Category: Poetry (Page 9 of 43)

Mothers Carrying Things

10 May 2025 / Editor

Poetry by Rachel Beachy

We begin by carrying the car seat,
the diaper bag, the pump parts
and pacifiers.
Then they grow and bring us
collected rocks, Lego blocks,
remains of snacks,
dirty tissues.
All of this
we take in
so they will know:
whatever you hand to me,
I can handle
no matter how heavy it gets.
Remember, I once carried
my whole world
in the crook of my elbow.
There is nothing I cannot hold
for you.

Rachel Beachy lives in Kentucky with her husband and children. Her poems have appeared in Ephemera, Freshwater, The Orchards Poetry Journal, The Rising Phoenix Review, Sky Island Journal, Steam Ticket and others. Her debut collection “Tiny Universe” will be published by Kelsay Books.

Making Beds

7 May 2025 / Editor

Poetry by Alexandra Newton Rios

I throw the clean sheet up into the air
that my mother bought us
from the United States
to stretch it across the wide algarrobo bed
and as I center the white-and-light gray striped top sheet,
tuck each side along the bed
with the tips of my fingers
because the top sheet has not held bodies,
cradled them across the years
unlike the bottom fitted sheet grown threadbare
and sewed back into life several times,
I think of my mother before she is gone.
I have been doing this a lot lately
and wonder if the memory of her
will remain in the sheet
when I fly it into the air
and let it down on my bed.
Will memory cover me and warm me
when I need to be warmed?
How do we suddenly stretch memories
so that out of the old the new may come?
My mother taught me to fold
hospital bed corners at the end of the bed
holding sheets and blanket together.
I gained a Housekeeping badge
as a Junior Girl Scout.
We are so different.
Throughout my years in another land
where she was born I have only needed
to know she is still living.

Alexandra Newton Rios is the mother of five children and a marathon runner. Nueva York Poetry Press published Poemas de Georgia/The Georgia Poems, one long poem in 34 parts as a dialogue with American artist Georgia O’Keeffe in November 2024.

Unbridled

1 May 2025 / Editor

Poetry by Rachel Beachy

When the horses run, they run
wildly without pre
amble – the gates open
the gun sounds
they go as if their lives depend on it
and they do
They were born so they walk
and they walk so they run –
I used to find it remarkable, how at two years old
they could be their fullest force
then I watch you at the same age,
your short legs carrying you
down
the
hill
as close to flying as falling
and so free you do not fear the difference.

Good Night, Jasper

27 April 2025 / Editor

Poetry by Brian Christopher Giddens

At the end of the day, I go downstairs to where Jasper lays sprawled across the cushions of the couch he claimed ten years ago when he first arrived, shaking with fear, pressing himself into a corner against the armrest. But now he knows the nighttime ritual: he stretches his legs, rolling to the side to expose his white-fur chest. I perch on the edge of the couch, rubbing his belly, his eyes open, still not fully trusting, my touch gentle, slow, as Jasper doesn’t like surprises. One final rub and I move to the kitchen, the treat jar. With the clang of the pottery lid, he rouses from his bed for three small biscuits, gently taken one by one from my fingers. I walk to the stairs, stop on the landing, turning back to see him standing near his bed, watching me. “Good night, Jasper, be a good boy,” I say. His deep brown eyes stare back, as if he’s saying the same thing to me, making sure I’m on my way, before returning to his couch and an undisturbed slumber.

Brian Christopher Giddens writes fiction and poetry from his home in Seattle, where he lives with his husband, and Jasper the dog. Brian’s writing has been featured in Sequestrum, Litro, Roi Faineant, Raven’s Perch, Hyacinth Review, Rue Scribe, Glimpse and Evening Street Review. His work can be found on https://www.brianchristophergiddens.com/

Sestina for a Beloved Son

24 April 2025 / Editor

Poetry by Alice Collinsworth

I start the journey to see him before dawn, a long stretch
of interstate highways and two-lane roads to follow,
traveling alone a long distance with only the voice
of my mapping app for company. I turn
on the radio for a while, looking for distraction, but time
passes slowly nonetheless. I turn it off again. Straight

ahead is the entrance ramp to I-35. “Drive straight
for 148 miles,” Google instructs me. This stretch
is well known, comfortable, traveled many times
to class reunions or family gatherings in Kansas. “Follow
the yellow brick road,” as they say there. I turn
my mind to autopilot and talk to myself, my voice

rising above the hum of the tires; the only voice
answering is the one in my head (not always on straight,
I admit, muddling conversations). I can turn
that inner voice off sometimes, but not today. It’s a stretch
to engage with it, honestly, but we reminisce together. I follow
a red Peterbilt to Wichita, making good time.

From there it’s a less-familiar route, traveled only a few times,
northeast to Kansas City to see my son. His voice
on the phone had sounded so earnest, beseeching – so I follow
the compass of my heart, though our relationship was never straight-
forward. There were years we barely spoke, long stretches
of distance and silence. He has reached out now, so it’s my turn

to make the effort, to reach back. We had issues, but he’s turned
out so very well, and I yearn to be there now. This time
I’m determined to connect, to build that bridge. I stop to stretch
my legs and buy coffee at a truck stop, where the cashier’s voice
reminds me of my own late mother – a strait-
laced woman if there ever was one, who followed

her Bible’s rules doggedly. One of the rare, true followers
of Christ, she called herself. “You must turn
from your evil ways,” she would admonish my son. “Strait
and narrow is the gate, you know.” She railed at him so many times
that we stopped going to her, stopped calling. I don’t want my own voice
to sound like hers. Love needs to bend, to expand, to stretch

and embrace. I follow the guidance of the GPS and not my mom this time,
turning onto the last highway that leads to the voice of my dear son,
heading straight to him, stretching out my arms.

Alice Collinsworth worked in journalism, writing and media relations during her career and is now happily retired with her cat, Cookie, to keep her company. Her poems and stories have appeared in several online journals and local collections. She has won numerous awards in regional contests. She lives in Oklahoma.

Baby Mama in Autumn

17 April 2025 / Editor

Poetry by Laurie Didesch

For my Mom

The radiant light intensifies the blue sky. It filters
down from on high. Baby Mama and I are walking
through the kaleidoscope of colors. Baby Mama

stops awestruck. With hand to mouth, she points
to a fiery maple tree and a sunburst locust with
golden leaves. Excited, she declares, I’ve never

seen such beauty. What has happened to these
trees? The day is bright and clear in contrast to
her memory. But this moment offers a glimmer

of hope that all is not lost. Baby Mama can still
experience wonder—the pure simple joy of a
child in a moment of discovery. She reminds

me that regardless of our plight, we can still
celebrate life. We rarely stop to notice the new
in every moment. She sends a message despite

her dementia. We need only look with fresh
eyes to experience delight. However, I still
mourn her illness and it’s devastating effects.

Baby Mama and I head home. We both have
a skip in our steps knowing that the mist some
times lifts and gives us a glimpse of eternity.

Laurie Didesch has poetry appearing or forthcoming in Ibbetson Street, The Comstock Review, The MacGuffin, California Quarterly, Third Wednesday, Young Ravens Literary Review, The Ravens Perch, and Stone Poetry Quarterly, among others.

The Sound of the Rain

12 April 2025 / Editor

Poetry by Steven Deutsch

My grandmother liked nothing
better than to walk in the rain.
On days when most were calculating
how best to stay dry while getting from A to B
she would don her old gray raincoat
and even older brown umbrella
and walk a few miles down Church Avenue
past a hundred store fronts
to nowhere in particular.

She never wore a watch
and I often wondered
how she knew to turn back
or if she always would.
It would not have been that hard,
it seemed to me,
to find a better place to live.
I watched for her,
as if the watching were a magnet
to draw her back home.

I only walked with her once.
At first, I blabbered and struggled
to keep up—my stride
half of hers.
But I soon settled, realizing
the sound of the rain
didn’t need the accompaniment of my voice.
That very wet March Day
she took me into one of the corner candy stores
that dotted our path
for a burger and vanilla malt.
Grandma had tea with milk and sugar.
The trip back was half as long
and twice as quiet—in the best way
I could imagine.

Steve Deutsch is editor of Centered Magazine. He has published six poetry books of which Brooklyn was awarded the Sinclair poetry prize by Evening Street Press. He has been nominated for Pushcart Prizes and the Best of the Net.

Midnight Music

10 April 2025 / Editor

Poetry by Tracy Duffy

Like a…rat-a-tap-tap
from the drummers—drum
goes the night-time, in the forest
like the crickets—hum
Chiming in, the hooting
of the owl at night

set the tempo, set the tempo
to the music, midnight

Neon shiny stars
grant the stage, its light
the rattle—ssh, – rattle – ssh
of a sliding snake
and the dripdrop, dripdrop
of fish into the lake

set the tempo, set the tempo
like the drummers-drum
Hum…hum…hoo
Ssh…ssh…shey
Drip…drop…doo
Tempo Set

Tracy Duffy writes poetry while taking a gap year from a lifetime of work in medical cosmetology. Earned BS in Organizational Management while raising a family. Published in Bacopa, Writers Alliance Gainesville; P’AN KU, BCC Student Literary/Arts Magazine; Tiny Seed Literary Journal; Open Door Magazine Labyrinth; Anti-Herion Chic; Passage: The River.

Not Mary Oliver’s Linden

4 April 2025 / Editor

Poetry by Diane M. Williams

Mary Oliver drove through Linden,
Alabama, and wrote about hulking birds
of prey in a field outside of town.
I wonder what led her to that southern
town that I forsook years ago.
Now, years after her death,
it’s much too late to ask.

Yes, I remember black vultures
descending on rotting carcasses,
shiny summer grasses of field and roadside.
But my Linden, Alabama, is not
the detached visual image of Mary Oliver.

Girl, age twelve, brother and two sisters,
Damn Yankees from up north,
Dad trying to make a go
as a dairy farmer in the Alabama Black Belt,
Mom a hospital nurse.
We didn’t know to say yes ma’am no ma’am.

Summer whipped the sultry farmhouse,
tarantula mother birthed her babies on my bedroom wall,
black widows nested in abandoned buckets,
our home a tired reminder of neglect—
peeling paint and broken shutters,
our lawn a field of weeds,
Lombardy poplars loftily ringing the crescent driveway.

We sang wild dewberries into our pails
uncaring of copperheads and scorpions,
danced across meadows bringing cows in
for evening milking,
trudged gleefully two miles in sticky knee-high grass
brushing off ticks, sweat bees, grasshoppers
to the town swimming pool,
splashed away our poverty
with kids who didn’t know.

Girl, age twelve, I dreamed
the “Wayward Wind” with Gogi Grant
got kissed by a snot-nosed boy in a haystack
rocked with Elvis in the jailhouse on late-night radio
wept finding my dog dead in a roadside ditch
practiced French words with my Jersey heifer.

Passing through Linden, Mary did not know
that in that field where vultures
hovered and gorged themselves
lay the remains of my childhood,
the tattered fantasies
and memories of Girl, age twelve.

The forlorn house and tumble-down barn
long ago torn from the landscape,
now the ghosts of the Lombardy poplars
sing to the restless wind.

Diane M. Williams taught college French for many years, then joined the creative team at UT Knoxville as an editorial manager. Her poetry has appeared in One Trick Pony, Bluestem Magazine, Monterey Poetry Review, Black Moon Magazine, and The Avocet. Her poetry collection, Night in the Garden, appeared in 2020.

Memory, a Satellite

1 April 2025 / Editor

Poetry by KB Ballentine

Oh, my grandmother’s hibiscus!
Her begonias were bright and beautiful,
but her hibiscus was magic. Sunbaked
and salt-sprayed, filaments and anthers
waving wild in Florida rain brewed an elixir
that made the hummingbirds chirp.
An instant brightness, that shocking red
(matching my skin one summer),
where bees hummed praises and nuzzled
into the honeyed hearts. Forget the oranges
bulging behind blossoms, hibiscus let me know
I was home—wherever I happened to be.

KB Ballentine’s latest collection All the Way Through was published in November 2024 from Sheila-Na-Gig Inc. Other books are published with Blue Light Press, Iris Press, Middle Creek Publishing, and Celtic Cat Publishing. Additional writing has been published in North Dakota Quarterly, Atlanta Review and Haight-Ashbury Literary Journal. Learn more at www.kbballentine.com.