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Shadows and Silhouettes

Poetry by C. DeForest Switzer

She stood her ground beside
the blue tarp, looking up at me in the window
from the new and unknown below.
I stared down, hoping to convey
that everything was okay;
But, of course, it was not.

My family hated the “pests”—
their destructive habits;
the drab, dirty-gray rabbits that lurked
constantly wary but secure,
indifferent,
bolting free with lightning speed…
No problem for Dad;
his pellet gun at the ready.
The offense?
Eating garden plants to nubs —
creatures older than us,
forever in the dark:
now a kit under my deck,
quiet and free of predator’s eyes
Silhouetted in the dusk.
A paper cutout, unconcerned,
nibbling birdseed on the flagstone,
feet away from her ground-level haven.
And me, in the gray twilight,
atop the shelter of her life,
My rustic deck.

As the winter wind blows the snow,
the blue tarp flaps
atop the sheltered haven.
“It’s okay,” I mouth, looking down
from my window above,
motioning with hands and body
as best I can.
“It’s still safe,” I say
to the rabbit looking up at me
Thumping her foot in reply.


C. DeForest Switzer lives in western Iowa’s Loess Hills. He loves the outdoors and studied at Cal State, Chico, competing in a South Lake Tahoe park design contest. He published a poem in the college literary magazine, “Watershed,” and has been writing since. Currently, he’s editing his first novel.

Target, at Christmas

Poetry by Allison Baldwin

All it takes is the laughter of children,
the screech of shopping carts
to remind me of love.

In the aisle on my left,
red shirts in straight lines
waiting to be purchased
one by one.

Several feet away,
my best friend, walking, in an opposite direction
toward Starbursts, Sweet-Tarts, Goobers.

I know her: a sugar queen,
even as she asks me not to let her be.

I know me: last minute shopper, buying gifts for family
even when the task is far from easy.

In a basket:
Two small notebooks
A Yoshi hat my brother will never wear
A pair of Mario socks he will.
Some dog toys.

Love is not always easy, either.
But it holds its weight.

At the register, my friend gives into temptation,
buys the candy anyway
yet I follow through, tell her not to.

(The secret: I’ve already bought her
the sweets she seeks)

When she wonders why,
I say, “I am just doing my job.”

We laugh,
and the clerk joins in.


Allison Baldwin is a poet who combines authenticity with sass. Her work has been published in print and online, with an essay forthcoming in Folkway Press’s Right to Life anthology. She holds an MFA in Poetry and Poetic Medicine from Dominican University of California.

Another Christmas

Poetry by Rohan Buettel

That time of year has come again.
We brave the crowds in shopping malls
and search the shelves but look in vain,
the perfect gift not on these walls.
The hours we spend in kitchens hot
preparing food that tastes so good.
A Christmas meal will hit the spot,
enough to feast the neighbourhood.

The cheer of hearing from old friends,
the family gathers round at last,
repair the breaks and make amends,
a time to put away the past.
The effort worth it all to place
a smile upon a little face.


Rohan Buettel lives in Canberra, Australia. His haiku appear in various Australian and international journals (including Presence, Cattails and The Heron’s Nest). His longer poetry appears in more than fifty journals, including The Goodlife Review, Rappahannock Review, Penumbra Literary and Art Journal, Passengers Journal, Reed Magazine, Meniscus and Quadrant.

Christmas

Fiction by Ernest Troost

She snatched the moon from the winter sky and buried it in the stubbled field. When she was done, the old lab sniffed the fresh dirt.

She walked back towards the house with the dog at her side, their breath little puffs in the dark. She could smell the wood smoke from her neighbor’s chimney. Fat snowflakes floated slowly down through the light from the corner streetlamp. The night was still, except for the soft jiggling of the dog dragging its leash.

What had he said? “I like it here on the coast. I’m going to stay.”

And then, nothing but the soft wash of white noise, sloshing between relay towers, through transmission lines, across the 3,000 miles between them.

She let the dog in and leaned the shovel against the house. She took one more look up at the December sky and thought, tomorrow night I’ll put out the stars.


Ernest Troost is an Emmy-winning film composer, and Kerrville New Folk winning songwriter. He is also a writer of essays and short stories when he is not composing music.

How Poppi Met Nonni

Nonfiction by Tarah Friend Cantore

I place the delicate ornament into the small box, nestled in the green tissue paper. It is a pink ceramic baby shoe with Baby’s First Christmas on it.

I imagine it is the year 2033. My family is gathered for the holidays at our New Hampshire home.


My youngest granddaughter, Ella, giggles and says, “Poppi, tell us the story about how you and Nonni met!”

From the kitchen, I can see Vinnie sitting in his leather chair in the great room. Bode climbs onto his knee, exclaiming, “Yeah, Poppi!” Ella is occupying the other knee, grinning from ear to ear. The four-year-old inseparable cousins are curly-haired, brown-eyed bookends.

Hazel runs from the kitchen to join her brother and cousin. As the flour from her auburn hair releases, a cloud of white dust trails behind her. At only nine years old, she has entered the Children’s Baking Show, and this afternoon, she is schooling us in the kitchen, baking Linzer cookies with raspberry filling.

My daughters, Brittany and Molly, as well as Molly’s wife, Jordan, are with me in the kitchen. Jordan is sitting at the island, where Molly is standing next to her, caressing her pregnant belly. I bring my favorite blue-glazed mug to my lips, appreciating the warmth in my hands and my heart.

“Bake at 350 degrees!” I shout at my new oven. Apparently, it will sense the temperature of whatever is baking or cooking so as not to overcook or undercook. While I am confident it will be efficient and accurate, there’s something to be said about slightly undercooked, gooey cookies. Besides, perfect baking doesn’t exactly fit with my hope to give my grandchildren the gift of imperfection, something I never had.

Hazel’s younger sister, Lydia, momentarily pops her head up from reading Harry Potter and the Sorcerer’s Stone when Hazel enters the room, then she resumes reading. She is sitting in the “cubby” with her father, Bo. When our daughters were little, they referred to the “cubby” as the spot at the end of the couch where they would sit in the bend of someone’s legs. When our grandchildren come to visit, they fight for the spot, yelling, “I want the cubby.”

Lydia is seven years old and a real bookworm. She will likely complete the first Harry Potter book and bring The Chamber of Secrets home with her. She has wavy, auburn hair and resembles Hermione, one of the characters in her book.

Vinnie begins, “Well, first of all, I had a crush on your Nonni before we even met.”

Ella inquires in her soft little voice, “What is a crush?”

He tilts his head slightly towards Ella. “A crush is when you really like someone and believe you could even love them.”

Ella and Bode nod in sync.

Hazel looks at her father. “Dada, did you have a crush on Mama?”

Bo smiles and says, “I did!”

Without Lydia’s eyes leaving her book, she adds, “On the softball field.”

“That’s right! But that’s another story,” says Bo.

Hazel plops down on the rug in front of the fireplace and focuses on Vinnie.

He says, “I saw her that night at Minerva’s. The closer I got, the more pretty she was-“

Bode interrupts, “What’s Minerva’s?”

“It was a bar in Burlington where Nonni went to college.”

Lydia sits up from the cubby and exclaims, “You and Nonni met at a bar?”

“That’s right.”

He had all of the children’s attention now.

“I asked Nonni if she remembered me, and she did. We talked some. I was about to ask her to dance, but my friend, Mark, was bugging me to leave. I asked her if I came back, would she dance with me? She smiled shyly and said, ‘Yes!’ When I returned later, I found her, and we danced. But then she said she had to leave.”

I recalled the sticky bar floor, the 80s music, and his adorable face.

“When we walked out of the bar, I leaned over and tried to kiss her.”

Bode wrinkled up his face and said, “Gross, Poppi!”

Vinnie refrained from laughing. “Well, she didn’t let me anyway, Bode!”

I was no floozy.

“She gave me her phone number, though.”

“And that is how Nonni and I met!” Vinnie nods and falls silent.

Hazel pops onto all fours on the rug and shouts, “But what happened next?”

Lydia chimes in, “Yeah! What happened next?”

“Well,” Vinnie orchestrates the perfect suspenseful pause and then says, “I didn’t call her.”

Hazel shouts, “How rude, Poppi!”

“Very rude. I imagine she was disappointed. And maybe a little mad.”

Lydia shakes her head with disbelief. “Well, how did you ever fall in love with her?”

Hazel inquires further, “And get married?”

“Well, she called me a couple weeks later when she was home visiting Gigi. I guess I didn’t make a bad first impression after all.”

“Why would you, Poppi?” Hazel asks.

“Because I had a little too much liquid courage.”

Bode reaches up and takes Vin’s face in his little hands. “What’s liquid courage?”

“Well, I drank too many beers. I thought I needed them to be brave enough to talk to her.”

Hazel yells, “But you didn’t! You didn’t at all!”

“Why do you say that, Hazel?”

She replies, “Because Nonni had a crush on you too!”

I walk into the great room, like I’m accepting an Oscar, and say, “I really did!” I give Vinnie a kiss. My family applauds, hoots, and hollers.


I return to the present moment. I wrap the ornament in candy cane-striped paper and tie a red velvet ribbon around it. I feel the smooth velvet between my fingers, inspecting the asymmetry of the loops, and decide to leave them uneven. Vinnie and I used to joke about which version of the story we would tell our grandchildren, when we were old and gray, about how we met in a bar. This one is perfect.


Tarah Friend Cantore has published a non-fiction memoir incorporating her artwork in tough & vulnerable, in addition to her novel, Spiral Bound. Her poetry has been published in The Bluebird Word and in the Telling Our Stories Through Word and Image Anthology.

This peculiar work

Poetry by J.T. Homesley

This peculiar work. For this
lowest legal wage. Paid to
help people play. In the snow.
Tempting gravity. Nowhere to go.
But down hills high speed.
Not for me. Though I will
gladly take pay to keep it on
open all be it precarious
possibility for them. Others
buried in layered flannels
and rainbow goggles. I like
to imagine behind them, they see the world
like a horsefly gushing by trees
bristled hairs in loose tail
whipping. Ears twitching and
brittle as ice. Hit the landing
just right. Broken wings and six
shattered legs lie crumpled in a pile.
Rise from the white ashes,
laughing.
Clearly this whole thing is a peculiarity.
It’s just. They keep on insisting I call it work.


J.T. Homesley is an English teacher, writer, actor and farmer currently based in the Piedmont of North Carolina. He holds a Master of Arts in writing and has been published with collections including Ghost City Review and GreenPrints Magazine. Follow his journey at www.writeractorfarmer.com.

Nutcracker Memories

Nonfiction by Marianne Lonsdale

I was in my attic, organizing the boxes and piles of the stuff of my life, when I came across a theatre program from 1961, for The Nutcracker Ballet, that transported me to the steps of the War Memorial Opera House in San Francisco. My memories of that day surged back.

I am six, my sister Cathy is nine and our big brother, Jimmy, is ten. Mom bends down, holds my coat collar and tells me to obey Jimmy and Cathy. No squirming around and no talking during the performance. Her voice is firm and strict, but she hugs me too. She will meet us back on the steps after the ballet is over.

I’d not thought of that sweet day in years, the gift of a day. I wrote to my mother that December, sharing my memories on holiday paper, a soft red with a banner of green wreaths across the top. My mom and I spent more time being annoyed with each other than we did feeling affectionate. I wanted her to know that I remembered her kindness.

My mother had scraped together the money for our tickets but could not afford one for herself or to pay a babysitter for my two younger brothers. Mom was thirty years old with five children, making ends meet on dad’s firefighter’s wages. But she wouldn’t let her older children miss the magic of The Nutcracker. She drove us from our suburban home to San Francisco, dropped us off in front of the theatre, and picked us up a few hours later.

I wrote of the beauty and sequins of the ballerinas, the enchanting music, the fighting rats and sugar plum fairies. Swirling collages of colors, and sparkling silver and glitter. That ballet was the most glamorous event of my young life; the beginning of my love affair with dance and theatre.

After Mom received the essay, she called to say she loved the piece. Her voice choked on the words. We talked a bit more, and as I got ready to end the call, Mom said “I don’t remember taking you to the ballet.” I was taken aback but she’d had lots of kids and memories to keep track of.

At our Christmas gathering at her home, Mom shared the printed story with my older brother and sister.

“That is so sweet,” my brother commented.

“I love that story,” my sister said. Then looking at my brother she asked “Do you remember going? I don’t.”

He shook his head. I was flabbergasted. A standout event in my mind, and none of the main characters besides me even remembered. If I hadn’t saved the theatre program, I might have wondered if I’d made it up.


Marianne Lonsdale writes personal essays, fiction and poetry. She’s looking for an agent for her novel, Finding Nora, a story set in 1991 Oakland about love and friendship during the AIDS epidemic. Her work has been published in Literary Mama, Grown and Flown, The Bluebird Word and several print anthologies. Read her nonfiction essay Parting Gift from last year’s holiday issue.

Thrift Shop Santa

Poetry by Melissa Wold

Santa, my man. How did you wind up in this place?
Santa, my man. How did you crack your face?
Tossed amid dusty knickknacks, chipped china plates.

Did Mrs. Claus catch your paws on the photo gal at the mall?
Did Mrs. Claus without pause pack your bag? What gall!
Now you sit lost on a shelf without an elf or Ken or Barbie doll.

Santa my man, come on home with me.
We’ll boogie round the tinseled tree.
Santa, my man, come on home with me.

Did you take to bettin’ on reindeer races?
Did you take to bettin’ on penguins running bases?
Money squandered on plastic roses in cob-webbed vases?

Did you binge on Jim Beam at the corner bar?
Did you still white lightning in a mason jar?
Serendipity plunked you into a martini glass tucked in a boxcar.

Santa my man, come on home with me.
We’ll boogie round the tinseled tree.
Santa, my man, come on home with me.

Did you and the elves have a spat?
Did they pull your beard? Did you rip off their hats?
Letters flake off a weather-worn welcome mat.

Santa, my man, hang your head in shame.
Santa my man, fess up, who’s to blame for your flagging fame?
Ninety-nine cents buys you and a sea-shell picture frame?

Santa my man, come on home with me.
We’ll boogie round the tinseled tree.
Santa, my man, come on home with me.


Melissa Wold is retired from a career in student services area of higher education. She writes with a group affiliated with Mobile Botanical Gardens in Mobile, Alabama. She shares her poems with Rocket, her rat terrier. He is quick with his barking critiques. Read her first published poem in The Bluebird Word from November 2022.

Fear of Falling

Poetry by Suzy Harris

They say we have not seen this high-piled snow
for more than thirty years. For three days now,
few cars snow-crush silently down the roads,
and walkers teeter on ice-crusted sidewalks.

Just yesterday, as I walked past a bus stop,
the woman in front of me fell thud-hard.
Another passerby and I reached our hands
to her, hefted her back up, handed her
her glasses clattered under the bench.

I knew her – not the falling woman,
but the other – and after, we stood together
under the snow-blue sky, exchanging a few words
before setting off, she to the bus,
me walking toward home,
imagining myself pillow-padded,
light as breath-puffs, balancing on air.


Suzy Harris is the author of the 2023 chapbook Listening in the Dark about living with hearing loss and learning to hear again with cochlear implants. She has served as a poetry editor for The Timberline Review and several of her poems have won recognition from the Oregon Poetry Association.

The Radiator

Poetry by Charlene Stegman Moskal

My winter years speak softly.
The aroma of chicken soup
mixes with the slightly metallic
scent of steam hissing warmth from a radiator
in a pre-war building in Sunnyside, Queens.

I am looking out a second story window—
snow has fallen through the night.
My gravel playground transformed;
sleds zooming down a silent hill,
snowsuits, runny noses, frozen finger tips
in gloves with ice crystals to suck
until a pall overtakes the streets.
Cold loses its Macintosh Apple crisp bite,
angels melt into nothingness,
streets now perilous with black ice and slush.

There were magazines with pictures
of places that stayed white
dotted with dark green pine trees,
under skies the blue of my mother’s eyes,
where one ice skated on frozen ponds
ringed by white capped mountains;
places so dry, so cold that a child
would look pink-skinned healthy all winter.

I wanted to be that rosy cheeked girl
but I always returned to a second floor apartment
where the aroma of chicken soup mixed
with the slightly metallic scent of steam from a radiator
that hissed out familiarity, comfort and love
in a pre-war building in Sunnyside, Queens.


Charlene Stegman Moskal is published in numerous anthologies, print and online magazines. Her chapbooks are One Bare Foot (Zeitgeist Press), Leavings from My Table (Finishing Line Press), Woman Who Dyes Her Hair (Kelsay Books), and a full length poetry manuscript, Running the Gamut (Zeitgeist Press), Fall 2023.

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