Category: Nonfiction (Page 2 of 9)

Summer’s End

1 February 2024 / Editor

Nonfiction by Vicki Addesso

for Cathy

It’s now, this evening, and like this summer, I have grown older. Yes, summers grow old, and come to an end. On this last day of August, September’s eve, I sense autumn’s approach.

The mammoth sunflower growing all alone by the young maple tree in front of my house bobs its heavy head and sighs it seems to be getting dark earlier and earlier. It has never seen a summer before, does not know summer must end. Or that this is its last, its one and only. The bulbous center is bursting with fresh sunflower seeds, and come early morning I will watch the goldfinches come to pluck them out, and the bees indulge. The golden-yellow petals are many and flutter in the tiniest of breezes yet remain put. That stem, so thick and straight and tall, sways for the wind in storms and refuses to break. Before the flower at its top bloomed, I thought of Jack and his beanstalk. Could I climb the stem and find a giant in the clouds?

The lonely sunflower, from leftover seeds I dropped next to the baby tree after running out of room in the backyard gardens. Only this one of the dozen or so seeds casually tossed into the dirt grew. The backyard has many other sunflowers, autumn beauties and sunspots and Little Beckas that had bloomed a couple of weeks earlier. Some are still vibrant, others wilting. They will not wither in loneliness; they have one another. But that sunflower out in front of the house, it rips at my heart, knows nothing of its fate. Its single solitary life that will fade as this summer ends. Trees, shrubs, other plants and other creatures share a world in our front yard and have more, some many, summers ahead of them. No worries, sweet sunflower, I whisper through the window screen. After the crispness of fall, the cold of winter, the promise of spring, I will plant more seeds. Summer will return. There will be sunflowers again.

What is this evening for me? It’s crickets. Their sounds fill late summer nights. It is leaving the bedroom curtains open as the sky darkens. Sitting in my quiet room with no lamp lit, listening, watching the light leave. It’s letting the emotions of memories set butterflies to flutter in my belly and goosebumps to rise on my skin. Letting my mind wander and visions to appear. Suddenly I am a child again. Chasing fireflies. Air on so much of my skin, warm, the breeze soft. Swatting at the mosquito on my elbow, sweating, and not caring. Looking back at the house I grew up in, I see the porch light come on. Tilting my head back to glance at the sky, I get dizzy with the sensation of falling up instead of down. Then my mother’s voice calling me inside. I am young but I know it must end.

When did I realize, at what age, did I learn of endings? As a baby, did I notice that the cold of March — the month of my birth —began lifting? That the sun stayed longer, warming my face as my mother pushed me in a stroller? Then, the heat of summer. The slow creeping back of early sunsets. A chill in the air. My first winter. Was I two years old, three, or four when I knew things would come to an end?

When did Eve, that second of the first two human beings, realize that everything was changing? For the first time, one season flowed into another, and nothing was sure any longer. Already banished from the paradise of the Garden of Eden, she now witnessed the utter destruction of all that was familiar. Was she frightened? Or was she too busy to notice? Being mother to the entire human race certainly must have kept her busy.

So amusing how I, and others, even after years of watching our star come and go, shift in the sky, making us alter our clocks, still say, Wow, it’s getting dark so early now, as if it’s something new. As if we were children. As if it were the first time. As if we were sunflowers.

And so, it will happen again, just as it has every year, all the years of my life — the end. These edges of the seasons are my favorite time. The end slides into a beginning. For the time being.

Now I sit, at my desk, the open window in front of me. It is dark outside. The screen of my computer bright. The crickets singing their song of summer’s old age, the sound of it so familiar. The sound of longing. Realization and acceptance. It is the song of ending, reverberating through space and time. It is falling upwards and flying away.

Vicki Addesso is co-author of the collaborative memoir Still Here Thinking of You~A Second Chance With Our Mothers (Big Table Publishing, 2013). Publishing credits include: Gravel Magazine, Barren Magazine, The Writer, Sleet Magazine, Dorothy Parker’s Ashes, and more. She was nominated for a 2023 Pushcart Prize.

Two Dolls and Three Kings

31 December 2023 / Editor

Nonfiction by Antonia Wang

I only ever owned two dolls, delicate treasures in a world where Barbies belonged to children with ties to distant lands like the United States or, in a bygone era, Venezuela.

My dolls weren’t the coveted reborn dolls of the ’80s, the ones I daydreamed about swaddling and adorning with miniature outfits like real infants. No, my dolls were not my first choice, but they were unique— a second-hand, silicone-skinned Japanese doll with straight chestnut hair, a miniature yogi ready to bend and twist to my whims. The other, a robust, plastic blonde doll with pigtail braids, remained shelved most of the time, but I could never forget her.

How did I come to possess a Japanese doll while living in the insular mountains of the 1980s Dominican Republic? My recollection is hazy, but I remember it as a gift from a Spanish missionary whom my family hosted one summer while she worked with the church. The doll had meager clothes, so I fashioned her an outfit with the little fabric I could find and my rudimentary sewing skills.

The blonde doll had been a “Three Kings” gift from my dad. Christmas gifts were for Americans. Dominican kids didn’t have Santa. We had the Three Kings, who somehow made no noise as they filled our rooms with their camels on the eve of January 6th, delivering our toys. Oh, coveted joy! They were the only gifts of the year for many of us. “At least you had toys,” my siblings would chime in. But this isn’t a sad story about growing up in a small town in the countryside of a humble island. This isn’t a sad story at all.

Sure, we had limited means, but we never lacked what truly mattered: a roof of our own, honest and loving parents, friends galore, and a multitude of cousins. Cousins to play hide and seek with, tackle homework with, attend church together, and, of course, get into the occasional trouble with. And then there were the lush mountains, always smiling around me, offering endless adventures and mysteries. Our home had no television when I was a kid, and it wasn’t until I reached my teenage years that we got a fridge. Bicycles or scooters were scarce, and cars? They were a luxury reserved solely for the ‘rich,’ although even those we deemed ‘rich’ carried their own burdens—a spouse who had migrated to the United States, the trials of managing a small-town business, or concealed guilt.

No, I never felt poor. We had what we needed and nothing more, except for food. Come what may, we had food—for everyone at home, for the neighbor who couldn’t afford to cook, for my grandpa who preferred my mom’s cooking though he didn’t live with us, for the occasional country visitor, my father’s third cousin, or the Haitian woman with a child who stopped by every few months. I couldn’t remember her name or whether she had a home. There was always plenty of food, even if my mom had to make herself a meal from our leftovers. But this isn’t a sad story, no.

This is a tale of devotion—a father who wanted to give me the childhood he never had growing up as a farmer’s kid in the mountains of Camú.

One evening, approaching January 6th, I witnessed a secret ritual. My late father, convinced I was asleep, concealed a grand, plastic doll within a duffle bag hanging from a nail on the wooden wall, believing he had hidden it where I would never think to look. I smiled and turned sideways, pretending to be sleep.

Outside, the chorus of crickets remained silent. The unsightly toads in the nearby miniature swamp, where taro root and yautía malanga thrived unbidden yet embraced, also remained silent. Nor did I hear a whisper from the brown geckos that crept about our small-town dwelling, which we regarded as an auspicious omen.

The next day, I didn’t say a word, filled with excitement as I eagerly awaited the surprise at the foot of my bed on Three Kings’ Day. I remained silent because, more than a toy, I cherished the joy of my father’s belief in magic.

Antonia Wang, poet, nature enthusiast, and yogi, weaves intricate, symbolic poems from the tapestry of everyday life and the natural world. Exploring universal themes of relationships, self-discovery, and philosophy, Antonia’s work exudes a nostalgic Caribbean essence. She writes in English and Spanish, and lives with her family in the USA.

Family Photo courtesy of Terri Watrous Berry

Jack and the Box

31 December 2023 / Editor

Nonfiction by Terri Watrous Berry

It was the perfect size to hide a dog toy, plus it needed no wrapping since a brightly colored festive design ─ Santa in fact ─ was imprinted right on the cardboard. A loose-fitting detachable lid made it easy for him to nudge open with his nose, and since we used it year after year to hide his gift, Jack knew that box was his. We watched in awe once as he located it among other wrapped gifts, nudged it off the shelf where it was being kept with the rest until Christmas, flipped off the lid and trotted away with his new toy like a successful bandit.

The first Christmas after he passed, seeing his box again of course broke my heart anew, but I decided to make use of it one last time to hold a gift for my daughter Cathy’s cat, Misty. After stuffing two bags of cat treats inside, I inscribed the cat’s name across the lid in indelible red marker and placed it under the tree with the rest.

After all the gifts were opened Christmas day, Cathy began to scoop up the mountain of crumpled wrap, beleaguered bows, and boxes too abused to be of future use, stuffing it all into a big black garbage bag. When she picked up the box, she paused before calling, “Mom?” and then asked gently if I wanted to save it. I hesitated only a moment before telling her to dispose of it with the rest, thinking to myself of its heart-wrenching memories.

Apparently, however, Jack did not agree.

We live on several acres in a rural area, and our trash cans have to be hauled down the long driveway to the road the evening before the truck comes the following morning. The first pick-up day following that first Christmas without our beloved Springer, after donning coat, hat, boots, gloves and wrapping a scarf around my neck, I stepped out into the frigid air to retrieve our emptied cans. Jack used to accompany me on that chore.

I was keenly feeling his absence again on that drab grey Michigan morning, head down, listening to the snow crunch while watching my boots shuffle through even more that had fallen during the night. Rounding the bend as I approached the road, I looked up and saw the emptied cans lying in our yard as usual, their lids flung nearby, but something else caught my eye, something colorful standing smack dab in the middle of our driveway.

When I realized what it was I stopped abruptly, and then I laughed out loud. For Jack’s box had managed somehow to escape not only the garbage bag but also the grinding maw of the garbage truck that day ─ it was the only thing that did ─ and had landed undamaged in such a conspicuous spot that I could not have failed to notice.

Make of it what you will.

As for me, that empty little gift box was a gift, and it wasn’t empty at all. No, it was simply brimming with wise advice from a dear and faithful companion, telling me to remember the good times we had together not try to forget them, and that those we truly love are never really gone. Still chuckling as I bent to scoop it up, I continued to do so off and on all the way back up to the house.

Misty’s name that I had inscribed on the box with what claimed to be an indelible marker easily wiped right off, and now every year when decorations come down from the attic, Jack’s box is one of the ones I most look forward to seeing again. And it never fails to make me smile.

Terri Watrous Berry is a Michigan septuagenarian whose work has appeared over the past thirty-five years in anthologies, journals, magazines, and newspapers, with awards for prose from venues as diverse as The Hemingway Festival and the Des Plaines/ Park Ridge NOW Feminist Writer’s Competition.

The Walk to Ma’s House

17 December 2023 / Editor

Nonfiction by Diane Funston

Walking to my great-grandmother’s house after fifth and sixth grade once a week–I remember so clearly, see it right in front of me. Out of the old brick Lincoln school number 22 off Joseph Avenue. Turning right towards downtown, you could see the huge Baptist Church way at the end of the avenue, Xerox Tower beyond that.

My memory is always winter. This was a magical journey in winter. I remember huge soft snowflakes falling, the air cold but very fresh. Catching snowflakes on my tongue, on my fluffy mittens. It was almost like a Christmas card.

Passing Bodner Bakery on my right, the scent of fresh pastries and breads wafted out the door and smelled of warmth and love. Prune rugalach, challah, black and white cookies, sliced seeded rye in the slicer.

Blanks Market was next, a sausage shop with all the German wurst we would buy on Saturday. Sausages and hams hung in the big front window. Slabs of bacon in the case, along with homemade sauerkraut and potato salad. Across the street was Schmidts Market, a butcher who also made sauerkraut, sold in cardboard containers like Chinese food comes in. Schmidts also sold fresh ground round my grandmother used to make gahochtus, raw beef with onions, egg, and seasoning served on pumpernickel bread. Delicious.

I went past the fish market where whole fish with staring eyeballs looked out from the case. On Friday the place was alive and jumping with people lined up to buy take-out fish fry. Farther along was the Bareis Shoe store with Buster Brown and his dog Tige on a hanging sign. Saddle shoes were in the window, and black patent leather shoes. On a winter day there were lacy snowflakes glittering in the display window.

Next on my walk, right at the corner of Wilkins Street where I turned left to walk to Ma’s house was a tombstone engraver with monuments in the yard and samples of engraving in the window. Beautiful rose granite and white marble you just had to run your hand over on the way by. A gorgeous black wrought iron fence kept people away from the stones.

Walking up the street I pass rows of houses mostly from the 1920s like Ma’s house. Some are multi-family, large homes referred to as Boston style with big front porches, even on the upstairs units. The single family houses are mostly small cottage style. Nothing ornate about them architecture-wise. Small backyards, many with fenced front yards with gardens. I pass lots of roses wrapped for the winter, lilac bushes, barberry shrubs and a lot of city street trees that are maples or chestnuts. A few spruce trees and juniper bushes add green and blue to the stark landscape.

At last I arrive at my great-grandmother’s house. Up three steps then four into the small front porch and inside. I smell the chicken vegetable soup simmering on the old 1930s Magic Chef stove. I hug Ma, and she kisses me on both cheeks. She is 80, white hair in a tight bun held in place with barrettes. She has glasses, wears a tiny floral print dress covered by an apron. Her feet wear black, heavy shoes that lace up.

We talk about school and I have coffee and windmill cookies with her. I’ve been drinking coffee since I was ten. It’s a very German tradition to have coffee and a sweet around three or four in the afternoon. After my snack I help her dust. The living room has dark navy blue velvet and wicker furniture. There is a humidor where my great-grandfather kept cigars. I don’t remember him; he died when I was a year old. There is wallpaper in the living and dining rooms. The woodwork is dark stained oak.

The kitchen is painted a very light pink. Gray Formica covers the lower half of the walls like wainscoting. The refrigerator is very old with a tiny freezer and a handle that pulled toward you to open up. Westinghouse, I remember. A key-wound Art Deco clock kept time in the kitchen, it’s loud pendulum swung back and forth. A big rocking chair is in the middle of the large kitchen. The cat, Topper, on the cushion, sleeping.

Before supper I shovel a little path by the back door and sprinkle some rock salt. Both Ma and the neighbor Mable have luscious perennial gardens that bloom crazy in other seasons. The other neighbor Willy has a beautiful garden and a pond with goldfish that winter over.

We eat supper, the hot soup with little oyster crackers. She does a funny thing with her dentures where they jut out of her mouth then back in again. I feel very cared for and loved by my great-grandma and my grandma. I loved going to her house every week. It gave warmth to the winter, the walk over so full of all of the senses. It was a time of innocence, where I could be a young girl who didn’t have to have all the answers.

Diane Funston was born and raised in Rochester, New York, and currently lives in Marysville, CA. Diane has worked with adults with disabilities her entire working life. Besides emerging as a writer, Diane enjoys beading, hiking, her family, and her dogs.

How Poppi Met Nonni

17 December 2023 / Editor

Nonfiction by Tarah Friend Cantore

I place the delicate ornament into the small box, nestled in the green tissue paper. It is a pink ceramic baby shoe with Baby’s First Christmas on it.

I imagine it is the year 2033. My family is gathered for the holidays at our New Hampshire home.

My youngest granddaughter, Ella, giggles and says, “Poppi, tell us the story about how you and Nonni met!”

From the kitchen, I can see Vinnie sitting in his leather chair in the great room. Bode climbs onto his knee, exclaiming, “Yeah, Poppi!” Ella is occupying the other knee, grinning from ear to ear. The four-year-old inseparable cousins are curly-haired, brown-eyed bookends.

Hazel runs from the kitchen to join her brother and cousin. As the flour from her auburn hair releases, a cloud of white dust trails behind her. At only nine years old, she has entered the Children’s Baking Show, and this afternoon, she is schooling us in the kitchen, baking Linzer cookies with raspberry filling.

My daughters, Brittany and Molly, as well as Molly’s wife, Jordan, are with me in the kitchen. Jordan is sitting at the island, where Molly is standing next to her, caressing her pregnant belly. I bring my favorite blue-glazed mug to my lips, appreciating the warmth in my hands and my heart.

“Bake at 350 degrees!” I shout at my new oven. Apparently, it will sense the temperature of whatever is baking or cooking so as not to overcook or undercook. While I am confident it will be efficient and accurate, there’s something to be said about slightly undercooked, gooey cookies. Besides, perfect baking doesn’t exactly fit with my hope to give my grandchildren the gift of imperfection, something I never had.

Hazel’s younger sister, Lydia, momentarily pops her head up from reading Harry Potter and the Sorcerer’s Stone when Hazel enters the room, then she resumes reading. She is sitting in the “cubby” with her father, Bo. When our daughters were little, they referred to the “cubby” as the spot at the end of the couch where they would sit in the bend of someone’s legs. When our grandchildren come to visit, they fight for the spot, yelling, “I want the cubby.”

Lydia is seven years old and a real bookworm. She will likely complete the first Harry Potter book and bring The Chamber of Secrets home with her. She has wavy, auburn hair and resembles Hermione, one of the characters in her book.

Vinnie begins, “Well, first of all, I had a crush on your Nonni before we even met.”

Ella inquires in her soft little voice, “What is a crush?”

He tilts his head slightly towards Ella. “A crush is when you really like someone and believe you could even love them.”

Ella and Bode nod in sync.

Hazel looks at her father. “Dada, did you have a crush on Mama?”

Bo smiles and says, “I did!”

Without Lydia’s eyes leaving her book, she adds, “On the softball field.”

“That’s right! But that’s another story,” says Bo.

Hazel plops down on the rug in front of the fireplace and focuses on Vinnie.

He says, “I saw her that night at Minerva’s. The closer I got, the more pretty she was-“

Bode interrupts, “What’s Minerva’s?”

“It was a bar in Burlington where Nonni went to college.”

Lydia sits up from the cubby and exclaims, “You and Nonni met at a bar?”

“That’s right.”

He had all of the children’s attention now.

“I asked Nonni if she remembered me, and she did. We talked some. I was about to ask her to dance, but my friend, Mark, was bugging me to leave. I asked her if I came back, would she dance with me? She smiled shyly and said, ‘Yes!’ When I returned later, I found her, and we danced. But then she said she had to leave.”

I recalled the sticky bar floor, the 80s music, and his adorable face.

“When we walked out of the bar, I leaned over and tried to kiss her.”

Bode wrinkled up his face and said, “Gross, Poppi!”

Vinnie refrained from laughing. “Well, she didn’t let me anyway, Bode!”

I was no floozy.

“She gave me her phone number, though.”

“And that is how Nonni and I met!” Vinnie nods and falls silent.

Hazel pops onto all fours on the rug and shouts, “But what happened next?”

Lydia chimes in, “Yeah! What happened next?”

“Well,” Vinnie orchestrates the perfect suspenseful pause and then says, “I didn’t call her.”

Hazel shouts, “How rude, Poppi!”

“Very rude. I imagine she was disappointed. And maybe a little mad.”

Lydia shakes her head with disbelief. “Well, how did you ever fall in love with her?”

Hazel inquires further, “And get married?”

“Well, she called me a couple weeks later when she was home visiting Gigi. I guess I didn’t make a bad first impression after all.”

“Why would you, Poppi?” Hazel asks.

“Because I had a little too much liquid courage.”

Bode reaches up and takes Vin’s face in his little hands. “What’s liquid courage?”

“Well, I drank too many beers. I thought I needed them to be brave enough to talk to her.”

Hazel yells, “But you didn’t! You didn’t at all!”

“Why do you say that, Hazel?”

She replies, “Because Nonni had a crush on you too!”

I walk into the great room, like I’m accepting an Oscar, and say, “I really did!” I give Vinnie a kiss. My family applauds, hoots, and hollers.

I return to the present moment. I wrap the ornament in candy cane-striped paper and tie a red velvet ribbon around it. I feel the smooth velvet between my fingers, inspecting the asymmetry of the loops, and decide to leave them uneven. Vinnie and I used to joke about which version of the story we would tell our grandchildren, when we were old and gray, about how we met in a bar. This one is perfect.

Tarah Friend Cantore has published a non-fiction memoir incorporating her artwork in tough & vulnerable, in addition to her novel, Spiral Bound. Her poetry has been published in The Bluebird Word and in the Telling Our Stories Through Word and Image Anthology.

Nutcracker Memories

2 December 2023 / Editor

Nonfiction by Marianne Lonsdale

I was in my attic, organizing the boxes and piles of the stuff of my life, when I came across a theatre program from 1961, for The Nutcracker Ballet, that transported me to the steps of the War Memorial Opera House in San Francisco. My memories of that day surged back.

I am six, my sister Cathy is nine and our big brother, Jimmy, is ten. Mom bends down, holds my coat collar and tells me to obey Jimmy and Cathy. No squirming around and no talking during the performance. Her voice is firm and strict, but she hugs me too. She will meet us back on the steps after the ballet is over.

I’d not thought of that sweet day in years, the gift of a day. I wrote to my mother that December, sharing my memories on holiday paper, a soft red with a banner of green wreaths across the top. My mom and I spent more time being annoyed with each other than we did feeling affectionate. I wanted her to know that I remembered her kindness.

My mother had scraped together the money for our tickets but could not afford one for herself or to pay a babysitter for my two younger brothers. Mom was thirty years old with five children, making ends meet on dad’s firefighter’s wages. But she wouldn’t let her older children miss the magic of The Nutcracker. She drove us from our suburban home to San Francisco, dropped us off in front of the theatre, and picked us up a few hours later.

I wrote of the beauty and sequins of the ballerinas, the enchanting music, the fighting rats and sugar plum fairies. Swirling collages of colors, and sparkling silver and glitter. That ballet was the most glamorous event of my young life; the beginning of my love affair with dance and theatre.

After Mom received the essay, she called to say she loved the piece. Her voice choked on the words. We talked a bit more, and as I got ready to end the call, Mom said “I don’t remember taking you to the ballet.” I was taken aback but she’d had lots of kids and memories to keep track of.

At our Christmas gathering at her home, Mom shared the printed story with my older brother and sister.

“That is so sweet,” my brother commented.

“I love that story,” my sister said. Then looking at my brother she asked “Do you remember going? I don’t.”

He shook his head. I was flabbergasted. A standout event in my mind, and none of the main characters besides me even remembered. If I hadn’t saved the theatre program, I might have wondered if I’d made it up.

Marianne Lonsdale writes personal essays, fiction and poetry. She’s looking for an agent for her novel, Finding Nora, a story set in 1991 Oakland about love and friendship during the AIDS epidemic. Her work has been published in Literary Mama, Grown and Flown, The Bluebird Word and several print anthologies. Read her nonfiction essay Parting Gift from last year’s holiday issue.

Photo by Kier in Sight Archives on Unsplash

Longing for a Close Family

2 December 2023 / Editor

Nonfiction by Sherri Wright

In little boxes I see living rooms, kitchens, bedrooms and a lovely turquoise pool. Spread out over six states all eight siblings’ faces appear on my Zoom screen. I see white hair, wrinkled faces, sagging necks, thick rimmed bifocals. We have all aged precipitously since our parents’ memorial two years ago.

In my memory I see us young and laughing, amid a sea of Christmas gifts and children, Mom cooking, and Dad shooting grainy 8mm movies.

As young adults we did everything together. Wilderness camping — my older brother rigging ropes and pulleys to hoist food packs in trees away from the bears. Being a bridesmaid in my younger brother’s wedding. My sister and I taking our daughters to Hawaii when neither of us could afford it. Driving to Florida with my youngest brother and our kids through a snowstorm the winter after our divorces. Playing soccer and running a marathon with another sister. My siblings were my best friends.

My youngest sister announces brightly that she just had a COVID vaccine and asks if everyone else has. Moving screen to screen everyone nods yes. A granddaughter in Alabama had a mild case, another in Colorado is recovering. Florida brother asks, “So you all listen to the news and believe that crap about masks?” Minnesota sister cuts in abruptly to describe her beach vacation with her daughters and grandkids. No more talk of COVID.

I ask about a niece who lives in Brooklyn Center where protests continue after the shooting of a young Black man. Her dad is terse. “She lives far from that police station. She’s safe.” I say, “Oh good, I’m glad.” Nothing more. No mention of Black Lives Matter although we grew up in Minnesota where it all began.

Arizona brother sold his Arabian horses since he and his wife can no longer ride. Minnesota sister’s weight has stabilized and anti rejection drugs have been decreased since her heart replacement. As her face appears in the large center screen I see how thin she is. Utah sister makes us laugh. Her daughter in NYC adopted a cat because her apartment has mice. We smile when a curly black puppy crawls over Minnesota brother’s shoulder. We ooh and ah at old oil portraits of Mom and Dad on New York sister’s wall and remember them hanging over the fireplace at our parents’ house. The fireplace of so many Christmas Eves.

For a moment I feel a warmth that used to be so easy.

We long for that close family but none of us will dip below the surface. Over the years we’ve learned where the sharp edges are. Who veers right, who veers left, and who wants no conflict. Eight individuals raised under one roof by the same parents, we know how divergent our beliefs, how passionate our politics. How fragile the connection. So we tiptoe around the hearth, drop a few twigs and dry grasses on the ash and dart quickly away. No one wants to spark the fire.

Sherri Wright is a member of the Rehoboth Beach Writers Guild and the Key West Poetry Guild. Her work has appeared in Creative Nonfiction, Dreamer’s Creative Writing, Persimmon Tree, Ocotillo Review, Delaware Beach Life, Raven’s Perch, and Quartet. Read earlier work in The Bluebird Word.

Songs in the Subway

22 October 2023 / Editor

Nonfiction by Colleen W.

(Identifying names and characteristics have been changed.)

I was watering beebalm in my scraggly, but well-intentioned garden when a call came from a nurse. “Jason has had a difficult evening. He overturned a heavy table in the day room and tried to wrap a nurse up in a bedsheet.” I set the watering can down.

“He was put in five-point restraints,” she said.

Silence rang in my ears.

“I didn’t know they still did that,” I said, choking back tears.

I’ve been put in arm restraints before, but never also, leg restraints. My son and I both live with bipolar disorder and have required psychiatric hospitalizations.

A few days passed and he was what they termed as “clearer” and could have visitors. That evening on the way to the hospital I stopped at Subway. I hadn’t eaten lunch yet. When my son is in crisis, I often forget to eat.

I sat in a back booth with my tuna sandwich. I was taking a bite when a young man with long, curly hair and sheepish eyes wearing a green Subway polo, came up to me and said he liked my shirt. I looked down to see what I had on. It was a Grateful Dead t-shirt, the one where the skeletons are playing golf. I thanked him.

“I’ve never been to a show, but my dad went to a lot of them in college. He’s probably around your age,” he said.

“I’ve been to around 65 shows,” I admitted.

Talking about a time in my life I was fond of, lulled me, and I felt a sense of melancholy. The young man might have sensed my mood. “I have something for you,” he said, then turned and went through a door behind me.

I stared at a wilted browning piece of lettuce across the table. The familiar opening chords of “China-cat Sunflower” started to play. I listened to the music, in awe that a stranger would think to play a song for me.

My eyes welled up, but I focused on the beige table, my sandwich wrapper, the tip of my straw and willed myself not to cry.

When I was sure I had composed myself, I made my way to the counter. The kid who had disappeared to the back to change the music was mopping up by the register. He stopped to ring me up for a bag of Doritos I selected for Jason. I asked him for two chocolate-chip cookies.

“I want to get them for my son, but I’m not sure he can have them in an open bag. He’s in the hospital and there’s a lot of rules where he is,” I said.

He nodded and silently sealed the opening of the bag with a sticker.

I thanked him. The song had morphed into “I Know You Rider.” I pushed open the door, blinking at the blaze of the summer evening’s sun.

Colleen W. writes poetry and nonfiction. Her work has appeared in the Gyroscope Review, Ravensperch, and The Potomac Review, among other publications. She works in mental health, and is also a consumer of mental health services.

a person ironing cloth — Photo by Towfiqu barbhuiya on Pexels.com

How to Iron

13 October 2023 / Editor

Nonfiction by N.G. Haiduck

My father did the ironing in our house. My mother was sick, not bed-ridden, but too sick to stand at a board pushing a hot iron over my father’s white cotton shirts. So in the evening, after supper (my father cooked) and the dishes (my sister and I washed), in the living room between the sofa and the armchair where my mother sat stone-faced in front of the TV, my father set up the ironing board.

He tested the steam iron by pressing it over a dishtowel. When the iron sputtered, he ironed: his white shirts, my pleated skirts, my sister’s ruffled blouses, my mother’s house dresses. He ironed the sheets. He taught me how to iron his handkerchiefs. First one side, fold once, iron, fold again, the monogram on the outside, iron, fold, iron. I progressed to pillow cases. Same method: iron, fold, iron, fold, iron.

To this day, my aunts disparage my mother (she died and, a few years later, he died) because “she made your father do the ironing.”

My father had a vegetable garden on a patch of land he rented from Miss Bliss, who owned the weather-beaten farmhouse next door. All summer long, I helped weed my father’s garden. On weekends, he sold tomatoes at a roadside stand on Route 51 in front of that old gray house, until Miss Bliss sold her property to a developer.

My father’s partner selling vegetables at the roadside stand was Mike, who had a cornfield down the road. I had to go to Mike’s house one Saturday to pick up an envelope. My mother, sitting in her armchair, called after me, “Don’t tell her I don’t iron!” Mike’s wife, Mary, ironed her husband’s white shirts perfectly.

A smiling plump woman, Mary opened the door, and I came into a living room filled with waves of freshly ironed white shirts, a few pale blue shirts mixed in, on hangers hooked over doorknobs, on rods attached to closet doors, and from the wing of a floor lamp standing next to a massive ironing board in the center of the room. It smelled like spring.

I had to step over a hassock and duck under the shirts to get to the kitchen, where Mary gave me an envelope (money from the business, I suppose). Dutifully, I brought the envelope home, but my mother said she never wanted me to go back there again. “I don’t want her to find out I don’t iron.” Of course I would never tell.

Just as my grandmother never told me. Only after my mother died, she said, shaking her head, “Too bad you didn’t know your mother before she started taking those pills.” I didn’t know. Nobody told me.

My husband says his shirts come out brighter and crisper from the dry cleaners. Still, in the evening, after dinner dishes are put away, I set up the board in the living room. I turn on the TV. When the iron is hot and sputtering, I iron. My husband’s shirts: back of the collar first, then the cuffs, run the iron up the sleeves, flip to the back of the shirt and the shoulder; then the front around the buttons, the shirt pocket, and last, the front of the collar. Same procedure for my blouses. Blue jeans: pockets ironed inside out, waist band and fly pressed twice, then the seams and a sharp crease. Pillowcases (but not sheets): lay flat on the board, iron, fold, iron, fold, iron.

N.G. Haiduck taught English at The City College of New York and now writes from Burlington, Vermont. Publications (2023) include: Aeolian Harp Anthology, Cold Lake Anthology, Kakalak, and BigCityLit. Haiduck’s first book, “Cabbie,” about a young woman driving a cab in New York City, is forthcoming from Finishing Line Press.

For Every October

12 October 2023 / Editor

Nonfiction by Stacie Eirich

The leaves have begun to turn from green to yellow to brown, falling from branches to land in the lawn beside me. The grass is littered with them, the hard cusps of acorns rolling beneath my toes. A cooler wind wisps against my cheek and darkness falls earlier each evening; summer heaves her last breaths as October’s notes become the steady hymn of autumn.

Before last October, autumn would have been my answer to the question: What is your favorite season? Like so many artists, my muse is found in a cool darkness stitched with stars, in nights fragrant with the scent of smoke and glow of firelight, in walks through forests thick with trees that shiver in the breeze, their leaves shimmering green-gold-rust in sunlight as they fall to hard ground.

Before last October, I would have told you that October was a beautiful month, one where nature glistens wide with colors, the one in which my son was born. The month of pumpkin spice, sweater weather, homemade chili and Halloween. I would have told you that October felt lovely and comfortable, a relief from the stifling heat of summer.

I’m not sure how I feel about October now. How I feel about that fateful day: October 12th — Diagnosis Day. The day an MRI revealed that my fourteen-year-old daughter had a brain tumor.

The day was blissful with sunlight and a soft breeze that welcomed in the beginning of my favorite season. In the early afternoon, while she and her brother were still at school and before we knew anything of scans or tumors — I took a journal out on a nature walk. I gathered leaves and wrote verses, pressed them in. That journal sits in my bedside drawer, untouched now since then, almost a year later.

Like autumn, I’m nervous to revisit it, to open it and find whatever beauty is left there. Beauty that is evidence to how October gives life and changes it, evidence to how different the world felt last October from this October.

But as we approach October 12th this year, I find myself drawn to the journal, drawn to touch and examine the leaves I pressed into its pages, to read the words I wrote before I knew anything of brain tumors or intracranial pressure or hydrocephalus or medulloblastoma, of MRIs or lumbar punctures or biopsies or surgical resections. Of shunts or ports or proton beams or absolute neutrophil counts. Before I knew what it means to have a child with cancer.

Yesterday we decorated the house with balloons, celebrated my daughter’s NED status: No Evidence of Disease. She has completed her treatments, completed a year’s worth of life-altering experiences that have both saved her and changed her. She has shown us her resilience and breaking point, her incredible strength and heartbreaking fragility.

I watch the balloons bounce lightly in the breeze on our mailbox, their colors and confetti bright in October’s sunshine. I walk through the lawn, unraveling ribbons to watch them travel higher into a clear blue sky, listen to the chirps of blue jays in the branches.

I hear the sounds of my daughter waking; she comes to sit beside me as I write. We watch the squirrels chitter and chase each other through the lawn, gather acorns and bury them. I tell her about the journal, and she fetches it from my drawer, anxious to see the memories left in its pages.

We touch the dried, spiny pressed leaves and read my words together, October’s light vivid with sun in a clear sky. I feel something loosen, something lighten inside me, and a warmth despite the cool breeze that brushes my skin.

Before last October, I didn’t know light would still be possible through darkness, that survival meant looking for it in each hour. I didn’t know joy would find its way to us through grief.

I look up into the sunlight of this October and see the beauty that remains, glimpse how nature and life are colorful and changing and resilient. I accept that this October will never be the same as the last, that life and experiences have ways of changing you that cannot be undone. And I breathe.

My daughter hands me a clutch of pink, purple and blue ribbons and we walk across the grass together. Slowly, we release strands of ribbon upward, watching the balloons confetti swirl into a cloud of rainbow in blue. We twine our fingers together and look up, up — up.

We breathe in the scents and sounds of October and tell each other we are glad to be home. We talk about her brother’s birthday; how much taller and bigger and stubborner and smarter he is now that he’s almost fourteen.

I think of how amazing it is to be awake together to watch the wings that fly between the trees, the squirrels rush through the grass, the green-gold leaves shimmer in autumn’s light. Present, familiar, yet ever-changing, and wondrous — this month with a heart for so many things, this October and the way it unravels me, the way it breaks me apart and stitches me back together again.

Stacie Eirich is a mother of two, poet & singer from Louisiana. Her poems have recently appeared in The Healing Muse, Inlandia Journal and Susurrus Magazine. During 2023, she lived in Tennessee, where she wrote while caring for her daughter through cancer treatments at St. Jude Children’s Research Hospital. www.stacieeirich.com