The Bluebird Word

An Online Literary Journal for Poetry and Flash

Page 5 of 46

Keeping Diana Alive

Nonfiction by Jennifer Pinto

The plant I carried was so bulky and cumbersome that when I hugged it against my chest and carried it to my car, I could barely see where I was going. I had to peek through the small spaces between glossy, dark green, oval shaped leaves that seemed to emerge directly from the soil. The brown stucco pot was heavy and I struggled not to drop it while slipping and sliding across the icy funeral home parking lot. I was desperate for a reminder of my dad, something that might bring me peace after his sisyphean battle with liver cancer and my increasingly contentious relationship with my step mother.

At my dad’s funeral, this solitary plant was displayed atop a pedestal next to his casket. A peace lily in all her glory, standing sentry. There were also a few flower arrangements, but most people, at the request of my step mother, slipped cash in the donation box next to the entrance to help pay for the funeral costs instead. At the end of the service when everyone was lining up to head over to the cemetery, I snuck back into the funeral home and stole that plant. I knew it was the only possession I would ever have of my dad’s and, in my twisted logic, that plant belonged to him.

Back home, I looked for the perfect spot for the plant. I googled Peace Lilies and found that they adore bright sunlight. In fact the article said, “the more light your plant gets, the happier it will be, the faster it will grow and the more it will bloom.” It was obvious that sunlight was the key to keeping this plant alive. In the years leading up to my dad’s death, between calls with the oncologist and trips to the Cleveland Clinic, I hadn’t felt like enjoying the sun. My blinds remained shut most days. But for the sake of the plant, I let the light in. I placed the pot directly in front of the patio door and named her Diana.

If my dad were a plant he would have been a succulent, the kind you could leave in the corner windowsill for weeks at a time without a thought or a drop of water. He wouldn’t have minded. That’s how he was, easy to please and uncomplicated. Despite being neglected, he would continue to grow, his roots digging deep for water and his stem quietly reaching for the sun. He was kind to a fault and expected as little from others as possible, a people pleaser who stayed out of the limelight. I was the one who insisted that dad get the liver transplant, encouraged him to get radiation and then chemotherapy. I fought with my step mother over hospice placement, stubbornly refusing to give up.

It only took me a few days to realize Diana was dramatic if nothing else. She demanded water by collapsing in on herself. Her broad emerald leaves wilting down and falling over like a diva fake- fainting on a velvet settee. After her thirst had been slaked she popped back up, white spaths held high as if nothing had happened at all. Only to repeat her theatrical performance a few days later. Unlike my dad, she wasn’t afraid to demand what she needed. She wasn’t polite or demure; she had no qualms about turning her leaves brown to show her disapproval.

Following my dad’s death, I was paralyzed by grief. But as the weeks went by, I found myself distracted by Diana. I watched her carefully, moved her from window to window to get the correct amount of sunlight, stuck my finger deep into her soil to make sure it was moist and wiped the dust off her leaves with a damp cloth. I talked to her and laughed at her melodramatic ways. She may not have brought me peace in the way I had imagined but at least I know what it takes to keep her alive.


Jennifer Pinto writes creative nonfiction. She lives in Cincinnati with her husband and a Goldendoodle pup named Josie. She enjoys making pottery, cooking Indian food and drinking coffee at all hours of the day. Her work has been published in Sundog Lit, Halfway Down the Stairs and The Bookends Review.

Annual Report

Poetry by William Swarts

Exaggerate old metaphor, expand it
out of all proportion, over-inflate
the usual occasion: each tulip is
a microphone broadcasting the season,
every daffodil a brash loudspeaker
trumpeting a processional for the sun.
Now a glory of color covers the earth,
stridently smothers the hush of grass
growing green and too abundantly
while spring waxes the way to winter.


William Swarts is the author of “Harmonies Unheard,” “Strickland Plains and Other Poems” and “Treehouse of the Mind.” He won First Prize in the Litchfield Review‘s annual Poetry Contest. He studied with Bolligen Prize-winner David Ignatow at the 92nd Street YM-YWHA Poetry Center in New York City.

Notes We Cannot See

Poetry by Mary Baca Haque

today was flawed but not forever–
for when the morrow rises, the will
of first light reflects off leafy trees
halfway healing the disarray, ceasing

yesterday’s melancholy, sailing
on silver seeds of the aged lion’s tooth
dissipating in the new air

to the tune of the devoted cardinal
at first light playing advantageously
in backgrounds

carrying on winds
in notes we cannot see, but feel
the chorus in the promise of a new day

with new breath
under yellow shades with azureous skies.


Mary Baca Haque prefers to capture the essence of the natural world, hence her forthcoming publication, Painting the Sky with Love (2024-Macmillan). Her poetry can be found in Wild Roof Journal, Cosmic Daffodils, Amethyst Review, Closed Eye Open, and Seraphic Review (2023 and forthcoming in 2024). She resides in Chicago, Illinois.

Maternal Fabric

Nonfiction by Elizabeth Jarrett Andrew

The Christmas before she died, my mother gave seven-year-old Gwyn a mint-green Hello Kitty sewing machine. Believe it or not it’s a decent machine, she said, despite its small size and ridiculous color. The two of them spent the week making Gwyn’s first patchwork pillow, my mother’s gray chemo curls mingling with Gwyn’s untamed ginger. Gwyn took to sewing as I never had. Afterward I told myself if my mother were to die tomorrow, at least this happened, at least grandmother and grandchild shared days of fingering fabric and winding thread and loving what they both love.

She died that May. And one month later we needed fabric for Gwyn to sew pillow cases as a wedding present for her birth mom. Time was short so I took her to a tiny store just a mile north, a store we’d never been in because the faded mural of a quilt chipping off the exterior made me assume it would be filled with quilt kits and the cheap fabric my mother scorned. As soon as we walked in I knew otherwise. The shelves were saturated with color: bolts in batik, Japanese indigo, elegant floral cotton. It was my mother’s dream store. While Gwyn pranced between shelves I stood in the doorway, aching for my mother. Gwyn discovered the enormous bank of thread and pulled me over: “Look, Mama!” A tidy, exuberant rainbow, and she adored every spool. Gwyn’s delight soothed my sorrow. At least she’ll carry forward my mother’s sewing legacy.

Then, from the thousands of lovely artisan cloths, Gwyn chose a cutsie retro kitten print. In red, teal, and baby blue. My mother in me reared up—no, no, no! Wide-eyed cats pawing balls of yarn were the epitome of kitsch—beneath us, somehow. With every other fabric in this store Gwyn could make something beautiful. Except that Gwyn and her birth mom love cats. Gwyn was the seamstress. She knew what she wanted.

The fabric was perfect.

And just as suddenly I was grateful my mom was gone. She would have held sway in the name of good taste and reputation. For decades I’ve heard her voice in my head, sometimes heeding it, sometimes rebelling, but now her voice is disembodied. She’s dead. She’ll never see the pillowcases, which are adorable and of which Gwyn is terrifically proud. Her birth mom rests her head nightly on Gwyn’s love. The woman at the counter thumped the fabric from the bolt and snipped with long, black-handled scissors, cutting for us both a measure of freedom.


Elizabeth Jarrett Andrew is a wisdom teacher and writing coach dedicated to facilitating creative emergence. As a writer she elicits the spirit’s movement within stories; as a teacher she supports transformation within writers and on the page. You can connect with Elizabeth at www.spiritualmemoir.com and www.elizabethjarrettandrew.com.

Peregrine

Poetry by Stephen J. Cribari

Two years ago we had peregrine falcons here.
They bred in a nest under a nearby bridge
That spans the Mississippi River. I
Stood riverside the day the three chicks fledged
Dropping from the bridge’s understructure,
Falling in a wild, flailing descent
And finding just before they hit the river
What wings mean, solving the secret code
That opened a doorway into the halls of the sky.

A month later curious I returned.
The empty nest, but there up in the sky
High up in the sky a black speck
Like a piece of protein floating across the eye
But reaching speeds that edged beyond my vision.
Like a thunderbolt loosed from the sky it bolted down,
Leveled to a plane above the river,
Screamed through the bridge’s latticed understructure
Then turned as bolting horse will dead stop turn

And flaring into the bridge’s latticework
Settled on the beam where its nest had been.
And there it began to preen, as if nothing at all
Let alone something utterly extraordinary
Had just happened. And I thought of you.


Stephen J. Cribari has been writing poetry for over sixty years. In a parallel life he was a criminal defense attorney and law professor. He resides in Minneapolis, Minnesota. Still Life (2020) and Delayed en Route (2022) are published by Lothrop Street Press.

At Home

Nonfiction by Joseph O’Day

When her uncles and aunts tried to embrace my nine-month-old granddaughter at our Thanksgiving dinner, she cried and struggled for freedom. I rescued her into my arms, and they called me baby hog. “She’s not yet comfortable with you guys,” I said.

I didn’t think it would take long. I’d been babysitting since September and she had settled in with me, crawling through my house using her bum shuffle—her left leg tucked underneath as her arms and right leg slid her forward. She shuffled over, then sat back and raised her arms, and I lifted her up and we toured the kitchen, the bedrooms, the dining and living rooms, and the TV room, where we watched Daniel Tiger and Rafi and Cleo & Cuquin’s rendition of La Cucaracha. She became so comfortable with me and my house that she led me on tours, moving ahead of me and turning around periodically to make sure I followed.

Our Christmas and New Year’s gatherings did the trick; familiarity bred comfort. She started initiating contact with extended family, snuggling with Aunt Patricia, Uncle Joe, and Aunt Kat as they read her books, leaping into Uncle Josh’s arms as he soared her through the hallways.

At her house months later we celebrated her first birthday. We watched as she ate yogurt-frosted cupcakes, watched it smear on her face and arms, the chair, and anyone who got near. When the party wore down, her mom gave her free reign, placing her on the hardwood floor while we washed tables, threw paper dishes and cups into the trash, and collected scattered bows and gift wrappings.

My granddaughter shuffled around the place so rapidly that it took my breath away: from living room to kitchen, from her aunts’ legs to her uncles’ arms, from her baby walker to the open dishwasher. We had to take care where we stepped. She suddenly appeared at our feet, then vanished, moving with the buoyancy of someone savoring the secure, loving, surroundings of home.


Joseph O’Day’s writing has appeared in Oyster River Pages, Spry Literary Journal, The Critical Flame: A Journal of Literature and Culture, bioStories, Patchwork Lit Mag, Adelaide Literary Magazine, and Molecule: A Tiny Lit Mag. Joseph received his MA in English (Creative Writing) from Salem State University.

Something Different

Poetry by Emily Lacey

You’re not even mad
that you’re bundled in a pink snowsuit
or that your hands are swallowed
by your sleeves and mittens.
You don’t care that your boots
are stiff or that your hat is strapped tight
below your chin
or that your nose is dripping,

but you’re enraged
that the snow is blocking
the sidewalk,
your mittens now little purple fabric fists
because you can’t go for your
daily walk.
You trudge your body
forward—into the mound—sink.
Mama,
make this go away,
Mama
.

You wave at the snow falling,
like it’s something different.
You even try to kiss it.


Emily Lacey lives in Danvers, Massachusetts. Her work appears in Evening Street Review, Medical Literary Messenger, The Broken Plate, and Freshwater.

A Life Lived in Common

Poetry by Robert Harlow

They don’t think much about it,
I suspect, the horses, the snow.
Probably wonderstruck the first time
they stand in it, as it falls on and around them.
As long as they have something to eat,
mostly hay, unbaled, strewn, disheveled,
they are fine, it seems. Nonchalant.
At least that’s what they look like. Their pose.
And there’s always one, isn’t there,
who is off by himself, looking
to the distance he can’t get to.
Even though he’s never been there,
he wonders if there’s a way he can.
Somehow, he’ll have to convince the others,
nodding into the feed, to cover for him
by creating one of their famous diversions
as he tries to figure out how to open the gate,
because he has to live with the mistake he made
of not learning how to be a jumper
as I tried to teach him to be.
And he can’t secretly disassemble the rails
without me seeing him, catch him in the act,
putting on the “What? I wasn’t doing nothing” face.
Even though he is dark-gray, intermittently rain-smooth
when he needs to be, snow won’t help hide him,
as he thinks it will, or fill in his hoof prints
on the other side if he somehow remembers
what I tried to teach him about going over obstacles
one might encounter in this often-puzzling world.
So, he’ll have to be content,
or at least pretend to be, with his lot in life.
We have so much in common, he and I, don’t we?
He staring off into his distance.
Me staring off into mine.


Robert Harlow resides in upstate NY. He is the author of Places Near and Far (Louisiana Literature, 2018). His poems appear in Poetry Northwest, RHINO, Slipstream Magazine, and elsewhere.

Sparks

Poetry by Daphne Riddle

A night in September
surrounded by water
that’s when we first sparked

gentle as ever
I never felt better
meeting your light with my dark

your hands in my hair
that shirt that you wear
our love summed up in parts

the sparks aren’t there
and I wish that you’d care
I’m lost here in the dark

I look for you everywhere
and you just carry on
I’m questioning all those years
but all I really want
is floating in September

with all of the fish
and the stars
and the songs
and the sparks


Daphne Riddle is an artist from Southern California. She is a music student at CSU Long Beach and an active songwriter. She is largely influenced by her study of international art song and her career as a musician. Writing is her foundation to heal.

At the Lakefront, beside Sunshine

Poetry by Stacie Eirich

Glittering waves in wind
sunlight high in the sky
beaming into blue
you marvel at the beauty
in a dandelion, proclaim it
not a weed but a flower
pick its yellow head
put it in my palm.

My hand in yours, you skate past
girls on scooters, boys on bikes
a dog you call Toast.
We listen to the roar
of a mower, the slap-slap of water
the cries of shorebirds
from beyond the beach, where two kids play
in cold waters, brave in bathing suits.

You turn on pop songs, sing along beside me
dance a jig, weave your arm in mine, say thank you
for bringing us here, stop to swing, then ask
for snowballs & ice cream.
We savor mint chocolate and cherry chip
in the warmth of the shop, you watching and listening
to a little brother and his sisters, me watching you
quietly spooning cold sweetness to our lips.

I finish first, sit content, tell you
to take your time.
That it’s what we came for
to take time.
To hold and warm each others’ hands
to find and follow sunlight
the rush of the wind, the sweetness
of this life.

A gift to open slowly
you singing like starlight
you next to me, beside the water
your fingers pressed
into mine, time shimmering
like waves on sand
tall white sails
rising into the distance.

I touch the dandelion head
in my tote pocket
spread its yellow cup
in my fingers
feel the sun
feel you
beside me
still shining.


Stacie Eirich is a mother, poet & singer in Louisiana. Her work is forthcoming in Synkroniciti Magazine. Her poem “Blossoms” published in Susurrus Magazine in 2023 was nominated for The Pushcart Prize. In 2023, she lived in Memphis while caring for her child through cancer treatments at St. Jude. www.stacieeirich.com

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