An Online Literary Journal for Poetry and Flash

Category: Poetry (Page 14 of 33)

In My Mother’s Last Garden

Poetry by Regina Berg

The roses near the house have bloomed
and bloomed again.
The tomato vines are lush, laden
with fruit, sun-warm, red, taut with sweetness
and crisp green globes you will slice
thin, cornmeal coat, fry golden
and wrap in a fold of white bread.

The collard greens and cabbages are full grown,
though you will leave them to tender
with the first frost. Cucumbers secret themselves
on the other side of the neighbor’s chain link fence
until your quick eye guides me.

Your eyes and ears are the only things quick about you now.
Cancer and age have leached your bones.

We sit on the small concrete patio where the sun rests
on your thin shoulders and a wind warm
as the remembrance of a Mississippi spring
soothes knuckles swollen with years and labor.

Silvered hair scraped into a single braid and pinned
at your neck, you lean close and laughingly gossip
about the young man who bought the derelict
house next door, though you call hello and wish him well.

You won’t come out here on your own, even
with your cane, you are so fearful of snakes.
and truly we may see one sunning itself
against the house once or twice a year.

When we lived in the small jumble of a house
just down the alley, you tended a patch
in a vacant lot hidden by weeds that towered
over your garden stakes.
There were surely snakes, but
you had children to feed and a sharp hoe.

You who made something from nothing
for so long, have a freezer full.

Now your garden runs
a slender path between the fence
and the concrete walk, filling every inch
with food that will feed us still
when you are gone.


Regina Berg is an emerging poet who resides in Chicago, IL. She is GGE (greatest grandma ever!), a baker, crocheter, and sometime traveler. She enjoys solitary writing, retired life, and lively conversations.

The Visit

Poetry by R.M. Kinder

This house bursts with loving you—
all of you—our voices, vernacular:
“going out of a night,” “Virgie’s man,” “I had went.”
Dear to me, that peasant language I once spoke freely and well,
but it charmed only a few.

Our breed laughed often, sometimes so heartily
the laugh itself was the greatest pleasure of a day,
a day of work—toil—thorough and demanding and done!
We laughed before supper and after,
prayed before the meal and before bed.

What was class and status
but a cloud over land not ours?
We had dumplings, and pot roast, weather,
and animals close to us, named, and well kept.

I loved all of you, and, then, even our enemies
who seamed us together, separate, whole,
a nature, bearing the flags of ourselves,
nothing but that, and proud, proud, proud.


R. M. Kinder is a Missouri writer, author of three collections of short fiction and two novels. Her poems have appeared in Cottonwood, SHR, Appalacian Journal and other journals; her collection, The Likes of Us, was a semi-finalist for the 2019 Cowles Poetry Book Prize at SE Missouri State University.

The Garden

Poetry by Thomas Feeny

                         for Lorelei

Somebody has to dig,
someone’s called to plant, you say,
shrugging off all those who
with smart grin place
themselves well beyond
remembering how to
scratch and hoe,
turn the soil, pat it, work it.
Yours ever a warm touch
to growth still unfolding.
Like the sun this long season
you are needed.
Later, edging into
winter, how content
you’ll be when,
left to examine your hands,
you nod, wait, anticipate.


Thomas Feeny teaches Italian and Spanish at North Carolina State University. His poetry has appeared in California Poetry Quarterly, Chiron, and Hiram Poetry Journal. He has also done considerable translation of poems and short stories written in the Romance languages.

Queen Elizabeth II died while I was mowing the lawn

Poetry by Joshua Zeitler

I had let it grow longer than I should, and was thinking about how
               I had let it grow longer than I should. Weeks, maybe months, of growth.
     The mower was having a tough time of it. I had to keep backing up

               and pushing forward. One of the wild plants I’d never noticed before
had fruit that looked like little green paper lanterns, a groundcherry.
     I had decided to steer around it when the mower choked out. I tried to start it

     back up again but it just billowed smoke, and then chugged along
               billowing smoke. I couldn’t breathe. I was gasping for air, and besides,
I wanted to give the groundcherries a chance to grow, and the other

     plants I would have loved if I’d given them time: the goldenrod, the Queen
Anne’s lace, chicory—yes, even the thistle—have you ever seen
               how beautifully the bull thistle blooms? I’ve always dug it out before

     it could truly flower. Call it pragmatism, or fear, those formidable
needles. I’m changing my mind. I’ll let it grow. Maybe
               I won’t even fix the mower, which doesn’t really look broken,

               it just looks like it always does when I’m not using it—slim, and quiet,
and polite in its stillness, which might now last forever. Not laziness, I insist
     to myself as I head inside, but a kind of mercy, of grace—and then

                                                       I see.


Joshua Zeitler is a queer, nonbinary writer hailing from the heart of Michigan. They are pursuing an MFA in poetry at Alma College, and their poems have been previously published in Black Fox Literary Magazine.

Some Days

Poetry by Carole Greenfield

Some days it feels like I will never be free from dread,
never escape the darkness, always be lugging those bushels
of rocks, the weight I drag behind me.

Some days it feels like I will never have time to say thank you,
never have heart to share love, never know grace to let go.

Some days it feels like I am trudging through a swamp
filled with skunk cabbage and quacking of frogs
and when I stop to listen I know their voices
are pure silver, a chorus of answers and questions.

Some days I remember all I need is to stand still
and let the quiet rain of their chirps, squeaks and creaks,
the half-notes of their small hearts fall into and over and through me.


Carole Greenfield grew up in Colombia and lives in New England. Her work has appeared in such places as Amethyst Review, Humana Obscura and The Plenitudes. Read her poem “Trace Fossils” published in The Bluebird Word in October 2022.

Ser Mujer 2023

Poetry by Alexandra Newton Rios

This is how a woman
grows into her own.
She takes the moon that for too long
she only saw in another hemisphere
hang full and white in the night sky
turning into day.
She takes the sun rises with which she runs
and the sun sets behind the Statue of Liberty
with which she ends her day.
She takes the students who suddenly smile
as she works each day
the fields of their hearts
as she once walked the moist earth rows
of her five children’s dreams.
She takes the man she is going to meet
who has been waiting and waiting
and waiting for her to free herself from her past,
from her present overflowing with possibility
to become finally open fully to him.
It is a busy life.
It is a woman’s life.
She takes the sudden focusing,
this giving herself a season
to learn more
to focus more
to do more
to reach a new plane
of being alive.
Change is real.
Real the ways of being in the world.
They should not be menospreciado,
belittled, thought any less of
while it snows the softest of flakes
across the day.


Alexandra Newton Rios, a bi-hemispherical mother of five, lives with her mother in New York City teaching Spanish, and English in San Miguel de Tucumán. She ran eight full Argentine marathons and the New York City Marathon for the joy of having her Argentine mother, a cancer survivor, at the finish line.


Author’s Note: Ser mujer in Spanish means to be a woman in English. The Ser Mujer poems are written once a year on March 8, International Women’s Day, written since 1996, and gather in a poem a definition that changes across time.

Last October

Poetry by John Surowiecki

The mountain laurel is as green as the
maples are orange. Deer visit as if on cue,
hoovering the seeds we left for doves
and newly arrived juncoes.

Anything to do with spring and summer, with lilacs
and irises and that wistful pneumonic yellow,
is long gone, escaped in the raw humidity of

night. The wigs of dead leaves
are already caught up in scattered whirlwinds.
It’s clear we don’t have much time together.

Rainwater that leaks from the driveway gravel
has pooled in unlikely places,
not the swales that engineering has intended.
The silence between a breath and the breath that

follows it seems to last forever. October
is no longer with us: you’ve taken its place.
It needs a new face, yours, a new voice, yours.

It needs your swallows and mourning gnats
your own phrase on the fiddle which everyone can hear:
you, the season of leaving, have your music too.


John Surowiecki is the author of fourteen books of poetry. His latest, The Place of the Solitaires: Poems from Titles by Wallace Stevens, was recently published by Wolfson Press. John is the recipient of the Poetry Foundation Pegasus Award, the Nimrod Pablo Neruda Prize, the Washington Prize and other awards.

Evanston in June

Poetry by Rosalie Hendon

The taste of sun-ripened mulberry
A two-hour rain delay
A deluge pouring over rows of white chairs
Homemade bagels, bowls of cut fruit

An elderly woman in a mask
hovering behind a glass door,
hand on her cane

Rings on my brother’s hands,
silver paint worn to copper
a purple stone found gleaming in the dust

Speeches in sunshine,
a sea of purple
Cheers of recognition
effervescent under the late afternoon sky

The future as tangible as a ripe fruit,
as a mulberry plucked from the branch


Rosalie Hendon (she/her) is an environmental planner living in Columbus, Ohio. Her work is published in Change Seven, Pollux, Willawaw, Write Launch, and Sad Girls Club, among others. Rosalie is inspired by ecology, relationships, and stories passed down through generations.

the Irish goodbye

Poetry by Christine Brooks

I was distracted,
looking this way and that
enjoying cocktails,
laughter & the company
of a stranger     just for a
moment

one moment

I knew you were there,
always, so I took
another sip, laughed another
laugh and turned my back
on you
     to dance

just for one moment

you had perfected it
though,
the Irish goodbye
and
I never saw it coming

sometimes, I still think
you will come walking back through the front door
and my heart
beats & a smile turns up

just for a moment

hello —
did you forget your cap?

I say to no one


Christine Brooks holds her M.F.A. from Bay Path University in Creative Nonfiction. She has two books of poetry available, The Cigar Box Poems and beyond the paneling. Her next two, inside the pale and the hook-switch goodbye, will be released in 2023.

My one true love is golden like the sun

Poetry by Riley Davis

My one true love is golden like the sun
With specks of green like the fresh morning grass
Truly, for me you are the only one
That I will want forever in my grasp

I greedily want you all to myself
Since of you, there is not a great bounty
Although you are also selfish yourself
When I’ve had more than my fill, you hurt me

I love you when you are warm and fluffy
As everyone deems you should always be
I love you when you are cold and greasy
For I love you in all states, I decree

You nourish my heart and keep my soul fed
My true love for all of time: garlic bread


Riley Davis‘s eyes were first opened to the world of fiction with Harry Potter when she was eight, and they have not closed since. Although most of her creative work for her college career has been writing for games, she enjoys writing short stories and poems as well.

« Older posts Newer posts »

© 2024 The Bluebird Word

Theme by Anders NorenUp ↑