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The Christmas Tree Shop

Special Selection for the 2022/2023 Winter Holiday Issue

Fiction by Derville Quigley

There is a Christmas Tree Shop where the chemist used to be. I work there. Today an old man and his daughter passed through. The man had a slight American accent and the look of a returned expat. He was dapper, carried a blackthorn stick, wore a long tweed coat and a knitted woollen hat.

“We would like one of your finest trees,” said his daughter.

“At a good price,” he piped up.

She smiled lovingly at him while throwing her eyes to heaven. With that he turned on his heel and walked to the far end, to explore the shop on his own.

“I love the smell. Daddy, don’t you just love the smell?”

He was ignoring her, lifting his stick to poke the trunk of a tree on display. The sign said, Non-shed Trees For Sale and he saw hundreds of pine needles scattered on the ground.

“We normally have an artificial one, but this year I have persuaded Mum and Dad to get a real one,” she told me.

“What do you think of that tree in the corner, Dad?”

“No,” was his adamant reply.

“Tell me about them,” she said.

So I told her how they were all Noble fir grown on the side of a mountain in County Wicklow. Grand, full trees. Sixteen years old. No trimming necessary.

“What do you think Dad?”

“I think you’re wasting your time,” he replied.

Her smile dropped and she walked over to the trees still packed in their netting. Bing Crosby sang of days merry and bright. There was a low fog and the lights glowed red, green and blue on the tree outside the courthouse. Meanwhile the old man was bent over his stick, looking at the pine needles lying everywhere. For a precious moment, the three of us were suspended in silence, in the fog.

“Show me one, which is seven foot and full right up to the top. I don’t want gaps and I want a bushy one,” she said sharply.

“Dad do you want to sit down?” she asked.

“No,” he replied.

“Okay we’ll take this one,” she said pointing to a large tree, wrapped and close at hand.

“Dad I’m going to pay for it and don’t tell Mum how much it cost.”

He took no notice of her. “I’m just going to bring the car back around and go to the bank machine. You stay here.”

She left the shop and he relaxed although looked weary. I faced the chair towards him and he sat down.

“Which one did she pick?” he asked clutching his stomach.

“This one,” I said.

He looked frail and tired and although genuinely interested he seemed to have more energy when despondent.

“I have birds in my chest,” he said. “I can feel them, their beaks pecking through my ribs. Sometimes they sing to me. There are six of them.”

He smiled with a wink.

“I was in hospital, treated for cancer and the damn bastard thing is back. I tell ya, I’m going to drink a lot of whiskey before I go. When a doctor tells a sick man to carry on as normal and don’t change his lifestyle, that’s when he knows he’s had it. Dr. Dutton told me not to listen to my wife…to do whatever I want to do. Not listen to my wife…and now we’re getting a real tree.”

For a moment he looked terribly frightened and then he started to laugh. We both laughed and snorted as tears streamed down our faces. “It’s getting dark now,” he said, sobered by the thought. She came back red-nosed with her purse in hand.

She was muttering to herself, “I’m going to be all right with the tree. I think I’ll be able to manage it in the car.” She handed me twenty euro.

“Did you ask the girl for a discount?”

“No, Dad, I didn’t.”

“I’m sorry,” I said. “‘”I can’t give any discounts. They’re not my trees.” He stood up straight and poked another tree.

“I would have preferred that one myself, anyway I thought our plan was to leave by sunset.”

“Dad, I still have to collect the turkey,” she said, and with that pulled the large, awkward, prickly tree out the door.


Derville Quigley is a writer and poet based in the Netherlands. She is co-founder of Strange Birds, a migratory writing collective and a co-organiser of Writers Flock, an international writers’ festival. Visit www.dervillequigley.net for more info.

My Old Air Conditioner

Special Selection for the 2022/2023 Winter Holiday Issue

Poetry by Briena Sohns

I drove past the house,
Two months after we sold it.

Only glancing up for a second,
I saw they still had my old air conditioner,
Perfectly positioned in the window.

Would they remember to take it out?
When the fall leaves start to christen?

My white curtains still hung,
But I wonder if she shuts the blinds at night.

Glow in the dark stars still glued above the bed,
But I wonder if they sparkle in her eyes.

She would never know the stories behind them.

But maybe it’s better that way.
Simply left behind,

Like my old air conditioner.


Briena Sohns is the author of “Winter Nights” published in The Catskill Review. She attends Palm Beach Atlantic University studying Communication and English. Her most recent accomplishment is being hired as a Resident Assistant in Baxter Hall. Though she now resides in Florida, she was raised in Upstate New York.

In Deep December

Special Selection for the 2022/2023 Winter Holiday Issue

Fiction by Zan Bockes

When Jo got home from the hospital where her husband lay comatose, the house blazed with Christmas decorations he’d put up and connected to a timer just after Thanksgiving. Every evening since, the reindeer and sleigh on the roof lit up automatically. The large plastic Santa loomed above the icy shingles, and a series of inflatable candy canes danced across the snow-covered yard. Cheery elves rocked back and forth and a red-nosed reindeer turned its face slowly side to side. The crèche radiated a soft yellow, the three wise men and animals peacefully gathered in the rough wooden enclosure.

Merrill spent weeks ahead of time positioning ladders and climbing on the roof, hanging looping strands of colored bulbs around the gutters and windows. When it was all done, when the cords connected and electricity surged through every circuit, the three-bedroom split level leaped from darkness like the Big Bang. Neighbors gathered for the event, and their cul-de-sac overflowed with cars driving by in a long line to observe the spectacle.

Jo again resolved to hire the teenaged boy next door to take it all down as soon as possible—the gaiety seemed false and irreverent with Merrill strung with tubes and wires that ironically mirrored the display at their house.

Three days ago, the surgeon removed a blood clot from Merrill’s aorta and replaced it with a stent, a tiny mesh cylinder to keep the artery open and blood flowing. Jo related the details to their son, who would fly in with his wife and three young children the next day. The thought of noise and commotion drained her. She hadn’t had time for baking or shopping for presents, every spare moment taken up by visits with Merrill.

Once inside, Jo took off her coat and hung it in the hall closet. She heated up a cup of milk in the microwave and turned out the hall light, sinking into an easy chair with her head against the lace doily on the back. The lights in the juniper bush outside flashed in random sequences, casting shadows of branches and needles across the ceiling.

This might be Merrill’s last Christmas, she thought. No more festivities and decorations, laughter and singing. No one to lie next to when the night grew deep and sleep descended.

Perhaps she could ask God politely for a reprieve. It seemed important not to be too demanding or greedy. Just one more year to watch the grandchildren grow, to pay off the house…

She tried to picture the vague deity she hesitantly worshipped. She saw an old man, rigid, gray-bearded, and unlikely to bestow favors, especially to those who otherwise rarely consulted Him. From the clouds above, He orchestrated all that happened on Earth and punished those who questioned His power. But she doubted He would answer her request, or that a prayer could make any difference in the outcome.

Through the frost-feathered glass, the scene in the front yard blazed across the deep snow. The plastic baby Jesus in his bed of fresh straw glowed like an oracle.

The wind was picking up. The tinfoil star on top of the crèche shivered. The colored bulbs winked on their frozen wires, ticking against the windows.

Jo stared absently at the doll’s swaddled body. A curious shadow drifted back and forth across its face, and as she tried to identify its source, the scene suddenly went black. Jo blinked against the darkness. Maybe a fuse had blown. She thought of opening the fuse box, but she knew nothing about what was inside. That had always been Merrill’s territory.

Or perhaps a transformer in the neighborhood had lost power. But the Reynolds’ Christmas tree across the way still reflected its colored lights in the ice rutted street.

Maybe the wind was responsible—a power line was down, lying like a snake in the back yard, electrocuting any live animal that ventured near. She thought of stepping out into the electric snow, her charred body sizzling under the bulbous yellow moon.

Next door, the streetlight still shone, snowflakes circling through its illuminated cone. The cuckoo clock on the piano whistled twelve times.

Jo tried to resist the idea that God’s hand descended from the heavens, compelling her to repent or submit. She didn’t believe in omens, really. But she whispered a clumsy prayer nevertheless. “Please, God. Help me…”

Wind buffeted the house, driving snowflakes against the windows. Jo’s hands trembled as she felt for the lamp beside her chair. As she turned the switch, she recalled the timer Merrill had set to extinguish all the Christmas lights at midnight.

Oh, she thought.


Zan Bockes (pronounced “Bacchus”) earned an MFA in Creative Writing from the University of Montana. Her work appears in numerous publications, and she has had four Pushcart Prize nominations. Her first poetry collection, Caught in Passing, was released in 2013. Another collection, Alibi for Stolen Light, appeared in 2018.

Feed

Nonfiction by Natalli Amato

It’s the good summer. Connor and I are out on the dock, beholding the St. Lawrence. There are more lily pads right here, right now, than there are lily pads I have stumbled upon in my lifetime before this point. Some of them flower. Some of them are just green. There are geese milling about on the lawn near the shoreline. We talk out loud about how much we love them.

We also talk about the seaweed we see, how Maxine wants to get rid of it all; it clogs up the boat. She thinks she can get the fish to do the excavation work for us. Connor explains her methods: the fish will uproot the seaweed, even eat the seaweed, if we lure them there by tossing scoops of corn feed into the river. This is why there is a stout metal tin at the end of the dock, full of pounds and pounds of corn feed. Connor opens the tin, scoops a good scoop, and throws the kernels. Repeat the process. Offers me a turn.

I look into the corn feed tin. The fish are not the only ones being directed towards something they would otherwise not pay a visit. There is also me, a human girl, following kernels to a different place: burlap sacks in the log garage, the cabin house, Plank Road. Nowhere near this river. Forest.

I can see the line where our property met the forest. I can see where I spread the corn feed down on the pine needled ground before the forest’s feet. I can see, too, how small I am. Four-year-old hands. So who carried the burlap bag? Who opened the burlap bag and showed me how to scoop and where to pour? I know I am here for a purpose – I am here to feed the deer. But who has taught me this? Who has told me we are people for whom the deer matter? I open my eyes as wide as I can in this vision. Someone else must be here. I see only, though, myself.

My buck shooting father. He is this someone, here but not.

I know this because of a card I found cleaning out my mother’s desk – a card he sent her from such and such recovery center, the post script note reading, Ask Natalli what a deer says.

Connor is scooping corn feed into the St. Lawrence. I am walking the forest line on Plank Road. He does not see me leave.


One fish swims to the weeds and its cousin is not far behind. One deer lowers its head to eat and its cousin is not far behind. Memories are like this, too.


Connor and I are in 113 Brady. Our apartment. I am not sure the time of day. I am fairly sure of the season, fall, because Connor is studying for exams and the good summer has already happened but the murderous spring has not.

I’ve returned from the grocery store. I’m sitting on the couch reading a magazine, Cosmo. I took the long way from the grocery store back to 113 Brady so that I could speak out loud to my father. I do that when I am alone in my car. I am alone in my car less often now that I love Connor and Connor loves me.

My conversation goes something like this:

I’m sorry I told mom to tell you I didn’t want to read the letter you’d written me that one year you were probably in AA or something because why else would you write me a letter but now I want to take it back now I want to have the chance to forgive you and have you know it now I want to know if you like country music now I want to thank you for my life now I wish I could have a beer with you even though its all those beers that killed you and I wish it could have been different and when I see the blood moon hanging low over black ontario and it is so mystifying that my heart aches instead of smiles which seems to be the more logical response to beauty – I think that has something to do with you or at least I inherited it from you or maybe I didn’t and I’m just checking in because maybe you can hear me.

When I speak out loud to my father I also cry. Not too hard but enough. Enough that Connor notices my eyes look off when he emerges from the study to give me a squeeze and remind ourselves that we are here, together. Connor asks me what’s wrong and I do the degrading thing –

I say, what are you talking about?

I say what are you talking about to the person who loves me and I love best. I say what are you talking about when he notices my suffering. I exclude him – this man I will one day break my own world over, so bereft I will be when he leaves me. I turn away and assume I will always have this option.


How far have I traveled from this? Far, far, far. And also not at all. I exist as a girl and I exist as a hungry ghost with unfinished business. It is for this reason I return here.

What’s wrong?

The corn feed, say it, the corn feed, the corn feed, my own dried kernel heart.


Natalli Amato is a poet, fiction writer, and journalist. Read her work at www.natalliamato.com

Dusk

Poetry by Carol Barrett

Translucent colors of sky loll in the stream,
such reverie, this dusk in the high desert,
a pour of beauty into my humble cup.

I relish the taste, sipping that place where blue
and dawn pink merge, flick a gnat from my sleeve.
Just then something stings the wits out of me,

the nose of a bear bigger than a hornet, sniffing
my favorite bench, no doubt where a dog had lifted
nimble leg. I raise my knees and slowly stand

on the plank, the bear paying little heed, ambling
down the bank to plunge his snout and drink.
I consider running, but we’re just yards apart,

fleeting distance daunting. I stand my ground,
writing tablet clutched, futile weapon, await
his next move. Strange how you can

count the clumps of grass in such a scene,
hoping not to bloody them. Five. I hear
far-away doves, watch a spider descend

from a black twig. She makes it to a leaf.
The bear has had enough, climbs the bank,
leaves the path for needled footing,

disappears over a small rise. I come down
from my perch, thank the gods, head home,
remembering family camp at Spirit Lake,

how my uncle crept up behind my father,
snoozing in a hammock, and let out a blood-
curdling growl. My father sat bolt upright,

then brought his breathing back from the cliff
while my uncle laughed. Fear can knock a soul
to dust. Here, the shimmering red of sunset

is winding down. You, dear reader, must decide
if I made this racket up, or told the truth
to put the beast to rest. I alone know how

it all played out. And the bear, of course.


Carol Barrett directs the Creative Writing Certificate Program at Union Institute & University. She has two volumes of poetry and one of creative nonfiction. A former NEA Fellow in Poetry, Carol has published poems in such diverse venues as JAMA, The Women’s Review of Books, Poetry International, and Oregon Birds.

Cut and Carry

Poetry by Colleen Wells

A few tiny ants milling about the circle of trust, a round tapestry on the floor,
   set with candles, crystals, sage and yellow daffodils.
It’s a focal point for the writing circle whose facilitators
   I overheard plotting the insects’ demise.
The ants are here through no fault of their own,
   innocent stowaways who were just
enjoying a taste of spring
   in a bunch of plucked daffodils
brought here through no fault of whoever brought in the flowers.
   An accident, soon to be a deadly mistake.

How are we different from the tiny ant
   when it comes to fate?
How are we different from a speck of pollen
   that moves through the wind to parts unknown,
creating flowers for you and I to cut down and carry in?


Colleen Wells writes poetry and nonfiction. Her work has appeared in Gyroscope Review, Ravensperch, and The Potomac Review among other publications. Her chapbook Animal Magnetism was published in May 2022. She works in mental health and is also a consumer of mental health services.

Farewell Season

Poetry by Sharon Whitehill

Poinciana, Your branches speak to me of love.

Buddy Bernier

The mellow close of a Florida day,
seats reserved on the wraparound porch
of a renovated Victorian manse:
a celebrative meal with my sister and Rick
before they head north for the season.

Alone on my side of the table,
I mirror their mutual delight
at the flamboyant tree across the road.
All of us awed by its scarlet-orange blossoms
ablaze in the pre-sunset light.

Snapping a series of photos,
I yield to the impulse
to sling my arm over Rick’s shoulder—
this brother-in-law, for so long a vexation,
gentled now as the soft evening air.

I lift my wine in a toast to the evening,
the bright-burning tree,
and our season together.

Now here comes Linda, our friend,
flashing a ring: I got married!
Though her exuberance fades
on hearing my news.

I was afraid of that, she sighs,
when I only saw three of you here.

A comment that crystallizes our mood.
The Portuguese call it saudade:
the sweet wistfulness of reluctant goodbyes,
honed to an edge by our silent awareness
of one empty chair at the table.


Sharon Whitehill is a retired English professor from West Michigan now living in Port Charlotte, Florida. In addition to poems published in various literary magazines, her publications include two biographies, two memoirs, two poetry chapbooks, and a full collection of poems.

The Holding Tank

Nonfiction by Ron Theel

It was one of those old hotel restaurants. The kind that lets you select your “fresh seafood” from aquariums grouped near the entranceway. I went past it daily on my morning walk but never considered eating there.

Today I stopped. A large fish was swimming erratically near the surface of a small, rectangular tank. I needed to have a closer look. Growing up, I always had aquariums. I liked the challenge of creating and maintaining my own aquatic world: balancing predators with scavengers, separating egg-layers from live-bearers, maintaining the correct pH and temperature levels of the water.

This aquatic world offered a refuge from my father’s athletic world. He played high school football and enjoyed participating in boxer fighting while in the army. “You have to play a sport,” he demanded. “All high school boys play sports.” My pleasure came from the chess club and the debate team. My father’s world remained unexplored.

I recognized the large fish as a sturgeon. For a fish fanatic, the signs would be hard to miss.

An elongated, torpedo shaped body with lines of bony, armor-like “plates” that stretched along smooth, scaleless skin. And that distinctive, rounded nose punctuated with two tiny barbell whiskers to help locate food.

The tank was too small for the sturgeon. Too short as well as too narrow. The fish was too large to turn around by simply swimming in the opposite direction. The top of a sturgeon’s tail fin is longer than the bottom. This distinctive feature enabled the fish to flip itself over by using the top of its tail, enabling it to swim in the opposite direction. It was the only way to reverse direction since the width of the tank was so narrow. Swim about two body lengths, bump the end wall of the tank, flip, and change direction. The motion reminded me of the technique a freestyle swimmer uses to turn around when arriving at the wall of a pool.

Over the next two weeks, I frequently paused at the fish tank. The sturgeon always followed the same turning pattern. Bump the end-wall of the tank. Flip. Reverse. I felt an overwhelming sadness. There was no choice for the sturgeon whose life had to follow this endless, compulsive pattern. 

I wished that the fish would somehow disappear. Go belly-up. Be plated-up. Perhaps a miraculous rescue by an animal rights activist. But there was no such drama.

I’ve come up against walls many times. Learning how to live with epilepsy. Bump, flip, change direction. A broken marriage. Bump, flip, change direction. A bankrupt business. Bump, flip, change direction. There are often bumps along any journey. But I’ve been fortunate. People were always there to hold the net for me, to help me change direction and get on with my life: family, friends, therapists, doctors, nurses, and many others. I thank God for all of them.

One morning, I decided not to watch the sturgeon. I’d seen enough. That evening, I returned to the place where I thought I would never eat, the place I came to know as the “fish tank restaurant.” I looked straight ahead as I entered and seated myself. There was no need to read the laminated menu resting in front of me. The waiter approached and asked, “Are you ready to order, sir?”

“Yes,” I answered. “I’ll have the sturgeon, please.”


Ron Theel is an educator, mixed media artist, and freelance writer living in Central New York. His work has been published in Lake Life and Rustling Leaves Anthology.

Suspension

Fiction by Michele Annable

She’s so cold that her teeth smash together, and the wind creeps up her sleeves and pant legs like little ice imps. When she looks down, she sees the pink rosettes of her slippers. It’s a winter’s day. December, she thinks.

Who dressed her this morning? It was one of those women, always pushing her: “Here, take your pills, Joan. Brush your teeth.” That’s what started it, the constant hurrying when she didn’t want to. How simple it was, after all. Just push open the big glass entrance doors and walk right through. No one yelled. No one followed.

It’s very bright in the world outside. She has to hold up her hands to her eyes. The sun hits the salt on the road, shatters into rays of light. On both sides of the street, people are dressed in puffy winter clothes, like big colourful balloons. Everyone looks happy. The trees crackle as their remaining leaves turn in the wind. She wants to keep walking forever, as long as her legs will carry her, but she knows she should get off the road somewhere, to be safe. They will come after her.

A bright red hand floating in mid-air tells her to wait, wait, wait. She sees her small self in the window of a passing car. Face all scrunched up. Her eyes meeting eyes behind the dark glass. Frightened, she crosses the street against the traffic. Cars blare their horns, and she freezes in the middle. She scuttles across the busy road, her slippers sliding, and reaches the other side. The dark park looms ahead. There, only the treetops are brushed with light.

She knows this park. Knows that on the path ahead there is a suspension bridge she has been visiting all her life. As a teenager, shrieking with excitement as her boyfriend shook the cables at one end. He made her bounce and wobble as she tried to balance in the middle. As a young woman, she came with her kids, always so anxious about them. Later, she came with her seniors’ hiking group. 

Inside the park and out of breath, she sits at the base of a huge evergreen, her back against the solid trunk. The tree whispers to her. “Where to? Where to now?”

Small knots of people move past her, stare and look away. No wonder. Look at the way she is dressed! They probably think she is a…what’s the word? There’s a word. She can’t get it. It slips away into the darkness of her thoughts like an arrow.

Her mind deserts her now, and she is like the tree, breathing in, breathing out. She has a sharp pain somewhere. Is it her stomach? Or her legs?  A crow toes its way across the path, looking at her with one eye and then the other. He’s big and shiny and frightening. Her heart thuds. 

“What are you doing here?” he asks in a hoarse voice. Terrified, she stumbles forward onto her hands and knees, then scrambles down the stairs onto the suspension bridge. This is the only way to cross the ravine.  

She starts out, heel, toe, heel, toe, hands like claws clutching the cold steel railing. The swaying begins. She can’t catch the rhythm, her steps too slow, too heavy. She grabs the mesh with her frozen hands and gasps. Down below is the river. The rocks. The rushing torrent of water. Should she let go and let herself fall over the edge? Falling through the air, one last moment in the world. Air, water, rocks, body.

Halfway across, she looks back. Then ahead. She is suspended above the cold green river. Her mouth opens to call for help, then clamps shut. They would put her back in that place and she would never get out again. She takes one small step, then another, and she is across. Tears slide down her frozen cheeks.

Under a cluster of trees, she finds a patch of leaves and needles untouched by ice or snow, like a blanket. She sits and stretches her legs. Sees that she has lost her slippers, and that her feet are now purple lumps. She digs them deep into the soft needles, pulls her jacket tighter around her, closes her swollen eyes.

Slowly and almost imperceptibly, she feels vibrations passing into her from the tree, as if it were nurturing her. Bit by bit, her body ceases to matter. She remembers the things of her life that she has forgotten for so long, recalls them fondly as if saying goodbye. Husband, kids, love, sleep, sex, skin, ocean, sand, mountains.

She lies back and gives in to the enfolding warmth.


Michele Annable is a writer and teacher living in West Vancouver. She is an emerging writer with two short stories published in Room and Prairie Journal Online.

Rain Drop

Poetry by Mary Padgen Michna

The after rain
     waits quietly
          in perfect balance
               with infinite patience
                    poised on a pine needle.

It is the one
     who holds back
          you know
               there is one
                    in every group.

One who saves
     the best for last
          to bring its balm
               to anoint
                    the unsuspecting traveler.


Mary Padgen Michna always wrote poems. When she grew up, she was more comfortable telling someone else’s story and worked as a journalist. After retiring, her poetry has appeared in Bullets into Bells and the University of Pittsburgh’s online publication. She received an honorable mention in the 2022 Passager Poetry Contest.

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