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Two Little Jews on Christmas Morning 1971, with

Poetry by Lana Hechtman Ayers

breath of ginger, cardamom, peppermint,
a special holiday blend of ice cream we spoon up
for breakfast, watching Saturday morning cartoons
and movies where fire-mouthed Godzilla tramples Tokyo,
then foils three-headed winged Ghidorah, his fiercest
opponent, and being Jewish, I don’t know what Christmas
means, or the word grace, or which monsters are real.
For years, brother, you instruct me in the fantastical
ways of Star Trek and Battlestar Galactica,
Buck Rogers and Doctor Who, and it’s all such fun,
good guys winning in the end, but when you introduce me
to reruns of Outer Limits and The Twilight Zone we grow
up in a world where the space shuttle explodes before our eyes
and the twin towers go up in flames with no aliens to blame—
only human hubris and brutality. This week, I rode in a hot air
balloon and witnessed the curvature of earth, the edge of all we are,
and nearly tumbled out over the realization of how beautiful
life could be if only we would cease battling one other, brother.

[Author Note: This poem begins with a line from Patricia Fargnoli’s “Winter Sky Over Cheshire County, New Hampshire” and is dedicated to my brother Alan.]


Lana Hechtman Ayers shepherded over 150 poetry collections into print in her role as managing editor for three small presses. She lives in Oregon on the unceded lands of the Yaqo’n people, where on clear, quiet nights she can hear the Pacific ocean whispering to the moon.

Antipodes

Poetry by Laura Hannett

for Fiona

She has the fanciful idea
that the flowers that have vanished
for the winter have migrated,
not unlike the birds,
and are spending these cold days
in the antipodes.

They have packed their buds and leaves
and gone to balmy climes
to turn their faces to the sun
and reminisce about their times
in other gardens, far away—
to spread their leaves and petals
in a different summer’s day.


A native of Central New York, Laura Hannett relishes the distinct seasons in this beautiful part of the world. Other work has appeared in Pulsebeat Poetry Journal, Neologism Poetry Journal, Amethyst Review, Last Stanza Poetry Journal, Mania Magazine and Verse-Virtual.

Alma’s Baked ‘Possum: A Thanksgiving Tradition

Nonfiction by Mark Hall

Times were often lean, growing up in rural South Georgia, where a Thanksgiving turkey was a luxury many families could not afford. But a holiday feast could still be had with “Alma’s Baked ‘Possum.”

Fresh out of college, I left my Southern home for a job on the West Coast. In California, I missed the simple country food of my upbringing. At the time, I helped out occasionally in the kitchen of my friend Shoen, a personal chef recently returned from a stint cooking on Cher’s latest tour. While I zested Meyer lemons for flambéed peaches with cognac and Cointreau, I chronicled my hunger for the ordinary. Instead of the nourishing goodness of Hoppin’ John, collards, and cornbread, in California even the humble burger seemed to be tricked up into something needlessly complicated. Draped with sheep’s cheese and wilted radicchio bathed in balsamic vinegar, meatless patties were delivered to the table not with fries, but with a thimble full of chilled carrot, orange, and cardamom soup, with a delicate tower of sourdough crostini perched on top.

The Southern palate, I explained to Shoen as I stirred toasted cumin seeds, is fundamentally different from those of other regions. According to Mrs. S. R. Dull’s 1928 Southern Cooking, the Bible in my grandmother’s kitchen, Southerners don’t even have the same food groups as other folks. Instead of Grains, Fruits and Vegetables, Dairy, and Meat, Mrs. Dull taught us that there are not four but five food groups:

  1. Cereals, wheat, flour, cornmeal, rice, bread, and macaroni
  2. Milk, eggs, cheese, meat, fish, peas, beans, nuts, and game
  3. Fats, butter, butter substitutes, drippings, cottonseed oil, olive oil, and bacon
  4. Sugar, syrups, honey, jelly, and preserves
  5. Vegetables and fruits

If Shoen’s menus of iced black bean soup with chipotle cream and chargrilled Belgian endive with Fontina and yellow pear tomatoes were any indication, however, Californians eschew the humble staples of Southern cooking. Folks from San Diego to San Francisco apparently live their entire lives without the “drippings” necessary to nourish the body.

When a ‘possum set up housekeeping in my basement just before Thanksgiving, I saw this as a perfect opportunity to demonstrate my point about the simplicity and goodness of Southern food. A neighbor loaned me what he termed a “humane” trap to capture my visitor. Three nights and as many pounds of Purina Dog Chow later, I found a dazed but sated ‘possum squeezed into a too-small cage intended for an errant squirrel.

In the meantime, I consulted Mrs. Dull for advice about its preparation. No haute cuisine Mrs. Dull’s cooking. Of ‘possum she directs: “Put 1⁄2 lime in about 1 gallon of boiling water and scald quickly, and pull off hair while hot. Scrape well—remove feet, tail and entrails—like you would a pig.”

I photocopied the recipe, affixed it to the ‘possum-stuffed squirrel trap, then left them together on Shoen’s doorstep. Her apartment was one of those in which all the entrances open onto a common hallway. As a result, mouths watering, neighbors sniffed the air and leaned in each day as they passed her door, wondering what delicacy simmered within. Shoen would not be home for some time, and to me, this was ideal. Neighbors would have ample opportunity to walk by and see the live caged ’possum waiting at her door. Hearing its faint scratch-scratch, they would move in for closer inspection, only to find those bulbous pink eyes staring up at them, along with Mrs. Dull’s recipe for “Alma’s Baked ‘Possum.” I imagined Shoen’s own walk down the hallway, arms piled high with Bosc pears, watercress, and lamb shanks. Slowly the cage would come into focus, then the ‘possum itself.

I returned home to wait by the phone. Shoen, herself a vegetarian, would free the ‘possum in the park across the street, and later, when I’d let down my guard, she would get even. Shoen can give as good as she can take, and so I set myself to imagining her revenge. But no phone call came. Had Shoen stayed out all day? I worried that the ‘possum might suffer in the cage, dehydrate, or worse, die. Should I return to check? I waited. Late that evening, my doorbell rang. On my doorstep I found several covered dishes. Atop the largest was an artfully calligraphed menu:

Bacon, Arugula & Leek Salad
Petits Pois & Prosciutto Soup
Lemon Mint Tagliatelle with Truffle Butter
Alma’s Baked ’Possum

    As expected, Shoen gave as good as she took. The next morning, she phoned to ask how I had liked my supper. Only then did she reveal that “Alma’s Baked ‘Possum,” was, in fact, organic free-range turkey.


    Mark Hall lives in North Carolina. His creative nonfiction has appeared in The Timberline Review, Lunch Ticket, Passengers Journal, Sand Hills Literary Magazine, Hippocampus, The Fourth River, Tahoma Literary Review, and elsewhere.

    Winter

    Poetry by Jeffrey Sommer

    As trees go bare
    As days grow dark
    I look toward winter
    When the snow will start

    Soon the grass stops growing
    Roses bow their heads
    Stray cats are sleeping
    In the flower beds

    Then the snow clouds form
    The sun goes to sleep
    Farmers cover their crops
    And shelter their sheep

    When at last the snow comes
    I rummage through the shed
    Where I keep the shovel
    And my rusty old sled

    Before the sun breaks though
    Until the snow begins to melt
    I go sledding down the hill
    To remember how it felt


    Jeffrey Sommer enjoys writing poetry on social issues as well as relationships between people and the environment.

    December’s Eve

    Poetry by Kersten Christianson

    I dream of dark crow
    night, stars or snowflakes shimmer
    their wan-lit path down,

    down, down to wave-tossed
    sea. Three weeks yet ‘til Solstice
    when we turn a left

    on a pitted road,
    put ear to the ground, listen
    for returning light’s

    arrival. My skull
    rattles from so much darkness,
    echoes a tuneless

    song. Split the wood, add
    the tinder, build the bonfire
    to welcome the sun.


    Kersten Christianson derives inspiration from wild, wanderings, and road trips. Her newest poetry collection, The Ordering of Stars, will publish with Sheila-Na-Gig in 2025. Kersten lives in Sitka, Alaska. She eyeballs tides, shops Old Harbor Books, and hoards smooth ink pens.

    The Original Real Housewife of New Jersey

    Fiction by Jim Parisi

    The trouble started when my father said the spaghetti and clams looked like cat food. My mother said he was a real comedian and should be on “The Tonight Show.” He scooped mounds of spaghetti onto her plate and asked, “How about this? Is this funny?” She told him to stop being a pain in the ass. He kept adding spaghetti to the pile. She warned him to cut it out or there was going to be trouble. 

    I focused on twirling spaghetti around my fork. My younger brother made slurping noises as he shoveled spaghetti into his mouth. I flicked a piece of clam into his hair. He whined for my mother, who was busy spitting words at my father.

    “That’s it. I’ve had enough.” She slammed her hands on the table and pushed herself out of her chair. “Get out of the way, Bobby.” I was confused about what I was getting out of the way of, but I did as I was told. 

    She yanked up the table. It landed on its side where I had been sitting. Plates, cups, and utensils clattered across the small dining room floor. Rivulets of Hawaiian Punch and Shop Rite cola coursed their way through mounds of spaghetti, clams, and salad. 

    My brother yelped. I stared in disbelief at what had been my dinner. My father started to say something but stopped when my mother glared at him. “Come on, boys,” he said. “Let’s leave your mother alone for a few minutes.”

    My mother grumbled in the dining room while my brother and I sat on the floor of our bedroom, watching “I Dream of Jeannie” reruns with our father. Major Nelson’s slapstick efforts to hide Jeannie from Dr. Bellows seemed more grounded in reality than what I had witnessed. I asked my father if we should help clean up. He said, “Let’s let Mom have some time to herself.” He told me to change my pants; they smelled like clams.

    After putting on my pajamas, I crept out to the dining room as the “F Troop” theme blared behind me. The table was in its usual place; the rest of the room betrayed no signs of the wreckage. 

    My mother was mopping the kitchen floor. “I’m almost done. Then I’ll come talk to you and your brother.” 

    “Are you still mad because I hit Mikey with a clam?”

    She laid the mop against the stove. “No, Bobby, I’m not mad at you. Your father was in a mood and did something that made me angry, and I lost my temper and went overboard. It’s the Sicilian in me.”

    “Do I have Sicilian in me?”

    “Half as much as I do. You’re lucky.”

    “What’s the rest of me?”

    “Neapolitan. So maybe you’re not so lucky.” She smiled. “I’m kidding. But I’m sorry for making you upset.”

    “But this girl Denise in my class—”

    “I know that Denise. She’s got a mouth on her.”

    “She said her parents had a fight, and her mother cut up her father’s clothes when he left the house, and he had to move, and her mother has to work all day, and she comes to school with a key on a rope around her neck.”

    “Cut up all his clothes? That woman’s something else.” She squatted to look me in the eye. “Daddy’s not going anywhere, except maybe the doghouse.”

    “Where’s the doghouse?”

    “Ask your father in a few days.” She put her hands on my shoulders. “Don’t worry, kiddo. Everything’s going to be fine.”

    “But when I told Denise that we were having spaghetti and clams for dinner, she said clams were stinky and she was going to make macaroni and cheese out of a box all by herself when she got home. Then she called me a baby when I told her I didn’t know how to do that.”

    “You tell Denise it’s not because you’re a baby, it’s because you’re Italian.” She ran her hands through my hair. “I’ve got an idea. Want me to teach you how to make macaroni and cheese out of a box?” She reached into the back of the cupboard above the counter. “I bought one a couple of years ago in case we had an emergency and I didn’t have any sauce in the fridge.”

    She filled a small pot with water, placed it on the stove, and let me turn on the burner. Then she called to ask my father and brother if they wanted something to eat. My father yelled, “How about leftover spaghetti and clams?”

    “Your father’s a real laugh riot.” She helped me tear open the packet of cheese powder. “I don’t understand why people eat this garbage. How hard is it to make a real cheese sauce?” It sounded hard to me, but I kept my mouth shut and focused on stirring.  

    After declaring the pasta to be al dente, she poured it into the cheese mixture. Then she stabbed the macaroni with a fork and took a bite. “Not bad. Now you can tell that Denise to go pound sand.”

    The four of us sat around the dining room table, eating the dinner I helped make. With each forkful the lingering aroma of clams and cloyingly sweet Hawaiian Punch grew fainter. My parents laughed as my brother speed-talked his way through a story that none of us could follow. The table remained upright.

    “That was good,” my father said. “Almost as good as your spaghetti and clams.”

    “Back away from the table, Bobby.” My mother pressed her lips together—in what I hoped was a smile—and shook her head at me. I stayed in my seat. 

    “A regular Rodney Dangerfield, your father thinks he is.” She continued to look at me. “Someone let Johnny Carson know we’ve got a real comedian in the house.”


    Jim Parisi is a freshly unemployed editor who lives in Washington, D.C., with his long-suffering wife and their sweet but highly reactive boxer-pitbull mix. His flash fiction has appeared in FlashFlood Journal and The Good Life Review.

    Perfect Day

    Poetry by Susan Wolbarst

    The day unfolds
    in its own sweet way:
    sunny, highs
    in the mid-seventies,
    light breeze. Zero
    chance of rain.

    Its slow perfection
    savored
    by coastal retirees
    breathing deeply
    exhaling thanks.

    The most ambitious
    get some steps in,
    or re-pot baby
    tomato plants from
    the greenhouse.
    The rest of us

    sip coffee on
    the deck and,
    due to bad habits
    we cannot shake,
    read newspapers
    on our phones.


    Susan Wolbarst is a newspaper reporter in rural Gualala, California. Her poetry has been published in Plainsongs, pioneertown (pioneertownlit.com), Naugatuck River Review, and other journals, as well as in the anthology Alchemy and Miracles: Nature Woven Into Words. A chapbook of her poems, It’s Over, published in August 2025 (Finishing Line Press).

    Reflection

    Poetry by AJ Saur

    When the 7 a.m. sun suddenly
    beams your windshield, you may discover

    yourself in the back window of a city bus
    a great deal more serious than you knew.

    Perhaps it’s not surprising considering
    how you flew out of the house without

    your morning coffee, without a goodbye
    kiss, without a single word shifting the new air.

    Now, thanks to traffic, you’re inching
    toward yourself, cautious, uncertain

    of this one who acts in opposite
    at every turn. Enlightened, block after

    block, by the set chin, high cheekbones,
    those steely eyes spanning

    the distance from a someone so thoroughly
    other you catch yourself, for a moment, wondering

    where he’s headed on this average Wednesday
    and, if you flash a smile, will he follow?


    AJ Saur is the author of five books of poetry from Murmuration Press including, most recently, Of Bone and Pinion (2022). AJ’s poems have also appeared (or will soon appear) in Abandoned Mine, Front Range Review, Glimpse, The Midwest Quarterly, Muse, Third Wednesday, Willow Review, and other journals.

    Blue June, Slight Breeze

    Poetry by Brian Builta

    At the Stapleton concert I become
    one clap after another, a whooo,
    a dervish of hollers and whups,
    a disembodied scream. This happens
    on occasion. As the fatherless son
    and the sonless father, Father’s Day
    is a trigger, my poor poor daughter.
    Sometimes her father goes missing
    right in front of her, missing his chair
    and sprawling on the arena floor.
    So far, I’ve always come back, so far.
    Truth: incarnation is overrated,
    yammering emotions running amuck,
    saltwater on the cheek, thunderclap
    weighing down the chest. My little
    private tornado feels so good, so
    delightfully destructive and harmless.
    Of course, next day I’m a truck-flattened
    squirrel. Energy has its consequences.
    Stapleton can only get you so far
    before the gravity of the empty letter jacket
    in the hall returns, reminding your life
    is now angry bees rising from bitter honey,
    where the best therapies are leaves
    murmuring free from any standard-issue tree
    as long as there’s a breeze.


    Brian Builta lives in Arlington, Texas, and works at Texas Wesleyan University in Fort Worth. His poetry has been published most recently in Freshwater Literary Journal, Meridian, and Red Ogre Review. More of his poetry can be found at brianbuilta.com.

    Temptations

    Fiction by Fabiana Elisa Martínez

    I never told you about the onion soup. How I craved it and how I came to abhor it. You asked about my aversion to white towels. This story is less sinister, though. I was never again able to approach a table displaying that dish since that late September in 1940, when ironically that was the only meal I would have, even if the crew had served it for breakfast. At first, I attributed the inexplicable craving to my permanent state of surprise and elation, to the waves of adrenaline swaying in my heart just as I recreated and foresaw the intrepid, ardent nights your grandfather and I were waving under the changing sky. The new constellations prying through our second-class porthole were not the only elements transitioning during our trip. The breeze had also dropped its autumn cloak once we passed the Canary Islands, and even its salty flavor preannounced the spring I would meet in Buenos Aires.

    But my craving for onion soup did not respond to the changing parade of hours as we moved steadily into southwestern waters, and I detached myself from Lisbon, as Sarita’s polka-dotted handkerchief, waving her newlywed friend goodbye, faded in my memory. This was not the typical Portuguese onion broth that my grandmother used to prepare to enhance the flavor of our meager chickens in the Alentejo. This was a French dish your grandfather described to me with every atom of elegance and bad accent he could produce. I don’t remember it well. A brownish, thick, and sweet concoction, crowned by a golden piece of fried bread drowning in the golden magma of melting cheese. I wonder if my obsession with the soup sprouted when your grandfather decided to stop talking to me in my language and resort to Spanish so I would be ready for my new life. I sensed a change beyond the salty air.

    Anyway, after the two first weeks of waves, wet recliners on a crowded deck, and late dinners in the second-class dining salon, I only wanted to have onion soup. None of the other delicacies tempted my appetite: the roasted meats, the yellow beets, the abundant selections of chocolate cakes and bonbons that were always sliced and tried before by the silent first-class travelers. That third week of my honeymoon, the boat took revenge on my happiness, and a stubborn sickness pushed away the new bride’s effusiveness. The tides in my heart were replaced by a whirlpool of vertigo that only the caramelized onions in the soup seemed to appease.

    “Come on! We are wasting the music,” your grandfather would say pulling my arm while I resisted, anchored to my chair, and regarded the musicians with a hooded apologetic look. “I cannot dance, all is moving under my feet, darling,” I muttered every time, covering my mouth with a white napkin preluding an inelegant accident. I marked my muffled words with inappropriate hiccups more proper of the inferior classes sleeping already in the belly of the boat. Your grandfather always thought that a rumba, a cha-cha, or a tango never danced was a waste, an irretrievable killed opportunity. Perhaps due to my sickness or because of his metropolitan nature, he did not hesitate to ask any other available young lady. His young Portuguese wife could not understand the urgency of a handsome gentleman who knew how to play the keyboard of women’s spines better than all the Cole Porters they might be in love with.

    The sea continued to rock us, the sky, the carefree dancing partners of your grandfather, and my uneasiness until we approached the new city. I had been told that it would look like a mix of Paris and New York inside a kaleidoscope. I had created in my mind a golem-like landscape with parts of big metropolises that I did not know. As tempted as I was, I tried to spare the image I fathomed of any lacy sections of Lisbon. But the sky got dark and darker, and when I was able to climb to the deck under the call of multiple sirens, I just saw a black, pervasive cloud of smog, factory chimneys, and an immense port. The countless accents of the arriving immigrants seemed to leave their print on a carpet of soot.

    I craved one last time the sweetness of the onion soup, as a melancholic smile followed my vision that onions can also make you cry when you think about them. My husband was showing the profile of his city to his dance companion from the previous night, a Dutch beauty who did not understand a word he said but looked at him with the same awe that I felt when, only two months ago, he had rescued me from a broken shoe at the entrance of the café A Brasileira.

    Our boat, my crib of love and dizziness, docked at three o’clock on a grey Friday afternoon. By then, I knew that the black cloud was an omen, that your grandfather was a spoiled soul in disguise, and that the real vessel had always been inside me. I was rocking your mother and half of your soul, my child, in her. All maternal grandmothers cuddle half of their granddaughters in their bellies like Russian dolls marching in a revolution of cells. I followed all the wrong temptations, and I am happy I did. You come from a sea of insane love, a broken map of constellations, and the breeze of an unknown hemisphere. You come from me.


    Fabiana Elisa Martínez authored the short story collections 12 Random Words and Conquered by Fog, and the grammar book Spanish 360 with Fabiana. Other stories have been published in Rigorous Magazine, The Closed Eye Open, Ponder Review, The Halcyone, Hindsight Magazine, Libretto Magazine, and the anthology Writers of Tomorrow.

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