An Online Literary Journal for Poetry and Flash

Category: Nonfiction (Page 11 of 11)

Grateful Heart

Nonfiction by Allison Wehrle

The rose, its five-inch bloom too heavy for its stem, brushed against my leg. It hung over the edged garden bed onto the narrow walkway alongside our garage. I had planted this rosebush just a few months prior, sprinkling its roots with ashes as I emptied the contents of a paw-printed urn into their final resting place. It flourished quickly and now demanded my attention, just like its furry counterpart. I set my toddler down and knelt in front of the insistent plant, cupping the massive flower in my hands. Pulling the pruning shears out of my back pocket, I clipped the bowed stem along with a couple other blossoms, dense petals still unfurling. I brought the trio into the house and placed them in my grandma’s delicate bud vase.

Jack, our beloved black cat (who once shattered a mirror) lived to be 13 and passed on the Ides of March. I acquired him when he was just five weeks old and, as far as either of us was concerned, I was his mama. My constant companion, this fluffy soot sprite blossomed into a stunning feline, with plush fur, inquisitive green eyes, and a supple, panther-like tail. 

Our family – and square footage – grew considerably over the years: cat, husband, kids; apartment, condo, house. And with the house came a (postage stamp of a) yard. Finally, I could get my hands dirty and plant something other than the same boring annuals in a window box. Perennials. Pollinators. Vegetables. I wanted them all. But then I had a baby, who was too mobile come spring for me to do much gardening, so I stuck some petunias in a pot and tended to my offspring instead. We spent that summer on a blanket in the back yard, while the cats lounged on the deck.

Iggy, a big blue tomcat that spent his early years on the mean streets of Chicago, adopted me from the shelter where I volunteered at the time, not realizing that Jack and I were a package deal. He had the softest fur and the sharpest claws; the tiniest meow and the loudest purr; the meanest glare and the biggest heart. Both a lover and a biter, he was the toughest ‘fraidy cat I’ve ever known. 

Iggy assumed the alpha male role upon arrival. He bit Jack’s ears to assert dominance and to try and tame that free spirit. He chattered angrily at the birds outside the living room window, to show them who’s boss. But the night a mouse dared enter our apartment, Iggy dropped all pretense. He leapt onto the kitchen table, prancing around like a housewife from the fifties, leaving Jack to deal with the squeaky intruder. Despite their roughhousing, Jack worshipped Iggy. Iggy begrudgingly came to love Jack. They made such a great pair.

If cats had middle names, Jack’s would have been Trouble. Although it was acute kidney failure – not curiosity – that took him from us, it became clear early on that his nine lives would be nowhere near enough, given his penchant for mischief. Above all, Jack adored us, his family, and was happiest when we were all at home. Although he missed it by a day, Jack would have loved lockdown. 

Each summer, we made small improvements to the yard. We replaced the ugly, overgrown yew with a Japanese maple, thinned the hostas, and buried tulip bulbs among the boxwoods. Then came the year everything changed. 

Stuck at home, awash in postpartum hormones, suddenly unemployed and without childcare, my home felt more like a prison than a refuge and I longed to be outdoors. The neighbors had removed a large catalpa tree, sending a stream of sunlight flooding into our backyard. I wanted to plant a rose. A rose for Jack. The new baby hampered my gardening ambitions; the slow reopening of non-essential businesses (like nurseries) derailed it entirely. And so we spent another idle summer in the backyard, all except for Iggy, who was content to lounge in the doorway and sniff the warm breeze or snooze in the sunbeams.  

Not wanting to miss another planting season, I ordered plants online the next February. I chose Jack’s rose almost instantly, an exceptional, show-stopping hybrid with jumbo blooms in a velvety crimson. Even its name spoke to me: Grateful Heart. I debated whether to preemptively order a plant for Iggy, too, even as he lay draped across my lap, purring. Pragmatism edged out my guilt, as his health was steadily declining. Although the vet once declared him to be the “Timex of felines”, illness and old age soon won out. 

I kept coming back to Crescendo, a delicate tea rose with petals that morphed from white to blush to pink as they unfurled. I perused the recommended add-ons and selected a highly rated plant food that edged my total up just enough to qualify for free shipping, but decided against the bone meal, which seemed morbidly redundant. 

Back outside, I moved to the other rosebush. Planted the same day and enhanced with the same organic matter, for weeks it remained a cluster of thorny, lifeless branches. Had I not been so invested in its survival I would have likely given up when it first failed to thrive. But now, this late bloomer had rewarded my patience with a solitary, breath-taking rose. 

As I reached to clip the single rose from its stocky bush, I punctured my thumb on a razor-sharp thorn lurking just below the leaves. It was then I knew I’d chosen the right cultivar.  “Hi, buddy” I whispered, as I pressed thumb and forefinger together to discourage bleeding. Then, holding the stem by the scruff this time, I nestled Iggy’s lone flower into the vase, the perfect complement to Jack’s showy blooms.


Allison Wehrle is a former magazine editor, classically trained musician and aspiring essay writer. She lives in Chicago with her husband and two human children.

Three Scenes in Sunlight

Nonfiction by Bonnie Demerjian

Mother and Child

I hold in my hand a creased black and white photograph, Mom holding infant Me. We’re both smiling for the camera, my father the cameraman, perhaps? With squinting eyes and open mouth, I was a picture of pure delight. Mom smiling too, her long dark hair in plaits and pinned up, a most unattractive style, but fashionable in the 40s. There we pose on that sun-filled afternoon before a house, its white planks brilliant in the clear light, a light as uncomplicated as our smiles.

How often I’ve studied this moment in its informal, close-knit sweetness. At times I’ve felt it a pang, knowing that the innocence of that captured instant was soon, very soon, to be shattered by adultery and divorce, not once but twice. So unknowing we were that day. And what about the photographer, certainly the man I was to meet only years later and the instrument of heartache. What did he know as he pressed the shutter?

I took the picture up another day not long ago. This time, instead of musing on impending pain, I saw, with a flash of insight, wordless uncontaminated love, only love and the miracle of our braided existence. An immensity of stardust commingled in we two. A moment, like that, so brief, so intense, will never come again, but, like the deep tolling of a massive bell, keeps on sounding.

Love   

We met just before hitchhiking became life-threatening. Our college was on a hill several miles above town. There was a bus for those of us without cars, but of course it never ran when you wanted to get away from campus. So, we walked out to the road and stuck out a thumb. What? Me worry?

A few cars went by and then an aging MGB, a red sporty thing, pulled over. I had seen the driver in orchestra. Later, he told me he had been eyeing me too from the trumpet section lined up behind the cellos. Trumpets didn’t have a lot to do while the string players sawed through their parts and they, they were always guys, had plenty of opportunity to check out girls.

So, on a clear spring afternoon, with a breeze from the distant glacier-hollowed lake fresh on my face, I hitched a ride down the hill to town. I wasn’t afraid and even a little intrigued. After all, I had been aware of that evaluating look behind my back. The beer we shared that day, with the small searching talk that followed, are lost to time, but that brief ride marked the first mile on our lifetime journey.                

This Place

I’m standing in the field behind the barn, that matriarch of the farm. She’s over a century old, red, of course, and looming three full stories. It’s a pleasantly hot late summer afternoon in this place, familiar and dear since childhood, home to grandparents, mother, and, for a time, to me. There are sprawling evergreens nearby, scenting the air with their piney aroma, trees planted by my grandfather to succeed his aging orchards. The Senecas had orchards here, too, before they were driven away. We found their flinty arrowheads and smooth grinders when the soil was turned. Dried weeds whisper softly in a light breeze. It stirs the dusty scent of grasses flavored with a hint of warm tar from the road nearby. This time of day the birds are still and only a few desultory crickets scrape away at my feet.

I’ve come today with a purpose, for this place will soon enough be sold, destined for an unseen future. I say goodbye to the barn, dim and faintly redolent from barrels of cherry brandy, product of a damaged crop, we savored long ago. Farewell to the farm house, the gray and sagging sheds, the creek bubbling to the lake in cheerful conversation. Today I raise my face, lift arms, and give thanks to all who lived and worked this land and for all the years I’ve tramped its acres. This unassuming farm, its fertile soil and deep wells, embraced and nourished many lifetimes, so, speaking for them all, I stand in a golden moment tasting of gratitude and sadness.


Bonnie Demerjian writes from Alaska. She has written as journalist and as author of four books about Alaska’s history, human and natural. Her emerging poetry and flash work has appeared in Alaska Women Speak, Tidal Echoes, Bluff and Vine, and Blue Heron Review.

Fight for Bedtime

Nonfiction by Haley Grace

As a kid, bedtime was so exciting. Right before my eyes closed I would imagine flying dragons and dancing princesses. I drifted away to thoughts of bursting colors and beautiful designs.

As a teenager, the fairytales disappeared but my imagination still soared! Only instead of castles, it was faded blue locker covered hallways that smelled of old books and musky cologne. There were no flying dragons but bright yellow school buses with torn off lettering lined up outside. I would drift away to the false reality of an 80’s movie, where butterflies flooded my belly when my crush kissed me before the credits rolled. 

Now I am an adult, or at least in the eyes of society. There are no fairytales in my dreams. My brunette, blue eyed, 80’s curly headed crush is facing the other direction; avoiding a conversation we’ve had a million times. That place between sleep and awake is now where tears flood my eyes. It’s where ideas of doubt, fear, and anxiousness dance in my head. Imagination is now taken over by the fuzzy sounds of the TV I’m not really listening to. The only thing I’m dreaming of is a cigarette because nicotine cures a clouded mind.

No one tells you there is no imagination before adult bedtime. You slowly learn about stiff tension between you and your partner from a fight you swore you would never have. And a racing mind of questions. And lists impossible to complete. 

Maybe this is all inevitable.

But if you can: Fight for the dragons. Dance with the princesses. And let the kaleidoscope of butterflies take over as you kiss that curly headed kid.


Haley Grace is an Appalachian raised LGBT+ emerging voice just getting her start in writing. She graduated from West Virginia Wesleyan College with a degree in Communication and Literature. She is working on her Masters in School Counseling and enjoys writing about her adventures, heartbreaks, and observations of life.

Grandma’s Refrigerator

Nonfiction by Abigail Mathews

Grandma’s refrigerator is the color of the world. It is everywhere.

When the sky is no longer dark, but painted with rising yellows, then the smell of the kitchen is nearing, and I am reminded of milk jars and oven mitts.

Oh, when the flowers finally bloom, and the yellow petals fall to the mud, I see cigarette smoke wafting out windows, and oven-crisped cookies sliding from the pan onto dirtied white floors, and Grandma’s refrigerator is humming.

And the bumblebees are humming, and their yellow hue is familiar.

If the soil were to be peeled back and the dirt dried by the yellow sun, then the grass would turn yellow and die, and the flower roots would turn yellow and die, and the leaves have turned yellow and died, and I wonder when it became Fall again.

It was just yesterday that the dragonflies nibbled my ankles, and the skin on my shoulders were freckled, wasn’t it? The air crunches again, as does my chest with my fiberglass inhales. My yellow lungs heave like the chest of my grandfather.

The Autumn air brings a stale smell, but it is not a painful stale, because it is the stale smell of grandmother, and you remember how she cooked for you while you sat at the kitchen table picking apart napkins, and she wore an apron lined with yellow lace.

And the lace was as thin as her skin and as yellow as her refrigerator.


Abigail Mathews is a sophomore at the University of North Carolina at Wilmington where she is pursuing a major in creative writing.

Broken Wing

Nonfiction by Jennifer Weigel

I am still processing everything that has happened over the past year and then some, in part due to COVID and in part due to life. These haven’t been the most difficult times I have endured, nor have they been silver linings amidst challenges, but they kind of came at me out of left field and I stood there reeling for quite some time.

Early in 2019, I found myself without my voice: I had nothing to say, no art to share. When I first started making art again, I began by taking photographs of the empty sky. Not the nuance of color as you near the horizon, but as close up as I could zoom in on the most flat blue tone I could find, resulting in a pixelated wash of color with no real content.

This sense of drift eventually subsided and I was able to make art again. Flash forward to now, I have returned to photo documenting my surroundings and have even taken up horror writing. I am drawing and painting again. I am no longer at a loss for words. But I still feel incomplete and uncertain.

It’s funny the things you notice when you are in the midst of change. The butterfly is a symbol of metamorphosis and of becoming, but it is fragile and fleeting. Beauty and life are much the same. As I was walking down the sidewalk, I noticed this diminutive shard of a swallowtail wing and was struck by its delicate beauty. I have always noticed things that lie unobserved, some of which can be difficult to gaze upon because they bespeak past violence or hardship that cannot be undone. But at the time, it stood out as a symbol of the past year, the anguish and the hope.

I stood and stared at the wing for some time before a gentle wind caught it and it blew away like an unspent wish. This is my reflection upon the course of the past year and a half. I don’t entirely know where it has gone. I have experienced a lot of changes, some good, some bad. The wind has carried away the time and my thoughts with it and I still sometimes find myself reeling, gazing up at the sky awash in blue and contemplating the fragility of a found butterfly wing.


Jennifer Weigel is a multi-disciplinary mixed media conceptual artist. Weigel utilizes a wide range of media: assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video, and writing. Much of her work touches on themes of beauty, identity (especially gender identity), memory & forgetting, and institutional critique. Weigel’s art has been exhibited nationally in all 50 states and won numerous awards.

Catch and Release

Nonfiction by James Callan

The tug of a taut, invisible thread. So thin. Unseen, it reflects on the gray water, so I suppose. At the far end a silver barb has found the silver mouth of a silver fish that has seen better moments, by far, again, so I suppose. Static water undergoes a savage transformation of violent thrashing, splashing. Like cheerleader pompoms in a gesture of exaltation for the winning touchdown, only inches below the surface of the lake. Liquid confetti tossed in celebration.

My arms hold on, barely, to the device that has snagged an agitated leviathan, or so it seems in my struggle. It’s probably a muskie. And when I finely pull the slick, scaled thing that weighs as much or more than a toddler into the canoe, onto the aluminum floor, I confirm, yes, a muskie.

I look into a mouth that looks like a perfect way to lose a finger, or a hand. This pink abyss, a downward spiral of open-heart surgery, scalpels and all. So many scalpels, needles waiting for their payback. I remove my wedding ring, just in case, and I go in reckless and brave, the last of which I like to think the more prominent. I had to be more than a little firm. I mean, fingers, hands, these are things I want to keep for myself. But in being firm, on the edge or perhaps over the edge of being rough, I remove the barb. I free the beast. And with one last wild gesture of courage, I shovel out what in that moment seemed to me to be the marriage between porpoise and a good way to get hurt.

The splash was surprisingly subtle. A non-splash, almost. Like a vacuum sucking in only the air around it, but quiet. The dark of the depth took the image of the muskie with it. Gone. Free. I caught a prize fish. And then I let it go.


James Callan grew up in Minneapolis, Minnesota. He lives on the Kapiti Coast, New Zealand on a small farm with his wife, Rachel, and his little boy, Finn. He likes toads and frogs and polliwogs, but he LOVES cats. He believes when he says that When Harry Met Sally is the best Rom-com of all time, he is not offering his opinion, but is merely stating a fact. He has been fully grown for a long while, but still has some growing up to do.

At Dawn Where Two Worlds Meet

Nonfiction by Hope Nisly

The breeze at dawn has secrets to tell you.
Don’t go back to sleep.
-Rumi

The light of early morning is magic, pure and simple and full of possibility. I believe this, even when I am rudely jolted awake by the ring of my phone and it is barely light out. A voice asks, “Can you be ready in five minutes? I’ll pick you up. I want to show you something.” Because the voice belongs to the quietest of my five brothers, the one who seldom displays strong emotion or succumbs to any hint of urgency, I respond quickly and without a clue of what might be coming.

Now here we stand quietly at the fence row of a neighbor’s farm. We are looking out over a convocation of bald eagles, at minimum forty, that landed in a field newly-covered with the aromatic debris from a farmer’s barnyard. I take a deep breath and hold it, as if any movement or sound might obliterate the tranquility of this early morning tableau.

In several weeks, this field will be covered with green shoots pushing up through the rich, muck-covered soil. This morning, however, it is covered only with majestic birds that swoop and peck at the dung, hunting for a mischief of mice or a labor of voles too slow to evade their talons of death. The eagles, so recently snatched back from the edge of extinction, ignore our curiosity.

In the pink glow of the rising sun, our shoes damp with dew, all hints of our political differences have faded into the shadows of this flood of early light.

Words are superfluous in this light. Side-by-side, we stand in silence and solidarity and hope, basking in this breath-taking view of these birds of prey. I am content to stand quietly in the lengthy early-morning shadow cast by my brother, this quiet man whose soul is full of love for all living things, who wants to share this with me just because I am; just because he is; just because we are.


Hope Nisly is a retired librarian living in Reedley, California where she gets up early to catch the full moon going down and watch the sun rising in its wake. Her writing has appeared in Mojave River Review, Fredericksburg Literary and Arts Review, and Persimmon Tree. Her stories have aired on Valley Writers Read, a program of the local NPR-affiliate station.

Life and Love as Seen Through My Plum Tree

Nonfiction by Michele Tjin

The delicate popcorn balls of flowers have appeared again, the herald of a new season. The arrival seems earlier each year. 

The plum tree was already a mature specimen when we moved into this house. That first July, one of the first things we did was to pick up the rotting fruit off the ground. I whispered to the tree and my pregnant belly that in a year or two, there would be small hands to help harvest the fruit.

How does this tree of the family Prunus salicina know when to emerge from winter and make slivers of leaves and dainty blooms?

How do I know when to kick off this curtain of chaos and confront hard issues, difficile confligit?

Other signs of life and hope in my backyard: tiny sparrows and hummingbirds dancing around the flowers of the plum tree; songbirds trilling. The harshness of winter is behind us.

Despite not watering and pruning this tree, not giving it any real love or attention, it continues to be dependable and prolific.

I look forward to the perfume of plums ripening in my kitchen. Nothing is as wonderful as biting into the amber flesh and allowing the clear juice to run down my chin.

After a few weeks of non-stop eating, I’m satiated. Yet others tell me they can’t get enough of this fruit.

Don’t you forget about me this year, a friend says.

If you want to come over and climb a ladder, help yourself, I answer.

If I climb a ladder to bridge the chasms, will it be worth it, or will I fall?

In the summer, this tree is weighed down so much by its fruit that it needs to be propped up with a stick, a visible reminder of how much goodness this tree gives.

I imagine the tree’s complex network of roots searching deep underground to find a source of life-giving water to nourish itself.

How do I nourish my spirit when it’s dry and withered?

Things this plum tree has witnessed: birthday cakes and birthday parties. A kiddie pool that lasted just an afternoon one summer. A bounce house that winter. Another bounce house the following winter. That time we dyed socks. My efforts at being a backyard gardener. Dinners outside. Ants. The neighbor’s cat. That stray rabbit. People who once came over frequently but no longer visit because of quarantine, new seasons of life, or small conflicts that festered and coalesced into something bigger, something that doesn’t have a name or shape anymore. 

Or maybe it’s just a lost connection. I’m not sure anymore. 

These blossoms are fleeting: in just a few weeks, they will be torn apart by the wind. Their fragile nature and impermanence have always struck me, like they’re a metaphor for something.

My hands and a pair of smaller ones will collect the plums in four months when the green small marbles deepen into crimson globes, and we’ll give much of our harvest away.

After the summer, after a period of cold and reset, this tree will bloom once more the following spring and offer me hope again. Where will I be in a year?


Michele Tjin is an emerging writer who writes others’ stories by day and her own by night. When she is not writing, she aspires to be a better backyard gardener.

In Praise of Pink

by Heather Bartos

My daughter was four when she first noticed that at the pizza place, the girls’ bathroom was pink and the boys’ bathroom was blue. She asked why that was. I tried to explain to her that it was a stereotype to assume that girls liked pink and that boys liked blue. 

We went to the community pool a few weeks later. She eyed the woman behind the cash register as she gave us our tickets. 

“What do you think my favorite color is?” she asked. 

“Oh,” said the woman with a grandmotherly smile, “I bet you like pink!”

My daughter looked at her for just a second longer than necessary. 

“No,” she said. “That’s a stereotype. I actually like green.” 

The woman behind the register handed our tickets to me and said, “I think you’re working harder than me, honey.” 

The assumption that adults would be able to predict her favorite color based on her sex was enough to flip the rebellious, independent switch inside my daughter’s head to anti-pink. Hot pink seems okay—somehow that gets by without much comment—but for years now, she will not wear the color pink. She prefers baggy sweats in black or gray, camouflage T-shirts from the boys’ section, or ones that advertise Minecraft or Super Mario. 

I understand. I didn’t wear pink for years, either, until I somehow emerged on the far side of adolescence and remember a dress in a color known as ashes-of-roses that I wore to my eighth-grade graduation dance. Somehow dusting the pink with a tinge of gray and creating a nostalgic shade made it more acceptable. 

I came to the same realization that my daughter did, that I was supposed to like pink because girls were supposed to like pink, sometime in early elementary school. And I had the same reaction—no, thanks. I only remember one shade of pink in those days—pale, pastel, washed-out Crayola carnation pink. If I wore that color, people wouldn’t take me seriously. It was too fragile and too delicate. It didn’t mean business, didn’t get things done. Red was the color that got you noticed, worn on the lips of movie stars, swirled and swished on the hips of salsa dancers. Pink seemed immature and childish, belonging to babies and Barbies. 

It took years for me to reconsider the value of the color pink. 

Pink is the color of sunrise, of this weary old world waking up and hoping for something different today. Pink is wine coolers on the beach, strawberry daiquiris, the white zinfandel I sipped on Friday nights with my girlfriends at happy hour. 

Pink is the color of the lining of seashells, the curved canals of the inner ear, whispered secrets, intimate and vulnerable. 

Pink is the color of spring, of renewal and awakening, of blossoms blushing, of bees brushing. 

Pink is the color of cotton candy at the county fair, spun sugar clinging to fingers and lips, grainy gossamer dissolving into crystals on the tongue. 

Pink is the color of bridesmaids, of pick-me-up manicures and pedicures, of proudly polished toes emerging from sandals after the dark, wet winter. It is the color of the roses pinned onto girls and boys at millions of proms. It is in every Mother’s Day bouquet, every bunch of flowers picked by every preschool angel in every garden, every arrangement in every hospital for every new mother, every grieving family. 

It is the color that says we will be okay. It is the color scars fade to after the angry marks of surgery, the color that says we survived and that we are still here, still healing. It is the color associated with breast cancer, with the strength of being female, with nurture and nourishment. 

Pink is the color of the dahlias blooming right up until frost, the most luscious berry, the most luxuriant strawberry, the brightest rose and fuchsia, defiant on gray rainy October days, streaked with raspberry and sunset. 

Pink is the color for when red says it too loud, says it too fast, says it too hard. 

Pink is the color of human beings, underneath the shells of our skin, our true inner nature, our hidden Valentines trimmed in scratchy paper doilies and glued upon paper plates, the sprinkles on our cupcakes. 

Someday, we might live in a world where the alternative to traditional pink would not be camouflage. We should not have to be like traditional men to be untraditional women. We should not have to reject tenderness, the renewal of our own earth and our own flesh, in order to seek false strength. 

The defense of what is tender, what is true, and what is vulnerable is the most important fight there is. And as we welcome every springtime, as we heal our own wounds and the wounds of others, the color we will see is pink.


Heather Bartos lives near Portland, Oregon, and writes fiction, nonfiction, and poetry.  Her writing has been published in Miniskirt MagazineFatal Flaw Literary MagazineStoneboat Literary JournalPorcupine LiteraryYou Might Need To Hear This, and The Dillydoun Review, and upcoming in Scapegoat Review and The Closed Eye Open.

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