Category: Poetry (Page 1 of 45)

a whatever-hair day

Poetry by Miguel Rodríguez Otero

i love to do my daughter’s hair before school,
give it a little brush, loosen the knots
that form during the night, then maybe braid it
so it looks neat and brand-new.

she’s too young to know,
so i explain to her that braiding is not a tie,
it’s more like a bond that can easily be undone
but is meant to hold the hair together,
like us holding hands to the bus,
untangled and brand-new.

as if together was something permanent
or even desirable.

she complains her hair is too frizzy,
but i’d love her to feel that such a bond exists,
that the connection is real and permanent,
desirable, even if one misses the bus
and is late to class.

the bus pulls up and the door swings open.
my daughter grabs my hand, then tugs me along.
i wave good-bye and await the moment
she comes home for dinner,
clothes dirty and hair all messed up.


Miguel Rodríguez Otero’s poems appear in Red Fern Review, Wilderness House Literary Review, Scapegoat Review, Last Leaves Magazine, The Bluebird Word, DarkWinter Literary Magazine, The RavensPerch and Feminine Collective. He likes walking country roads and is friends with a heron that lives in the marsh near his home.

bird dreams

Poetry by Jon Raimon

Waking to bird talk,
I wonder.

Did they wing into
my dreams?

Gather twigs and spring fluff to nest in
my wishes?

I stumble up, feel the fool,
yet sense they are on my side

               with hoots and jests
               coos and kindness.

They gossip and advise,
each note thrilled with care.

Thank you for swooping
into my hopes.

Know I will, clumsy and earthbound
as I am, try to always listen to

your love calls and unexpected tittering,
your joyous racket and grand laments.

Listen skywards, as you warble your way
into daymares and night longings

               a feather touch so light we don’t even know how it heals
               our wounds, soothes our grief

a clarion caw, warnings to feel, to
protect these skylands we breathe in

together,
a revelry we must heed and celebrate.


Jon Raimon teaches writing in Ithaca, New York. He writes along with his students, focusing on poetry and short fiction. His inspirations include his children and students, everything within, and all kinds of rocks.

Chipotle in Adobo

Poetry by Sharon Scholl

Two chilis, three tablespoons of adobo.
I measured them carefully, stirred them
into a pot with the vegetables prescribed

by an old recipe tucked inside
my deceased grandfather’s papers.
The label, Family Recipe, intrigued me.

When the simmering assembly seemed done,
I dipped a spoon, snagged a load, gagged,
and pronounced the dish inedible.

Now I’m on the phone with Mom, describing
my culinary disaster, begging to know
how it all went wrong.

Family Recipe? she snorts. None of us
would touch his concoctions. I swear,
that man had a cast iron stomach.


Sharon Scholl is a retired college teacher who convenes a poetry critique group and maintains a website of her original music free for download. Her poetry collections, Seasons, Remains, Classifieds, and Ghosts are available via Amazon Books. Her poems are current in eMerge and Yugen Review.

Not What I Came For

Poetry by Ellen Roberts Young

I yearned for Lyon, its medieval market,
signed up for a cruise to see what remained
—and discovered Arles, its white stone walls,
Roman ruins, town of Van Gogh, his hospital
garden kept as he painted it, now alive with
sellers of postcards, placemats, prints of his art.
By the old city gate, buyers crowded at booths
of farmers and crafters. That night, as the ship
sailed north, abundant brilliant stars appeared,
Van Gogh’s Starry Night made real.
Days later, Lyon’s old merchant city, its
magic muted by bistros, busy upscale shops
and wet cobblestones, could not match
the delight of nature’s art: that star-filled sky.


Ellen Roberts Young’s third chapbook, Transported, came out in 2021 with Finishing Line Press. She has two full-length collections, Made and Remade (Wordtech, 2014) and Lost in the Greenwood (Atmosphere, 2020). Recent publications include SlantOyster River PagesRockvale Review, and Caesurawww.ellenrobertsyoung.com

A Small Memory

Poetry by Carolyn Chilton Casas

Some winter evenings, snow piled
against the door, my mother would open

the living room sofa bed in our one-bedroom
clapboard surrounded by woods

for us to watch TV, warm popcorn
in a blue plastic bowl, my infant brother

determinedly crawling over the blanket
to reach the treat. She taught me

to bite off the harder kernels
he couldn’t chew with just my front teeth,

place only the soft, milky pieces
in his baby bird mouth. Each time, he flashed

his big infant grin, making us laugh
over and over with abandon.


Carolyn Chilton Casas’ poetry has been published in multiple journals and in anthologies including The Wonder of Small Things, Thin Spaces & Sacred Spaces, and Women in a Golden State. More of her poetry can be found at www.carolynchiltoncasas.com and in her last book, Under the Same Sky.

The Great Bear

Poetry by John Grey

He sits on a rock,
legs and arms folded
before him
in the last rays of daylight.

His brown fur
ruffles like prairie grass.
His eyes scan slowly,
see nothing more
than what he feels himself to be.

Such power, such strength,
held in at perfect peace –
if earth and heaven ever needed
a dividing line…

Any moment now,
I expect him to growl.

But my Buddha scratches instead.
Fine…so he itches…
that means something.


John Grey is an Australian poet, US resident, recently published in New World Writing, River And South and Tenth Muse. Latest books, Subject Matters, Between Two Fires and Covert are available through Amazon. Work upcoming in Paterson Literary Review, White Wall Review and Cantos.

Answering the Owl

Poetry by Russell Rowland

Young campers, school resumes!
A photo online shows you roasting hotdogs
on sticks over a campfire.

You’re only ten years old in this world once.

You may never roast hotdogs
over an open fire again—but will remember
that sizzle and first bite many times,

as when faced with a surprise quiz on fractions.

You’re blossoming now,
like asters, mums, and ubiquitous goldenrod.

In a way, you’re annuals, in a way perennials.
In a way, you’re springtime
in autumn. We who love you are just autumn.

Say there was an owl overnight
at the campground, asking who cooks for you,
who cooks for you-all.

If you were awake, you could have answered
the owl: We roast hotdogs now—

we’re learning to cook for ourselves, thank you.


Russell Rowland’s work appears in Except for Love: New England Poets Inspired by Donald Hall (Encircle Publications), and Covid Spring, Vol. 2 (Hobblebush Books). His own poetry books, Wooden Nutmegs and Magnificat, are available from Encircle Publications. He is a trail maintainer for the Lakes Region (NH) Conservation Trust.

On Trust

Poetry by John Zedolik

The rabbits will remain to be counted
upon the evening lawns, satisfied
in sweet clover, some even splaying
hind legs, if I deign not to walk this dusk,

having scratched the itch to stretch
my only legs this recently departed bright
afternoon, for the evenings will repeat,
I do believe, beyond this pleasant one

though one should not assume too much
in this world of inconstancy, a spinning top
whose force might fail—yielding a stop
with no return and return of what circles

or has done so, bringing the bunnies out
to hop and munch under the cooling sky,
I aver without seeing, relying upon precedent,

a wise mentor—never yet—let me down


John Zedolik has published five full-length collections: Salient Points and Sharp Angles (2019, WordTech Editions), When the Spirit Moves Me (2021, Wipf & Stock), Mother Mourning (2023, Wipf & Stock), The Ramifications (2024, Wipf & Stock), and Lovers’ Progress (Wipf & Stock). All these collections are available on Amazon.

Enjambment

Poetry by Clarence Allan Ebert

True Japanese Maple saplings
sprout from innocent seeds of love
wine-red leaves that whisper their purpose
to the wind each new day
when passers-by on a stroll
in sunshine or shade all the same
delight themselves to wander
through a neighborhood unlike yesterday’s.

My poems as well derive a lyric or two
from the whisper of yesterday’s Delight
or Sarcasm all the same on a stroll
gathering one brief then longer verse
undisturbed until voices blow clearer
my purpose in a wind against my brow,
each new thought chooses not to wander,
the stanza’s wing is no longer innocent
breaks off in a twist, unlike Shakespeare’s pentameter.


Clarence Allan Ebert first published a poem in 1977. He writes what falls on his head and revises and revises and hopes one day he might be as good at this craft. He resumed his chair in the parlor to write poetry again during COVID.

The Blizzard

Poetry by Sheryl Slocum

hurls itself
at the storm door
bodies
of snowflakes
shatter

my shuddering porchlight
illuminates
a cacophony
of chipped sparks
glints of rainbow
that whirl back
into seething dark

I sense
a being that waits
just outside
the feeble light

too lovely
and terrible
for flesh
to bear


Sheryl Slocum, a retired English language teacher, lives in West Allis, Wisconsin. Her poetry appears in numerous literary publications, and her book, Leaving Lumberton, was published by Wipf and Stock in 2022. Sheryl is a member of the Hartford Avenue Poets and the Wisconsin Fellowship of Poets.

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