybe they’ll invite us over.”

“No. Not cool. We deserve everything they have, plus maybe a fifty-foot catamaran and our own private pier!”

“What makes you think we deserve anything?”

“We were specifically told, a special place in heaven!” Judith had no words. All she could do was glare at her husband. She glared for a long, long time, as time was now mockingly irrelevant.


Laurel DiGangi’s writing has been published in The Chicago Reader, Denver Quarterly, Fourth Genre, Asylum, Atlanta Quarterly, Cottonwood, Two Hawks Quarterly, and Under the Gum Tree, among others. A Chicago-born, former graphic designer and illustrator, she now teaches and is coordinator of tutoring services at Woodbury University in Burbank, California.

The Unboxing

Poetry by Jennifer Campbell

Recalling craftsmen
and cobblestone streets,
I may be the apprentice,
laying rice paper
between leather straps
in a protective shield.
I slide slips over leather pulls
and foam circles
over grommets
and buckles.

I give myself permission.

I leave no fingerprints
on silver. The scent
of earth lets go
with each fold and tuck,
wrap and smooth.

The finished product
grows incrementally smaller,
an act of love
expressed one too many times.


Jennifer Campbell is an English professor in Buffalo, NY, and a co-editor of Earth’s Daughters. She has published two full-length poetry books and a chapbook of reconstituted fairytale poems. Jennifer’s work appears in The Healing Muse, San Pedro River Review, The Sixty-Four Best Poets of 2019, and Paterson Review.

Cradling

Poetry by Andy Oram

I stand in a room without walls. Strips of hung paper from the
Past seventy years quiver from the joists.
In the center, a rough oak table is pressed by grinning friends and relations.
The table is scattered with treats
Carried from a scarred porcelain stove.

I feel the bundle’s warmth gradually intertwine with mine,
My forearm greets the churning of small legs,
And I accept them as my own.

Through the streaked pane of a solid double-hung window,
Recently bared of its weary paint,
I envision the eleven paces one year ago from the car to the house,
and my urgent grip on the papers embossed by a lawyer.
I race against the downpour with bent head and sole-squeals.

More precious than my grizzly head were these papers,
More worthy of a legacy than the leather shoes I dredged from the closing.
Arrived finally in my new home, raindrops from my coat still pommeling the pine floor,
I uncradled the packet to make sure nothing was smudged.

One is drawn to gaze at what one cradles.
I retrieve the child from some well-wisher,
Slip a palm beneath his head and become the whole universe of this unfamiliar creature,
Become a presence to the wide pupils that sweep me into their field of vision.

Now we share points on a simple harmonic scale,
The overtones traveling through my chest and arms and lips.
And the baby responds to my resonance.


Andy Oram is a writer and editor in the computer field. Print publications where his writings have appeared include The Economist, the Journal of Information Technology & Politics, and Vanguardia Dossier. He has lived in the Boston, Massachusetts area for almost 50 years.

Lines

Poetry by Christine Andersen

I don’t want to be the person
who colors outside the lines.

I want to be the one who lifts them from the page

scallops and twists and folds

until there is a butterfly
perched on my outstretched palm.

Be the one who blows the parting kiss.


Christine Andersen is a retired dyslexia specialist who hikes daily through the CT woods with her hounds. The changing New England seasons inspire her poems. Publications include Comstock, Octillo, American Writers and Awakenings Reviews, Glimpse, Dash, Months to Years and upcoming in Glassworks and Evening Street Press.

Never Too Late

Nonfiction by Nick Wynne

I had no experience with fatherhood, nor did I have the kind of experience with my father that would have helped me to be a better one. My father was an alcoholic, and I and all my siblings bore the brunt of that. He could be kind, but he could also be harsh and emotionally abusive. Despite his shortcomings, he and my mother made sure that we grew up with strong moral values and work ethic. Although we went through periods of severe economic stress as a family, they sacrificed to ensure that we were fed, clothed, and loved. Tragically, as a family we didn’t articulate our love for each other until after his death. It was there, but we didn’t express it.

I must confess I never really understood my father until I was in my mid-30s. Only then did I understand that he was a brilliant man who could have been anything he wanted to with an education but was forced to leave school in the third grade and work to support his mother and family. We, his own family, were five in number, and he worked hard to support us despite knowing that every job he took involved hard labor and minimum wages. Nevertheless, he persisted. It is no wonder that he took to drink to relieve his frustrations at not being able to provide more. Hard to understand, but understandable.

I do know that I never told my father I loved him until he was on his death bed. My brother Joe and I were in his room where he was in a coma. Joe left for some reason, and I was there alone with him. He briefly opened his eyes and looked at me. I felt compelled to tell him face-to-face, “I never told you this, you old sonofabitch, but I love you.” He blinked his eyes, smiled a little smile, closed his eyes, and died.


Nick Wynne is a retired educator and published author. He is a native of McRae, Georgia but lives in Rockledge, Florida. His latest book is Cousin Bob: The World War II Experiences of Robert Morris Warren, DSC. His website is www.nickwynnebooks.com.

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