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Distance

Poetry by Braden Hofeling

Nothing has distance,
I think as I stare skyward,
celestial blue connected to fluffy white,
stars, suns, planets, courses set.
Even the wind, my ruffled hair–the current connects.
Everything in my world touches
one another, branching into a singular something,
inescapable as the tides that turn
craggy shoreline into ocean floor.
I wonder if I flung myself into space, into
the furthest reaches of the black cosmos,
could anything touch me there?
Could people still wrap me into a word,
binding me to this claustrophobic sphere?


Braden Hofeling is an emerging poet located in Portland, Oregon. He has two self-published collections of poetry and is hoping to publish his third book through an independent small press.

A Hawk in the Night

Nonfiction by Claire Galford

“All right, folks,” the naturalist says. “We’re about to start our Birds of Prey presentation. But please don’t step any closer than that line on the floor.” I get it—some of the larger raptors look as though they could rip your face off before you could flinch. 

I’m at the High Desert Museum south of Bend, Oregon, a thoughtful and humane mix of live animals, history, Native American artifacts and native flora on the edge of the Central Oregon desert. The Museum is a great place for serendipity: you can wander around inside or outdoors without a plan and usually come across something new and interesting.

I’ve been distracted by the rattlesnakes in an exhibit adjacent to the Birds of Prey talk and am now trying to locate my family, probably outside at the River Otter Pond or the dirt-floored pioneer cottage. Poisonous snakes make me uncomfortable, and the Museum has some huge ones (“Big shouldered snakes,” as one tribal chair always described them to me). I notice the raptors and happily conjure up an image of the larger ones grabbing and eating the snakes.

The naturalist points out the floor-to-ceiling window across a stream to the large wire screen enclosure that’s home to the raptors when not being shown. “Now, all our birds at the High Desert Museum are rescue animals. All of them have some condition that makes it impossible for them to survive in the wild.”

He describes each species, its habits, characteristics and role in the high desert biome. He points out each bird’s disability (e.g., broken wing, partial blindness, injury to beak or talon) that keeps it from living out its life in the wild. I touch my knee, the one without any cartilage, that someday soon will end my running, my antidepressant of choice for 45 years.

One by one, the naturalist holds and describes each member of the Museum’s Birds of Prey cohort: Great Horned Owls, bald eagles, hawks, Golden Eagles, falcons and vultures. He lets a Red-Tailed Hawk perch on his arm, her talons gripping the thick leather glove that extends to his elbow.

“Now this gal here is different. Of all our birds, she alone does not have any disability or impairment. She is as physically healthy as she can be–a perfect specimen. Yet, she can’t survive in the wild, maybe less so than many of these birds that have been injured. Although she was born and raised in the wilderness, she was not raised as a hawk. She was raised to be a Great Horned Owl. I’ve been doing this for 19 years, and this is the first time I’ve seen anything like it.”

We have nesting Great Horned Owls at our place, and I’ve watched them for years. The big Owls do not build nests. They steal the nests of other sizable birds, usually hawks. Quite likely, there was a hawk egg in a nest that a pair of Great Horned Owls commandeered. They hatched and fed this hawk and tried to teach her their ways, and the hawk imprinted on the owls.

I envision her trying to hunt at night, in the darkness, to move around in the forest without making the slightest sound, to catch and eat animals like squirrels and skunks. But hawks have evolved to hunt by day, while riding wind currents, not from trees at night. Red Tailed Hawks aren’t large enough to kill and carry off many of the mid-sized mammals that Great Horned Owls feast on. In nature, this hawk would die from long, slow starvation, frustrated at her inability to do what her adoptive parents expected of her. She had never learned the ways of hawks growing up, and other hawks wouldn’t accept her as one of them. She was alone and unable to live as a member of either species.

The hawk’s plight resonates with me. I am a female born and, until recently, living most of my life, decades, in a male body. The divergence between my female psyche and my socialization as a boy and man, which started at the moment of birth and went on in a million subtle ways, has grown into a chasm. Yes, gender is a spectrum, not either-or poles, but our mainstream culture tries to impose a sharp divide between male and female roles. I know I should embrace my part in blurring gender dichotomy, in giving the generations that follow mine greater freedom to be who they are. Still, even at this late point in my life, it feels impossible for me to reconcile what I feel and what I have been taught. Like the hawk, I belong to neither world.

I long for connection, attachment, an escape from loneliness. Does something primal in the hawk ache to soar in the air currents high above the fields and forests like other hawks? Does she feel failure because she can’t emulate her owl stepparents? Does she yearn for a mate who will love her as she is? Does she, like me, hunger for a deeper bond with her own kind, to feel more comfortable in her own skin?


Claire Galford writes from the perspective of one who has lived as a boy, a hetero man, a trans woman and now, a woman. She writes about the emotional and interpersonal aspects of her lifelong journey to self-discovery and the costs and trade-offs involved.

Life at Large

Poetry by Judith Yarrow

I sail the little boat
of my consciousness
on the great sea
of the universe

tossed about
by waves invisible
to me and toward
a faint horizon

maybe a harbor
or maybe just a cloud
receding. Still I sail.


Judith Yarrow lives in Seattle, Washington. She’s been published in Women’s Words, Cicada, Bellowing Ark, Backbone, Aji, and others. She was the featured poet in Edge: An International Journal, and her poems have been included in the Washington State Poet Laureates’ 2014 and 2017 collections.

The Train

Fiction by Beth Ford

Macy would always remember the day she became a train. It was the tail end of winter, and she had had enough.

The kiddie train in the city park had shuttered what felt like ages ago now. A flood of rainwater had barreled through the park, upending earth, sidewalk, and tracks. And, of course, covid now made the tiny train cars too close for comfort so they remained locked away.

Which meant here they were, with Brendan melting down alongside the mini train tracks because there was still no train. She had walked them past the loop of track on the way back to the car, not thinking it would be a problem. But after telling him twice the train was not running, he had started crying. She wasn’t even sure how he remembered the train. He couldn’t have been more than three the last time he rode it.

She tried to be understanding. Everyone had reached their boiling point by this stage of the pandemic, adults included, so who could blame a child for acting out? Though the fact remained hers was the only one making a scene in the park this morning. The tantrum reached a new level of shrillness. She had to do something.

She knelt in front of her son. “Why don’t we be the train?” she asked.

He paused his screaming long enough to look up at her. He was interested, at least.

“Here. Get on my back.” She turned so he could get piggyback, then she stood and walked alongside the tracks. She felt a tug on her shirt at the shoulder and heard a loud sniffle, which probably meant the fabric had become a tissue. She ignored it and forged ahead. “Where is the train headed today?” she asked.

“Mexico!” he shouted.

Mexico? Where did he get this stuff? “All right, the 3:10 to Mexico it is.”

“Make the train whistle, mommy!”

She had to try a few times before a convincing whistle emanated from her lips, but eventually he was satisfied.

They began to attract attention. An older couple laughed and walked by with a wave. A woman and her son watched for a moment before approaching. The boy was a bit younger than Brendan, dressed in a blue t-shirt with a robot on it.

“Want to join our train?” Brendan asked from his perch. “We’re going to Mexico.”

The boy looked up at his mother. She shrugged. “Do you mind?” she asked Macy before taking position behind. The boys shouted as they went along, lots of chuga-chugas and choo-choos, and the occasional, Faster! The group had almost returned to their starting point when a little girl fell in at the rear of their train, parent unidentified.

“We’re reaching the station,” Macy said. “You boys better put on the brakes.”

Brendan made a whooshing sound she assumed was meant to be the sound of the train slowing. Behind her, the other boy simply shouted “Stop!”

She pulled up to the same tree they had begun under and let Brendan down. A mother ran from the direction of the duck pond to claim the little girl. “Sorry!” she said. “She got away from me for a moment.”

“No worries,” Macy said. They all introduced themselves. The kids grinned, thoughts of tantrums temporarily dissipated. For a brief moment, normalcy seemed restored. The sun peeked through the leaves above them, brightening the last winter chill out of the air.

“So,” she asked, “Same time next week? Different destination perhaps?”


Beth Ford lives in the beautiful Shenandoah Valley of Virginia. Her short fiction, poetry, and a novel excerpt have appeared in Embark Literary Journal, The Scores, Sangam Literary Journal, fresh.ink, and The Journal of Undiscovered Poets. For more information, visit http://bethfordauthor.com.

Autumn

Poetry by Kate McNairy

brings a screen
door to lock up—

my shadow flees
an open window,

twists & turns
in breezes—

each fallen leaf
passes.


Kate McNairy has published three chapbooks, June Bug (2014), Light to Light (2016) and My Wolf (2021). Journal and magazine credits include Third Wednesday, Misfits, and Raven’s Perch. She was on the editorial board of The Apple Tree and was a semi-finalist of the Blue Light Poetry Contest (2014).

The Place Between

Nonfiction by Susan Pope

Nothing but white. Walls, comforter, window shades, pale light leaking around the edges. Am I awake or dreaming? Is it night or day? I’ve lost all tethers.

The fury that delivered us here to Iceland spun out. In the calm, bird song. I slip from the warmth of my husband’s side, fumble for hat, coat, gloves, binoculars, and gently open the door.

“Where are you going?”

My eighteen-year-old grandson lifts his head from a pillow in the next bed.

“For a walk.”

“At 4:30 in the morning?”

He, at least, has come to rest on local time, while my body hovers between oceans and continents, time zones and eras. We pause between our home in Alaska and our destination, Paris, where we’ll join the rest of the family for a grand tour of Europe.


Moist air skims my cheeks as I hike a worn path to the lake. Steam lifts from the shore, drifting up from thick black mud. No other humans stir, but the birds sing, each in its own language. In the distance, whooper swans trumpet to each other, surely bowing and weaving their long, elegant necks in a courtship dance. Close by, Arctic terns, bodies sleek and silver in the luminous light, hover, swoop, snatch fish from the smooth water, and hum their raspy tunes.

I imagine a tall, sturdy Viking woman walking this same path. She’s slipped out of her sod hut, leaving her husband and children tucked beneath their sheepskin robes, on her way to fish for Arctic char or steal eggs from bird nests along the shore. She feeds her family.

By contrast, here I am, a small, American grandmother in a blue and purple hat, wandering with no other purpose than to spy on birds and guess their names.

This extravagant journey was my idea, a gathering of three generations before my teenaged grandchildren flee my grown daughter’s nest. I hope that a glimpse of the wider world will be my legacy to them. But, more honestly, the trip is a gift to me, as I turn seventy. If I can just hold my family close one more time…. What? They will love me? Remember me? Thank me? 

Eric Erickson, the developmental psychologist, believed that the task of the last phase of life is to reconcile integrity with despair. If we look back on our lives and feel a sense of accomplishment, then we will feel complete, that our life had value. If we look back and feel guilty that we have not met our goals, then we will feel hopeless. The ultimate goal in this phase is wisdom. But, I feel neither wise nor hopeless, nor ready to declare this the final chapter of my life. 

I reach a small clearing beside the lake. A weathered sign proclaims this ground—heated from the earth’s molten core—a sacred place. People once traveled here for healing. Now, it’s overgrown and neglected. Perhaps no one needs to make a healing pilgrimage anymore. I move to the center of the weeds and wait for a tingle of enlightenment. Instead, I feel only the warm ground at my feet and cool breeze on my face. 

My mother turned seventy the year my daughter turned twenty-one. Their birthdays were two days apart, so we held a double celebration, my daughter reaching adulthood, my mother, wisdom, or at least longevity. I discounted my mother’s life then. I tried my best to be nothing like her. She had no interest in education, career, travel, or anything broader than taking care of husband and family. By contrast, I layered my life with diplomas, careers, and travel to exotic places. It was never quite enough.

I turn back, heading up the hill to the old school turned tourist hostel. Just as I fumble for my key, the night clerk rushes to open the door for me. He must have been watching the crazy woman roaming among the birds. 

When I enter our room, it smells of sweat and damp clothes. Old man and boy man. I slide off my coat and shoes and slip back into the cocoon for a few more minutes, close to my men with their soft snores and grunts.

I don’t know if my mother felt wise when she died twelve years after her seventieth birthday. I do know that she was content to fiercely love the small cluster of people she kept close to her. Maybe that’s enough of a legacy for anyone to leave. 


Susan Pope writes about nature, travel, and family. Her work has appeared in Pilgrimage, Under the Sun, Cirque: A Literary Journal of the Pacific Rim, Hippocampus, Burrow Press Review, BioStories, and Alaska Magazine, among others. Her writing reflects intimate ties to the North and a restless pursuit of faraway places.

What I Can’t Forget

Nonfiction by Caryn Coyle

That morning, I don’t remember waking up, what I wore, or how I felt. I do remember Leigh picking me up in her Ford Bronco. Her son and daughter watched me from their booster seats in the back of her car. I remember green. Maybe a hedge, maybe grass next to a parking lot. The building looked liked a cement box. She left me there, saying she would return later. She couldn’t find a sitter.

Her kids are grown now. She has two grandchildren.

I waited in a room with blinds on the windows. I couldn’t see out. I was nervous. Sick to my stomach. I had been throwing up and my breasts felt huge; sore and painful to touch. I was directed into a small office with no windows and sat by a desk. A woman in a white nurse’s uniform and a navy blue cardigan sat behind the desk and asked me my name. I remember asking her if I had to give my real one.

I wanted to be anonymous. If there was no record of my being there, I could forget it. Hide from it. Never speak of it again.

My next memory is the one I cannot block. The one that haunts me forty years later.

I lay on my back. My heart pounding. My head aching. I thought I had no other option.

It sounded as though he was surprised to hear from me when I called him.

“What’re ya? Pregnant?”

The tone of his voice was sarcastic.

When I said, “Yes,” he was silent.

My head crackled. The quiet was disturbing.

“Well, you’re gonna’ get rid of it, aren’t you?”

We met at a bar. He stood near the door to the restroom, smoking. One of his eyes was a different color than the other. He smiled at me; small, yellowish teeth. He asked me my name and when I told him, he said that the woman he had just divorced had the same name.

He lived on the main floor of a large house that had been divided into apartments. His bedroom had been the original living room. It had big, bay windows. His kitchen, at the back of the house, was narrow and he made me breakfast, cutting a round hole with a drinking glass he turned upside down into the soft center of a slice of bread. Cracking an egg, he emptied it into the hole in the bread and grilled it, telling me that was how his nanny had cooked him breakfast when he was little.

He drove a Volkswagen and took me sailing on a boat docked in Annapolis. We could walk to Orioles games at Memorial Stadium from his house. Together, we picked up pizza from a place with a sticky strip over the counter, heavy and black with flies. Eating that pizza in bed, we didn’t care about smearing the sheets with sauce.

Then, he just stopped calling.

I got pregnant after a Friday night happy hour. Walking into a new place — a sports bar — I spotted him. It was loud, crowded. Music thumped over all the voices and I felt my heart beat in my forehead when he smiled at me with those small, yellow teeth. A cigarette between his lips.

I said “yes,” too quickly when he asked me if I wanted to follow him home.

On the bed in the room with the bay windows, I wanted him to love me. But I wasn’t someone he wanted. I was the woman with his ex-wife’s name who would follow him home.

#

The doctor was short. He wore green scrubs. A frown.

My feet in stirrups, a sheet over my legs blocked my view. I didn’t feel anything. I remember a whirring, buzzing sound and I watched the ceiling; white pocked marked rectangles.

The recovery room had several cots and I listened to other women moaning. I thought they sounded pathetic. I wouldn’t join them. I had counted back to the night with him and thought the fetus was five weeks old. I have searched illustrations in medical books to see what a five week old fetus looks like. I have also tried to console myself by calling it a zygote. Not a real being, not yet.

I hope it couldn’t feel anything.

Throughout the decades, I have wondered what the child might have been like. I think of how old he or she would be. I tell myself I had no other option. He didn’t want us.

#

A nurse brought me my clothes, a prescription for tetracycline and a Kotex pad. On the curb outside the cement building, I waited for Leigh. The curb was warm. It was the kind of spring day that was meant to be enjoyed.

Leigh pulled up with the kids still in the back seat of her car.

When I opened the Bronco’s door, she asked me if I was all right.

I told her I was and turned to look at her children. They watched me with big, brown eyes. Neither of them spoke. I doubt they remember; they were too young.

Leigh stopped the car by the sidewalk to my apartment building and said, “Just forget about this whole day.”

“It never happened,” she added as I closed her car door.

Lying on my side, in bed, my legs folded up to my chin, I watched the light blue, streamlined telephone on my bedside table. I didn’t pick it up to call him and it did not ring.


Caryn Coyle edits creative nonfiction for the Baltimore based literary journal, LOCH RAVEN REVIEW and her work has appeared in more than three dozen literary publications. She lives in Massachusetts.

Mutiny at the Club

Fiction by Maureen Sherbondy

At the dance club, the man’s shirt pattern peels away and bops to the tune. The red and black circles jive back and forth, shimmying to the drummer’s four-four beat. Now void of any pattern, the shirt stares with white-cotton envy at the gyrating circles.

Five other times the man had worn his fun shirt to the club, promising he would finally get out on the dance floor. But he just couldn’t work up the nerve.

Tired of words that held no meaning, the pattern calls a mutiny this night and creates their own adventure. When the man orders the circles back in their place on his torso, they roll out the door, eventually stealing away on the tires of a jazzed-up sports car.


Maureen Sherbondy‘s latest book is Lines in Opposition. She has published in Litro, Calyx, Stone Canoe, and other journals. Maureen lives in Durham, NC.

We Were Bugs

Nonfiction by Thomas E. Strunk

Growing up in a trailer park, one rarely feels significant. But we still had the bugs to look down on. I don’t know what went wrong with me, a boy from the forest bothered by bugs. Sure I was fascinated by the water-skaters that danced over the crick out back. I stood in awe at the ant hills we’d come upon in the woods, but had no desire to poke them. At best I ignored the daddy-long-legs that crawled over the hillside in summer. Yet at some point in my youth a fear crept in at things that crawled, perhaps it was a late-night movie, but more likely the katabasis I endured when I was twelve, my descent multiple times beneath our siding-enclosed trailer.

A real man of the woods my father, not frightened to inch his way along the length of the trailer and then creep to the other side where with flashlight and wrench he could turn off and on again the water. He wasn’t the kind of man to worm his way out of his responsibilities.

“We’ve got to crawl under there so I can show you how to deal with the water.” But I was not that man and begged off the mission.

“Can’t you just do it before work?”

Until my father made it clear, “And leave you with no water all day? There is no choice.” For the workers were coming to the trailer park when he was at work, and I was at summer bored and idle and able to go inching my way under the trailer.

And so I followed him on my belly the long way – the door through the siding at the back left of the trailer, our journey’s destination, the water pipes at the front right, so I could learn, like him, how to turn the water off and then on.

The next day, alone and reluctant, I entered through the siding door and left the daylight behind me. I held the flash light before me but did not look at what it illuminated for fear what I might see; rather I wriggled in the light’s general direction. I crawled with all that was under there in the darkness, sweeping cobwebs as I went. I made it to the water pipes and plied the wrench hurriedly, hoping I had twisted it enough to choke off the water. And then the return, always harder than the descent. I turned myself around on the dirt and made my way towards the light peeking through the siding door, far in the distance at first. Yet I hastened and did not turn to see what I left or what followed behind me. I came at last to the exit and crossed the threshold.

When I emerged from beneath the trailer into the light, I did not come forth braver or with new knowledge that I gained along the way, but joyful to see the blue sky and its birds free to fly above the ground. I feverishly shook off the dirt and whatever bugs had found me, never wanting to know their wisdom.


Thomas E. Strunk explores nature and working class life and strives to express the longing for spiritual, emotional, and political liberation. His literary work has appeared or is forthcoming in Pinyon, Anthology of Appalachian Writers, Northern Appalachia Review and East Fork Journal. Thomas blogs at LiberationNow.org and lives in Cincinnati.

Robins

Poetry by Margaret D. Stetz

Headlong into glass
two collisions
in rapid succession
after the crashes
wreckage outside the door
small bodies sprawl motionless
on a cold morning.
What compels me to push
beyond the door
to sit down on grass
in nightgown, slippers
to gather their corpses?
Cradling both in flannel-sheathed hollows
staring at membranes closed over eyes
at beaks gaping emptily
ignoring the chill through my legs
I see—movement.
Then pouring my heat and will
into the moment
watching as one
then the other
slowly
looks back.
(Is this how a surgeon feels
holding a heart as it beats?)
They owe me nothing—
the same miracle likely
to happen without me
their crimson breasts already skyward
harder to follow.
But if only they could
raise me too
high higher
never again
to enter that house
to stand hopeless
unrescued
from crashes collisions
behind the door


Margaret D. Stetz is the Mae and Robert Carter Professor of Women’s Studies and Professor of Humanities at the University of Delaware. She began writing poetry again after several decades away from it. Her new work has appeared in “Azure,” “Existere,” “Review Americana,” Kerning, and many other journals.

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