An Online Literary Journal for Poetry and Flash

Tag: breath

Anapana

Poetry by Tasneem Sadok

Overexposed with explosive imagery
the senses can quickly become dulled
to the granular exhilaration
of a grazed hand
Next time a snowflake falls on your cheek
Pause
And savor the icy pinprick
a crystallized remnant of your planet’s origin
Feel it dissolve
into your breathing pores
already restless
to transform again


Tasneem Sadok is an MD-PhD student at UCLA, fascinated by the brain’s intricacies in contexts of dysfunction. As the American-born daughter of immigrants who fled autocracy, her worldviews have always been steeped in countervailing dualities. Poetry has allowed her to find resolution in mind-numbing tensions while defamiliarizing accepted realities with curiosity.

Breath

Poetry by Jeff Burt

In the shower from a hose
over tomato vines, an Anne’s hummingbird
entered and rinsed and hovered
a foot from my face, then landed
on my chest to catch a breath,
feet gripping my shirt like a newborn.

I thought of the forty beats
per second of its wings
that I could both hear and feel,
wondered if it slowed and felt the torpor
of stasis come over like sleep,
but in the moment my mind wandered
the hummingbird had flown.

To catch a breath, to enter the mist
and rest on the dusty, arid day–
I thought of the taxi driver
from Eritrea who said he drove
each day until he couldn’t stop,
then he’d stop, he laughed,
he had many mouths to feed,
and hustle is all he knew, cabbie, valet.
When I touched his shoulder,
I could feel his heartbeat slowing down,
body harbor below my hand.

So many months have passed
and he stayed in my thoughts
in the mass where I store
random things I cannot place,
but today I knew,
he was a hummingbird,
beating his wings all day
against the dead air
to stay alive for others,
clutching for a foothold
and turning his throat
skyward for a breath.


Jeff Burt lives in Santa Cruz County, California. He has contributed to Williwaw Journal, Rabid Oak, and Willows Wept Review, and has a chapbook at Red Wolf Editions and a second chapbook available from Red Bird Chapbooks. Read earlier fiction and poetry in The Bluebird Word.

Sunday Afternoon on the Eagle Trail

Nonfiction by Stacie Eirich

On a path towards peace, I wind my way past families, grandparents, children, couples, dogs, bikers — eclipse them and am surrounded by trees, stillness, and sun. Heat rises as I step past fallen leaves, pinecones, branches, roots, mud piles, marsh. Dry stretches crackle under my old tennis shoes, wet patches soggy with mud, leaving smears of earth on my calves.

At a fork in the dirt marked by wooden signs I read ‘Eagle Trail,’ follow the winged path deeper into the trees. Light shines through in spaces, dappling a canopy of leaves overhead, a crochet pattern of glaring green, rust red, burnt brown. I stop, listening to distant sounds of humanity, drinking in the moist scent of warmth. Only the breeze speaks, moving long grasses slow and tender. A rustle now and then, creatures scattering, hidden under fallen logs, months upon months of earth. A silent fluttering of yellow moth, I watch her fast flight. She could have spawn from the sun, she is so bright.

She lingers as the sun settles into my skin. Each step takes me further from the road, deeper down the path, zig-zagging past places where time matters. Into a space without, a space to just be.

There are signs of death among so much life, signals that nature runs a course and falls prey to a cycle. Not one destined by years or months, days or hours on a clock or calendar, but seasons of light and dark, warmth and chill, nourishment and hunger— the steady dawn and relentless night that comes. A tree may live hundreds, even thousands of years, but even it must rest. Like a giant trunk hewn from Earth, unmoored, with a pool of life underneath, even the greatest, oldest tree must sleep. (So many dead things amongst teeming life…the trail speaks to me of sadness and grief yet yields to acceptance and change.)

There is beauty in its space apart from us, in its perseverance to thrive. Wild iris, purple bulbs bursting from tall grass shoots in marsh waters. Ruby red Cape Fuchsia flowers droop upside down in bunches, their bleeding hearts like offerings beside the path. These are few but sparkle within a landscape of green, rust, brown. In the moss and algae covered waters swim turtles, their dark heads peeking up at blue bared sky.

I wait on the footbridge for a grandmother to lift her grandson to see them, exclaim how many he sees. Then he rushes past, small sandals clomping down the boards, grandma following. The turtles scatter as I bid them a quiet farewell.

I lift my face to the sun, breathe in—breathe out. Step forward, rising to meet the life that awaits on the other side.


Stacie Eirich is a writer, singer & library associate. She holds a Masters Degree in English Studies from Illinois State University. Her work has recently appeared in Art Times Journal, Avalon Literary Review & The Bluebird Word. She lives near New Orleans with three cats, two kids and one fish (www.stacieeirich.com).

Below Beach Sands

Poetry by Ed Higgins

feeding sanderlings rush
along the tide’s wet sand

sand-colored mole crabs
burrow quickly below the swash

maximizing their escape—
like the burrowing crabs

I sink below sloshing surfaces
backward into ovid breathing holes

barely remembering which way
is up, wanting protection,

leaving few marks to reveal
my fears, eyes alert

as predatory birds plunge
their digging beaks


Ed Higgins‘ poems and short fiction have appeared in Monkeybicycle, Danse Macabre, Ekphrastic Review, and Triggerfish Critical Review, among others. Ed is Asst. Editor for Brilliant Flash Fiction. He has a small farm in Yamhill, OR, raising a menagerie of animals—including a rooster named StarTrek.

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