Category: Poetry (Page 8 of 43)

Chocolate Skies

Poetry by Peter A. Witt

In the twilight, the sky drips chocolate,
a velvety hue, soft as a lover’s caress,
filling the horizon like melted dreams.

Clouds loom, thick and rich,
floating like frosted truffles,
each a promise wrapped in dusk.

I savor dark pieces, bitter and sweet as memories,
each morsel a kaleidoscope of comfort.

Stars prick the canopy, tiny sugar sprinkles
against the night, while the moon blushes,
a creamy ganache, pouring tranquility
over weary eyes, chocolate in the clouds
and on my tongue, molding time into moments,
indulgent and fleeting.


Peter A. Witt is a Texas poet, twice nominated for Best of the Net. Peter also writes family history, is an avid birder and photographer. His poetry has been published on various poetry sites and appears in several anthologies.

Kingfisher

Poetry by John Grey

A dazzle of blue
skirts the green-water pond,
merges with a fish
in its squat beak.

He is a king.
No other bird sits so squat,
so regally, on a tree branch.

And a fisher of course.
His catch is inhaled
neatly down his gullet.

He flies off
and other birds arrive
in his wake.

They land
in a wave of salutations,
in a homage
to his feathery crown.


John Grey is an Australian poet, US resident, recently published in New World Writing, River And South and Tenth Muse. Latest books Subject Matters, Between Two Fires, and Covert are available through Amazon. Work upcoming in Paterson Literary Review, White Wall Review and Cantos.

First Light

Poetry by Sam Barbee

Snow surrounds the wide pond.
Squirrels bound edges.
Silence begotten by still water.
Catalyst for green leaves,
and April hymn.

Crystal glaze bursts open in sun–
ice will submit, sepia dispelled
with winter’s consent.
                                                  Trees resemble
black keys against white horizon,
flats and sharps to swoon the rabbit
down the slope.
                                   Chill abides
with brown bear and cub.
Downey woodpeckers tap notations.
Nature’s fresh overture
                                                      spills treble,
underlies with bass notes–
morning song
and dirge alike.
                                  A red fox waltzes
extinction. Toppled trunks and stumps
ossify, and
                        shadows absorb imprecise
light. A lively etude evolves
with the immaculate meadow.

Evergreens sway, fallen cones
freckling drifts. Each impact
an apostrophe
                                 to this frozen canticle.
Dwindling imprints reminding
we dance alone.


Sam Barbee’s newest collection is Apertures of Voluptuous Force (2022, Redhawk Publishing). He has three previous poetry collections, including That Rain We Needed (2016, Press 53), a nominee for the Roanoke-Chowan Award as one of North Carolina’s best poetry collections of 2016; he is a two-time Pushcart nominee.

Lessons from Fire and Water

Poetry by Diane Melby

Fish jump in the canal behind the trailer park where I rest
my feet on a plastic bin, let the sun warm my neck.

This is not a park on the outskirts of a declining town but a haven
for those fleeing winter winds, returning each year to this community

where friendships grow as days melt over cocktails
and the sun sets over western lands.

I visit my sister whom I haven’t seen since fire stole her home in Lahaina
and she seems ok, enjoying activities with neighbors

and in quiet times, knitting hats to sell in her daughter’s shop, except
for a certain lassitude that has settled in the depths of her eyes.

They used to sparkle with the same blue green of the ocean
but now have darkened, reflecting the change in tides.

We launch paddleboards in a quiet cove of the Indian River. Accustomed
to the feel of shifting waters, she leads us through mangrove forests

into a tranquil lagoon. Later, I lose my bearing as mercurial winds
threaten to sweep me into turbulent waters. Every muscle tightens,

fear drives my breath away. I dig my paddle frantically into the water
as if I can dig myself a tunnel out of trouble. She comes to my rescue,

reminds me to stay calm when navigating rough waters. With a gentle push,
she returns me to the safety of the cove.


Diane Melby’s poetry has appeared in Gyroscope Review, Quartet, and Thimble, as well as in other print and online publications. She was recognized for literary excellence in 2024 by the Poetry Society of Virginia. She is the founder of the Salon for Creative Expression @ www.dianemelby.com, an intimate online arts community.

Enthusiasm for the Smell of the Sea

Poetry by Allan Scherlen

Open the car windows
          and feel
                    the sea breeze blowing
through seats—
          thick with smell
                    of salt and sand;
we drove over rice fields;
          seagulls swarmed
                    the field’s grain;
and we crossed a causeway bridge—
          seeing birds soar
                    over mirrors of water fields,
our family singing to the radio,
          with enthusiasm for the sea.


Allan Scherlen’s experience is rooted in San Antonio and exploring roads along the Gulf of Mexico; eventually he moved to the Appalachia mountains. Along the way, poetry arose. And some friendly animals stuck around. Trips to Mexico and China influenced his writing. Being a librarian brought him close to books. For a specially-created video of this poem, please visit YouTube.

Above Omena Lake

Poetry by Sarah G. Pouliot

We lounge on the ledge of your grandfather’s dock
with two poles and a punctured cup of crickets,
watching snow geese ascend in an arrow,
black-tipped wings slicing dawn,
bellies blurred in billows.

Saltwater taffy cements to our molars;
toes wiggle in ripples, the whip
of your translucent line cracking
Omena’s mirror—when I tell you,
“I’m afraid of heights but not falling.”

Catapult me in the air—
a diving gannet searching for sardines,
a leaping Devil Ray, the sway of an oak
surrendering to wind like the smoke
from your after-breakfast cigarette.

Falling is familiar:
a scraped knee and sideways bike,
a plugged nose and cannonball plunge,
the plop of your soaring bobber brushing
the water like a sloppy morning kiss.


Sarah G. Pouliot is a poet and editor from Titusville, Florida. She believes that poetry has the power to bring stillness and meditative reflection in the midst of life’s chaos, and she hopes that her writing can do this for you—even if only for a moment.

The Ghost Light Greets the New Company

Poetry by Lois Anne DeLong

Standing watch during the intervals
When the applause has faded
A single bulb keeps guard
In this sacred space

A safety measure of course,
This unadorned ghost light.
No more than a bulb on a stand
Yet, perhaps something more

A welcome to those who
Would not tread earth’s boards again
What shadow plays might these
Restless thespians choose to stage?

Unfettered from the constraints
Of printed word, melodic forms,
Physical limitations, or living imaginations.
Free at last to share their dreams

On this side of
The undiscovered country
The word “Places” can be heard
And the replacement cast now take their places


Lois Anne DeLong is a freelance writer living in Queens, New York, and an active member of Woodside Writers, a literary forum that meets weekly. Her stories have appeared in Dear Booze, Short Beasts, and DarkWinter Literary Journal, and her poetry is found in Literary Cocktail.

Instructions on Chivalry

Poetry by Nancy Kay Peterson

Hold the door open
and honor “Ladies First.”
Pull out the chair
when she seeks a seat.
Walk on the street side
to shelter her from splashes.
Stand up when she enters
or leaves a room.
Lend her your arm
when the going gets rough.
Don’t leave bruises
that have to be explained.


Nancy Kay Peterson’s poetry has appeared in The Bluebird Word, Dash Literary Journal, Last Stanza, RavensPerch, Spank the Carp, Steam Ticket, and Tipton Poetry Journal. She co-published Main Channel Voices: A Dam Fine Literary Magazine (2004-2009). She has authored two chapbooks, Belated Remembrance (2010) and Selling the Family (2021). See www.nancykaypeterson.com.

tree

Poetry by Miguel Rodríguez Otero

the tree at the back of my yard is scheduled
to be felled by the city in the coming days
its roots spread well into the wildflower patch
then outward and deep
eventually intersecting with fiber cables

my father planted it soon after i was born
in the black-and-whites he is digging a hole
while mom is breastfeeding me

half my life is scattered around this tree
playing fetch with dog
first cigarettes at night at the swing

the other half is buried
childhood thoughts and teenage obsessions
that have hidden away
inert like cables that intertwine with adult fears
which i always say i’ll unearth
and get rid of in the winter

but all of them – roots and fears –
have continued growing

the tree remains quiet
probably considering whether
to change colors and shed leaves
as if nothing was to happen

my feet are now restless
waiting for a sign
unsure how to say goodbye
to mom and dad
raising me away from fears


Miguel Rodríguez Otero’s poems appear in The Lake, Book of Matches, Red Fern Review, Wilderness House Literary Review, Scapegoat Review, Last Leaves Magazine, The Bluebird Word, DarkWinter Literary Magazine, and The Raven’s Perch. He likes walking country roads and is friends with a heron that lives in the marsh near his home.

This morning, I woke early

Poetry by Stacie Eirich

This morning, I woke early, stepped out
when eastern light was rising. A cool breeze
brought goosebumps. Two blue finches
flew fast, diving and calling from tree to tree.
The thick hanging branches of palms swayed,
hiding flashes of feathers beneath green tents.
The rumble of motors began to whir as the hour
turned, the roar of engines breaking through air
as titanium wings soared above, over and over
hulking giants of steel passing in dawn’s light.
The day bright with golden sun, the noise
of so much life, so much commotion.
My heart beats small, silent, my ears unable
to stifle the sounds throbbing around me.
I go back inside, sip my coffee, read a few lines.
Listen to the sounds muted, watch the light creep
over the trees, the rocks, the pool’s edge.
Watch how the water almost stills, its flow
small and constant, a moving blue-green mirror.
Feel how time moves slowly, how in this space
there is only air and light, cool and warmth,
flowing water and rough-hewn rock.
How they live and breathe in the midst
of our human clutter and noise and need
of so much, of more, of everything.
How the only thing they need is the rising
of rays to ascend heavenward— how the branches
reach the light, fingers of fronds dancing
beside a blue jay’s quick winged perch.
How when I step outside once more, my fingers
can’t quite reach, touch, my skin can’t feel
this brightness. My heart moored elsewhere, my soul
seeking peace in a place that can’t be mine. Even with
all this light, all this life— all these things.
What is enough? I wish to be a bird, to fly and call,
fleeing and free, quick and light as dawn, rising
with silver-tipped wings into golden sunlight. Here
then gone — bright, beautiful. A small burst
of feathered joy in golden sunlight, a brush of dawn, a rush
of feathers, a voice ringing loud, blue-silver streak
of a bright, exuberant heart.


Stacie Eirich is a mother of two, caregiver, and poet. Her book, Hope Like Sunlight (Bell Asteri Publishing, 2024), is an illustrated memoir benefitting St. Jude Children’s Research Hospital. Her poems have recently been published in The Amazine, The Bluebird Word, and Synkroniciti Magazine. She lives in Texas. Visit her at www.stacieeirich.com

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