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Category: Poetry (Page 17 of 35)

Queen Elizabeth II died while I was mowing the lawn

Poetry by Joshua Zeitler

I had let it grow longer than I should, and was thinking about how
               I had let it grow longer than I should. Weeks, maybe months, of growth.
     The mower was having a tough time of it. I had to keep backing up

               and pushing forward. One of the wild plants I’d never noticed before
had fruit that looked like little green paper lanterns, a groundcherry.
     I had decided to steer around it when the mower choked out. I tried to start it

     back up again but it just billowed smoke, and then chugged along
               billowing smoke. I couldn’t breathe. I was gasping for air, and besides,
I wanted to give the groundcherries a chance to grow, and the other

     plants I would have loved if I’d given them time: the goldenrod, the Queen
Anne’s lace, chicory—yes, even the thistle—have you ever seen
               how beautifully the bull thistle blooms? I’ve always dug it out before

     it could truly flower. Call it pragmatism, or fear, those formidable
needles. I’m changing my mind. I’ll let it grow. Maybe
               I won’t even fix the mower, which doesn’t really look broken,

               it just looks like it always does when I’m not using it—slim, and quiet,
and polite in its stillness, which might now last forever. Not laziness, I insist
     to myself as I head inside, but a kind of mercy, of grace—and then

                                                       I see.


Joshua Zeitler is a queer, nonbinary writer hailing from the heart of Michigan. They are pursuing an MFA in poetry at Alma College, and their poems have been previously published in Black Fox Literary Magazine.

Some Days

Poetry by Carole Greenfield

Some days it feels like I will never be free from dread,
never escape the darkness, always be lugging those bushels
of rocks, the weight I drag behind me.

Some days it feels like I will never have time to say thank you,
never have heart to share love, never know grace to let go.

Some days it feels like I am trudging through a swamp
filled with skunk cabbage and quacking of frogs
and when I stop to listen I know their voices
are pure silver, a chorus of answers and questions.

Some days I remember all I need is to stand still
and let the quiet rain of their chirps, squeaks and creaks,
the half-notes of their small hearts fall into and over and through me.


Carole Greenfield grew up in Colombia and lives in New England. Her work has appeared in such places as Amethyst Review, Humana Obscura and The Plenitudes. Read her poem “Trace Fossils” published in The Bluebird Word in October 2022.

Ser Mujer 2023

Poetry by Alexandra Newton Rios

This is how a woman
grows into her own.
She takes the moon that for too long
she only saw in another hemisphere
hang full and white in the night sky
turning into day.
She takes the sun rises with which she runs
and the sun sets behind the Statue of Liberty
with which she ends her day.
She takes the students who suddenly smile
as she works each day
the fields of their hearts
as she once walked the moist earth rows
of her five children’s dreams.
She takes the man she is going to meet
who has been waiting and waiting
and waiting for her to free herself from her past,
from her present overflowing with possibility
to become finally open fully to him.
It is a busy life.
It is a woman’s life.
She takes the sudden focusing,
this giving herself a season
to learn more
to focus more
to do more
to reach a new plane
of being alive.
Change is real.
Real the ways of being in the world.
They should not be menospreciado,
belittled, thought any less of
while it snows the softest of flakes
across the day.


Alexandra Newton Rios, a bi-hemispherical mother of five, lives with her mother in New York City teaching Spanish, and English in San Miguel de Tucumán. She ran eight full Argentine marathons and the New York City Marathon for the joy of having her Argentine mother, a cancer survivor, at the finish line.


Author’s Note: Ser mujer in Spanish means to be a woman in English. The Ser Mujer poems are written once a year on March 8, International Women’s Day, written since 1996, and gather in a poem a definition that changes across time.

Last October

Poetry by John Surowiecki

The mountain laurel is as green as the
maples are orange. Deer visit as if on cue,
hoovering the seeds we left for doves
and newly arrived juncoes.

Anything to do with spring and summer, with lilacs
and irises and that wistful pneumonic yellow,
is long gone, escaped in the raw humidity of

night. The wigs of dead leaves
are already caught up in scattered whirlwinds.
It’s clear we don’t have much time together.

Rainwater that leaks from the driveway gravel
has pooled in unlikely places,
not the swales that engineering has intended.
The silence between a breath and the breath that

follows it seems to last forever. October
is no longer with us: you’ve taken its place.
It needs a new face, yours, a new voice, yours.

It needs your swallows and mourning gnats
your own phrase on the fiddle which everyone can hear:
you, the season of leaving, have your music too.


John Surowiecki is the author of fourteen books of poetry. His latest, The Place of the Solitaires: Poems from Titles by Wallace Stevens, was recently published by Wolfson Press. John is the recipient of the Poetry Foundation Pegasus Award, the Nimrod Pablo Neruda Prize, the Washington Prize and other awards.

Evanston in June

Poetry by Rosalie Hendon

The taste of sun-ripened mulberry
A two-hour rain delay
A deluge pouring over rows of white chairs
Homemade bagels, bowls of cut fruit

An elderly woman in a mask
hovering behind a glass door,
hand on her cane

Rings on my brother’s hands,
silver paint worn to copper
a purple stone found gleaming in the dust

Speeches in sunshine,
a sea of purple
Cheers of recognition
effervescent under the late afternoon sky

The future as tangible as a ripe fruit,
as a mulberry plucked from the branch


Rosalie Hendon (she/her) is an environmental planner living in Columbus, Ohio. Her work is published in Change Seven, Pollux, Willawaw, Write Launch, and Sad Girls Club, among others. Rosalie is inspired by ecology, relationships, and stories passed down through generations.

the Irish goodbye

Poetry by Christine Brooks

I was distracted,
looking this way and that
enjoying cocktails,
laughter & the company
of a stranger     just for a
moment

one moment

I knew you were there,
always, so I took
another sip, laughed another
laugh and turned my back
on you
     to dance

just for one moment

you had perfected it
though,
the Irish goodbye
and
I never saw it coming

sometimes, I still think
you will come walking back through the front door
and my heart
beats & a smile turns up

just for a moment

hello —
did you forget your cap?

I say to no one


Christine Brooks holds her M.F.A. from Bay Path University in Creative Nonfiction. She has two books of poetry available, The Cigar Box Poems and beyond the paneling. Her next two, inside the pale and the hook-switch goodbye, will be released in 2023.

My one true love is golden like the sun

Poetry by Riley Davis

My one true love is golden like the sun
With specks of green like the fresh morning grass
Truly, for me you are the only one
That I will want forever in my grasp

I greedily want you all to myself
Since of you, there is not a great bounty
Although you are also selfish yourself
When I’ve had more than my fill, you hurt me

I love you when you are warm and fluffy
As everyone deems you should always be
I love you when you are cold and greasy
For I love you in all states, I decree

You nourish my heart and keep my soul fed
My true love for all of time: garlic bread


Riley Davis‘s eyes were first opened to the world of fiction with Harry Potter when she was eight, and they have not closed since. Although most of her creative work for her college career has been writing for games, she enjoys writing short stories and poems as well.

After the Blizzard

Poetry by Wally Swist

The fox prints puncturing the surface
of the snow after the blizzard
score its whiteness—
the same four notes pressing themselves
over and over again, in a meandering line
across a page, that is more silence
than music, but is still a melody that
can barely be heard,
shadows filling the tracks beneath
the pine branches shifting in the wind.

But it is the sound of the bells
that not so much startles me
as it offers me solace, ringing
from a distance, this soft chiming of sleigh
bells, until as it gets closer, it is more
of a whistle, the notes becoming distinct—
making me aware of its velocity, now
in flight, the tinkling call of a white-throated
sparrow, streaking close to my ear, melding
its voice with the streaming winter sunlight.


Wally Swist’s books include Huang Po and the Dimensions of Love (Southern Illinois University Press, 2012), selected by Yusef Komunyakaa for the 2011 Crab Orchard Open Poetry Competition, and A Bird Who Seems to Know Me: Poems Regarding Birds and Nature, winner of the 2018 Ex Ophidia Poetry Prize.

The Dawn Chorus

Poetry by Ruth Holzer

House sparrows, dull smudges of brown and gray,
begin to chirp. Though they sound like dripping faucets
they’re welcome as the messengers of light,

for another night has passed and we’re still here;
for the day approaches when we won’t be roused,
but sleep on, unaware of them and every other thing.


Ruth Holzer is the author of eight chapbooks, most recently Home and Away (dancing girl press) and Living in Laconia (Gyroscope Press). Her poems have appeared in journals including Southern Poetry Review, Blue Unicorn, Slant, Poet Lore and Freshwater. She has received several Pushcart Prize nominations.

John Greenleaf Whittier to the Root-Bound Marjoram

Poetry by Deborah Doolittle

Little bush, gone are the leaves we
lunched on. Gone, too, your green shrubby
symmetry. So like a tree you
stood in the windowsill to view
your cousins—fennel, basil, dill—
thrive then succumb to winter’s chill.
You alone saw the snow blanket
everything in white. Now to get
to this season of brittle twigs
that snap, not bend, devoid of sprigs
that we can eat. I pull your bottom
out, the dirt and roots all clotted
together in the shape of your
container, and I conjecture
on how we should all do so well
with our allotted spot to dwell.


Deborah H. Doolittle, born in Hartford, Connecticut, now calls North Carolina home. A Pushcart Prize nominee, she is the author of Floribunda and three chapbooks. Some poems have recently appeared in Cloudbank, Comstock Review, Kakalak, and Iconoclast. She shares a home with her husband, four housecats, and a backyard of birds.

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