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Tag: childhood (Page 1 of 2)

My Wife Explains How My New Book is One Long Love Poem

Poetry by Steve Cushman

They’re all love poems,
Julie says, holding up my new book,
and I say, I don’t know about that.
What about the sad dog poems?
Love poem, she says,
The broken bones of childhood poems?
Love poem, she says,
The difficult relationship with my father poems?
She bites her lower lip. Definitely love poems.
And the ones about you,
which are sort of true, but also
an idealized version of our life?
Those, she says, are the loveliest of all.


Steve Cushman has published four poetry collections.

Estate Sale

Fiction by Deborah Wessell

“Excuse me. Excuse me? Would you take ten for this?” Lois hoisted the tuxedo
pants and jacket before the bored, merciless eyes of the man accepting money.

“Tag says fifteen.”

He was middle-aged, as she was, but lean and weathered, with a graying ponytail
and bare feet. His till was a fishing tackle box. Behind him a Sunday morning crowd
picked over the debris of someone’s life, the husband who had worn the tuxedo and read Sky & Telescope, the wife given to macramé and saving cottage cheese containers. Lois wondered if they were dead, but of course it would be ghoulish to ask.

“I know the tag says fifteen. But it’s not in good shape, and anyway I only have
ten dollars with me, so…”

“So?”

“Never mind,” she murmured, but he cut her off.

“OK, ten.”

Lois was certain that the man knew she had always wanted a tuxedo jacket, just to
wear with jeans, and that she feared she was too old and overweight to carry it off. Well, was he such a prize, with that silly hair and the T-shirt with the rude slogan? She pulled out her wallet and something dropped from her purse: a slip of paper folded around two twenty dollar bills.

“Oh!” said Lois, appalled. “Oh, that’s right, I went to the cash machine last night.
I could, I mean, if you want fifteen…”

The man snorted. “Forget it.”

Lois drove home in mortification, and it was days before she could bring herself to try on her purchase. The pants, at least, made her laugh: clown pants, much too short and huge around the waist, with stiff black suspenders. Then the jacket, heavy on her shoulders. She slid her hands down the lapels and smoothed the skirts over her hips, sighing over the bulges. Then she frowned and explored a miniature inside front pocket. A small rough nugget met her fingertips and she drew it forth: a tiny ivory wedge, smooth-sided, red-brown at the jagged base. A baby tooth.

Lois had a rushing vision of a dark bedroom, a child’s breathing, a slanting slice of light from the hallway. Daddy, with his barrel belly and his suspenders and his satin lapels, on his way to some long-ago fancy night out, steps to the bedside and slips one hand gently under the pillow to exchange a silvery dime for this disgusting little miraculous tooth.

The man in the rude T-shirt, was he that child? Even if he wasn’t, he was a child once, and someone loved him, or didn’t love him. Lois was dizzied by the thought, not only of the man, but of everyone, herself and her own children and her friends and their children and oh Lord, everyone she’d ever met or would never meet and all of them, every individual on this entire warm busy planet, would someday be dead, and there would just be these little things, these objects once significant of love. The thought was marvelous but entirely too much, and Lois threw the tooth away.


Deborah Wessell writes the Wedding Planner mystery series under the name Deborah Donnelly. She is a former librarian, copywriter, and speechwriter. She lives in Bellingham, Washington, with her writer husband and their unruly corgis.

Something Different

Poetry by Emily Lacey

You’re not even mad
that you’re bundled in a pink snowsuit
or that your hands are swallowed
by your sleeves and mittens.
You don’t care that your boots
are stiff or that your hat is strapped tight
below your chin
or that your nose is dripping,

but you’re enraged
that the snow is blocking
the sidewalk,
your mittens now little purple fabric fists
because you can’t go for your
daily walk.
You trudge your body
forward—into the mound—sink.
Mama,
make this go away,
Mama
.

You wave at the snow falling,
like it’s something different.
You even try to kiss it.


Emily Lacey lives in Danvers, Massachusetts. Her work appears in Evening Street Review, Medical Literary Messenger, The Broken Plate, and Freshwater.

Lucky Girl

Nonfiction by Carol E. Anderson

It’s 1950. I’m three years old, standing in our backyard next to a patch of wildflowers as tall as I am. My tiny right fist peaks out from the sleeve of my oversized double-breasted coat with crisscrossing lapels. Chubby knees extend into sturdy legs that lead to small feet housed in white anklet socks and polished white tennis shoes. Whisps of blonde hair flow back in the wind. My bangs, short and choppy, look like I took the shears to them myself. Atop my head is a tiny woolen cap.

My face is turned up. Eyes squint as I smile at my mom with the camera—my gleeful expression punctuated by a slight suggestion of a dimple in my left cheek. I’m anticipating something wonderful. The zoo? The circus? A birthday party?

I’m unaware that by the end of my fifth year, my father will suffer a visual disability wrought by incompetent doctors. He will never work again. My mother, a secretary, will numb her fingers typing away in a tiny cubicle to support our family, working for a boss half as smart as she. I will wish her to be like all the other moms and stay at home, fix me snacks after school, and teach me how to ride a bike. My brother will withdraw into a world of thoughts and books. We will never be friends.

Standing on the lawn in my miniature peacoat, I don’t realize that by the time I’m fifteen, I’ll be rejected by the Baptist church for loving a woman. I’ll begin to understand the word hypocrite. I’ll believe my parents’ teachings of love, kindness, generosity, and fairness are principles everyone strives to live by—tenets issued by God. I won’t know these tenets have exclusionary clauses invisible to innocent eyes, that I will witness Christian fundamentalism grow in twisted power and gird its flocks to act with naked cruelty on the belief that difference is a sin.

I don’t realize that at the age of twenty-one, I’ll be outed by my college classmates, introducing terror into my daily life. I’ll be astonished that all my efforts to guard this secret are as useless as a sheet of transparent tissue paper.

I am unaware that at age twenty-six, in my attempt to be straight, my boyfriend will dump me on our six-week road trip to be with a woman he met at his brother’s wedding the week before—and he will not repay the $800 he owes me.

Looking up at the camera without knowledge of the need for hope, I don’t know that my father will die one month before my twenty-eighth birthday, and that I’ll survive—that I will remain wrapped in the shimmering cords of his love even decades after he’s gone.

I am unaware that at age thirty-two I’ll start my own business as an organizational consultant and will coach leaders to inspire people rather than control them—that this work will help me understand the complexity of human beings, and their scars.

I don’t know that on my fiftieth birthday I’ll start a non-profit called Rebellious Dreamers to lift up women to reclaim their dreams—that it will last twenty-five years and eventually fund microloans for women in the Democratic Republic of the Congo.

I don’t realize that when I turn fifty-four, I’ll meet my great love, each of us destined for the other, that knowing her will smooth the jagged edges of terror and loss, that we will build a home on nine acres of land surrounded by trees and be rich in our chosen family of friends.

Standing with my beloved, in our own garden now, I’m anticipating something wonderful.


Carol E. Anderson is a life coach whose passions are travel and photography. She holds a doctorate in spiritual studies, and an MFA in creative nonfiction. She is the author of You Can’t Buy Love Like That: Growing Up Gay in the Sixties. Carol lives in Ann Arbor, Michigan.

suddenly the third day of spring

Poetry by Cecil Morris

laugh splashing
it is raining
but the sun is out and bright
and somewhere a rainbow
must be refracting missiles of light
must be fracturing tears
and the neighbor children
all three dark-haired slips in single digits
are outside and laughing
and squealing and opening their mouths
and pointing erupting glee
rain with sunshine
big juicy flashing drops
wetting their bare arms
darkening their dark heads
hearty fat drops smacking
sun-warmed concrete
with satisfying, cartoonish splats
the best of everything
how little it takes
to engender joy
laugh flashing


Cecil Morris retired after 37 years of teaching high school English and now tries writing himself what he spent so many years teaching others to understand and (maybe) enjoy. He has poems appearing in Ekphrastic Review, Hole in the Head Review, Rust + Moth, Willawaw Journal, and other literary magazines. Read his earlier poem Some Kinder Resolutions for a Better Year in The Bluebird Word.

Angel

Fiction by Paul Hadella

“You can say sorry all you want about breaking the lamp,” Mom said at the top of her lungs, “but this isn’t about breaking the lamp.” Then she stomped out of our apartment and slammed the door.

I asked Vince, “What’s she mean? If she’s not mad at us for breaking the lamp, then what’s she mad about?”

“Maybe she meant it’s about the money,” he said.

“The money?” I said.

“That now she has to buy us a new lamp,” my brother said, “and she doesn’t have the money. She never has the money for anything.”

“Do we really need the lamp?” I asked.

“I guess so,” said Vince. “I don’t know.” Then he asked me what I thought she meant.

“Beats me,” I said. “That’s why I asked you.”

“Could be she’s just mad because we’re boys, and boys play rough,” Vince said. “She really wanted girls. How many times has she told us that?”

I said, “She’s just teasing us when she says that.”

“Just teasing?” Vince grumbled. “Get real.”

Anyway, I’m not blaming the broken lamp all on Vince. It’s true, though, that I didn’t start it. He was the one who brought home the tennis racket with two busted strings. He found it on the grass outside Building Five. “It was just laying there,” he told me.

“What good is it?” I asked him.

“Watch,” he said. Then he went into the kitchen and came back with a sponge, just a bit damp, so it had some weight. Then he started whacking the sponge around the living room, using the racket like a hockey stick. “You be the goalie,” he told me.

We slid the coffee table against the wall and made it the goal. Then things got a little out of hand.

Mom walked through the door, home from work, about five minutes after we broke the lamp. She saw we were picking up the pieces.

Right away, Vince said to her, “Sorry for breaking the lamp.” I said it next. Mom tried plugging her temper but couldn’t. She yelled that thing about it not being about the lamp, then left me and my brother standing there in the living room, our heads down.

It wasn’t the first time Mom has stomped out of the apartment. It’s happened, I think, five other times. So me and Vince know how to handle it by now. First, we give Mom about fifteen minutes to cool down before we go get her and bring her back. We know where she’ll be. She walks down to the pond behind the apartment buildings, sits on a bench, and stares at the water.

Here’s how it usually goes.

First, when Mom hears us coming, she scoots to the middle of the bench. That gives me room to sit on one side of her and Vince on the other.

Then I take one of her hands, and Vince takes the other.

Then we all sit there and watch the water for a few minutes. None of us says anything.

Then I tell her I love her. Vince says it next. He should go first, because he’s older, but he always waits for me.

Then we promise we’ll try to behave better, and not make her life so rough.

Then we ask her to please come back home because we can’t live without her.

Then she kisses both of us on the cheek, and we walk back to our apartment together. Mom might even crack a joke or two to show there’s no hard feelings.

That’s how it usually goes—but that’s not how it went yesterday, after we broke the lamp. Not exactly. Yesterday, when me and Vince got to the edge of the parking lot behind Building Ten, we saw Mom down by the pond, just like we expected. She was even sitting on the same bench she always sits on.

Yesterday, though, she wasn’t there alone. She had company. Not a person—but a big white swan. There’s a bunch of swans that live at the pond. Yesterday, all but this one were out on the water, cruising around like little ships. They plowed right through the creases the breeze was making. This other one, though, was sitting on the grass, facing Mom, about ten yards from her and the bench. It looked white as an angel.

Even from where me and Vince had stopped, at the edge of the parking lot, we could tell Mom was talking to the swan. Talking and talking. Her hands moving to her words. You could bet she was telling the swan about our hockey game that got a little out of hand. I could almost hear her saying, “But it isn’t about breaking the lamp.”

The swan bobbed its head up and down as Mom talked. It was like an angel telling Mom, “Yeah, I get exactly what you’re saying, and I take pity on you.”

It even opened its wings and flapped them a couple of times—which made it look even more like an angel—a mighty angel. Maybe by flapping its wings it was giving Mom a blessing.

I spent a year in Catholic school, second grade—which is probably why I saw an angel and Vince just saw a swan. Vince has always gone to public school. He did think of something, though, that didn’t cross my mind. He said, “That swan must be a she.”


Paul Hadella is a journalist, creative writer and musician, living in Ohio. “Angel” is from a series of stories about his childhood on Long Island, New York.

The Walk to Ma’s House

Nonfiction by Diane Funston

Walking to my great-grandmother’s house after fifth and sixth grade once a week–I remember so clearly, see it right in front of me. Out of the old brick Lincoln school number 22 off Joseph Avenue. Turning right towards downtown, you could see the huge Baptist Church way at the end of the avenue, Xerox Tower beyond that.

My memory is always winter. This was a magical journey in winter. I remember huge soft snowflakes falling, the air cold but very fresh. Catching snowflakes on my tongue, on my fluffy mittens. It was almost like a Christmas card.

Passing Bodner Bakery on my right, the scent of fresh pastries and breads wafted out the door and smelled of warmth and love. Prune rugalach, challah, black and white cookies, sliced seeded rye in the slicer.

Blanks Market was next, a sausage shop with all the German wurst we would buy on Saturday. Sausages and hams hung in the big front window. Slabs of bacon in the case, along with homemade sauerkraut and potato salad. Across the street was Schmidts Market, a butcher who also made sauerkraut, sold in cardboard containers like Chinese food comes in. Schmidts also sold fresh ground round my grandmother used to make gahochtus, raw beef with onions, egg, and seasoning served on pumpernickel bread. Delicious.

I went past the fish market where whole fish with staring eyeballs looked out from the case. On Friday the place was alive and jumping with people lined up to buy take-out fish fry. Farther along was the Bareis Shoe store with Buster Brown and his dog Tige on a hanging sign. Saddle shoes were in the window, and black patent leather shoes. On a winter day there were lacy snowflakes glittering in the display window.

Next on my walk, right at the corner of Wilkins Street where I turned left to walk to Ma’s house was a tombstone engraver with monuments in the yard and samples of engraving in the window. Beautiful rose granite and white marble you just had to run your hand over on the way by. A gorgeous black wrought iron fence kept people away from the stones.

Walking up the street I pass rows of houses mostly from the 1920s like Ma’s house. Some are multi-family, large homes referred to as Boston style with big front porches, even on the upstairs units. The single family houses are mostly small cottage style. Nothing ornate about them architecture-wise. Small backyards, many with fenced front yards with gardens. I pass lots of roses wrapped for the winter, lilac bushes, barberry shrubs and a lot of city street trees that are maples or chestnuts. A few spruce trees and juniper bushes add green and blue to the stark landscape.

At last I arrive at my great-grandmother’s house. Up three steps then four into the small front porch and inside. I smell the chicken vegetable soup simmering on the old 1930s Magic Chef stove. I hug Ma, and she kisses me on both cheeks. She is 80, white hair in a tight bun held in place with barrettes. She has glasses, wears a tiny floral print dress covered by an apron. Her feet wear black, heavy shoes that lace up.

We talk about school and I have coffee and windmill cookies with her. I’ve been drinking coffee since I was ten. It’s a very German tradition to have coffee and a sweet around three or four in the afternoon. After my snack I help her dust. The living room has dark navy blue velvet and wicker furniture. There is a humidor where my great-grandfather kept cigars. I don’t remember him; he died when I was a year old. There is wallpaper in the living and dining rooms. The woodwork is dark stained oak.

The kitchen is painted a very light pink. Gray Formica covers the lower half of the walls like wainscoting. The refrigerator is very old with a tiny freezer and a handle that pulled toward you to open up. Westinghouse, I remember. A key-wound Art Deco clock kept time in the kitchen, it’s loud pendulum swung back and forth. A big rocking chair is in the middle of the large kitchen. The cat, Topper, on the cushion, sleeping.

Before supper I shovel a little path by the back door and sprinkle some rock salt. Both Ma and the neighbor Mable have luscious perennial gardens that bloom crazy in other seasons. The other neighbor Willy has a beautiful garden and a pond with goldfish that winter over.

We eat supper, the hot soup with little oyster crackers. She does a funny thing with her dentures where they jut out of her mouth then back in again. I feel very cared for and loved by my great-grandma and my grandma. I loved going to her house every week. It gave warmth to the winter, the walk over so full of all of the senses. It was a time of innocence, where I could be a young girl who didn’t have to have all the answers.


Diane Funston was born and raised in Rochester, New York, and currently lives in Marysville, CA. Diane has worked with adults with disabilities her entire working life. Besides emerging as a writer, Diane enjoys beading, hiking, her family, and her dogs.

The Radiator

Poetry by Charlene Stegman Moskal

My winter years speak softly.
The aroma of chicken soup
mixes with the slightly metallic
scent of steam hissing warmth from a radiator
in a pre-war building in Sunnyside, Queens.

I am looking out a second story window—
snow has fallen through the night.
My gravel playground transformed;
sleds zooming down a silent hill,
snowsuits, runny noses, frozen finger tips
in gloves with ice crystals to suck
until a pall overtakes the streets.
Cold loses its Macintosh Apple crisp bite,
angels melt into nothingness,
streets now perilous with black ice and slush.

There were magazines with pictures
of places that stayed white
dotted with dark green pine trees,
under skies the blue of my mother’s eyes,
where one ice skated on frozen ponds
ringed by white capped mountains;
places so dry, so cold that a child
would look pink-skinned healthy all winter.

I wanted to be that rosy cheeked girl
but I always returned to a second floor apartment
where the aroma of chicken soup mixed
with the slightly metallic scent of steam from a radiator
that hissed out familiarity, comfort and love
in a pre-war building in Sunnyside, Queens.


Charlene Stegman Moskal is published in numerous anthologies, print and online magazines. Her chapbooks are One Bare Foot (Zeitgeist Press), Leavings from My Table (Finishing Line Press), Woman Who Dyes Her Hair (Kelsay Books), and a full length poetry manuscript, Running the Gamut (Zeitgeist Press), Fall 2023.

Echo

Poetry by Christine Andersen

When the pond froze over
my father and I went out
with our skates and hockey sticks
slung over our shoulders,
trudged through the snow
to the log where we laced up.

He swept the ice clean,
gliding behind a broom
in the brisk air
with the grace of a floating swan.

We spun circles
end to end,
sliced the ice
with newly sharpened blades
in flurries of low, white storms
deking,
zigzagging the puck—
a deft strike
then another
and another—

wooden sticks clacking
against the whir of our blades—
the puck— a lightning bolt
across the glittered surface—

I yelled,
I got this!
Watch out!
SCORE!

Score
score

echoed off the ice
like rumbling thunder
through the winter woods,
where 40 years after,
when I walk by the pond,
it echoes still.


Christine Andersen is a retired dyslexia specialist who hikes the Connecticut woods daily, pen and pad in pocket. The outdoors inspires many of her poems. Publications include Comstock, Octillo, Awakenings and Evening Street Reviews, Dash, Slab and Glimpse, among others. She won the 2023 American Writers Review Poetry Contest. Read her poem Wild from The Bluebird Word’s October Issue.

Winter, Snow

Poetry by Luke Nadeau

I am a child of the North,
At the first signs of fall,
It’s like a switch flips,
I’m eager

And by the time those soft, white flakes fall to the ground,
My heart grows tenfold

My skin readily turns pink in that winter chill,
Curious,
That my face should flush the color of spring buds.
When the warmth of longer days is long forgotten,

I recall playing in the snow as a kid,
Making snow angels, snow men,
Doing cartwheels in the snow in my bathing suit,
Then jumping right back into my friend’s hot tub,

But somehow,
In the theater of my mind,
I am not cold

My chest, rather, is warm,
I find solace in these snippets of my past,
Where the biting chill of winter cannot reach me

I wrap myself in the coat of my memories,
Let the scarf of tethered dreams wrap around me,
Keep me safe

With any luck,
I shall never freeze


Luke Nadeau is a student studying Creative Writing at Anoka-Ramsey Community College living in Minneapolis, Minnesota. When they aren’t putting pen to paper, or hands to keyboard, they are trying desperately to find their next big CD.

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