An Online Literary Journal for Poetry and Flash

Tag: appreciation

Walking with a Leaf in Winter

Poetry by Christine Andersen

I don’t know where it came from
since the tree limbs around me were bare—

the leaf was slight, brown,
jagged at the edges

like a scrap torn from
a paper bag,

but there it was beside me
drifting on a cold, slow,

February wind,
keeping pace

as if we were connected
by a slender thread,

an odd companion,
wafting,

remarkable as a sunset,
easy, debonair

falling away with a wink
too elegant for words.


Christine Andersen is a retired dyslexia specialist who hikes daily in the Connecticut woods with her five dogs, pen and pad in pocket. Publications include the Comstock, The Awakenings, New Plains and Gyroscope Reviews, Slab, and Glimpse, among others. She won the 2024 American Writers Review Poetry Contest.

Spaces

Fiction by Christine Breede

My son has outgrown me. He leans down for a fleeting hug, then turns away; he’s already on his way out again. I stand with both hands on my hips, eyes following him, seeing a boy in a man’s body. Where are you going?

Maybe this is a story about destinations.

We are not talking, I say. Why can’t we sit and talk? What’s going on? I ask. My son is making plans with a friend on the phone, and I am asking him to speak to me—now.

Maybe this is a story about making plans.

I buy new books, schedule yoga classes and getaways. I see my friends, spend quality time with my partner, eat out and eat in, plant herbs, work more than I should. I’m energized in the morning and drained by nightfall when I see his room empty.

Maybe this story is about newness.

I am listening to my son’s voice change. I am watching him cook pasta al dente and call the hairdresser himself. He talks to my mother whenever we visit, making her laugh—until he stands at her grave, now speaking to her in a whisper. We miss her and her voice on the phone, unmistakable above all others. I feel the void and the void growing.

Maybe voices are the story.

I remind my son of when we took a gondola in Venice, boy and mom, and after a minute of rocking in the dark canal, before we even left the pier, he closed his eyes. I remember this, he says. What can you remember? I say. You didn’t see a thing. I know, he says, that’s what I remember.

Maybe remembering is the story.

Pictures from years ago pop up on my phone. My son looking at a pumpkin as if it were an oracle. His mister spy eyes under ruler-straight bangs no one understood but him. The two of us with ice cream cones and big smiles. My head leaning on his shoulder after a birthday dinner.

Maybe this story is about appreciation.

Everything about him is as it should be. I have a strong sense of his being. He has a strong sense of his being. But I don’t know where we are.

Maybe fear is the story.

I am watching my son grow big and myself grow old. It’s about aging with grace, someone says. Who the hell ages gracefully? It’s about aging with mischief, with bold beliefs, with a heart in the right place, I tell myself on a good day.

Maybe courage is the story.

His eyes are telling me his heart is in the right place. His stillness is telling me I need to listen. I watch him get ready to go out. I resist an impulse to go over to him, resist again. I feel the space between us and the space within me.

Maybe this story is about listening to space.


Christine Breede writes long, short, and very short fiction. Her work has been recognized by several leading contests. She was nominated for the Pushcart Prize 2020 and has won the 2022 Bumble Bee Flash Fiction Contest. Working and collaborating with fellow writers is one of the things she enjoys most.

January Walk

Poetry by Laura Hannett

Trudging in my brilliant scarf
my coat, my hat, my gloves
I see that
as much as any other creature
I am an adornment to the world
The cardinal
so lavishly and recklessly red
in the black-and-white tracery of snowy branches
is not more bracing to the eye

Shaking not a little
from the pitiless wind
I fear that
as much as any other creature
I am a trifle to the world
The rabbit
huddled with ruffled fur
beneath the spirea’s bones
is not more exposed to the cold

Returning home
to warmth that bathes my icy face
I own that
I am some fortune’s darling
The cats
so thoroughly and sensuously lost in sleep
on this freezing afternoon
are not more spoiled than me


Laura Hannett lives in Central New York with her marvelous family. She is a graduate of Hamilton College and the College of William and Mary.

Cookies with Grandson

Nonfiction by Rusty Evans

I spent some time with my grandson the other morning talking about trucks. He is interested in them, especially the big ones, like bulldozers, dump trucks, and excavators. I told him things I’ve learned about them in my life—like they’re usually yellow and smell like diesel.  I know “torque” is essential, but as soon as I brought it up, his eyes darted around the house, settling on the kitchen, where he got up to go. “Cookie,” he explained. I got up, too, figuring our bonding included us doing stuff together, meaning I would have to have a cookie. These are the sacrifices good grandparents make.

The kitchen was messy from yesterday, not that my grandson cared. I told my wife, Grandma, to leave it last night and promised to clean it up first thing tomorrow, which is today. But I didn’t. In my defense, the morning had gotten away from me: My laptop needed charging because it hadn’t been plugged in. I had to refill the paper towel holder from the Costco stash in the garage.  And change one of my picks in the football pool for tonight’s game. All important stuff, for sure.

Nevertheless, the clean-up needed to happen before she returned from running errands. To remind me of that, I put it with an asterisk on top of my daily “to-do” list—*clean-up kitchen. Then, I slid the list under a stack of magazines. No worries—take magazines to recycling bin was on there too. The funny thing is, clean inside of recycling bin was also a “to-do,” way further down the list.

As we ate our cookies together, it occurred to me that I hadn’t thought about any of those pressing duties since listing them. I may have subconsciously or unconsciously (or both) avoided them all morning. You see, I’ve been in the moment. I’ve only thought about what’s inside the little circle around me, which includes this growing, living masterpiece of a child. Maybe I had achieved what had alluded me my entire adult life: Mindfulness. Meet my personal Dalai Lama, my Grandson. To think he’s not even two years old yet.

Being mindful hasn’t been difficult with him around. If I’m living in the now, how could I sweep the garage when there’s a poopy diaper to change? Or power wash the deck when my Grandson wants me to read “Goodnight Moon?” I suppose I could see if he’ll read the updated medicare handbook instead to satisfy a to-do. Even if he agrees, I’m not sure you can do two things simultaneously and remain in the moment. 

The fact these tasks aren’t getting done proves I’m more concerned with my grandson’s safety and development than any silly, outdated, written “to-do” list. That stack of Corelle in the sink might signify something good. Of course, if I try to justify its continued existence after my wife gets home, I might have to check off another to-do: put clean sheets on bed in spare room.

My Grandson offers no judgment. Others have told me my head is often in the clouds, and I sometimes don’t see what’s right in front of me. But it’s different with him. My head’s on straight and attached to my body, firmly on solid ground (mop floor), often surrounded by my grandson’s Hot Wheels collection. I now know how Gandhi might have felt sitting all cross-legged in silence. Except in my case, I was listening to little metal cars crashing into one another.

If he notices my occasional wandering mind, he never lets on or says a word. I’m betting my great-guru grandson respects how I generally walk with eyes wide open. It’s fulfilling yet exhausting, neither of which I expected to feel at this age. After all, I’d finally reached a point in my life where I had earned the right to NOT pay attention.

Maybe the Buddha belly (do 3x :10 planks) I developed when I got older was a good sign. Indeed, the karma from spending time with my grandson has unexpectedly brought enlightenment. It could be my morning caffeine kick-in or something more substantial: Nirvana. I am unconcerned about anything outside our interaction during our time together.

I’m at peace today, and one with my future, even knowing it includes completing a few of those “to-dos.” My grandson has expressed to me that he is good with this. Just as long as at the top of my list, with an asterisk, is: *Cookies with Grandson.


Rusty Evans was a husband first, then a Dad, and finally a Grandpa. He hopes the trend continues. He lives and writes on the Central Coast of California.

Injury Lessons

Poetry by Nicole Farmer

The words tendinitis & torn meniscus get thrown
around doctors’ offices & at home leaving

me to come to terms with immobility & mandatory
rest, while my body revolts, my mind riots

& old age cackles in my ear all the fears
of dependency – send my mind reeling in doom,

despair, confined to a chair or couch
to slowly atrophy & wither away to obscurity.

Then just this morning the trees spoke to me –
underground roots rough raspy voice saying

hold tight, stand still & breathe in the day
be like us and sway your trunk/torso

do what you can to reach your limbs/arms up
move with the gentle wind.

Oh yes, there will be chair yoga & stationary
bikes in your future, but right now

slow down, stop racing & look around
delight in the early yellow light & the drying leaves.

August is evaporating so enjoy these last days
of simmering summer swelter.

So, I moved my reading chair to the deck & embraced
a long-awaited repose in the shade of the old maple.


Nicole Farmer (she/her) has published Wet Underbelly Wind (Finishing Line Press 2022) and Honest Sonnets (Kelsay Books 2023). Her poems have been published in Wisconsin Review, Suisun Valley Review, Apricity, Wild Roof Journal, Poetry South, Drunk Monkeys, Sad Girls Club, and many other journals. She lives in Asheville, North Carolina.

Anapana

Poetry by Tasneem Sadok

Overexposed with explosive imagery
the senses can quickly become dulled
to the granular exhilaration
of a grazed hand
Next time a snowflake falls on your cheek
Pause
And savor the icy pinprick
a crystallized remnant of your planet’s origin
Feel it dissolve
into your breathing pores
already restless
to transform again


Tasneem Sadok is an MD-PhD student at UCLA, fascinated by the brain’s intricacies in contexts of dysfunction. As the American-born daughter of immigrants who fled autocracy, her worldviews have always been steeped in countervailing dualities. Poetry has allowed her to find resolution in mind-numbing tensions while defamiliarizing accepted realities with curiosity.

Haleakala Sunrise

Nonfiction by Sherri Wright

The sky is pitch black and the temperature drops from seventy degrees to the thirties as our son-in-law drives the switchback road up the mountain. The trip is only twenty miles but it will take us more than two hours to reach the summit of Haleakala at 10,023 feet. Cramped into the back seat my husband, our nineteen year old grandson, and I flop into each other on every hairpin turn and our ears pop as we continue the climb. My daughter follows the route on her phone warning Azi of steep drop offs and approaching turns. Jenny wants to share with her husband and son the experience she remembers when she came here as a child.

At the top we step out of the warm car into a cutting wind and an immense dark sky — not just above but wrapping all around us — uninterrupted by tree or cloud or human made thing. And millions and millions of stars unobstructed by light pollution. The landscape is a monochrome grey surface of lava and rocks like I imagine on the face of the moon. We make our way up an uneven stone path toward the rim of the crater. Hundreds of people in parkas, rain coats and blankets murmur over the whisper of the wind. Jenny and I talk about how years ago we’d worn sandals and wrapped ourselves in beach towels but today the air feels so cold and the wind so bitter that I can’t stop shaking. Harry gives me his hoodie and swears he’s not cold. Sunrise won’t happen for another hour and a half. The thin air makes us feel light headed.

As the dark begins to lift, a warm blush rises above the horizon and exposes the width of the bowl and the depth of the cavern below. Few plants are able to survive here but scattered down the cinder slopes of the crater I see round grey bundles of silver sword. This ahinahina can live up to ninety years. Once in its lifetime it sends up a spectacular six foot stalk of vibrant purple flowers, then dies and scatters seeds to the wind. Here on Haleakala is the only place in the world the ahinahina grows. The mood is mystical. Early Hawaiians believed that the demigod Maui stood at this summit and lassoed the sun to slow its journey and lengthen the day. Thus, the name Haleakala means “house of the sun.”

In a swirl of light and grey and yellow, mauve and orange hues, a hush comes over the crowd and then an eerie silence. A silence I can feel in my chest and my bones. When the sun appears then quickly rises above the rim, the throng breaks into gentle applause. Black silhouettes in the glow, my daughter hugs her son.


Sherri Wright is a member of the Rehoboth Beach Writers Guild and the Key West Poetry Guild. Her work has appeared in Creative Nonfiction, Dreamer’s Creative Writing, Persimmon Tree, Ocotillo Review, Delaware Beach Life, Raven’s Perch, and Quartet.

Faculty Recital

Nonfiction by Pama Lee Bennett

The college students straggle in, wearing shorts and graphic T-shirts. They no longer wear protective masks, nor do I. A teacher in jeans and a faded top posts a “quick response” code on the wall, and students crowd in to scan their attendance with their smart phones. I take a seat alone in the recital hall, on the aisle in the left section, where I will be able to see not only the featured flutist, but also my pianist friend’s hands as she accompanies her. The flutist, pretty, dark-haired, and unadorned in a black blouse and black trousers, enters the stage, followed by my blonde friend in a black, long-sleeved dress. They begin, and I lean forward slightly, listening, appreciative of the tone and skill of the flutist. It is my first concert in two years.

I enjoy the first several numbers: the “Andante Pastorale et Scherzettino,” by Taffanel; “Les Folies d’Espagne,” by Marias; the “Aria” by Dohnányi. The audience is still and attentive, the flute and my friend’s virtuoso piano filling the once-empty air. Even the unfamiliar tones of the Chinese variations, by Chen Yi, interest me. And then the flutist exchanges her soprano instrument for an alto flute, and they begin playing Arvo Pärt’s, “Spiegel im Spiegel,” and the low, slow, sustained notes reach deep into my being and bring me to tears. Missing pieces of my soul silently enter the room and tentatively float to where I am seated and hover above me, pieces that had left me behind when life became distanced and isolated.

Later, backstage, I hug my friend, and I am introduced to the flutist. I say how moved I was by “Spiegel im Spiegel.” She asks if I’ve ever heard an alto flute before. I say yes, once, at a master class given by the British flutist Trevor Wye.  She exclaims, “I bought this flute from him!” I stare at her, then we smile. My missing pieces begin to fall gently back into place.


Pama Lee Bennett is a speech pathologist living in Sioux City, IA. She plays in a Renaissance recorder ensemble. She has taught at summer English language camps in Poland, and at a school there in 2019. Her poems have appeared in Bogg, Evening Street Review, Dash, and Tipton Poetry Journal.

What the Old Want

Poetry by Steven Deutsch

Not much—
friends
and family
I suppose—
for short visits
involving meals
at restaurants
with tablecloths,
or something sumptuous
simmered for hours
over a low flame.

How about a week
without a visit
to a doctor
or a single
medical test.
No MRI or EKG
or CAT scan,
or even
a tube of blood
with my name
in magic marker.

Time
is in free fall.
Like riding
an elevator
held by a single
strand of steel
down from
the 93rd floor.
Bring kindness.

And, when all
else fails,
a recliner—
well worn
in all the right
spots.
A coffee
straight up
and the book
I loved best when
I was young.


Steve Deutsch has been widely published both on line and in print. Steve is a three time Pushcart Prize nominee. He is poetry editor for Centered Magazine. His poetry books; Perhaps You Can (2019), Persistence of Memory (2020), and Going, Going, Gone (2021), were all published by Kelsay Press.

lament

Poetry by Nicholas Barnes

when you stopped
               looking at ladybugs

like they were miracles

               like they shouldn’t be there

but they somehow were,

and you started looking
               at them like …

i’ve seen
               a million of you before,

that’s the day you died.

that’s the day you stopped
               loving yourself.


Nicholas Barnes earned a Bachelor of Arts in English at Southern Oregon University. He currently works as an editor in Portland, and enjoys music, museums, movie theaters, and rain. His poems have been accepted by Mortal Mag, Barzakh, and Something Involving A Mailbox!, among others.

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