An Online Literary Journal for Poetry and Flash

Category: Poetry (Page 6 of 33)

At the Lakefront, beside Sunshine

Poetry by Stacie Eirich

Glittering waves in wind
sunlight high in the sky
beaming into blue
you marvel at the beauty
in a dandelion, proclaim it
not a weed but a flower
pick its yellow head
put it in my palm.

My hand in yours, you skate past
girls on scooters, boys on bikes
a dog you call Toast.
We listen to the roar
of a mower, the slap-slap of water
the cries of shorebirds
from beyond the beach, where two kids play
in cold waters, brave in bathing suits.

You turn on pop songs, sing along beside me
dance a jig, weave your arm in mine, say thank you
for bringing us here, stop to swing, then ask
for snowballs & ice cream.
We savor mint chocolate and cherry chip
in the warmth of the shop, you watching and listening
to a little brother and his sisters, me watching you
quietly spooning cold sweetness to our lips.

I finish first, sit content, tell you
to take your time.
That it’s what we came for
to take time.
To hold and warm each others’ hands
to find and follow sunlight
the rush of the wind, the sweetness
of this life.

A gift to open slowly
you singing like starlight
you next to me, beside the water
your fingers pressed
into mine, time shimmering
like waves on sand
tall white sails
rising into the distance.

I touch the dandelion head
in my tote pocket
spread its yellow cup
in my fingers
feel the sun
feel you
beside me
still shining.


Stacie Eirich is a mother, poet & singer in Louisiana. Her work is forthcoming in Synkroniciti Magazine. Her poem “Blossoms” published in Susurrus Magazine in 2023 was nominated for The Pushcart Prize. In 2023, she lived in Memphis while caring for her child through cancer treatments at St. Jude. www.stacieeirich.com

The Birdhouse

Poetry by Christine Andersen

for the sparrows

In retirement,
my partner built a birdhouse from cedar
to withstand the New England winters.
Twelve inches high,
four by four at the base,
hinged roof for cleaning.
The entrance hole measured 1¼ inches
seven inches above the floor—
no perch for crows or magpies
to devour eggs or hatchlings.

He hung the birdhouse on a giant oak
facing east from prevailing winds
to be bathed in sun on brisk mornings,
shaded in the afternoons.
The wood was left unpainted to blend
into the October landscape.
He had thought of everything
in the way a man researches,
makes detailed lists, follows specifications.

The wait for a pair of sparrows began.

Today I lift the roof
and clean out an abandoned nest
for new mates to move in.
My partner has been dead
more than a year now.
He never saw the first sparrows
or watched their young fly free—
the one thing he didn’t plan for.
The one thing we never saw coming.

I close the top
and search the empty sky.
New sparrows will arrive in due time,
become part of my love story.


Christine Andersen is a retired dyslexia specialist who now has the time to hike in the Connecticut woods with her three dogs, pen and pad in pocket. Publications include Comstock, Awakenings, Evening Street and Gyroscope Reviews, Slab, and Glimpse, among others. She won the 2024 American Writers Review Poetry Contest.

I drove him back to the airport

Poetry by Penelope Scambly Schott

hoping he wouldn’t tell me, his old mother,
that I ought not to still be driving.

I didn’t turn the car key until I couldn’t see
his blue shirt through the revolving door

and then I drove the 100 miles back home
past cliffs we had just passed together.

Here is his unfinished coffee still in the cup.
I will go lie down in the guest bed

before I strip off his wrinkled sheets.
I will imagine they are still warm.


Penelope Scambly Schott’s most recent book is Waving Fly Swatters at Angels. Forthcoming is gOD: A Respectfully Divergent Testament. Penelope is a past recipient of the Oregon Book Award for Poetry.

Bookmark

Poetry by John Hoyte

I grabbed it from the bookcase, to read before bed.
The Problem of Pain, a two shillings and sixpence
Fontana paperback, from my college days.
It tackles the question, If there is a loving God,
why does He permit pain?
I chose it to see if C.S. Lewis’s writing
still resonated for me.
A bookmark fell out.
The Grand Hotel, Taipei, Taiwan.
Pain came surging back, engulfing me
in sorrow, though bitterness had gone.

The year my wife died had been a year of devastation.
To get away, Lisa, my daughter, and I flew
to Taiwan on a business trip.
We stayed at The Grand Hotel, and felt like royalty.
External opulence, internal grief.
I look back over thirty years.
My daughter’s daughters are in college
and I have just turned ninety-one.

I went to sleep in gratitude, thinking of my daughter
who has stood by me with love, grace and courage.


John Hoyte is a retired engineer, artist, and explorer.

Spring

Poetry by Nancy Byrne Iannucci

My cat ran when Hedwig’s Theme began.
I thought cats were in tune with all things witch
and supernatural. Or can he sense the change?
House finches are all the teeth-chattering rage.
He spent the afternoon trying to destroy a toy hummingbird in celebration.
He fell asleep with the bird beside him like a teddy bear.
Hedwig’s turn will come when the mood shifts the sun,
the day loses light, and the night howls for the owl.
But for now, spring is here, filled with frantic nest building.


Nancy Byrne Iannucci lives in Troy, NY with her two cats: Nash and Emily Dickinson. She has been published in multiple literary journals and is the author of three chapbooks: Temptation of Wood (Nixes Mate Review, 2018), Goblin Fruit (Impspired, 2021), and Primitive Prayer (Plan B Press, fall 2022). Visit www.nancybyrneiannucci.com or on Instagram: @nancybyrneiannucci.

Swing

Poetry by Rachel Beachy

Pushing her swing back and forth
with the baby on my chest
I do not know
the day the time or how
to finish a thought
all the hours go into something like this
returning to baseline
a pendulum swinging from
mess to order
hunger to fullness
chaos to calm, repeat.
And all along
they are growing —
I see it now
her hands wrapped tightly around the chains of the
big girl swing
she could not reach last week
how I watch her flying forward and yet
going nowhere at all
these days
thank god
thank god
how they always come back
to me.


Rachel Beachy is a graduate of the IU School of Journalism (2014) and worked in broadcast radio/tv before several years in marketing. Since 2020, she has worked from home and has enjoyed finding an enthusiastic community of writers and readers. She resides in Louisville with her husband and two daughters.

Logging the Land

Poetry by Nancy Kay Peterson

The 40-acre coulee was
mostly woody slopes
and for the health of
the younger trees
had to be logged,
just like carrots
and beets have to be
thinned to thrive.

She hated even thinning
killing vegetables,
and crashing tree falls
broke her heart.
She hated the buzzing
crack of breaking timber
branches and stumps piling up
ruts trucks were making.

But ruts would fill in
and become trails
she could hike to explore
for wildflowers and ginseng.
And decaying trunks
would support fungi, mushrooms
and prized morels.

So she steeled herself
to the pillaging of the forest
tried not to think like a tree
tried to fall gracefully
into acceptance.


Nancy Kay Peterson’s poetry has appeared in The Bluebird Word, Dash Literary Journal, Last Stanza, The RavensPerch, Spank the Carp, Steam Ticket, and Tipton Poetry Journal. She co-published Main Channel Voices: A Dam Fine Literary Magazine (2004-2009) and has authored two chapbooks: Belated Remembrance (2010) and Selling the Family (2021). Visit www.nancykaypeterson.com.

Because It’s Beautiful

Poetry by Beate Sigriddaughter

She does not believe in obedience to complications. When she plays her flute, she doesn’t play because it’s hard. She plays because it’s beautiful, like singing, even if it is ridiculously easy. Explaining this to experts is a challenge. Sometimes it takes days before she can resume reality with unassuming confidence. She is old enough to follow her own rules, but often still hesitates at the door of permission without knocking, and she still has trouble finding a safe haven for her longing. Once upon a time she woke up celebrating trees outside her window or the scent of cedar after rain and sparkles at the tips of junipers. She contemplates the lord of good intentions with a trembling candle in her hand, like Psyche looked at Eros long ago. Just like a simple tune, she finds him beautiful, and bravely whispers to herself: Let him sleep. He needs his rest, trapped in his fears. Every restraint, though, makes the future harder, like incessant rain as summer fades into the dreaded shapes of insignificance. She gathers scents and music, fragments of herself. People parade in her dreams, harmless like conundrums. Sometimes she dreams of perfume and all her misery is nothing more than being reasonably well loved. She readily admits she might have liked God but never got a chance. She never steals from others, not intentionally anyway. Now she must simply learn to master not stealing from herself.


Beate Sigriddaughter, www.sigriddaughter.net, lives in Silver City, New Mexico (Land of Enchantment), where she was poet laureate from 2017 to 2019. Her poetry and short prose are widely published in literary magazines. Recent book publications include a poetry collection, Wild Flowers, and short story collection, Dona Nobis Pacem.

Muscle Memory

Poetry by Anne Bower

She’d told us the genetics,
smiled into the words
as if Alzheimer’s was just
some trip to the beach.

Now she can’t drive,
husband brings her to class,
where she’s
blank-faced at first,
repeats name of disease
that’s taking her mind.
Frowns as we start,
yet her body glides to tai chi.

A pause. She shakes her head,
not knowing what comes next.
A breath, shudder,
yet years of practice surge
her forward. She steps, turns,
gestures easy, smooth.
She’s swimming in a calm sea,
grins with delight.


Anne Bower lives in rural Vermont, teaching tai chi and training tai chi instructors. She has three chapbooks to her credit and poems published in The Raven’s Perch, Gemini Magazine, Cool Beans, Nine Cloud Journal, Plainsong, and many other journals and anthologies.

The Fool: 0

Poetry by J.T. Whitehead

Sometimes acumen gets lost
when tossed like the cards
that are lost in the bets
that we secretly play
in our way – meaning to lose
our sense of all meaning
or meaning to lose our way –
& wands become canes
now holding us upwards.

We dance across plains
all sundown & westwards
to graveyards & canyons
                & tin-can saloons.

No longer seers & no longer
bards & no longer tossing
our meaningless cards
                                          away
like our fate or our money today – tonight,

Tonight
               we wager on play.

 


J.T. Whitehead has published poetry in Slipstream, The Iconoclast, Gargoyle and The New York Quarterly, among others. He edited “So It Goes,” the journal of the Kurt Vonnegut Library, briefly, for five issues. He lives in Indianapolis with his sons, practicing law by day and poetry by night.

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