Category: Poetry (Page 1 of 46)

It’s the Kind of Thing

Poetry by Melanie Faith

if I wrote it you might
not believe me, but I’ll
write it anyway.

For a second, I mistook
riffs of an electric guitar
on the radio
of a passing car

for a stray cat or kitten
and looked up
from my book
for a tail and a lean cat needing care.

The breeze held ice and calm
and September hope in it,
though still plenty of August
in the sun, in the hot pink
of potted deck geraniums. It wasn’t

the velvety electric blue,
nor the soft ebony
of a dress, nor the yellow almost green
said to bring happiness,

but it did: the root-beer brown butterfly
with buff and dun and a patch of white
like a paintbrush smudge
on its one wing, as if made with

too-wide bristles and wrong for the job—
with flowers not a foot away, he landed
on my right kneecap
of my soft green velour pants—even when

I moved just slightly and uncrossed
my crossed legs, he kept his perch
astride my kneecap. Antennae, black
buggy eyes scanning sideways

as I studied him
wings at rest, he stayed at rest on me.
It is no small thing to be chosen
by a child or a gown person as a confidant,
as a particularly close friend, is no small thing.

To breathe out, to breathe in
watching a brown butterfly
with a white smudge like perfectly imperfect
paint and the music floating over and
the morning radio as a song ends,

another song begins. Was it five minutes
or twenty or a touch of eternity
until the butterfly
lifts up and away again?


Melanie Faith is a poet, writer, educator, photographer, and frequent doodler. Learn more at melaniedfaith.com. Her craft books for authors through Vine Leaves Press offer tips on numerous genres. Her latest poetry collection, Does It Look Like Her?, follows Alix, a forty-something artist and the famous painting of her.

Spent Water Balloons

Poetry by Antonia Albany

      scattered
                                  across

       the                                          lawn,

splotches of water dry on the super-heated driveway,
laughter lingers as kids head inside
to Mom’s call,
“Dinner. C’mon in.”

He turns once more to gather what’s left:
the bike on its side,
the baseball bat and wiffle ball,
a jump rope with bright pink handles.

Sunday evening settles.
Work and school wait
just beyond the night.


Antonia Albany is a retiree and author who lives in Northern California with her tripod kitty, Kali.

On the Cusp of Spring

Poetry by Stacie Eirich

She walks the river slow, savors
the soft touch of air and glow
of sunlight on her skin. Listens
to the rush and ripple of water,
watches squirrels climb trees and ducks
forage grass for worms. Feels the gentleness
of the coming spring, a space
in her mind, heart, lungs, womb
opening for it, welcoming it.

She leans into
this brightness, inhales—time blooming
into bursts of birdsong and promises
of what the world can still mend
and create anew. This season
of beaming gold, of riotous laughter,
of gentleness, of tenderness. Care-born
from love, love for windswept wings,
branches bright in April’s light.

Winter’s shadow trailing behind
the cusp of spring, gathering
to carry her—into buoyant light, into a song
brilliant with hope, burgeoning with wonder
promising this time
will be softer, this time
will be easier.

She begins to believe this might be true
as she walks: listening, letting what we feel come
then releasing it, letting the glow
of sunlit cyan waters, the slow burn
of gold and blue and green settle
into her, allowing space
for spring to crack open
like a robin’s egg, breaking open
joy, beginning anew.


Stacie Eirich is a mother of two, poet and singer. Hope Like Sunlight (Bell Asteri Publishing, 2024), is her memoir benefitting St. Jude Children’s Research Hospital & Ronald McDonald House. Her poems have recently been published in The Poetry Lighthouse, Soul Poetry, and The Amazine. She lives in Texas. Read more at www.stacieeirich.com

For the Eastern Bluebird

Poetry by Danita Dodson

She cleaves the quivering air,
her wings spun from prismed light,
feathered at the meadow’s hem.
We script her joy as weightless,
crown her myth against the dark,
watch her wake the sleeping sky.
What we forget in our dreaming—
her days are edged with struggle,
with hunger, with starlings’ theft.

A mother seeking a hallow home,
she nestles where rot gives room,
cradling life in shifting shadows.

Still she returns, undiminished—
fledgling-feeder, hope-bringer,
tracing rites on warming winds.

She finds her way home at dusk,
tastes the thaw on the earth’s breath,
sounding the spring’s first song.


Danita Dodson is the author of three poetry collections: Trailing the Azimuth, The Medicine Woods, and Between Gone and Everlasting. Her poems appear in Salvation South and elsewhere. She is the 2024 winner of the Poetry Society of Tennessee’s Best of Fest. She lives in Sneedville, Tennessee. More at danitadodson.com.

The Farm, Three Months After Dad’s Death

Poetry by Claudia Kessel

Paint chips off the deck
Bare feet smear sun across wood
A melting of hours

Orange, nameless barn cat
slinks between blue hydrangeas
Day drifts to evening

Something splinter-sharp
slices August’s humid breath:
Cicada vibration

Trucks speed the backroads
Launching from lily to lily
bees zip across faces

Black walnut fingers
release twittering sparrows
Limbs curtsy in wind

My son collects eggs
from the white-rimmed chicken coop
His life has not changed

Abandoned silo
Mourning dove’s alto lament
Swallow’s coloratura

Mulberries scatter
Stain the gravel indigo
Wasps inspect new jewels

My fingers trace keys
of his Baldwin piano
Ivory absent of his broad thumbs

Only when I sing
alone by his piano
do I un-trap myself from myself

Sunset’s greasy smudge
Not necessarily happiness
Neither unhappiness

Green dappled stillness
No one in particular
loves me today

In his gray armchair
at dawn, with coffee and cat
Scent lingers in cloth

Slippers empty of feet
A cane leans against the chair
How much of him in me

My body breathes here
in the home of pine and glass
he dreamed, built, and died in


Claudia Kessel works as a grant writer and musician in Williamsburg, Virginia. Her poetry has been published in Richmond Magazine as a finalist in the 2021 Shann Palmer Poetry Contest, awarded by James River Writers, in the 2024 Poetry Society of Virginia anthology, and in various literary journals.

Ivory and Enamel

Poetry by Lydia Kuerth

My mother revives ivory:
milking songs from ebony keys
stroked in 88 stripes
each finger sculpts valleys
dipping,
rippling
high as hills
a fugitive melody,
a forgotten fugue

Windows shudder;
A- thunder
sunders a daughter’s closed door,
unlocking enamel
behind closed lips


Lydia Kuerth is a freelance writer from South Florida, where she edits the Living Waters Review and serves as a peer mentor at her university’s Writing Central. As a lover of reptiles, rainy days, and role-playing games, when not burrowing into books, she enjoys hiking and observing small creatures.

Ghost crew

Poetry by Christopher Laird Dornin

My late father and brother
watch me sail alone
with my eyes closed in light

wind on a burning afternoon.
Ephemeral zephyrs
and ghostly shifts of air

fall and come and rise.
I feel their pulse in the tug
of the tiller, the angle of heel,

the pull of the mainsheet and the gurgle
of my bow and stern waves.
My father’s cemetery is missing

its ancient gates and stones.
He kept its address a secret
the time we sailed the Chesapeake

among the traveling molecules
of my brother, lost at sea
a long way from there.


Christopher Laird Dornin has won a NH Arts Council fellowship and placed runner-up in the Swan Scythe Press chapbook contest, semi-finalist in the Finishing Line Press book contest and semi-finalist in the Wolfson Press chapbook contest. His verse has appeared in The Lake, Oberon, Blue Unicorn, Nimrod and others.

This morning

Poetry by Elizabeth L. Merrick

I wake up early for no reason,
sit down to breakfast
just as one moment it’s dark,
the next it’s not.

Orange rays land on the pine table,
catching the round loaf,
lighting up its fresh crust.

A small crockery pot of strawberry jam
is bathed in apricot.

The polished bread knife reflects
celestial sparks.

Silently I give thanks for this light
from unimaginably far away,
this bread provided by unknown hands,
this dawning moment.


Elizabeth L. Merrick’s poems have appeared in journals including Gramercy Review, Stone Poetry Quarterly, Rue Scribe, and Muddy River Poetry Review. She has also authored scientific research publications and a guidebook on Boston’s historic house museums. She lives in Somerville, Massachusetts. Read more at ElizabethLMerrickPoetry.com

On Trust

Poetry by John Zedolik

The rabbits will remain to be counted
upon the evening lawns, satisfied
in sweet clover, some even splaying
hind legs, if I deign not to walk this dusk,

having scratched the itch to stretch
my only legs this recently departed bright
afternoon, for the evenings will repeat,
I do believe, beyond this pleasant one

though one should not assume too much
in this world of inconstancy, a spinning top
whose force might fail—yielding a stop
with no return and return of what circles

or has done so, bringing the bunnies out
to hop and munch under the cooling sky,
I aver without seeing, relying upon precedent,

a wise mentor—never yet—let me down


John Zedolik has published five full-length collections: Salient Points and Sharp Angles (2019, WordTech Editions), When the Spirit Moves Me (2021, Wipf & Stock), Mother Mourning (2023, Wipf & Stock), The Ramifications (2024, Wipf & Stock), and Lovers’ Progress (Wipf & Stock). All these collections are available on Amazon.

Answering the Owl

Poetry by Russell Rowland

Young campers, school resumes!
A photo online shows you roasting hotdogs
on sticks over a campfire.

You’re only ten years old in this world once.

You may never roast hotdogs
over an open fire again—but will remember
that sizzle and first bite many times,

as when faced with a surprise quiz on fractions.

You’re blossoming now,
like asters, mums, and ubiquitous goldenrod.

In a way, you’re annuals, in a way perennials.
In a way, you’re springtime
in autumn. We who love you are just autumn.

Say there was an owl overnight
at the campground, asking who cooks for you,
who cooks for you-all.

If you were awake, you could have answered
the owl: We roast hotdogs now—

we’re learning to cook for ourselves, thank you.


Russell Rowland’s work appears in Except for Love: New England Poets Inspired by Donald Hall (Encircle Publications), and Covid Spring, Vol. 2 (Hobblebush Books). His own poetry books, Wooden Nutmegs and Magnificat, are available from Encircle Publications. He is a trail maintainer for the Lakes Region (NH) Conservation Trust.

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