Category: Poetry (Page 38 of 45)

House Hunting

Poetry by Lana Hechtman Ayers

We’re looking for something spacious
as the interior of a poem,
so roomy you can get lost in its images,
hallways that roam along
to unexpected turns of phrase.

We’re hoping to find something close
to all the conveniences—
fresh air perfumed with meter,
trees that tousle their limbs
seductively in breezes,
hills curvaceous as villanelles.

We’re searching for a place that fits
our personalities—a kitchen of clean
steam and courtesy, delectable soups
and sestinas bubbling on the stove,
a bath where unsullied truth
freely flows from all the taps,
a bedroom that masters
the art of moon phases and meteors.

We’re seeking a home we can fill with
blankets, dog fur, cat fur, the enjambment
of too many books.
A home that will hold steady looks,
silly askance glances,
even a few cross words once in a while.

A home that weathers moods well,
the way streams wear every broken rock
down to pebble shine.

We don’t mind winding avenues
of rhyme, and have no preference
about windows, so long as they’re
always wide and wise.

We don’t care for one-way stairs,
though being able to stare at a view
of empathy is essential.

We want a home in which light
is as bright as the scent of lavender,
a home where the sound of rain
on the roof is our hearts’ sonnet
as our arms reach for one another
in the night.

And we want a home where the silence,
however rare, is always and ever holy.


Lana Hechtman Ayers, MFA, has shepherded over eighty poetry volumes into print in her role as managing editor for three small presses. Her work appears in print and online in places such as RattleSnake Nation Review, and Verse Daily, as well as in her nine collections.

Fable of Love on Fire

Poetry by Alexander Etheridge

   In another season, another world—
that lost moment, we ran into nights
   of shudder and crucible, autumn

   and oceans—our love
barely risen out of its roots.
   We stepped breathlessly

   into a century of summers.
We watched eternal changes
   of the magic aster flower

   and the magic aspen tree
in the temple of dawns, open on all sides
   to white spangled light—

   Just before black asteroids
crowded our sun. The temple columns
   cracked under ice, and thorny vines

   choked the roads.
As the trees crawled out
   to drown themselves in the tide,

   we began our dying
in the black burning plains,
   our few seconds of love gone

into a child’s book of fables.


Alexander Etheridge has been developing his poems and translations since 1998.  His poems have been featured in Wilderness House Literary Review, Cerasus Journal, The Cafe Review, The Madrigal, Abridged Magazine, Susurrus Magazine, The Journal, and others.  He was the winner of the Struck Match Poetry Prize in 1999.

before the sky

Poetry by Ken Cathers

you sit on the handlebars
I’ll pedal like crazy

we’ll be a great fabled bird
on a dirt road journey

hang onto the wind
my little one, hang on

nothing can
catch us now

we will be home
long before

the sky can open
and crush our joy
          with thunder


Ken Cathers lives on Vancouver Island off the west coast of Canada and has spent much of his life working in the forest industry. He has been writing for several decades and has seven books of poetry. Several poems have appeared in Impspired (England) and the MacGuffin (U.S.).

The Greeting

Poetry by Leslie Dianne

I stop time
with words
and images
I shake
loose
sleepy syllables
and let them nudge
the atmosphere
I fill this space
with myself in another shape
and I am letting you know
that the
flicker of joy
that passes in the breeze
and tickles your memory
that gravityless pull that
makes you want to fly
is me
in a different form
greeting you
saying hello


Leslie Dianne is a poet, novelist, screenwriter, playwright and performer. Her work has been acclaimed internationally at the Harrogate Fringe Festival in Great Britain, The International Arts Festival in Tuscany, Italy and at La Mama in NYC. Her poems appear in Noctivant Press, Moida, Treouvaille Review, Constellate Magazine and elsewhere.

Someplace Else

Poetry by Valerie Valente

Snails line the slick pavement
like a stagnant post-office queue
They probe the damp air
with gelatinous horns
as if they would enact
a slo-mo battle with the mist

I veer gingerly around them
as they forage in scattered directions,
blindly heading
someplace else
My eyes scrunch tight and I grimace
as I hear the inevitable
crunch of my misstep
A wayward journey swiftly ended
by the grime-laden sole of my shoe.

I pause to contemplate
my habitual direction,
a path so repetitiously followed
that my muscle-memory
just pulls me along
I point my face skywards,
feel the mist upon my cheeks,
and reverently turn towards
the silver moon’s beacon
With a tentative step
I abandon all direction,
blindly heading
someplace else


Valerie Valente’s first love was poetry; she has been writing since the age of nine. Valerie has self-published two children’s stories. She is now launching a creative writing workshop business, Kist Creative, which she hopes will expose people to the joyful, therapeutic benefits of tapping into their imaginative energies.

Upwellings

Poetry by Chris A. Smith

The wind is wild and self-willed,
and I mark its passage through the trees,
shaking them like marionettes,
the neighbor’s rainbow flag snapping with each gust.
High-pressure systems, temperature inversions,
ocean upwellings, the Bernoulli effect—
the language of meteorology fills my head.
Still, there’s mystery in the wind’s rough grip.

Next to me on the couch a sleeping cat,
an ouroboros of fur, snoring lightly.
I scratch behind his ears and,
still half-asleep, he flexes his paws,
his tiny motor rumbling to life.
He’s warm, and smells of sleep,
whiskers twitching, eyes dancing behind his eyelids.
I watch the trees tremble, and try to imagine his dreams.


Chris A. Smith is a writer in San Francisco. Though trained as a journalist–he’s reported on topics ranging from African acid rock to killer asteroids to revolutionary movements–he also writes fiction and poetry. Find him at chrisasmith.net.

Jukebox

Poetry by C.T. Holte

Most nights, I am a jukebox.
Tunes play from the stash in my head—
               doo-wop to Debussy,
               Bach to Beach Boys—
chosen by a mysterious mechanism
and repeated as many times
as the system specifies:
               no Next button,
               no Mute switch,
               no Off to let me sleep.

The selection varies:
last night, the top hit
was Mozart’s Ave Verum Corpus,
               reprise of a piece I had sung recently
               at a choral workshop;
tonight, perhaps a favorite or two
               from American Bandstand
               or Casey Casem’s top forty countdown.

Music and memory are amazing gifts,
even at the price of sleep interrupted
by random hours of Deck the Halls
at any time of the year.


C. T. Holte grew up without color TV and played along creeks and in cornfields. He has been a teacher and editor, and now migrates between New Mexico and a tiny New Hampshire cabin. His poetry is found in Words, California Quarterly, Months to Years, Pensive, and elsewhere.

Paperboy

Poetry by Cosmo Goldsmith

From my bedroom window, overlooking
this tableau stillness of sheds and fields,
there is movement below
among the avenue of chestnut trees.

A paperboy ghosting through stippled shade,
luminous orange postbag strapped tightly
across his thin shoulders, first job perhaps,
so young he seems, restless and impatient,
eager to complete his round on schedule,
and keep in check the heavy tread of time,
those allotted hours and binding routines.

This is the crossover point he has reached
where suburbs give way and the fields begin;
a whole future unfolding before him
in misted prospects of treetops and hills.

And all I can do is watch and observe
from the opposite end of the telescope,
from the shrinking lenses of my vision,
for all my outlooks are gently receding.

The world out there belongs to him.


Cosmo Goldsmith is a ‘semi-retired’ English teacher with a passion for all forms of creative writing. He has taught in both the UK and Greece and still divides his time between these two countries.

The Swinger

Poetry by Carl Hubrick

Although traditions have we many
and technical skills beyond compare,
despite our thoughts and ideas aplenty
stored in computers everywhere,
’tis best at times to just remember,
and to ourselves gently remind,
that following us close in evolution
swings the chimpanzee with his
bare behind.


Carl Hubrick has a Bachelor’s in History and English and post-graduate diplomas in teaching, including teaching the Deaf. He first worked in the television industry as a director and later in teaching. His teenage novel Target for Terror (2008) is still in use in many New Zealand schools today.

Crumbs

Poetry by t.m. thomson

Maybe the woods are on fire with green.
Maybe wild violets pepper the ground
in the March-cool air. Maybe leaves hang
from rain-drenched branches slick

with October or maybe snow’s audacity
coats ground & breath. Maybe regardless
I choose to sit in a broad-seated swing
pump my legs & sweep back & forth

scraping soil & coming face-to-face
with sky. Maybe I slow-kiss dawn & savor
afternoon & trust twilight, staying out
as long as moon & wearing a red dress.

It would be lovely if women would dance
below me. They could wear red as well
& shout encouragement at me & Glee
would rule the day & night.

Laughter & off-color conversation
would raise temples from mushroom
& moss. Surely the gods of the forest
would hear & come slithering/hopping/

soaring with heads raised & noses
twitching their curiosity at our offerings
of stirred leaves & shuffled snow
revealing black seed & apple rind

shards. We are but crumbs of cosmos
ourselves—why not blaze woods
with the green of our voices, shower them
with ahhh, shiver them with Yes?

(inspired by Niels Corfitzen – “Swimming Between Clouds,” 2021)


Three of t.m. thomson’s poems have been nominated for Pushcart Awards. She is co-author of Frame and Mount the Sky (2017), author of Strum and Lull (2019), which placed in Golden Walkman’s 2017 chapbook competition, and The Profusion (2019). Her first full-length collection, Plunge, will be published next year.

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