Category: Poetry (Page 28 of 41)

Stage IV

Poetry by Susan Miller

She graced many stages
in her 29-year-old life.
Clumsy, giggly ones
with slick patent leather,
pigtails, snug pink tights.
Sweaty, clingy ones
bent and twisted
under cruel disco lights.
Floating, chiffon ones
with crimson-lined lips,
pointed toes, height.
But in that icy, antiseptic
room with its swabs,
ceiling stickers, scopes
and gauze-filled jars,
the man with joyless eyes
rolled over in his squeaky
chair. And the words sliced
into the air like a scalpel,
shredding her satin heart.


Susan Miller is an editor/reporter for USA TODAY who enjoys writing poetry as a hobby.

Remember Me

Poetry by Lauren Oertel

I grew up near the redwoods.
Cinnamon-barked queens towered over us,
each containing their own majestic ecosystem.
They provided oxygen, a fresh earthy scent,
relief from the heat and noise of the city.
They whispered the soil’s secrets into my ear.
A few had been hollowed by fire,
or reduced to a stump.
Rings chronicled their long lives,
the history of what they had witnessed.

When I die, cut me in half
right across the middle.
See my rings.

Joys and terrors over the years
each reduced to a simple circle
that captures and carries it all.
They will honor the tears shed,
wounds healed.
The fine grain, nicks, and bumps,
all smoothed over with time,
turned into natural beauty.

When my body becomes a stump,
the rings will prove I was here.
Some of them will show when I stood tall,
lush with sprays of needle leaves,
umbrella-scaled cones.
My crown stretched toward the sun,
piercing the sky.
In those times I hope I gave you shelter
from the weight of daily survival.

That’s how I’d like you to remember me.


Lauren Oertel is a community organizer for Texas and New Mexico. Her work has been published in The Ravens Perch, Evening Street Review, and The Sun Magazine. She lives in Austin, Texas, with her partner Orlando and their tuxedo cat Apollonia.

The Books We’ll Never Read

Poetry by Francis Conlon

Sometimes the jacket stands alone,
A book cover with title embossed,
The text itself seems a weighty tome,
Whose message long ago was tossed.

Yet, I love a place with books,
Of course, there’s a fine library,
With small study spots in the nooks,
And, study of old thoughts contrary.

Is there a place—a writer’s cemetery?
Old thoughts and books gather about,
Ideas antiquated little scary,
In grumbling whispers but no shout?

So dusty is the old collection,
Stacks with volumes musty,
Nothing overdue in this section,
Just old spirits and grammar fusty.


Francis Conlon is a retired teacher living in Salt Lake City, Utah.

that’s enough

Poetry by Corey Bryan

I’d walk again through icy rain
to eat a chicken salad sandwich on
the world’s driest bread with you
just one more time.
I’d pretend to like seafood and say all
the right things like, “shrimp are the blue collar
workers of the ocean and it feels bad to eat them
but this cocktail sauce is way too good”
and stuff my face.
I’d support everything you
say no questions asked even if you do get a
tiny bit conspiratorial after the third glass
of the house red.
I’d tear down those reality tv show posters
they hung up on Boulevard
which cover your favorite piece of graffiti.
I’d cook you dinner
and buy all your favorite ingredients like
watermelon radishes and dinosaur kale and all the
other vegetables that sound crazy like that.
I’d watch all those shark
documentaries you love and
the more I think about it the more I think I’d
punch a shark in the nose, saddle him up
and take off for Lisbon where you are
now and say to you
“I hate shrimp and watermelon radish
and red wine and graffiti and I especially
hate dry bread
but I love you and I think
that’s enough.”


Corey Bryan is a fourth year student at Georgia State University majoring in Rhetoric and Composition. He is currently writing daily poetry prompts, along with some original poems, with a friend of his at poetryispretentious.com. He has one poem forthcoming at Sage Cigarettes Magazine titled “her kind of love”.

Feather Meme

Special Selection for One-year anniversary issue

Poetry by Marianne Brems

Hikers before me have left feathers
stuck in the cracks of a wooden trail marker
at a junction.
Small feathers with downy barbs
flutter in the fall breeze
where delicate shafts may not hold.
Large feathers with curled edges
and sturdier shafts sit deep and solid.

As memes they stand
to carry the import of one road taken,
not another,
on this day, not that.
This small family of Kilroy was Here
gather in good company
to speak to a public not yet come,
inviting them to leave their own mark
across a waiting space.


Marianne Brems is the author of three poetry chapbooks from Finishing Line Press. The most recent, In Its Own Time, is forthcoming in 2023. Her poems have also appeared in literary journals including Nightingale & Sparrow, The Sunlight Press, The Lake, and Green Ink Poetry. Website: www.mariannebrems.com.

The Hip

Poetry by Dawn L. C. Miller

Her ashes came to her grown daughters in a lovely box,
mahogany and rosewood,
accompanied by another box, containing
what had sustained her past the pain,
preserved her from disability,
entitled her to a parking permit.
It was her hip. Titanium and some ceramic.

Clarise and Susanne stared at it gleaming on the red velvet.
“It’s her hip,” murmured Clarise.
“Of course it is,” stated Susanne. “I can see that.”
“What are we supposed to do with it?” continued Clarise.
“Well, we can’t scatter it with her ashes. Someone might find it.”
They stared some more.
Together they debated all evening, agreeing on nothing.

The next morning it gleamed at them from the mantle.
Without looking at it,
in between angry silences,
and tears,
they talked.

The memories of places their mother had never been
floated into the morning light.
The seashore, when she stayed behind to take care of things at home.
The mountains she did not go with them to see:
no need to pay extra fare.
All the beauty and the music of far cities,
too expensive.
“Let’s take her there now!” they both said together.

And the journeys began.
Perched on a gunnel, their mother’s hip resounded with sea sounds.
Lost in the luggage for three days in Kenya,
Mother was found at last by a drug sniffing dog.
She rolled off into the snow at an Austrian ski resort,
but sat gleaming on a chair in the best restaurant in Paris
as her daughters laughed and toasted and remembered.


Dawn L. C. Miller has been writing poetry since childhood. Her poems have been published in Poetic Hours and Pegasus Review. She enjoys living on Maryland’s Eastern Shore with her two cats and orchids.

Reflected Light

Poetry by Wendy Bloom

I saw the light reflecting on a piece of something buried in the loamy soil
When I looked closely, I realized it was a piece of myself
That I had buried away for darker days

Filled with darkness and despair
In a world filled with the tragic
It had fallen out of me, and I thought it was gone forever
But it was lying right in front of me

I grasped it in my hand
This shiny piece of myself
I turned it over and over
And rubbed my fingers against its slick surface

I decided to swallow it
To bring it back home to the center of my emptiness
To fill this hole with something that glistened
And sang beautiful music to my heart

It became one with me once again
And I smiled as I heard it laughing
Because it had been seeking me for so long
And had finally made its way back home


Wendy Bloom is an emerging writer who has written numerous poems, short stories, and essays on a wide variety of topics since childhood. She has been published in her local newspaper and “Reflected Light” is her first published poem.

Hiding from the Moon

Poetry by Ben Westlie

On your porch in our stupor
I kept turning to leave
your voice clung to me
holding me like my shadow.

I don’t know if I trembled
from the bitter temperatures
or how your heart kept speaking out
of turn. The green glowing in your irises

like small cauldrons. The yearning bones of your face.

I should’ve hidden from the moon
so there could be no shadows to latch onto.

I should have blamed my drunken blood.
I prayed for deafness upon my heart.

I should have sprinted down your porch stairs
until I reached another state.

My kind of love wasn’t in any of your mirrors.

Your face is what I see when snow becomes
stars from moonlight. When I hear the creak of old
wood on porches. When I see unruly auburn hair.

I turned around to the begging
of your face. A friend is all you wanted.

The moonlight made me beastly.
A feral creature raging and starving.


Ben Westlie holds an MFA in Poetry from Vermont College of Fine Arts. Publications: Time You Let Me In: 25 Poets Under 25 edited by Naomi Shihab Nye, The Fourth River, Third Coast, Atlas and Alice, the tiny journal, Trampset, ArLiJo, Otis Nebula, WhimsicalPoet, DASH, MUSE, Speckled Trout Review, and Superpresent.

Stealing a Night from the Stars

Poetry by Clarence Allan Ebert

Chilled dusk shrouds the afternoon warmth. The sunset’s
pretty purpose draped in blue-haze. Night is coming on fast.

A firecracker bursts in the mouth of a frog. Shy stars crawl
out & realign their constellations. Water spirals down a polished

drain, pink with fresh blood. Curiosity cakes dry mud on loose
laces. Western clouds shaped like brains twin-mingle around

the chimney’s billow. Wafting through the boy’s flared nostrils
the ticklish smoke of parched brick. Peach-colored petals spoking

from a gerbera’s heart, droop under crystal dew. Blind
nightcrawlers slither desperate for longer lifetimes

beyond the flashlight’s halo. In dawn’s first amber wink
on the juniper and spruce the boy’s bait is hooked, a coffee can

of worms in hand. Wading from reed-bank to muddy pond, every
freckle on his cheek praying for another hot breath of sunshine.

His fishing rod in hand, he tosses the line. He’s a brave sum of all
his skinny parts, patient, though his heart’s on fire, anxious

for the bobber’s bob on the still black water. Here, where he caught
a twenty-four-inch bluegill worthy of a tale he’d tell.


Clarence Allan Ebert lives in Silver Spring, Md. He first published a poem in 1978 and since then hasn’t sat at the old oak writing desk in the parlor because he raised four children and spent his time litigating matters. Since COVID, he’s back in the parlor, writing away.

A Windy Day on Sans Souci Drive

Poetry by Gordon W. Mennenga

There go the garbage cans
And my neighbor’s loose-lipped lover
Duck! here comes the Public Library snowing pages
And oh those unwilling Clydesdales galloping sideways
Next the organ from St. John’s Church humming a flirty mystery hymn
A police car celebrating being quick and blue
Some little things: a wig without a woman, a man without a damn
Uncle Frank’s rabbit hutch then Uncle Frank

Did I see truth chasing gossip?
A cart and then a horse?
A shoal of minnows swimming the wind to big water
A flock of hallowed words
A herd of No Trespassing signs free at last
Six senators chasing their reputations
Then naked notes of happiness, regret and ecstasy
A rapturous tillerless sailboat
Bubbles of existentialism staying low to the ground

Algorithms and syllogisms galore
Smokey riffs from Nina, from Chet, Dinah and Billie
Boredom blown to ashes
Sid, the cardiologist, wearing a nice pair of loafers
Herds, coveys, caravans, gaggles, packs and pods
Me, I’m lifting off, not clinging but joining.


Gordon W. Mennenga has had work featured on NPR and published in the Bellingham Review, Epoch, Citron Review and other literary journals. He earned an MFA from the Iowa Writers’ Workshop and lives in Iowa City, Iowa.

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