Category: Poetry (Page 1 of 35)

The Sound of the Rain

12 April 2025 / Editor

Poetry by Steven Deutsch

My grandmother liked nothing
better than to walk in the rain.
On days when most were calculating
how best to stay dry while getting from A to B
she would don her old gray raincoat
and even older brown umbrella
and walk a few miles down Church Avenue
past a hundred store fronts
to nowhere in particular.

She never wore a watch
and I often wondered
how she knew to turn back
or if she always would.
It would not have been that hard,
it seemed to me,
to find a better place to live.
I watched for her,
as if the watching were a magnet
to draw her back home.

I only walked with her once.
At first, I blabbered and struggled
to keep up—my stride
half of hers.
But I soon settled, realizing
the sound of the rain
didn’t need the accompaniment of my voice.
That very wet March Day
she took me into one of the corner candy stores
that dotted our path
for a burger and vanilla malt.
Grandma had tea with milk and sugar.
The trip back was half as long
and twice as quiet—in the best way
I could imagine.

Steve Deutsch is editor of Centered Magazine. He has published six poetry books of which Brooklyn was awarded the Sinclair poetry prize by Evening Street Press. He has been nominated for Pushcart Prizes and the Best of the Net.

Midnight Music

10 April 2025 / Editor

Poetry by Tracy Duffy

Like a…rat-a-tap-tap
from the drummers—drum
goes the night-time, in the forest
like the crickets—hum
Chiming in, the hooting
of the owl at night

set the tempo, set the tempo
to the music, midnight

Neon shiny stars
grant the stage, its light
the rattle—ssh, – rattle – ssh
of a sliding snake
and the dripdrop, dripdrop
of fish into the lake

set the tempo, set the tempo
like the drummers-drum
Hum…hum…hoo
Ssh…ssh…shey
Drip…drop…doo
Tempo Set

Tracy Duffy writes poetry while taking a gap year from a lifetime of work in medical cosmetology. Earned BS in Organizational Management while raising a family. Published in Bacopa, Writers Alliance Gainesville; P’AN KU, BCC Student Literary/Arts Magazine; Tiny Seed Literary Journal; Open Door Magazine Labyrinth; Anti-Herion Chic; Passage: The River.

Not Mary Oliver’s Linden

4 April 2025 / Editor

Poetry by Diane M. Williams

Mary Oliver drove through Linden,
Alabama, and wrote about hulking birds
of prey in a field outside of town.
I wonder what led her to that southern
town that I forsook years ago.
Now, years after her death,
it’s much too late to ask.

Yes, I remember black vultures
descending on rotting carcasses,
shiny summer grasses of field and roadside.
But my Linden, Alabama, is not
the detached visual image of Mary Oliver.

Girl, age twelve, brother and two sisters,
Damn Yankees from up north,
Dad trying to make a go
as a dairy farmer in the Alabama Black Belt,
Mom a hospital nurse.
We didn’t know to say yes ma’am no ma’am.

Summer whipped the sultry farmhouse,
tarantula mother birthed her babies on my bedroom wall,
black widows nested in abandoned buckets,
our home a tired reminder of neglect—
peeling paint and broken shutters,
our lawn a field of weeds,
Lombardy poplars loftily ringing the crescent driveway.

We sang wild dewberries into our pails
uncaring of copperheads and scorpions,
danced across meadows bringing cows in
for evening milking,
trudged gleefully two miles in sticky knee-high grass
brushing off ticks, sweat bees, grasshoppers
to the town swimming pool,
splashed away our poverty
with kids who didn’t know.

Girl, age twelve, I dreamed
the “Wayward Wind” with Gogi Grant
got kissed by a snot-nosed boy in a haystack
rocked with Elvis in the jailhouse on late-night radio
wept finding my dog dead in a roadside ditch
practiced French words with my Jersey heifer.

Passing through Linden, Mary did not know
that in that field where vultures
hovered and gorged themselves
lay the remains of my childhood,
the tattered fantasies
and memories of Girl, age twelve.

The forlorn house and tumble-down barn
long ago torn from the landscape,
now the ghosts of the Lombardy poplars
sing to the restless wind.

Diane M. Williams taught college French for many years, then joined the creative team at UT Knoxville as an editorial manager. Her poetry has appeared in One Trick Pony, Bluestem Magazine, Monterey Poetry Review, Black Moon Magazine, and The Avocet. Her poetry collection, Night in the Garden, appeared in 2020.

Memory, a Satellite

1 April 2025 / Editor

Poetry by KB Ballentine

Oh, my grandmother’s hibiscus!
Her begonias were bright and beautiful,
but her hibiscus was magic. Sunbaked
and salt-sprayed, filaments and anthers
waving wild in Florida rain brewed an elixir
that made the hummingbirds chirp.
An instant brightness, that shocking red
(matching my skin one summer),
where bees hummed praises and nuzzled
into the honeyed hearts. Forget the oranges
bulging behind blossoms, hibiscus let me know
I was home—wherever I happened to be.

KB Ballentine’s latest collection All the Way Through was published in November 2024 from Sheila-Na-Gig Inc. Other books are published with Blue Light Press, Iris Press, Middle Creek Publishing, and Celtic Cat Publishing. Additional writing has been published in North Dakota Quarterly, Atlanta Review and Haight-Ashbury Literary Journal. Learn more at www.kbballentine.com.

Baby Mama in Autumn

1 April 2025 / Editor

Poetry by Laurie Didesch

For my Mom

The radiant light intensifies the blue sky. It filters
down from on high. Baby Mama and I are walking
through the kaleidoscope of colors. Baby Mama

stops awestruck. With hand to mouth, she points
to a fiery maple tree and a sunburst locust with
golden leaves. Excited, she declares, I’ve never

seen such beauty. What has happened to these
trees? The day is bright and clear in contrast to
her memory. But this moment offers a glimmer

of hope that all is not lost. Baby Mama can still
experience wonder—the pure simple joy of a
child in a moment of discovery. She reminds

me that regardless of our plight, we can still
celebrate life. We rarely stop to notice the new
in every moment. She sends a message despite

her dementia. We need only look with fresh
eyes to experience delight. However, I still
mourn her illness and it’s devastating effects.

Baby Mama and I head home. We both have
a skip in our steps knowing that the mist some
times lifts and gives us a glimpse of eternity.

Laurie Didesch has poetry appearing or forthcoming in Ibbetson Street, The Comstock Review, The MacGuffin, California Quarterly, Third Wednesday, Young Ravens Literary Review, The Ravens Perch, and Stone Poetry Quarterly, among others.

Sestina for a Beloved Son

1 April 2025 / Editor

Poetry by Alice Collinsworth

I start the journey to see him before dawn, a long stretch
of interstate highways and two-lane roads to follow,
traveling alone a long distance with only the voice
of my mapping app for company. I turn
on the radio for a while, looking for distraction, but time
passes slowly nonetheless. I turn it off again. Straight

ahead is the entrance ramp to I-35. “Drive straight
for 148 miles,” Google instructs me. This stretch
is well known, comfortable, traveled many times
to class reunions or family gatherings in Kansas. “Follow
the yellow brick road,” as they say there. I turn
my mind to autopilot and talk to myself, my voice

rising above the hum of the tires; the only voice
answering is the one in my head (not always on straight,
I admit, muddling conversations). I can turn
that inner voice off sometimes, but not today. It’s a stretch
to engage with it, honestly, but we reminisce together. I follow
a red Peterbilt to Wichita, making good time.

From there it’s a less-familiar route, traveled only a few times,
northeast to Kansas City to see my son. His voice
on the phone had sounded so earnest, beseeching – so I follow
the compass of my heart, though our relationship was never straight-
forward. There were years we barely spoke, long stretches
of distance and silence. He has reached out now, so it’s my turn

to make the effort, to reach back. We had issues, but he’s turned
out so very well, and I yearn to be there now. This time
I’m determined to connect, to build that bridge. I stop to stretch
my legs and buy coffee at a truck stop, where the cashier’s voice
reminds me of my own late mother – a strait-
laced woman if there ever was one, who followed

her Bible’s rules doggedly. One of the rare, true followers
of Christ, she called herself. “You must turn
from your evil ways,” she would admonish my son. “Strait
and narrow is the gate, you know.” She railed at him so many times
that we stopped going to her, stopped calling. I don’t want my own voice
to sound like hers. Love needs to bend, to expand, to stretch

and embrace. I follow the guidance of the GPS and not my mom this time,
turning onto the last highway that leads to the voice of my dear son,
heading straight to him, stretching out my arms.

Alice Collinsworth worked in journalism, writing and media relations during her career and is now happily retired with her cat, Cookie, to keep her company. Her poems and stories have appeared in several online journals and local collections. She has won numerous awards in regional contests. She lives in Oklahoma.

Good Night, Jasper

1 April 2025 / Editor

Poetry by Brian Christopher Giddens

At the end of the day, I go downstairs to where Jasper lays sprawled across the cushions of the couch he claimed ten years ago when he first arrived, shaking with fear, pressing himself into a corner against the armrest. But now he knows the nighttime ritual: he stretches his legs, rolling to the side to expose his white-fur chest. I perch on the edge of the couch, rubbing his belly, his eyes open, still not fully trusting, my touch gentle, slow, as Jasper doesn’t like surprises. One final rub and I move to the kitchen, the treat jar. With the clang of the pottery lid, he rouses from his bed for three small biscuits, gently taken one by one from my fingers. I walk to the stairs, stop on the landing, turning back to see him standing near his bed, watching me. “Good night, Jasper, be a good boy,” I say. His deep brown eyes stare back, as if he’s saying the same thing to me, making sure I’m on my way, before returning to his couch and an undisturbed slumber.

Brian Christopher Giddens writes fiction and poetry from his home in Seattle, where he lives with his husband, and Jasper the dog. Brian’s writing has been featured in Sequestrum, Litro, Roi Faineant, Raven’s Perch, Hyacinth Review, Rue Scribe, Glimpse and Evening Street Review. His work can be found on https://www.brianchristophergiddens.com/

While Walking Down the Twilit Road

29 March 2025 / Editor

Poetry by Brian C. Billings

While walking down the twilit road
that flows along my neighborhood,
I cast aside my daily load
and thought of comfort as I could
until a limping insect crossed
upon my way. So small. So lost.

It labored toward a leeward hedge
along an inconsistent line
that ended in the rounded edge
where bricking holds a crossing sign.
Six legs marched forth to meet the goal,
their push propelled by sturdy soul.

A line of molt had split the shell.
Two claws were badly worn and bent.
The bulbous head bobbed in a spell
while on the creature weakly went.
I felt a stir of comradeship
as I beheld this forlorn trip.

Too often have I dwelled these days
on thorny word and bitter thought
and given reign to black malaise
convinced depression was my lot.
Cicada nymph, your simple drive
reminds me how to be alive.

Brian C. Billings is a professor of drama and English at Texas A&M University-Texarkana. His work has appeared in such journals as Ancient Paths, Antietam Review, Confrontation, Evening Street Review, Glacial Hills Review, and Poems and Plays. Publishers for his scripts include Eldridge Publishing and Heuer Publishing.

Robin Bathing in Puddle

26 March 2025 / Editor

Poetry by Russell Rowland

The puddle was available, because
it rained last night. Drought means a long time
between birdbaths.

Only a quick dip and flutter. Overindulgence
takes time away from foraging.

I relate to the hygienics
of a backyard bird, for after all, we too are songs
bird-caged in bodies for a while—

though we have bathed in the Jordan
with some others, to wash away shortcomings;

restore our voices. The robin
meanwhile simply rises, refreshed and cleansed,
to a nest with its three promises.

Russell Rowland writes from New Hampshire. Recent work appears in Red Eft Review, Wilderness House, Bookends Review, and The Windhover. His latest poetry books, Wooden Nutmegs and Magnificat, are available from Encircle Publications. He is a trail maintainer for the Lakes Region (NH) Conservation Trust.

Whaleshark

20 March 2025 / Editor

Poetry by Arthur Ginsberg

for Miriam, La Paz 2024

Of all the treasures hidden in the sea,
creation sprinkled them with luminous dots,
and none more magisterial than thee.
They range from far to migrate to this spot.

For months they feast on ocean’s sumptuous broth
of plankton, krill and small fish through fine gills.
Stunned by their beauty we hover like moths,
recalling with horror how Ahab killed.

We come as strangers to this holy place,
as do pilgrims travel to a shrine,
to feel these spirits through our eyes’ embrace,
to revel in their eloquent design.

From fin to head they’ve not a single bone,
a scaffold upon which to drape their flesh,
solely from cartilage these giants have grown
to swim for years through oceans without rest.

Our guide beckons that it’s time to go
back to the solid earth we love and know.

Arthur Ginsberg is a neurologist and poet from Seattle who has studied with Galway Kinnell, Marvin Bell, Dorianne Laux, and Sandra Alcosser. He holds an MFA from Pacific University. He teaches poetry in the Honors program at the University of Washington. His books are Brain Works and Holy the Body.

Category: Poetry (Page 1 of 35)

The Sound of the Rain

Midnight Music

Not Mary Oliver’s Linden

Memory, a Satellite

Baby Mama in Autumn

Sestina for a Beloved Son

Good Night, Jasper

While Walking Down the Twilit Road

Robin Bathing in Puddle

Whaleshark

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