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Category: Poetry (Page 5 of 31)

Logging the Land

Poetry by Nancy Kay Peterson

The 40-acre coulee was
mostly woody slopes
and for the health of
the younger trees
had to be logged,
just like carrots
and beets have to be
thinned to thrive.

She hated even thinning
killing vegetables,
and crashing tree falls
broke her heart.
She hated the buzzing
crack of breaking timber
branches and stumps piling up
ruts trucks were making.

But ruts would fill in
and become trails
she could hike to explore
for wildflowers and ginseng.
And decaying trunks
would support fungi, mushrooms
and prized morels.

So she steeled herself
to the pillaging of the forest
tried not to think like a tree
tried to fall gracefully
into acceptance.


Nancy Kay Peterson’s poetry has appeared in The Bluebird Word, Dash Literary Journal, Last Stanza, The RavensPerch, Spank the Carp, Steam Ticket, and Tipton Poetry Journal. She co-published Main Channel Voices: A Dam Fine Literary Magazine (2004-2009) and has authored two chapbooks: Belated Remembrance (2010) and Selling the Family (2021). Visit www.nancykaypeterson.com.

Because It’s Beautiful

Poetry by Beate Sigriddaughter

She does not believe in obedience to complications. When she plays her flute, she doesn’t play because it’s hard. She plays because it’s beautiful, like singing, even if it is ridiculously easy. Explaining this to experts is a challenge. Sometimes it takes days before she can resume reality with unassuming confidence. She is old enough to follow her own rules, but often still hesitates at the door of permission without knocking, and she still has trouble finding a safe haven for her longing. Once upon a time she woke up celebrating trees outside her window or the scent of cedar after rain and sparkles at the tips of junipers. She contemplates the lord of good intentions with a trembling candle in her hand, like Psyche looked at Eros long ago. Just like a simple tune, she finds him beautiful, and bravely whispers to herself: Let him sleep. He needs his rest, trapped in his fears. Every restraint, though, makes the future harder, like incessant rain as summer fades into the dreaded shapes of insignificance. She gathers scents and music, fragments of herself. People parade in her dreams, harmless like conundrums. Sometimes she dreams of perfume and all her misery is nothing more than being reasonably well loved. She readily admits she might have liked God but never got a chance. She never steals from others, not intentionally anyway. Now she must simply learn to master not stealing from herself.


Beate Sigriddaughter, www.sigriddaughter.net, lives in Silver City, New Mexico (Land of Enchantment), where she was poet laureate from 2017 to 2019. Her poetry and short prose are widely published in literary magazines. Recent book publications include a poetry collection, Wild Flowers, and short story collection, Dona Nobis Pacem.

Muscle Memory

Poetry by Anne Bower

She’d told us the genetics,
smiled into the words
as if Alzheimer’s was just
some trip to the beach.

Now she can’t drive,
husband brings her to class,
where she’s
blank-faced at first,
repeats name of disease
that’s taking her mind.
Frowns as we start,
yet her body glides to tai chi.

A pause. She shakes her head,
not knowing what comes next.
A breath, shudder,
yet years of practice surge
her forward. She steps, turns,
gestures easy, smooth.
She’s swimming in a calm sea,
grins with delight.


Anne Bower lives in rural Vermont, teaching tai chi and training tai chi instructors. She has three chapbooks to her credit and poems published in The Raven’s Perch, Gemini Magazine, Cool Beans, Nine Cloud Journal, Plainsong, and many other journals and anthologies.

The Fool: 0

Poetry by J.T. Whitehead

Sometimes acumen gets lost
when tossed like the cards
that are lost in the bets
that we secretly play
in our way – meaning to lose
our sense of all meaning
or meaning to lose our way –
& wands become canes
now holding us upwards.

We dance across plains
all sundown & westwards
to graveyards & canyons
                & tin-can saloons.

No longer seers & no longer
bards & no longer tossing
our meaningless cards
                                          away
like our fate or our money today – tonight,

Tonight
               we wager on play.

 


J.T. Whitehead has published poetry in Slipstream, The Iconoclast, Gargoyle and The New York Quarterly, among others. He edited “So It Goes,” the journal of the Kurt Vonnegut Library, briefly, for five issues. He lives in Indianapolis with his sons, practicing law by day and poetry by night.

For the Love of Color: Ochre

Poetry by Linda Allison

Ochre is a wanderer
Embarking from deep yellow, it charts its way across the palette,
eventually landing somewhere in the vicinity of terracotta.
Ochre is the paprika in my soup and the cinnamon on my toast.
It is a farm-fresh egg, dark yolk dancing in the skillet,
and a hoo-doo rising from the floor of the Palo Duro Canyon.
It is the west Texas sky moments before the sun drops below the horizon.
My memories of Big Bend are all in ochre.

I am a study in ochre. Lids dusted, cheeks rubbed, warm golds and earthy red-browns,
Maybelline Autumn Copper and Almay Sunkissed Bronze
My hair and my sister’s hair, too, different ends of the spectrum: ginger and auburn
both now faded by the years

Isn’t it interesting that what ancient cave art remains was all drawn in ochre?


After forty years in finance, Linda Allison is enjoying a second life as a writer, photographer, and explorer. Her work has appeared in Bright Flash Literary Review, Pile Press, 2023 Utah’s Best Poetry and Prose Anthology, and others. Find her photography in Persimmon Tree and Burningword Literary Journal.

Anapana

Poetry by Tasneem Sadok

Overexposed with explosive imagery
the senses can quickly become dulled
to the granular exhilaration
of a grazed hand
Next time a snowflake falls on your cheek
Pause
And savor the icy pinprick
a crystallized remnant of your planet’s origin
Feel it dissolve
into your breathing pores
already restless
to transform again


Tasneem Sadok is an MD-PhD student at UCLA, fascinated by the brain’s intricacies in contexts of dysfunction. As the American-born daughter of immigrants who fled autocracy, her worldviews have always been steeped in countervailing dualities. Poetry has allowed her to find resolution in mind-numbing tensions while defamiliarizing accepted realities with curiosity.

Just Kids

Poetry by Susan Zwingli

deep summer bursts the wide garden gate
sweet freedom calls us from whitewashing fences
soon, the jilted brush slouches down the wall, bereft
but we take the hill and its warm, tickling grasses
your emerald eyes tracking the tickling path of a ladybug on my arm
she has her secrets, we have ours
race you, yeah! on the count of three?
running, breathless, our legs pumping pistons
laughing, landing double on your banana-seat bike
a playing card clipped to the tires, poppity-pop-popping
my hands holding onto your hips
we think we’re so grown up, you and I
but late-day thunder booms deep in the sky,
somewhere, far-off, our innocence is running out of time
the changing light chases us, softly laps at our ice cream
mint chip for you, raspberry sherbet for me
blushing my lips pink like the lipstick I’m forbidden to wear
I hope you’ll see
you smile, the freckles on your nose a sweet constellation that I want to kiss
when did you become something more
than just a boy I played with at recess?
I’m all of 11 now, one foot in, one foot racing ahead to some map-less place
but maybe today, we can just be kids, lost in the strange and the wonderful
wandering deep along the river bed, fireflies lighting the sweet-smelling rain
fingers and dreams entangled
while our mothers’ hearts are calling us home


Susan Zwingli is a poet currently living in Boise, Idaho. She writes about love, belonging, and loss, as well as the natural beauty of the Northwest, and exploring mystical spirituality. She holds a BA in English from Michigan State University and a Masters from the Portland Seminary (OR).

i touch this ripe tomato

Poetry by Amelia Díaz Ettinger

and marvel at how all things
soften—

his voice muted
to warm embers that avoid
scarlet overtones

and my old hands
carved to rice paper,
skin hulled away from bone

even this butcher knife
is dulled from over-care
now it cuts with tenderness

yes,
time’s own waltz,
mollifies all things

and i applaud these parenthesis
of my mouth, how
they enliven my sight

after all they are the repositories
of elapsed laughter


Amelia Díaz Ettinger is a Latinx BIPOC poet and writer. She has three books of poetry and two chapbooks published. Her poetry and short stories have appeared in many literary journals and anthologies.

A Necessary Pause In Transmission

Poetry by Peter Devonald

Solace has a song for you, waiting, waiting, amongst the torrent.
If you don’t choose a day to relax your body will choose one for you.

Noise corrupts and absolute noise corrupts absolutely,
loud whirr of technology never stops, incessantly, ceaseless,

Instead sit in nature, listen, listen, to bird song and insects
reaffirm connections beautiful and obscure.

Take time to read, enjoy and endure your deeper self.
Be someone else, briefly, brilliant and captivating, memory.

Reconnect with friends, remember, remember, the times before
it all changed with vibrant neon, obsequious pleasures, glinting.

Recall the times before you weren’t connected to the miracles,
when simple pleasures were miracles enough to live exquisite.

You know what you really need, you always did, glimpsed
through endless noise and rain, you saw yourself, standing there.

The noise can wait a week without you, trust me, believe in me,
believe in silence, the seas, sagacious shift to embrace serenity.


Peter Devonald is winner of two Heart Of Heatons Awards, Waltham Forest Poetry and joint winner of FofHCS Poetry Award 2023. He has been published extensively and has two Best Of Net nominations. Poet in residence at HAUS-A-REST. Visit www.scriptfirst.com or https://www.facebook.com/pdevonald.

The Block

Poetry by Richard Higgins

The keyboard avoids my fingers’ touch
          as if words I need are in its clutch.

My pen sits unused without a care
          and lined notebook pages blankly stare.

Neurons fire on an unrelated task
          ignoring the questions that I ask.

I have a great story here to tell
          but too many memories to quell.


Richard Higgins retired from the nuclear operations business after 50 years and became a writer. He lives in the Detroit Metro area. This is his first published poem.

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