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Tag: departures

Heartbreak Hotel

Special Selection for One-Year Anniversary Issue

Poetry by Nancy Byrne Iannucci

My dad always thought I looked like Lisa Marie Presley.
He was obsessed with Elvis, an Italian immigrant,
who could never quite pronounce “Presley”
without it sounding like “Pretzel.”

I was five years old when Elvis died.
my parents mourned and mourned,
I thought he was my uncle.
I screamed whenever my father put on an Elvis record.

I thought if I listened to Elvis I would die, too,
or my parents would die, or my brother,
picked off like guitar strings
if they were in earshot of Heartbreak Hotel.

When I became a teenager,
I fell in love with a dead man, James Dean.
I went on a Manhattan walking tour
when I was sixteen.

The guide took us to all of James Dean’s haunts:
night clubs, restaurants, and his abandoned apartment,
where I ripped off a piece of wallpaper
and put it in my pocket.

A woman on the tour said,
“My friend and I think
you look like Lisa Marie Presley.”
She had a tattoo of Elvis on her arm.

That night in Penn Station,
waiting for a train to take me home,
a drunk man fell on the third rail,
it shook him like a possession.

Heartbreak Hotel was playing
on the 6 o’clock news this morning.
Lisa Marie Presley died,
and now you’re ready to go.

Your backpack strapped to your back,
I watch you walk onto the platform,
blowing kisses
at my childhood triggers.


Nancy Byrne Iannucci is a widely published poet from Long Island, New York who currently lives in Troy, NY with her two cats: Nash and Emily Dickinson. She has been published in 34 Orchard, Defenestration, Hobo Camp Review, Bending Genres, The Mantle, Typehouse Literary Magazine, and Glass: a Poetry Journal. www.nancybyrneiannucci.com Instagram:  @nancybyrneiannucci

Six Months After Father’s Leave-Taking

Poetry by Nancy Kay Peterson

There is no word
for the weight of winter,
no number for the centuries
that press upon bone.

Alone in my father’s meadow,
drifted with moon-lit snow,
I count the Indian burial mounds
that lie at forest’s edge.

At 30 below,
everything is clarity,
the line of black trunk,
the curve of white land.

Everything is soundless
except my whispered leave-taking.
I make no promise
to come again.


Nancy Kay Peterson’s poetry has appeared in Dash Literary Journal, HerWords, Last Stanza Poetry Journal, RavensPerch, Steam Ticket, and Tipton Poetry Journal. From 2004-2009, she co-published Main Channel Voices: A Dam Fine Literary Magazine. She has two poetry chapbooks, Belated Remembrance (2010) and Selling the Family (2021). Visit www.nancykaypeterson.com.

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