Category: Poetry (Page 40 of 41)

Lost On The Mountain

Poetry by Brian Yapko

left knee buckling, hungry, thirsty, i fall
onto a carpet of sharp pine needles and
groan from the pain. lost among endless
brambles and branches, there is no clear
way back down and i know no one will
rescue me – not after the shouting, the
broken dishes, the explosive words that
are beyond forgiveness. truly lost. each
direction the same, endless trees the green

of envy, of tarnished bronze, of grimm
brothers witchery. i am haunted by sounds
that once enchanted but now threaten. i
lift a pine branch to serve as a crutch. i
check my dwindling water supply. i hold
my last bag of m&ms to my heart, thinking
the red-green-blue that melts in your mouth
not in your hand will be my last meal
on earth. hot tears. like a savage i pound

my chest and. rip my shirt. i drop onto the
dirt pondering every soul who has wounded
those he loves and then fled up to the
mountains. were any of them as regretful
as i? three long days, no cell reception,
no sign of humans. i think of lost friends
and find the fossil of a trilobite. it lived
right here eons ago. this mountain was
once at the bottom of the sea though it

now trespasses among the clouds. what
tectonic force raised it skywards? and why
do i shout, slam doors, climb mountains
and then weep away what little water i
have left? i put the fossil in my pocket.
if i want to live i must begin the hike down
to the plain below. it looks as far as the
craters of the moon. i will go back down
anyway. even though i’m not sure i want to.


Brian Yapko is a lawyer whose poems have appeared in multiple publications, including Prometheus Dreaming, Cagibi, Poetica, Grand Little Things, Hive Avenue, the Society of Classical Poets, Chained Muse, Tempered Runes, Garfield Lake Review, Sparks of Calliope, Abstract Elephant and others. His debut science fiction novel, El Nuevo Mundo, will be published in Summer 2022 by Rebel Satori Press. He lives in Santa Fe, New Mexico.

The Lovers: VI

Poetry by J.T. Whitehead

Superstition adversely possesses the peace of my mind

                        better judgment once occupied.

            God knows it tried.

Others take an image, in fragments, through multiple eyes,

                        with which to do whatever they wish.

            I think we’re simpler & bigger than this.

If you could start a slew of words with “If you could” –

                        & you can – then we can play & learn.

            Are you with me?

I’ll know I am playing my role in color, better than Bela Lugosi,

                        hungry & fatal if not eternal.

            Let’s make a scene.

Few things are equally over-riding & under-lying & over-arching –

                        few things are so . . . superlative.

            These are our themes.


J.T. Whitehead studied social and political and Eastern philosophy at Purdue where he received an MA in philosophy. He spent time between, during, and after schools on a grounds crew, as a pub cook, a writing tutor, a teacher’s assistant, a delivery man, a book shop clerk, and a liquor store clerk, inspiring four years as a labor lawyer on the workers’ side. Whitehead lives in Indianapolis with his two sons, Daniel and Joseph.

Astronomers Estimate That There Are at least Seven Letters in the Word “Romance”

Poetry by Rich Boucher

Maybe I could be a bird
that will always live outside your window
and just when you need inspiration
I’ll just start talking
but you won’t be scared,
even though you were expecting birdsong:
you’ll be so shocked and then
this shock will blossom cracklingly
into inspiration; I wish I could tell you
what was whispered in my ear
when I asked why I existed
in kindergarten and a teacher leaned down
and actually told me the reason;
you can laugh at my fear of mailmen
all you like but when was the last time
you got a letter that wasn’t lying
when it said you should be happy;
mock my faith in the primary colors
but tell me you’ve never felt the intensity
of red and chose instead to call it a kind of blush,
tell me your shivers don’t call to mind blue,
swear to me you’ve never seen a yellow ambulance
and found yourself in complete agreement.
I’d love to meet the person you need me to be
and tell him that I might not be much
but at least I don’t have a degree
in the study of room temperatures;
romance is a word that has just enough letters
to spell itself and put me into a weird headspace
where I’m the one person who never learned
how to take sticks and turn them
into the because of fire,
but if you ever need someone
who can genuinely be afraid of the dark,
well, that’s something I can certainly do for you.


Rich Boucher resides in Albuquerque, New Mexico. Rich’s poems have appeared in Bending Genres, Menacing Hedge and Stink Eye, among others, and he has work forthcoming in Boats Against The Current and Amethyst Review. Rich is BOMBFIRE Magazine’s Associate Editor, and he is the author of All Of This Candy Belongs To Me.

Some Evidence

Poetry by Jen Prince

There’s a little church in my hands—
supplicant fingers that petition the kitchen table, fracture,
find broken only the bones that matter.

Hound the relics of god’s own garbage that thrum under my skin, gentle and wicked,
blinkering as through a veil.

What I find I pull close, press in, tuck under my chin. Now
this is the dark-eyed child who takes after her mother.
This is the daughter who speaks softer.

Down the hall the dog is barking, marking the wail of a plane through wafer-thin walls—
there’s a certain pitch at which my brain just breaks.

My voracious father, a dog lover, has been known to lose his appetite from time to time.
Has been known to gorge instead on godly ferocity, the muscles in his jaw flickering
like the first light of the world.

I know you better than you know yourself, he said: when I met your mother,
I warned her I could yell.

In my own home moonlight passes over like a benign plague or stranger’s favor,
and an owl calls me alone from sleep.
The iron words lie hot on my tongue, drowned and hissing.


Jen Prince is a writer and editor based in Memphis, TN. Her poetic work centers on ideas of separation, memory, and myth. Her poem “Brittle Mirror” has been accepted for publication at the Scapegoat Review.

This should’ve been an Urdu ghazal instead

Poetry by Uday Khanna

While being buried I thought why spare me space for breathing,
I should’ve been wound in white and cremated instead.

Waking has taken up the place of life,
I should’ve been nostalgic for a time which passed me by instead.

Living has come disarmingly too fast lately,
I would like a stern word instead.

Someone asked me how I write so beautifully of terrible things,
I should’ve been a keeper of chopped meat instead.

I was named ignorant far too many times,
I should’ve been left blissfully unaware instead.

I keep meeting myself on different horizons for novelty,
The mystery of time is repetition instead.

This circle tells me I’m merely a handful of mistakes,
I should’ve been a fistful of wasted sperm instead.

Soon poetry will become unattainable,
I should’ve gone back to plucking flower buds instead.

O poet, you’ve spent all your life seeking to write about an ungrateful ant,
You should’ve stepped on it instead.


Uday Khanna is a research scholar currently pursuing his MPhil from the University of Delhi. His research interests lie in the fields of postmodernism, media theory, cyber-culture, and 20th century short-story genre.

Paradise on High

Poetry by Jon Wilder

heaven is forever i get that / but doesn’t the idea of forever scare anyone else / won’t we get bored / is it like church / cause i don’t like church / i spend most of it drawing on welcome cards and looking at the clock / it’s not like i have anything else to do / it’s knowing i’ll spend the morning listening to a message i’ve heard a thousand times / something about disciples and learning from your mistakes / hands during prayer time / hymns in triplicate / McDonalds on the drive home / hey Dad is salt good for anxiety / cause the basic beauty of a clouded eden isn’t doing it for me / i feel i’d wanna move eventually / like a small town to escape / it’s either get out or never leave / but if i don’t want heaven will i be chained to a rock for eternity / lashed with a flaming whip while demons dance around me / will the devil do the work or will his flunkies handle the real pain / do you go numb or is the hurt for good / are these the only options / can i get a third / look at the clock Dad you’re running kinda long


Jon Wilder is a poet and musician living in Portland, OR. He writes, records and releases music under the name Boom Years and his poetry has been featured in Levee Magazine, Duck Lake Books, Sonder Midwest & Salem State. His first book “Bullpen no. 1” was released in 2016 and his second collection of poetry “Original Fear” comes out on May 13.

Some people die and go to Hell and some

Poetry by Gale Acuff

to Heaven and in the Bible there’s some
guy who went to Heaven but he was still
alive, I forget his name, I’m only
ten years old, barely old enough to re
-member anything but anyway I
want to do that, too, go to Heaven or
for that matter Hell but just enough
to have a look and size those places up
and then return to Earth and maybe tell
all the people what I saw in either
spot and maybe even (if I need cash
flow) sell that information–at a fair
price–and return early and pray that when
I die for real they’ll get their money back.


Gale Acuff, who holds a PhD in English/Creative Writing from Texas Tech University, has published hundreds of poems in over a dozen countries and has authored three books of poetry. He has taught university English in the US, China, and Palestine, where he currently teaches at Arab American University.

Primitive Prayer

Poetry by Nancy Byrne Iannucci

I go outside at sundown,
pinning the stained-glass trail
to the Earth with ice cleats,

glorious snow under my feet.
The hawk screams above Creek Road.
Does anybody live in that blue house?

Hopper lonely, so Hopper lonely.
The snowbank at the side of the road
sits in the shape of a pew,

but I’d rather move with the mallards
slapping their wet feet, ready to fly.
I’m ready.

A songbird pounds
his pipe organ in the sky,
calling me up the hill.

I climb
breathing in the night air,
revived by this primitive prayer.


Nancy Byrne Iannucci is a widely published poet and the author of two chapbooks, Temptation of Wood (Nixes Mate Review, 2018), and Goblin Fruit (Impspired, 2021); she is also a teacher, and woodland roamer. Nancy can be found at www.nancybyrneiannucci.com

The Single Story of a Latinx Pinocchio

Poetry by Amelia Díaz Ettinger

1.
My Puerto Rican aunt in North Carolina, lived in pearls, three-inch heels, and illusions.
There is bigotry for blacks, but we are white.
And yet a woman stopped her car at my aunt’s Corinthian columns
How much do they pay; I can pay you double.
The Gucci suit and diamonds was no shield.
Still, my aunt, mi tía, insisted; “ignorance vs. prejudice.”
(A PhD from Columbia in New York assured her notions had to be right).
What’s the difference?” I asked.
Don’t be impertinent.

2.
A woman with puffy bleached hair, and a ‘T’ shirt of compassion says,
Tell me your hardship story,” empathy fills her eyes, and I almost laughed.
I know what she wants, but living in a palace surrounded by cultured men would unhinge
what she expects and I am tired
half a century of talk. I want calm, and I want peace, and I want somehow to fit
in this olive brown skin, so I gift her;
Born in a shack without water or electricity. It was the slums, el barrio.
She tearily pats my knee, my father in his grave protests, ‘Remember Caruso and Barcelona’,
he says and I silence him, so I swallow memories in surrender
and I become the Latinx Pinocchio.

3.
It is easy to release a single story,
harder to pretend virtue,
so I talk in a soft voice,
when pain blinds me in anger.
And I work harder,
three times, five times, a billion times,
knowing it would not be enough
I still will be the sleeping effigy
under a large sombrero.
Above all entomb lust under a blue tarp,
along with my ambitions,
my culture, mi gente,
and my nose grows long,
but I can’t bury the rhythm of my hips,

4.
I can accommodate, I can give and I will take, will sigh after I cry, and smile until I make a grimace, but when my children are denied— yes— then, I will justify this constant view,

I will lose my temper.
Time after time, my children were told:
You can’t write Hispanic in these forms.
What do you want? Some sort of privileges?
You are white
I see the pain each time they denied
my part in them.

Now, my grandson is too young to understand,
“Yes!” he screams, “she IS my Nana,” Confusion in his eyes.
To me, carrying them in my arms:
“Where did you go to adopt these children?”
“Tell me the truth, are they adopted? Or are they albino?”
“No! You can’t possibly be their mama!”
This I cannot give.
Here I draw the threshold.
I will cut this wooden nose to spite my face.


Amelia Díaz Ettinger is a self-described ‘Mexi-Rican,’ born in México but raised in Puerto Rico. As a BIPOC poet and writer, she has two full-length poetry books published; Learning to Love a Western Sky by Airlie Press, and a bilingual poetry book, Speaking at a Time /Hablando a la Vez by Redbat Press, and a poetry chapbook, Fossils in a Red Flag by Finishing Line Press. Her poetry and short stories have appeared in literary journals and anthologies and have received honors and awards. A new full collection of poetry will be released by RedBat Press in the fall.

My Youth

Poetry by Jeana Mahan

Waiting by the water
a girl stands
round belly and barefoot

She’s afraid that it’s cold
or a shark
will bite at her ankles

The fear will follow her
while she lives
or until she’s sixteen

Why doesn’t she just jump
push her now
before the mud takes her

It’s life or death for her
her toe dips
she lets out a brief yelp

The water did not win
she lives on
though the sharks circle her


Jeana Mahan lives in Los Angeles, California. Her fiction has previously been published by Maudlin House.

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