The Bluebird Word

An Online Literary Journal for Poetry and Flash

Page 24 of 50

Hope like Sunlight

Poetry by Stacie Eirich

          for Sadie

Sunlight rushes in a brand new day, heart lifting
with hope in the knowledge
of a day without clinic appointments, a day to play and create, a day
with no expectations, no decisions, a day to just be.

Slip into the slowness of the hour, sip a latte and leave the phone
tucked away. Let a breath out and listen, listen to the stillness
of the morning, watch the way the breath
rises and falls, contracts and expands.

Her beside me, wrapped in blankets, still asleep, face pressed
against the pillow, a soft whirring of breath reaching me.
I light a small lamp and dress quietly, wanting
to let her rest.

Outside, the day brightens with a promise that meets
my fledgling heart: today will be easier, today will be ours
to make and hold light in.

I stretch my fingers towards the sky, bending left, then right —
fingers open to the window, open to the light.

Behind me my daughter shifts, blankets rustling.
I turn to see her waking, eyes meeting mine
with the sun, morning written on her face
like the light, vivid, beaming—hopeful.

Eyes holding hope
like sunlight, face shining brilliant
as stars. She greets me softly, her voice keeping mine
in tenderness, her heart holding mine
steadily beside her: rising, rising.


Stacie Eirich is a mother of two, poet & singer. Her poems have appeared or are forthcoming in Cantos Literary Journal, The Healing Muse & Remington Review, among others. She is currently living in Memphis, TN, caring for her daughter through cancer treatments at St. Jude Children’s Research Hospital. www.stacieeirich.com

Raindrops

Poetry by Diane Webster

From the sculptured
metal of the sunflower head
beads of rain
gather like ripe seeds
dropping to the earth
for next spring’s sprout.


Diane Webster‘s goal is to remain open to poetry ideas in everyday life, nature or an overheard phrase. Diane enjoys the challenge of transforming images into words to fit her poems. Her work has appeared in El Portal, North Dakota Quarterly, New English Review and other literary magazines.

Awakening

Poetry by N.T. Chambers

It was a late
Spring morning
the sun barely reddening
a drowsy sky –
our dog restlessly
asleep in his corner –
a quiet universe
within the room
undisturbed by events
yet to be
or the Sunday
one-half hour away.

You were
a sepia photograph
in a semi-darkened space–––
contorted on the sheets
with pillow-combed hair
gently caressing one cheek –
a singular bead of sweat
drifting silently
down your neck
as you turned over –
offering a dream-laden smile
to no one in particular.

I found myself wanting
to draw you closer
to inhale your night muskiness,
feel your breath on my chest,
but chose to honor your slumber –
there was coffee to make,
a paper to be retrieved,
pancakes to be cooked
and a lifetime to be shared


N.T. Chambers writes about the emotions, events, and experiences intrinsic to the human condition. Numerous works have been published in several journals and magazines, among them The Banyan Review, Inlandia, The Orchard Poetry Journal, The Decadent Review, New Note Poetry, Quibble Magazine, and Share Literary Journal.

Late Love

Poetry by Sharon Scholl

We meet in the dark kitchen
with separate hungers,
different aching joints,
each with reasons to be sleepless.

I switch on the stove light,
wince at sudden brightness.
You click off your flashlight,
stand mute, indecisive.

What will digest at this hour?
Something quick and harmless
that may invite sleep – at least
fill dull time until it comes.

Quietly we munch and sip, shuffle
by habit around each other.
It’s the company that satisfies.


Sharon Scholl is a retired college professor (humanities) who convenes a poetry critique group and maintains a website of original music compositions (freeprintmusic.com) for small churches. She is the patron for poetry and music composition contests for young creators. Her poetry chapbooks are available via Amazon Books.

The Leaving Moment

Nonfiction by Tracey Ormerod

I don’t remember packing, but my things must have been on the truck: the plastic-yellow colander I still use every day, the one he cursed while poking the holes with a corkscrew to dislodge spaghetti starch; and the crock pot—just last week, it slow-stewed the roast.  

I do remember what couldn’t go on the truck: the propane tank. Over thirty years later, the moving guy no longer has a face but I can still see his burly body hauling it over to where I stood and dropping it at my feet. The lawn muffled the thud. “It’s full … can’t go on the truck.”

He left it there and went back to lift off the truck ramp. He was ready to leave. I turned to my mother in a panic. “What do I do with it? Do I just leave it here?”

He softened and came back. “Here, you open it up, like this.”

He turned the valve. The tank whistled.

~

Researchers say we alter our memories every time we look.

Quantum particles are like that too. Scientists can’t watch them without changing them, so they’ll never know how they behave when no one is looking. Nonetheless, they can’t help themselves.

Maybe that’s why countries and cultures carve their collective memories deep into stone and story.

Families collect them too. They share ‘remember whens’ that hold their tales together, until there’s a rupture and the timeline becomes a shredded thread of itself.

~

In a review[1] of the film, Women Talking, Eliza Smith reflects on her missing memory of leaving her first marriage:

“I may not be able to recall my own leaving moment … but I do remember the precarious, optimistic feeling of leaving one world for another that didn’t quite exist yet.”

She mentions a friend who can’t remember her leaving moment either. So, for the first time, I learn there’s at least two other women like me.

How many of us are out there? A collective without a memory.

~

I don’t remember why he didn’t get the tank, except maybe the barbecue had been a gift from my side of the family, like the bone china and crystal bowls.

I also don’t recall where my two-year-old was that day.

And then there’s the house keys. How did they get dropped off with the real estate lawyer? I’m not even sure how we sold our house; I don’t remember any sales agents or buyers.

So many details that would’ve been important at the time, while the only other thing I can remember is a song that played on the car radio: Wilson Phillips singing “Hold On, things can change. Things can go your way …”

~

We leave home. We get left—they say there’s fifty ways to leave a lover. Sometimes, we leave the country. There’s also the countless tiny leavings, like after a dinner date or a party.  

We arrive. We leave. Over and over and over until, at last, we depart dearly.

~

I don’t remember why the mover left the tank with me, except maybe he was hungry and took a lunchbreak. It was full and emptying it would take time.

Even when gas weighs heavy in a tank, it comes out invisible, but I stood there and stared down at it like there was something to see while it hissed like a snake in a pressure cooker, making my leaving loud for the neighbours watching from behind their bay window sheers.

Silent together, we couldn’t help but watch as it grew quiet and the frost spread all over the tank, the kind that burns when you touch it.


[1] Smith, Eliza. “The Most Satisfying Me Too Movie Yet.” The Cut, January 20, 2023. https://www.thecut.com/article/women-talking-me-too-movie.html.


Tracey Ormerod is a Canadian writer and photographer. After growing up in the wilds of the city, she now lives among the forests and farms of rural Ontario. At times an accountant, business analyst, website consultant, and classroom teacher, she is now enjoying a writing life. Read more at https://traceyormerod.com.

On Observing My Daughter At Breakfast

Poetry by Clarence Allan Ebert

My daughter wears a hand-me-down shirt
tie-dyed with the stars, three sizes too big.
          Her clothes arrange themselves
          in psychedelic constellations.
Her face is a yellow rose through the light
of honey dollops dropping in milk.
          She has never tripped and has no band-aids.
          She makes no fuss and sleeps with a night light
She is barely aware I love her so much,
oblivious to her own impermanence.


Clarence Allan Ebert celebrated his 70th birthday recently and pledged to maintain some Baby Boomer relevance in the world through the fine craft of poetry. Read his poem from The Bluebird Word‘s January 2023 issue.

What They Can’t Take Away

Poetry by Raymond Berthelot

The sailboats at anchor
          are pulled in one direction
                    by the tide between the keys

Remember that woman
          crazy or drunk, walking by the sanitarium
                    she too, refused assistance

What is it about moonlight and tropical flowers?
          for a while at least
                    peace seems possible

But back to the sea
          and the sun distantly setting, swollen
                    at a place we’ll never be


Raymond Berthelot is the Historic Sites District Manager for the Louisiana Office of State Parks. His work has appeared in publications such as Progenitor, Mantis, Peregrine Journal, Apricity Magazine, The Elevation Review, the Carolina Quarterly and DASH Literary Journal. A chapbook, The Middle Ages, is available with Finishing Line Press.

Wolves

Poetry by Alice Collinsworth

When I was very young, my parents assured me
there were no wolves near our home, in spite of fairy tales.
Wolves lived in forests, in mountains, they said.
We had neither trees nor hills.

When I grew older, we visited a zoo, where I saw wolves
kept in cages, pacing, squinting through the insufficient bars
between us. Calculating.

Then came rumors of wolves roaming the plains,
sightings at local farms, small dogs
suddenly missing. I could hear them wail.

Then they came to live with me, right here in town.
They’ve built a den on the porch and they come inside,
helping themselves to sandwiches and wine,
sharpening the knives.

I no longer have a cat.

I slink upstairs and listen to their laughter
and the clink of silverware.
Helpless, I howl in anticipation.


Alice Collinsworth retired recently from a career involving journalism, writing, and media relations. Her poems have been published in several online journals, and she was twice selected as one of Oklahoma’s Woody Guthrie Poets. Her writing has won awards in numerous local and regional contests. She lives near Oklahoma City.

The Litterer and I

Nonfiction by Marcia Yudkin

This year the litter is blue – a bright, metallic hue found nowhere in nature. Not even our lake sparkling in the reflection of a cloudless sky matches that color. Nestled among stalks of ragweed or heaps of dried-up leaves along the roads near me, blue cans glint in sunlight.

In the past I spotted much more variety in the tossed-out containers: amber Michelob bottles, fruit-colored hard-seltzer cans, translucent one-shot nips of brandy or vodka, red pop-tops sporting the distinctive Coca-Cola script and white Budweisers speckled with red and blue swirls. But this summer and fall, it’s overwhelmingly blue Bud Lights blighting the roadsides.

For years I’ve waged a secret campaign against such aluminum discards. During my daily five-mile walks from home, if a can catches my eye in the quarter-mile or half-mile stretches without any houses I’ll gingerly pick it up and drop it off in the brush beside the next driveway. The cans normally disappear within a week rather than start to form a junkyard. In this way, I spread responsibility for restoring nature’s harmonious palette of greens, grays and browns, so restful to experience.

Why don’t I instead blitz through my walking routes once in a while, adding all the tossed-away cans to a trash bag like a reverse Santa Claus? Humorist David Sedaris did this obsessively in West Sussex, where he lives, his hauls becoming legendary to the point that his district named a garbage truck “Pigpen Sedaris” to honor him.

For me, though, the idea of getting known in my neighborhood as a trash vigilante makes me uneasy. While some would applaud my public service, others might kick dirt in my face over it, like the gun-loving guy one town over who taunted his opposite-politics neighbor by plunking a ratty old portable toilet at the outlet of their shared driveway. It feels safer not to be conspicuous, to carefully stick to the path of peaceful co-existence.

Until this summer and fall, I assumed from the variety of roadside trash that it came from random passers-through, drivers from other towns who had no reason to care if they littered here. “Why do people do this?” I once asked a hiking buddy who grew up in our area. In Massachusetts, Anne told me, it’s illegal to have an open container of anything alcoholic in a moving truck or car. For some reason I didn’t know this.

People who chug a beer on the way home from work therefore toss the can when it’s almost empty, Anne said, so as to not get in trouble if a cop stopped them. Yet never once in 20 years have I seen anyone pulled over by police on our back roads – not for speeding, for having an out-of-date inspection sticker or for anything else. Or maybe they didn’t want folks at home to know how many beers they were drinking.

And now because almost all the cans matched one another and because new empties would show up like overnight tin mushrooms right after I cleared a stretch of road, I began to suspect that this was from just one Bud Light fan who lived nearby. If I tracked where the blue discards appeared and which roads never had them, mightn’t that indicate the culprit’s homeward route – and maybe lead like breadcrumbs to his location? Perhaps he (yes, in my mind it was a man) would nod nicely when I told him the impact of his tosses onto seemingly neglected yet actually cherished verges.

After all, soon after my husband and I first moved to the country, a guy who often canoed in the marsh behind our house came by and complained that the regulation-blue tarp we’d hung up to shelter our back deck from rain spoiled his view. Couldn’t we put up something brown instead? Surprised, we replaced the tarp – almost exactly the vivid hue of the Bud Lights bothering me now – with something matching our dark wood shingles. Since then, the natural colorscape I live amongst has grown on me.

But most likely the litterer would respond with “Who do you think you are, lady?” Right. Who do I think I am? Am I being righteous or self-righteous? Asked in my imagination, the questions echoed and echoed.

As a cleanup fairy, I’m not doing any harm, I finally decided, especially if I move the litter to unobtrusive staging areas instead of next to driveways. One Saturday I hauled seventeen half-smashed blue beasties to the town dump along with my own week’s trash. Soon a blanket of white, growing higher and higher, began to cover any cans I missed. And when the winter sun twinkled, winking at me as I walked were Bud Light-colored reflectors, waist-high on long metal stems, telling the snowplows where not to go.


Marcia Yudkin lives in the woods of Goshen, Massachusetts (population 960). The author of 17 books, she publishes a Substack newsletter called Introvert UpThink (https://www.introvertupthink.com) in which she critiques society’s myths and misunderstandings about introverts.

Memories of Old Things

Poetry by Peter A. Witt

Bedroom closet is full of ghosts,
not the kind that lay siege with angst,
no, the kind that recall the warmth
of a spring day, when soon to be wife,
Sally, was the victim of my indiscreet kiss
as I wore my still favorite blue-green shirt.

An old skate brings memories of doing twirls
on the frozen pond until Mr. Smithers
chased us near teens off, afraid we’d
all plunge to our deaths, or worse yet,
having to rescue us.

Coin collection reminds me of Uncle Fred,
the dear old man, who used the tarnished gelt
as props to tell us endless stories about places
he’d visited, but really hadn’t, we listened anyway.

Under a shadow of dust is a painting,
the brush by numbers kind, done in third grade —
like the rest of my life, colors spilling
over the boundaries and mismatched.

Finally, a baseball caught on the day
Sandy Koufax pitched a no-hitter for the third time,
at least that’s what I told people, and would
pass onto my grandson without correcting the story.

Cleaned out the closet as I packed for the retirement home,
no room there for anything beyond a few faded pictures,
last year’s Christmas cards, my favorite reading chair,
a pile of books I’ve meant to read for years,
and a heavy blanket I’ll lay over my lap,
while I finish a painting with my unsteady hand.


Peter A. Witt is a Texas poet and a retired university Professor. He also writes family history. His poetry has been published on various sites including Verse-Virtual, Indian Periodical, Fleas on the dog, Inspired, Open Skies Quarterly, Active Muse, New Verse News and Wry Times. Read his poem “Garden Reading” from The Bluebird Word‘s January 2023 Issue.

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