Category: Poetry (Page 3 of 33)

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Sikwate

12 November 2024 / Editor

Poetry by Nicole Hirt

a steaming cup
rests in my mother’s hands
water and cacao mixed
into a comfortingly bitter brew
while rain thuds on Philippine palms
water knocking at the door

twenty years later
her feet have found American soil,
and her hands now rest on mine
helping me crush saltines
to plop in the cocoa

now
I am alone in my apartment
raindrops slamming on the windows
a cup of sikwate
warming my hands

I have exchanged water for milk
and added a spoonful of sugar
but the crackers are getting soggy

so I take a sip and a bite

Nicole Hirt is a freelance writer based in South Florida. She is an editor at Living Waters Review, where several of her poems and prose have appeared in past issues. In her free time, she enjoys wandering through cemeteries, much to the confusion of the general public.

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My Wife Explains How My New Book is One Long Love Poem

9 November 2024 / Editor

Poetry by Steve Cushman

They’re all love poems,
Julie says, holding up my new book,
and I say, I don’t know about that.
What about the sad dog poems?
Love poem, she says,
The broken bones of childhood poems?
Love poem, she says,
The difficult relationship with my father poems?
She bites her lower lip. Definitely love poems.
And the ones about you,
which are sort of true, but also
an idealized version of our life?
Those, she says, are the loveliest of all.

Steve Cushman has published four poetry collections.

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Houston in August

6 November 2024 / Editor

Poetry by Stacie Eirich

There aren’t any birds here
the only wings in the skies
silver steel, we counted 30
in the space of an hour
over our heads, lights flashing
in early evening skies
drone of engines replacing
songs of sparrows.

On the streets, traffic flows
fast and heavy, whooshing
and swooping across lanes
in swift ascent. Dog-walkers abound
with the dawn, joggers rounding
corners, mothers pushing prams
scores of cars and buses lined up
for drop-off, a continuous cycle
of bicycles, scooters, pedestrians
crossing in pre-dawn light.

I turn down the radio and listen
for each next turn, navigating
a maze of one-ways, interchanges
and tollways. Siri leading me
to the next somewhere else
somewhere new, exciting as it is
unfamiliar and frightening.
It isn’t the size that frightens me,
or the humanity—but that cold silver
in the skies, feathers and song replaced
with aluminum alloys.

101 tons of titanium circling above
our homes, our heads, our children
in the blazing sun of a 106-degree
afternoon, humid and buzzing
with dragonflies, our ears adjusting
to the constant drone of engines
through the night, our hearts longing
for the melodies of
the Carolina Wren
the Eastern Bluebird
the American Robin
the Northern Cardinal.

Our memories full
of blue Louisiana skies
painted with wings
of feathers and light
melody and song drifting down
to meet us in greening grass
brassy winds playing a background
breeze of second-line jazz in our
small-town backyard.

Stacie Eirich is a mother, poet & singer who recently moved to Texas. In 2024, her poems have appeared in Kaleidoscope, The Bluebird Word, Synkroniciti, and Elizabeth Royal Patton Poetry Prize Anthology. In 2023, she lived in Memphis while caring for her child through cancer treatments at St. Jude. Find her at www.stacieeirich.com.

Injury Lessons

1 November 2024 / Editor

Poetry by Nicole Farmer

The words tendinitis & torn meniscus get thrown
around doctors’ offices & at home leaving

me to come to terms with immobility & mandatory
rest, while my body revolts, my mind riots

& old age cackles in my ear all the fears
of dependency – send my mind reeling in doom,

despair, confined to a chair or couch
to slowly atrophy & wither away to obscurity.

Then just this morning the trees spoke to me –
underground roots rough raspy voice saying

hold tight, stand still & breathe in the day
be like us and sway your trunk/torso

do what you can to reach your limbs/arms up
move with the gentle wind.

Oh yes, there will be chair yoga & stationary
bikes in your future, but right now

slow down, stop racing & look around
delight in the early yellow light & the drying leaves.

August is evaporating so enjoy these last days
of simmering summer swelter.

So, I moved my reading chair to the deck & embraced
a long-awaited repose in the shade of the old maple.

Nicole Farmer (she/her) has published Wet Underbelly Wind (Finishing Line Press 2022) and Honest Sonnets (Kelsay Books 2023). Her poems have been published in Wisconsin Review, Suisun Valley Review, Apricity, Wild Roof Journal, Poetry South, Drunk Monkeys, Sad Girls Club, and many other journals. She lives in Asheville, North Carolina.

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Let’s Fly Away

30 October 2024 / Editor

Poetry by Martha Ellen Johnson

“Grammy, let’s fly away.”
We are sitting on the top
step of the second floor
staircase. Down the hall
is her magical kingdom
bedroom. She’s wearing
fairy wings over her street
clothes as usual, a sign of
a theatrical life to bloom
in later years. “I can’t. I
don’t have any wings,” I said.
“Hold my hand. We can fly
together.” And I do. We
fly down the hall soaring
into another realm hovering
far above the ordinary, held
aloft by the imagination
of the most innocent.

Martha Ellen Johnson lives alone in an old Victorian house on a hill on the Oregon coast. Retired social worker. History of social justice activism. Old hippie. MFA. Poems and prose published in various journals and online forums. She writes to process the events of her wild life.

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Laughter

26 October 2024 / Editor

Poetry by Sharon Whitehill

After Gerard Manley Hopkins, “Spring“

Nothing is so marvelous as mirth—
When breath, in spasms, splurges, spouts, and sweeps
Away all chance of words: attempts emerge in leaps
And gasps of sound, their content nothing worth.
More overwhelming still is laughter brought to birth
In formal circumstance; it can’t be quelled; it keeps
On bubbling up and out, like lava from the deeps
Wherein, suppressed, it flares from inner earth.

What human gain to all this greed and glee?
Our babies laugh unbidden, even deaf and blind;
Every era, every population, has its devotees.
Children learn to fake-laugh when they find
It wins them friends. Laughter is contagious as a sneeze:
Both speak our shared humanity, and we respond in kind.

Sharon Whitehill is a retired English professor from West Michigan now living in Port Charlotte, Florida. Her most recent chapbook, This Sad and Tender Time, appeared in December 2023; forthcoming in late 2025 is another entitled Putting the Pieces Together.

Words Will Have to Wait

24 October 2024 / Editor

Poetry by Bonnie Demerjian

In summer poet gardeners are led astray by produce.
There will be no ghazals when peppers are plumping in the greenhouse,
no time for tercets when rhubarb is in season, when rhymes are tangled in pea vine.

Weeds fill the notebook, refusing to be shaped into neat couplets. They spread at will, their roots leaving scant space for pantoum.
Haibuns run amok. They choke potatoes with bland adjectives and limp verbs. They must be trimmed, but first, the lanky willows that overshade the onion bed.

Who could pen a sonnet when gilded squash blossoms swell, outshining every leafy green?
What lofty metaphor can equal looking upward into cherries hanging heavy, juiceful, nearly ready?
And, look behind, because the crows are poised for ripeness, too.

There’s no opportunity for poetry. Beans and beets, carrots and garlic are waiting, and not patiently.
Harvest now and glean from them words for tomorrow.

Bonnie Demerjian writes from her island home in Southeast Alaska in the midst the Tongass National Forest on the land of the Lingit Aaní, a place that continually nourishes her writing. Her work has appeared in Alaska Women Speak, Pure Slush, and Blue Heron Review, among others.

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If I Were a Bird

21 October 2024 / Editor

Poetry by Wesley Sims

I’d be a bluebird,
loved for its song,
its bold blue suit,
its habit of lingering
on limbs long enough
to thrill our mornings.
More than handsome icon,
a creature comfortable
with itself
who knows how to sit
in silence and wait
for the muse to call the song,
confident the music will come.
A bird with the discipline
of a serious writer,
who gets up early
and gets at his task,
living out the wisdom
that the early bird
gets the pick—
of worms, and words.

Wesley Sims has published three chapbooks of poetry: When Night Comes (2013); Taste of Change (2019); and A Pocketful of Little Poems (2020). His work has appeared in numerous journals and anthologies, and he has had poems nominated for Best of the Net and the Pushcart Prize.

Auction Circus

14 October 2024 / Editor

Poetry by Patricia Hope

Under the Big Top of lights and steel,
gaping doors open at each end, the noise
rivals a cage of monkeys, sentinels to jungle
chaos. The auctioneer chants his numbers
while the spotters yell – YEAH!
Like Simple Simon come to spend his penny
the bidders vie for the wares. One forty-four
gets one, 159 takes two, do I hear five? Who’II
go five fifty? In the back, another ring of action
takes place at the concession stand. A fly crawls

across the only menu, which is tacked to the wall.
One saltshaker is passed around. The hamburgers
drip grease beside crinkle fries steaming hot from
the fryer, banana pudding is served in Styrofoam cups.
Looky here, we’ve got an Elvis knife complete
with autograph, the auctioneer yells and someone
asks if they took it down to Burger King to be signed?
I look around the room. Elvis might enjoy a place
like this, then I remember his whole life was a circus
and I decide he’d opt for more solitude in his old age.

People mill around as cardboard boxes fill up,
and cards printed with bid numbers become fans.
While men stand in the doorway spitting tobacco,
another table of treasure is pulled into place.
The clock ticks, the sun sets, a slight breeze
wafts through the crowd, thinner now, some
succumbing to the drawn-out process. Serious
buyers move closer to the front ready for the REAL
bargains. The Elvis knife sells for seven and a half
in between an angle grinder and a “million-candlepower”

light (I wonder who got the assignment for that striking
job?) I suppress the urge to giggle but no one else
in the room seems to question the light’s power.
After all, the bidding has shifted to walking
canes and umbrellas. Bidders scoff them up,
eager for rain now, some using the purchases
to lean on as they leave, treasures tucked under
arms and in boxes. The building is almost empty.
The tent is finally folded and everyone slips
silently into the moonlit night.

Patricia Hope’s award-winning writing has appeared in the Anthology of Appalachian Writers, Guideposts’ Blessed by His Love, Chicken Soup for the Soul, Agape Review, Spirit Fire Review, Dog Throat Journal, American Diversity, and many newspapers, magazines, and anthologies. She has edited numerous poetry anthologies. She lives in Oak Ridge, Tennessee.

Imprint

11 October 2024 / Editor

Poetry by Carolyn Chilton Casas

How much of my essence
is imprinted for perpetuity
on the objects I hold dear?

My favorite coffee cup
stamped with a dragonfly,
stashed on a higher shelf,
waiting to be filled with a favorite,
freshly ground roast,
frothed cashew cream stirred in,
cinnamon sprinkled on top.

The colored notepads where I write
to my heart’s abandon,
or the dusty keyboard
with its smooth, black mouse cupped
for hours in my right hand.

The special pruning shears
and gloves only I use
while speaking kindly to each plant
and flower I trim.

A fraction of my being
infused into items often touched.

The rose-gold, ruby diamond ring
my grandfather presented
to my mother’s mother
almost a hundred years ago,
her legacy, the one she placed
in my sixteen-year-old palm
days before she died.

Carolyn Chilton Casas writes for energy and wellness magazines in several countries. Her poetry has been published in numerous journals and anthologies including The Wonder of Small Things: Poems of Peace and Renewal. More of Carolyn’s work can be found in her second collection of poetry Under the Same Sky.