An Online Literary Journal for Poetry and Flash

Category: Poetry (Page 9 of 35)

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Poetry by John Hoyte

I grabbed it from the bookcase, to read before bed.
The Problem of Pain, a two shillings and sixpence
Fontana paperback, from my college days.
It tackles the question, If there is a loving God,
why does He permit pain?
I chose it to see if C.S. Lewis’s writing
still resonated for me.
A bookmark fell out.
The Grand Hotel, Taipei, Taiwan.
Pain came surging back, engulfing me
in sorrow, though bitterness had gone.

The year my wife died had been a year of devastation.
To get away, Lisa, my daughter, and I flew
to Taiwan on a business trip.
We stayed at The Grand Hotel, and felt like royalty.
External opulence, internal grief.
I look back over thirty years.
My daughter’s daughters are in college
and I have just turned ninety-one.

I went to sleep in gratitude, thinking of my daughter
who has stood by me with love, grace and courage.


John Hoyte is a retired engineer, artist, and explorer.

Spring

Poetry by Nancy Byrne Iannucci

My cat ran when Hedwig’s Theme began.
I thought cats were in tune with all things witch
and supernatural. Or can he sense the change?
House finches are all the teeth-chattering rage.
He spent the afternoon trying to destroy a toy hummingbird in celebration.
He fell asleep with the bird beside him like a teddy bear.
Hedwig’s turn will come when the mood shifts the sun,
the day loses light, and the night howls for the owl.
But for now, spring is here, filled with frantic nest building.


Nancy Byrne Iannucci lives in Troy, NY with her two cats: Nash and Emily Dickinson. She has been published in multiple literary journals and is the author of three chapbooks: Temptation of Wood (Nixes Mate Review, 2018), Goblin Fruit (Impspired, 2021), and Primitive Prayer (Plan B Press, fall 2022). Visit www.nancybyrneiannucci.com or on Instagram: @nancybyrneiannucci.

Swing

Poetry by Rachel Beachy

Pushing her swing back and forth
with the baby on my chest
I do not know
the day the time or how
to finish a thought
all the hours go into something like this
returning to baseline
a pendulum swinging from
mess to order
hunger to fullness
chaos to calm, repeat.
And all along
they are growing —
I see it now
her hands wrapped tightly around the chains of the
big girl swing
she could not reach last week
how I watch her flying forward and yet
going nowhere at all
these days
thank god
thank god
how they always come back
to me.


Rachel Beachy is a graduate of the IU School of Journalism (2014) and worked in broadcast radio/tv before several years in marketing. Since 2020, she has worked from home and has enjoyed finding an enthusiastic community of writers and readers. She resides in Louisville with her husband and two daughters.

Logging the Land

Poetry by Nancy Kay Peterson

The 40-acre coulee was
mostly woody slopes
and for the health of
the younger trees
had to be logged,
just like carrots
and beets have to be
thinned to thrive.

She hated even thinning
killing vegetables,
and crashing tree falls
broke her heart.
She hated the buzzing
crack of breaking timber
branches and stumps piling up
ruts trucks were making.

But ruts would fill in
and become trails
she could hike to explore
for wildflowers and ginseng.
And decaying trunks
would support fungi, mushrooms
and prized morels.

So she steeled herself
to the pillaging of the forest
tried not to think like a tree
tried to fall gracefully
into acceptance.


Nancy Kay Peterson’s poetry has appeared in The Bluebird Word, Dash Literary Journal, Last Stanza, The RavensPerch, Spank the Carp, Steam Ticket, and Tipton Poetry Journal. She co-published Main Channel Voices: A Dam Fine Literary Magazine (2004-2009) and has authored two chapbooks: Belated Remembrance (2010) and Selling the Family (2021). Visit www.nancykaypeterson.com.

Because It’s Beautiful

Poetry by Beate Sigriddaughter

She does not believe in obedience to complications. When she plays her flute, she doesn’t play because it’s hard. She plays because it’s beautiful, like singing, even if it is ridiculously easy. Explaining this to experts is a challenge. Sometimes it takes days before she can resume reality with unassuming confidence. She is old enough to follow her own rules, but often still hesitates at the door of permission without knocking, and she still has trouble finding a safe haven for her longing. Once upon a time she woke up celebrating trees outside her window or the scent of cedar after rain and sparkles at the tips of junipers. She contemplates the lord of good intentions with a trembling candle in her hand, like Psyche looked at Eros long ago. Just like a simple tune, she finds him beautiful, and bravely whispers to herself: Let him sleep. He needs his rest, trapped in his fears. Every restraint, though, makes the future harder, like incessant rain as summer fades into the dreaded shapes of insignificance. She gathers scents and music, fragments of herself. People parade in her dreams, harmless like conundrums. Sometimes she dreams of perfume and all her misery is nothing more than being reasonably well loved. She readily admits she might have liked God but never got a chance. She never steals from others, not intentionally anyway. Now she must simply learn to master not stealing from herself.


Beate Sigriddaughter, www.sigriddaughter.net, lives in Silver City, New Mexico (Land of Enchantment), where she was poet laureate from 2017 to 2019. Her poetry and short prose are widely published in literary magazines. Recent book publications include a poetry collection, Wild Flowers, and short story collection, Dona Nobis Pacem.

Muscle Memory

Poetry by Anne Bower

She’d told us the genetics,
smiled into the words
as if Alzheimer’s was just
some trip to the beach.

Now she can’t drive,
husband brings her to class,
where she’s
blank-faced at first,
repeats name of disease
that’s taking her mind.
Frowns as we start,
yet her body glides to tai chi.

A pause. She shakes her head,
not knowing what comes next.
A breath, shudder,
yet years of practice surge
her forward. She steps, turns,
gestures easy, smooth.
She’s swimming in a calm sea,
grins with delight.


Anne Bower lives in rural Vermont, teaching tai chi and training tai chi instructors. She has three chapbooks to her credit and poems published in The Raven’s Perch, Gemini Magazine, Cool Beans, Nine Cloud Journal, Plainsong, and many other journals and anthologies.

The Fool: 0

Poetry by J.T. Whitehead

Sometimes acumen gets lost
when tossed like the cards
that are lost in the bets
that we secretly play
in our way – meaning to lose
our sense of all meaning
or meaning to lose our way –
& wands become canes
now holding us upwards.

We dance across plains
all sundown & westwards
to graveyards & canyons
                & tin-can saloons.

No longer seers & no longer
bards & no longer tossing
our meaningless cards
                                          away
like our fate or our money today – tonight,

Tonight
               we wager on play.

 


J.T. Whitehead has published poetry in Slipstream, The Iconoclast, Gargoyle and The New York Quarterly, among others. He edited “So It Goes,” the journal of the Kurt Vonnegut Library, briefly, for five issues. He lives in Indianapolis with his sons, practicing law by day and poetry by night.

For the Love of Color: Ochre

Poetry by Linda Allison

Ochre is a wanderer
Embarking from deep yellow, it charts its way across the palette,
eventually landing somewhere in the vicinity of terracotta.
Ochre is the paprika in my soup and the cinnamon on my toast.
It is a farm-fresh egg, dark yolk dancing in the skillet,
and a hoo-doo rising from the floor of the Palo Duro Canyon.
It is the west Texas sky moments before the sun drops below the horizon.
My memories of Big Bend are all in ochre.

I am a study in ochre. Lids dusted, cheeks rubbed, warm golds and earthy red-browns,
Maybelline Autumn Copper and Almay Sunkissed Bronze
My hair and my sister’s hair, too, different ends of the spectrum: ginger and auburn
both now faded by the years

Isn’t it interesting that what ancient cave art remains was all drawn in ochre?


After forty years in finance, Linda Allison is enjoying a second life as a writer, photographer, and explorer. Her work has appeared in Bright Flash Literary Review, Pile Press, 2023 Utah’s Best Poetry and Prose Anthology, and others. Find her photography in Persimmon Tree and Burningword Literary Journal.

Anapana

Poetry by Tasneem Sadok

Overexposed with explosive imagery
the senses can quickly become dulled
to the granular exhilaration
of a grazed hand
Next time a snowflake falls on your cheek
Pause
And savor the icy pinprick
a crystallized remnant of your planet’s origin
Feel it dissolve
into your breathing pores
already restless
to transform again


Tasneem Sadok is an MD-PhD student at UCLA, fascinated by the brain’s intricacies in contexts of dysfunction. As the American-born daughter of immigrants who fled autocracy, her worldviews have always been steeped in countervailing dualities. Poetry has allowed her to find resolution in mind-numbing tensions while defamiliarizing accepted realities with curiosity.

Just Kids

Poetry by Susan Zwingli

deep summer bursts the wide garden gate
sweet freedom calls us from whitewashing fences
soon, the jilted brush slouches down the wall, bereft
but we take the hill and its warm, tickling grasses
your emerald eyes tracking the tickling path of a ladybug on my arm
she has her secrets, we have ours
race you, yeah! on the count of three?
running, breathless, our legs pumping pistons
laughing, landing double on your banana-seat bike
a playing card clipped to the tires, poppity-pop-popping
my hands holding onto your hips
we think we’re so grown up, you and I
but late-day thunder booms deep in the sky,
somewhere, far-off, our innocence is running out of time
the changing light chases us, softly laps at our ice cream
mint chip for you, raspberry sherbet for me
blushing my lips pink like the lipstick I’m forbidden to wear
I hope you’ll see
you smile, the freckles on your nose a sweet constellation that I want to kiss
when did you become something more
than just a boy I played with at recess?
I’m all of 11 now, one foot in, one foot racing ahead to some map-less place
but maybe today, we can just be kids, lost in the strange and the wonderful
wandering deep along the river bed, fireflies lighting the sweet-smelling rain
fingers and dreams entangled
while our mothers’ hearts are calling us home


Susan Zwingli is a poet currently living in Boise, Idaho. She writes about love, belonging, and loss, as well as the natural beauty of the Northwest, and exploring mystical spirituality. She holds a BA in English from Michigan State University and a Masters from the Portland Seminary (OR).

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