An Online Literary Journal for Poetry and Flash

Tag: age

Injury Lessons

Poetry by Nicole Farmer

The words tendinitis & torn meniscus get thrown
around doctors’ offices & at home leaving

me to come to terms with immobility & mandatory
rest, while my body revolts, my mind riots

& old age cackles in my ear all the fears
of dependency – send my mind reeling in doom,

despair, confined to a chair or couch
to slowly atrophy & wither away to obscurity.

Then just this morning the trees spoke to me –
underground roots rough raspy voice saying

hold tight, stand still & breathe in the day
be like us and sway your trunk/torso

do what you can to reach your limbs/arms up
move with the gentle wind.

Oh yes, there will be chair yoga & stationary
bikes in your future, but right now

slow down, stop racing & look around
delight in the early yellow light & the drying leaves.

August is evaporating so enjoy these last days
of simmering summer swelter.

So, I moved my reading chair to the deck & embraced
a long-awaited repose in the shade of the old maple.


Nicole Farmer (she/her) has published Wet Underbelly Wind (Finishing Line Press 2022) and Honest Sonnets (Kelsay Books 2023). Her poems have been published in Wisconsin Review, Suisun Valley Review, Apricity, Wild Roof Journal, Poetry South, Drunk Monkeys, Sad Girls Club, and many other journals. She lives in Asheville, North Carolina.

The Horses

Nonfiction by Kandi Maxwell

I miss the horses. Those wild Mustangs that filled the fields near the old, abandoned house. I imagined the house, as all that was left by the time I visited was a stone chimney. In spring the large pasture bloomed yellow with stink weed. I loved those tall, ruffled leaves and yellow flower heads. The plant is actually named Tansy Ragwort—an invasive, noxious weed, but who couldn’t love them with a nickname like Stinking Willie? I savored Willie’s weedy, earthy smell like a sweaty man who worked the land. I never saw those Mustangs eat the plant. Instead, they ate the hay thrown off an old truck and onto the ground by a rancher.

I visited in the mornings before work. I’d bring a lidded cup of coffee that was always too cool for my liking, but I willingly gave up the heat for moments. Snatches of wild. Dust. The soft, high-pitched neigh, or whinny sounds the horses made while feeding. I drove to the old road in my Nissan truck. Pulled into a pocket of packed earth and parked. Opened the truck bed and sat on the tail gate. Sipped cold coffee. Soaked in the soothing smells of hay and horses and dirt.

I was an idiot. Knew nothing about horses, but there was an attraction, and I wanted to be near them. I knew enough not to touch them. They were wild, after all. Still, sometimes I walked into their pasture. Got too close so I could take photos. I look at one now. See numerous paint patterns in colors like copper, red, black, and white. Long tails touching hooves. Noses buried in hay. Their black shadows on the golden morning landscape.

Later, when my husband and I moved onto thirty acres in north-eastern California, we had six horses. Lloyd is my second husband. He had owned horses for years before we married. Knew how to handle them. How to ride. We adopted a wild Mustang with colors of black, white, and reddish brown. She was stunning, but never ridden, though Lloyd managed to halter her for brushing and hoof trims. There were evening runs. The horses seemed to instigate this play—walking towards the dogs who waited by the fence. When the horses and dogs were almost side by side, they ran. Horses on one side of the fence, dogs on the other; joy emerged through sounds of hooves hitting the ground, horses neighing, dogs barking.

After twelve years, we sold the place in Modoc County to return to family in the Sierra foothills. We were down to two horses when we moved. We sold our rideable, paint quarter horse. Oreo, the Mustang, was given to a trainer who specialized in wild horses. We no longer have horses, so I yearn to hear them running— their drumbeat, the song of wild.  

I live about an hour from where the stone chimney stood and the Mustangs ran. Both are gone, the land covered over by apartment buildings and new homes. Across the street is a medical complex, a few restaurants, more new apartments. So much lost in all this new. I’ve come to an age where I’m often distraught by changes I don’t want to see. Wistful of an imagined simpler life. I tell myself to be more present, but I resist. My future is shorter than the past, and I miss the horses.


Kandi Maxwell is a creative nonfiction writer living in Northern California. Her stories have been published in Hippocampus Magazine, KYSO Flash, RavensPerch, Wordrunner eChapbooks, and other literary journals and anthologies. Her memoir, Snow After Fire, was released in 2023 by Legacy Book Press. Learn about Kandi’s writing at kandimaxwell.com.

Because It’s Beautiful

Poetry by Beate Sigriddaughter

She does not believe in obedience to complications. When she plays her flute, she doesn’t play because it’s hard. She plays because it’s beautiful, like singing, even if it is ridiculously easy. Explaining this to experts is a challenge. Sometimes it takes days before she can resume reality with unassuming confidence. She is old enough to follow her own rules, but often still hesitates at the door of permission without knocking, and she still has trouble finding a safe haven for her longing. Once upon a time she woke up celebrating trees outside her window or the scent of cedar after rain and sparkles at the tips of junipers. She contemplates the lord of good intentions with a trembling candle in her hand, like Psyche looked at Eros long ago. Just like a simple tune, she finds him beautiful, and bravely whispers to herself: Let him sleep. He needs his rest, trapped in his fears. Every restraint, though, makes the future harder, like incessant rain as summer fades into the dreaded shapes of insignificance. She gathers scents and music, fragments of herself. People parade in her dreams, harmless like conundrums. Sometimes she dreams of perfume and all her misery is nothing more than being reasonably well loved. She readily admits she might have liked God but never got a chance. She never steals from others, not intentionally anyway. Now she must simply learn to master not stealing from herself.


Beate Sigriddaughter, www.sigriddaughter.net, lives in Silver City, New Mexico (Land of Enchantment), where she was poet laureate from 2017 to 2019. Her poetry and short prose are widely published in literary magazines. Recent book publications include a poetry collection, Wild Flowers, and short story collection, Dona Nobis Pacem.

Paperboy

Poetry by Cosmo Goldsmith

From my bedroom window, overlooking
this tableau stillness of sheds and fields,
there is movement below
among the avenue of chestnut trees.

A paperboy ghosting through stippled shade,
luminous orange postbag strapped tightly
across his thin shoulders, first job perhaps,
so young he seems, restless and impatient,
eager to complete his round on schedule,
and keep in check the heavy tread of time,
those allotted hours and binding routines.

This is the crossover point he has reached
where suburbs give way and the fields begin;
a whole future unfolding before him
in misted prospects of treetops and hills.

And all I can do is watch and observe
from the opposite end of the telescope,
from the shrinking lenses of my vision,
for all my outlooks are gently receding.

The world out there belongs to him.


Cosmo Goldsmith is a ‘semi-retired’ English teacher with a passion for all forms of creative writing. He has taught in both the UK and Greece and still divides his time between these two countries.

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