Author: Editor (Page 61 of 62)

And It Must Follow

Poetry by Dianne Thomas

The night belongs
to bats and rats
and alley cats

to coons and possums
and moonflower blossoms

to kids in cars
who frequent the bars

to cruise and drink
and do the things they only think

about in daytime
when they must tow the line

to earn their keep
and only dream of sleep

to do as we did
when we were kids

our candles burning at both ends
shunning family to be with friends

dancing, laughing, singing
our ears ringing

as we moved into the street
with the world at our feet

or so we thought
until happiness could not be bought

with charm or looks
we couldn’t even get our hooks

on real affection
discovering life’s true complexion

and slowly we turned
to what could be earned

in sunlit hours
in concrete towers

to a daily grind
always keeping top of mind

the whistle blow
the freedom to go

but now to the nest
to be at rest

with comforts we’ve gained
because we’ve strained

for one more day
with dreams put away

till nightfall ends the pain
and bats and rats and alley cats
rule again


Dianne Thomas is a Detroit-based writer whose work has appeared in Octavo, Flashquake, The Threepenny Review, and other online and print publications.

Shine On

Poetry by John Grey

Dawn-light –
the eyes astound the soul
with wakening.

Bedsheets prove no hindrance.
The morning air is inundated
with visions.

A sweeping, a rising,
the deep joy of living –

and a sun that burns
as a mark of respect
for all I will do this day.

To sleep some more
would be unworthy.


John Grey is an Australian poet, US resident, recently published in Sheepshead Review, Stand, Poetry Salzburg Review and Hollins Critic. Latest books, “Leaves On Pages,” “Memory Outside The Head” and “Guest Of Myself” are available through Amazon. Work upcoming in Ellipsis, Blueline and International Poetry Review.

Benthic:

Definition- the flora and fauna found on the bottom, or in the bottom sediments, of a sea, lake, or other body of water

Poetry by Johanna Tollefson

Then a realization— Underwater plants need sunlight to breath,
                                                   just like any other plant. You might think

this is a metaphor, but it’s just a fact. A fact like in her fantasies,
they are both fish. Fish have fish problems. Every day is swim
                                                 or swim away. You might think

this is a metaphor, but it’s the truth. The ultra-violet rays of the sun
spear through waterbodies. Waterbodies is the correct term for all bodies
                                                of water, saline or fresh. Flowers and fish

are both easily killed off by phytoplankton. Phytoplankton accumulates,
grows thick in silty water, they are microscopic. In the scope of things
                                              what else is the absence of sun but the end?

What else is beginning but a breath of fresh air and you the fish? This is benthic
living— A root in the mud soil. A fish to clean the water air. A sun to breath
                                             light. And you, a metaphor for a rock at the bottom of a pond.


Johanna Tollefson is a writer of poetry, fiction, and nonfiction, currently getting her MFA from Minn State, Mankato. She is new to the Midwest, hailing from Idaho and Oregon, but is settling into the long winters and humid summers. She loves all things sensory and is also growing a recipe resume which she loves to use on guests.

A wind blew through

Poetry by Steve Gerson

Monday, September 23, Grand Chenier, LA,
hurricane season. The sky was the color of silk

coffin liners. The wind was heaving, bowing
and rising as mourners in prayer, quiet then

shrieking when wailing began. Palm leaves
outside the bedroom window startled

and calmed and woke and roiled.
I sat in the bedroom and watched the storm

unfold as bible pages turning from John’s
hearts untroubled and unafraid to Ecclesiastes’

dust returning to the ground. Fronds on the
wallpaper, once verdant, now grayed in the storm

shadows. The chandelier swayed in the house’s
torment, casting light flickers like candles snuffed.

She was still. Only her brown hair now pewter
quivered on the pillow, a stray breeze from the window,

the curtain shivering as the hurricane descended. Others
entered the room. We stood silent, our breaths held

in her breath denied. Our silence was as the hurricane’s
eye, tornadoes swirling around a dead center.


Steve Gerson writes poetry and flash about life’s dissonance and dynamism. He’s proud to have published in Panoplyzine, Route 7, Poets Reading the News, Crack the Spine, Montana Mouthful, the Decadent Review, Indolent, Rainbow Poems, Snapdragon, the Underwood Press, Wingless Dreamer, Gemini Ink, the Dillydoun Review, In Parentheses, and more. He’s proud to have published Once Planed Straight, a chapbook of prairie poems through Spartan Press.

Mardi Gras Season

Poetry by Sarah Henry

1.
Clowns prance down streets.
Giants with stilts jerk past.
Trumpets sound. Men throw
beads from floats to topless
women like me. Flashing is
condoned. Good times roll.

2.
I decide to wear a loud boa
to be noticed in a restaurant.
My own is made of purple,
green and gold feathers. All
patrons recognize the classic
Mardi Gras colors displayed.

3.
The King Cake is my favored
dessert choice. Not baking, I
buy one from a nearby store.
I love the way the cinnamon
and icing taste. Digging out a
plastic baby doll brings luck.

4.
In New Orleans, locals dance
together at the King Rex Ball.
It’s their chance to celebrate
with formality. I’m a guest,
awestruck by the big event’s
glamor and great traditions.

5.
Mardi Gras season’s the best
stretch of life in the Big Easy.
I open the door to the whole
neighborhood. People wearing
masks sit at a table. They dine
on rich gumbo. Good times roll.


Sarah Henry is retired from a newspaper. Her poems recently appeared in Trouvaille Review, Founders Favourites, The Journal of Expressive Writing and Jalmurra. She lives and writes in a small Pennsylvania town.

Not Too Often

Poetry by Marianne Brems

It’s an ordinary day,
nothing to celebrate.
She puts on
just the right hat,
at just the right angle,
not for warmth
or to protect from sun,
one to blend perfectly
with the afternoon light
in a room
where heads might turn,
not too quickly,
not all at once.
No scarf over her shoulder,
no pearls around her neck,
just a hat,
not too new,
not too old,
a style seen occasionally,
but not too often.


Marianne Brems’ two poetry chapbooks are Sliver of Change (Finishing Line Press, 2020) and Unsung Offerings (Finishing Line Press, 2021). Her poems have also appeared in literary journals including Nightingale & Sparrow, The Sunlight Press, The Lake, and Green Ink Poetry. She lives and cycles in Northern California. Website: www.mariannebrems.com.

Morning Texts

Poetry by Jon Wilder

Hi Good Morning, can you remember to call Grandma today, it’s her birthday and yes I know she didn’t really encourage you growing up so your allegiance isn’t there and yes I know she has support where she’s living, but after Grandpa died she’s just kind of pacing around the house reading magazines and sewing his old shirts into pillow cases so she can still sleep with him at night. Can you please just call her, I love you have a good day.


Jon Wilder is a poet and musician living in Portland, OR. He writes, records and releases music under the name Boom Years and his poetry has been featured in Levee Magazine, Duck Lake Books, Sonder Midwest & Salem State. His first book “Bullpen no. 1” was released in 2016 and his second collection of poetry “Original Fear” comes out on May 13.

Witch

Poetry by Nancy Byrne Iannucci

I run my fingers through their hair and inhale, tilting slender tillers.
           Our golden strands move together
when the winds speak to us – I understand their talk like the Lakota,
           Shinnecock, and Cherokee, but I’m none of them.
I’m a white woman with a woodland spirit on the prairie.
           I ride foxes and coyotes like stallions.
I high-five queen Anne’s lace cheering from the sidelines.
           I’m Stands with a Fist when the wolves come howling.
I heal myself with witch hazel, lavender, and hawthorn.
           I carry wood to the firepit where my ancestors perished.
I paint my face with their ashes and sing their songs.
           The trees breeze when I dance until their leaves are gone,
and soon, I will molder, too, for I am one with the earth, bound to none.


Nancy Byrne Iannucci is a widely published poet and the author of two chapbooks, Temptation of Wood (Nixes Mate Review, 2018), and Goblin Fruit (Impspired, 2021); she is also a teacher and woodland roamer. Nancy can be found at www.nancybyrneiannucci.com.

Time-Tested Tenets

Fiction by Foster Trecost

The handwriting was so overly scrolled, some letters looked like caricatures. I never knew funerals could be by invitation, but there’d been a death and someone wanted me at the service. I returned the card to its casing and placed a call, asked the answerer if he’d received an invite. Continuing his role, he said he had, then we swapped roles and he asked if I was going. I unsheathed the invitation, read it again, and said, “I’m not entirely sure what I’ve been asked to attend, but I’ll be first in line to find out.”

The parlor filled with seasoned socialites alongside newly assigned A-Lister’s. I claimed neither title, but a shared curiosity landed us in the same place. That, and the open bar. Occasional guests deserved closer scrutiny, but only because they had yet to master the rules of invisibility, a skill that would allow attendance at such events to be recorded only in the register. Music oozed from hidden speakers, but I only noticed when it stopped. The lights dimmed to a point just past dusk and everyone stared at the stage, empty except for two podiums. And our hosts appeared, Justin and Claire, neither deceased.

Claire thanked us for coming, then said, “You’re expecting a funeral and that’s what you’ll get. But this one’s different. Nobody died.”

Relief. Confusion. And yes, disappointment. Just a bit, but some.

“I’m here to pay final respects, not to Justin, but to the relationship I had with him.” She looked to her right.

True to his cue, Justin: “I’m here for the same reasons. Claire, the woman I hoped she’d be, but never became.”

“He was a good man.”

“She had a heart of gold.”

And that wrapped up the niceties. The volley of insults that ensued played out like a tennis match. Before long I could see Claire’s bottom lip began to quiver. Justin’s voice cracked like an adolescent. And I started piecing together what this was all about.

“He was condescending, he needed to feel smarter than everyone.”

“She didn’t like to read but wanted everyone to think she liked to read.”

And with this she left her post and crossed the stage. I imagine the acoustics made the slap sound worse than it was, but she struck him and I’m unsure who was more surprised, us or him. “I like to read,” she said. He raised a hand to cheek like he was checking for blood. Then she surprised us again by kissing him.

“But I’ve got more,” said Justin.

“So do I,” said Claire. She pointed to the rear of the room, to the bar in waiting. “The funeral is on hold, but drinks are on the house.”

A cluster of confused faces made their way to the bar. Everyone seemed to have a theory: public therapy, performance art, a happening. I had my own take. We saw two people who so desperately sought closure, they staged a funeral for their relationship, but they weren’t ready to bury it, not just yet. And we watched them begin again.

A man standing nearby asked my opinions on the proceedings, but he wouldn’t get them. Never respond to questions, a time-tested tenet of invisibility. I turned my back to him, faced the bar, and ordered an Old Fashioned.


Foster Trecost writes stories that are mostly made up. They tend to follow his attention span: sometimes short, sometimes very short. Recent work appears in Harpy Hybrid Review, Right Hand Pointing, and BigCityLit. He lives near New Orleans with his wife and dog.

In the Department Store

Poetry by Juanita Rey

Don’t be put off
by brown eyes, brown face,
and the times my tongue stumbles,
flips an English phrase backward.

I am new here
and, though my colors won’t change,
words will one day come out of my mouth
without a detour via the islands.

I wish to buy this dress.
It matches my olive skin.
And I have a credit card in my purse,
ID to prove it belongs to me.

Yes, I expect assumptions, suspicions,
from those behind department store counters.
But I’m looking in a full-length mirror.
I have myself convinced.


Juanita Rey is a Dominican poet who has been in this country five years. Her work has been published in Pennsylvania English, Opiate Journal, Petrichor Machine and Porter Gulch Review.

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