An Online Literary Journal for Poetry and Flash

Category: Poetry (Page 11 of 31)

Late Aspen

Poetry by Burt Rashbaum

The aspen whispering,
color of late afternoon sun,
deepening in shadow
and the breeze’s
sibilance,
fading gold
washing bliss
upon us,
slowly coming
to sleep, to shed
their currency,
no urgency,
no memory
of spring.


Burt Rashbaum’s publications are Of the Carousel (The Poet’s Press, 2019), and Blue Pedals (Editura Pim, 2015, Bucharest). His poems have appeared in The Antonym, The Seventh Quarry, Storms of the Inland Sea (Shanti Arts Press, 2022), Boats Against the Current, The Ravens Perch, and Valiant Scribe.

The Rains of November Have Come Again

Poetry by Lisa Ashley

nailing the metal roof. It falls steady on,
clicking like a bad wheel bearing.

The brilliant reds and golds
are getting battered, drenched
until they drown, mush up underfoot.

I want more of the sun’s colorcalling,
less of its slantburn in my squint here
where day gives way to black night by five.

I want to clutch that low down fire dazzle
before the clouds lower themselves over me,
a wet blanket disgruntled.

I want more sweet melancholy
autumn stretched over more days,
days that could bring back the siblings

that once surrounded me with noise,
sheared off like widowmakers
under winter’s snow-weight,

yet still moving about their lives—pinioned
in time, some strangers to themselves, one dead,
all lost to me.

I want more of our childhood games,
jumping in piles of leaves we raked,
undoing our work without care,

the lift of the leaps, the screams,
the soft landings we banked on without question.
I want to walk along small-town streets

lined with brilliant red maples,
leaves so blazed I can’t pick out singles.
Whole trees, torched and engulfed.


Lisa Ashley (she/her) Pushcart Prize nominee, descends from Armenian Genocide survivors and supported incarcerated youth for eight years as a chaplain. Her poems appear in Last Leaves Magazine, Amsterdam Quarterly, The Healing Muse, Blue Heron Review, Thimble, Snapdragon and others. She writes in her log home on Bainbridge Island, WA.

Circumlocution When Speaking of Water

Poetry by Sharon Whitehill

I don’t want to talk about water.
How it feels on the body, or in the mouth:
the salty surprise of a first ocean swim;
or bathwater swaddling your body in heat
on a wintry day; or such crystal clear springs,
filtered through sand, as Michigan’s Kitch-iti-Kipi.*
I don’t want to talk about iron-tinged water
tasting of blood, of snow creeping into the mittens
and chapping the wrists; or of the lake
that swallowed and swallowed and swallowed
that girl until the lifeguard dove in. Nor about water
as currents that roil the rapids or crest into waves;
or pond water swirling with creatures that shock school children.
Truly, I don’t want to talk about water.

Rather, I want you to notice what springs to your mind
about trees, clouds, or water: these are yours,
yours alone, to express. Which will free me
to sit here in silence, looking back on my personal trees,
looking out through my window at Florida clouds,
looking inward to contemplate water—
that power that governs my zodiac sign,
that mutable element pulled by the moon into tides,
that sustainer of life and relentless dissolver—
in my own way.

*Ojibwe for Big Cold Stream


Sharon Whitehill is a retired English professor from West Michigan now living in Port Charlotte, Florida. Apart from poems published in literary magazines, her publications include two scholarly biographies, two memoirs, two poetry chapbooks, and a collection of poems. Her chapbook, This Sad and Tender Time, is due Winter 2024.

Feeding Time

Poetry by Stephen J. Cribari

I hang my poems on the kitchen wall, each one
A balanced meal providing nourishment
From the artist’s pallet of essential food groups:
Danger, beauty, wisdom, insight, rage.

I say I hang these poems as my defense
Against obscurity but truth be told
I’m peckish. I’m just providing for myself.
I nibble here and there and snack and munch
On feelings and thoughts, on metaphor and rhyme,
The fiber and oats and hay and supplements
Of the controlled diet unique to this animal.

My poems: feed buckets hanging in the stall
Of a horse that would bolt given half a chance.


Stephen J Cribari has been writing poetry for over sixty years. In a parallel life he was a criminal defense attorney and law professor. He resides in Minneapolis, Minnesota. Still Life (2020) and Delayed en Route (2022) are published by Lothrop Street Press.

Beyond Vision

Poetry by Suzannah Watchorn


Suzannah Watchorn is an English-Irish writer who grew up outside of London, UK. She now lives in the US, where she works as a writing coach and freelance editor. Her poetry and essays are featured or forthcoming in Eunoia Review, Nebulous, Sunspot Literary, Wild Roof Journal and Red Noise Collective.

Lord of Depths

Poetry by Peter T. Cavallaro

I met God in the ocean swell.
Yes, didn’t you hear?
There
in the roar of the surf
standing astride sandbars
I met him.
It happened when I got jolted off-balance
and passed into the dread wall—
heart pounding,
a rush of cold on my face,
the weight of watery worries on my hair.
There was I, alone: descending
spread-eagle
inside the collapsing tube
where sky eclipsed
and sound stood still
and my eyes, kissed by debris, locked shut,
when I felt
my body rise, hoisted
by some muddy clamor—
weightless
care-less
swallowed – a plaything!
tumbling fro
at the whim of breakers,
like clay in their crush.
There
in the press
of that green deep
came God;
in the pit of the sea we met.
And he said:
“Control is your illusion.”
The waters rolled back,
lowering me
onto a carpet of kelp
where
the sun’s rub pierced
my receding aqua-veil.
Stillness – and then roar.

Written underwater


Peter T. Cavallaro is a poet, writer, attorney, adventurer, and nature photographer. He lives in New York.

Class Assignment

Poetry by Margaret D. Stetz

the famous poet gave a reading
at my school
because the English teacher
knew him
attendance was required
his voice was dry and white
what I imagined
certain wine was like
though I’d never tasted any
something you had to
twirl inside a crystal glass
not drink with pleasure
his shirt was Oxford cloth
white and sharply ironed
the reading was
informal
so he’d left the top two buttons open
rolled the cuffs
his shoes were loafers
which I’d only seen on girls
(adults I knew wore lace-up shoes
and uniforms to work)
his hair looked dry cleaned
freshly pressed
when he began to read
he gazed straight
at the first two rows
where young men sat
a group I’d never seen before
(did they travel with the poet
like a set
of matching luggage?)
the young men
also white
not quite as starched
were silent
bobbing heads
to show they understood
the Classical allusions
gliding past me
like a boat along the Styx (the only line I got)
I knew there must be
witty twists and plays on words
because the poet
sometimes slightly raised his eyebrows…
soon I was nodding
face pitched forward
eyelids lowering
I shook myself to stay awake
reciting in my head
the lyrics of a Beatles song
the record that
I couldn’t wait to play again
when I got home


Margaret D. Stetz is the Mae and Robert Carter Professor of Women’s Studies at the University of Delaware, as well as a widely published poet. Read her earlier poem “Robins” from the August 2022 issue of The Bluebird Word.

Glancing Down at the Carnival

Poetry by Robert Nisbet

Leaving a small dark town, hurrying,
we pass a notice, To the Carnival,
swing homeward over a sweep of bridge,
then glance down at the show itself,
in the valley, in its meadow,
a multi-coloured load of sight and sound.

We see and hear, briefly
the motley morrice of copious ribbon
the comedy notes of oompah-oompah
a cone of helter-skelter red
maybe a hurdy-gurdy grinding

We sense . . . maybe
the sketching of likenesses
the telling of fortunes in shadowed tents
and (as in American country fairs)
a bespectacled girl sitting at a card table,
typing poems for the passing crowds . . .

Stay, stay
oompah, oompah
but our car has to race on, race on . . .


Robert Nisbet, a Welsh writer, was for several years an associate lecturer in creative writing at Trinity College, Carmarthen, where he also worked for a while as an adjunct professor for the Central College of Iowa. His poems appear in Robeson, Fitzgerald and Other Heroes (Prolebooks, 2017). Read Robert’s poem “Later” published in The Bluebird Word‘s January 2023 issue.

The Scent

Poetry by Barbara Siegel Carlson

The heart’s fingerprints are everywhere.

Richard jackson

From somewhere in the city
come the colorful pungency
of oils and spices,
the scent of wet stone,
a woman perspiring
in her high heels that click by,
and the smoke a squinty-eyed man
exhales as he taps
his ashes to the ground
a few feet from the doorway
where a raw-cheeked woman sleeps
under a blanket of particles
near a piece of mooncake some pigeons
& sparrows are sharing.


Barbara Siegel Carlson‘s third book of poems What Drifted Here was published by Cherry Grove Collections in 2023. Her previous books are Once in Every Language and Fire Road. A chapbook Between the Hours was published in 2022. She teaches in Boston and lives in Carver, Massachusetts.

deepsea census

Poetry by Kristin Van Tassel

we give you lamp
light that we might
see you transparent
sea cucumber in sheer
pink open blossom 2
miles deep—& see
you yeti crab, pincer
thin arms frost furred,
or you blind lobster,
needle nosed pliers
in open jaw—& you,
comb jelly, trailing
translucent tulle
veins glowing LED
cool, sliding starless
sky 4.5 miles below
our surface—so
quiet, this cold


Kristin Van Tassel lives and teaches in rural Central Kansas. She writes essays and poetry about place, travel, and teaching. Her work has appeared in World Hum, Wanderlust, Whale Road Review, The Land Report, About Place, Porcupine Review, and Ecotone.

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