An Online Literary Journal for Poetry and Flash

Tag: family dynamics

Longing for a Close Family

Nonfiction by Sherri Wright

In little boxes I see living rooms, kitchens, bedrooms and a lovely turquoise pool. Spread out over six states all eight siblings’ faces appear on my Zoom screen. I see white hair, wrinkled faces, sagging necks, thick rimmed bifocals. We have all aged precipitously since our parents’ memorial two years ago.

In my memory I see us young and laughing, amid a sea of Christmas gifts and children, Mom cooking, and Dad shooting grainy 8mm movies.

As young adults we did everything together. Wilderness camping — my older brother rigging ropes and pulleys to hoist food packs in trees away from the bears. Being a bridesmaid in my younger brother’s wedding. My sister and I taking our daughters to Hawaii when neither of us could afford it. Driving to Florida with my youngest brother and our kids through a snowstorm the winter after our divorces. Playing soccer and running a marathon with another sister. My siblings were my best friends.

My youngest sister announces brightly that she just had a COVID vaccine and asks if everyone else has. Moving screen to screen everyone nods yes. A granddaughter in Alabama had a mild case, another in Colorado is recovering. Florida brother asks, “So you all listen to the news and believe that crap about masks?” Minnesota sister cuts in abruptly to describe her beach vacation with her daughters and grandkids. No more talk of COVID.

I ask about a niece who lives in Brooklyn Center where protests continue after the shooting of a young Black man. Her dad is terse. “She lives far from that police station. She’s safe.” I say, “Oh good, I’m glad.” Nothing more. No mention of Black Lives Matter although we grew up in Minnesota where it all began.

Arizona brother sold his Arabian horses since he and his wife can no longer ride. Minnesota sister’s weight has stabilized and anti rejection drugs have been decreased since her heart replacement. As her face appears in the large center screen I see how thin she is. Utah sister makes us laugh. Her daughter in NYC adopted a cat because her apartment has mice. We smile when a curly black puppy crawls over Minnesota brother’s shoulder. We ooh and ah at old oil portraits of Mom and Dad on New York sister’s wall and remember them hanging over the fireplace at our parents’ house. The fireplace of so many Christmas Eves.

For a moment I feel a warmth that used to be so easy.

We long for that close family but none of us will dip below the surface. Over the years we’ve learned where the sharp edges are. Who veers right, who veers left, and who wants no conflict. Eight individuals raised under one roof by the same parents, we know how divergent our beliefs, how passionate our politics. How fragile the connection. So we tiptoe around the hearth, drop a few twigs and dry grasses on the ash and dart quickly away. No one wants to spark the fire.


Sherri Wright is a member of the Rehoboth Beach Writers Guild and the Key West Poetry Guild. Her work has appeared in Creative Nonfiction, Dreamer’s Creative Writing, Persimmon Tree, Ocotillo Review, Delaware Beach Life, Raven’s Perch, and Quartet. Read earlier work in The Bluebird Word.

How to Iron

Nonfiction by N.G. Haiduck

My father did the ironing in our house. My mother was sick, not bed-ridden, but too sick to stand at a board pushing a hot iron over my father’s white cotton shirts. So in the evening, after supper (my father cooked) and the dishes (my sister and I washed), in the living room between the sofa and the armchair where my mother sat stone-faced in front of the TV, my father set up the ironing board. 

He tested the steam iron by pressing it over a dishtowel. When the iron sputtered, he ironed: his white shirts, my pleated skirts, my sister’s ruffled blouses, my mother’s house dresses. He ironed the sheets. He taught me how to iron his handkerchiefs. First one side, fold once, iron, fold again, the monogram on the outside, iron, fold, iron. I progressed to pillow cases. Same method: iron, fold, iron, fold, iron. 

To this day, my aunts disparage my mother (she died and, a few years later, he died) because “she made your father do the ironing.”

My father had a vegetable garden on a patch of land he rented from Miss Bliss, who owned the weather-beaten farmhouse next door.  All summer long, I helped weed my father’s garden. On weekends, he sold tomatoes at a roadside stand on Route 51 in front of that old gray house, until Miss Bliss sold her property to a developer.

My father’s partner selling vegetables at the roadside stand was Mike, who had a cornfield down the road. I had to go to Mike’s house one Saturday to pick up an envelope. My mother, sitting in her armchair, called after me, “Don’t tell her I don’t iron!” Mike’s wife, Mary, ironed her husband’s white shirts perfectly. 

A smiling plump woman, Mary opened the door, and I came into a living room filled with waves of freshly ironed white shirts, a few pale blue shirts mixed in, on hangers hooked over doorknobs, on rods attached to closet doors, and from the wing of a floor lamp standing next to a massive ironing board in the center of the room. It smelled like spring.

I had to step over a hassock and duck under the shirts to get to the kitchen, where Mary gave me an envelope (money from the business, I suppose). Dutifully, I brought the envelope home, but my mother said she never wanted me to go back there again. “I don’t want her to find out I don’t iron.” Of course I would never tell.   

Just as my grandmother never told me. Only after my mother died, she said, shaking her head, “Too bad you didn’t know your mother before she started taking those pills.” I didn’t know. Nobody told me.

My husband says his shirts come out brighter and crisper from the dry cleaners. Still, in the evening, after dinner dishes are put away, I set up the board in the living room. I turn on the TV. When the iron is hot and sputtering, I iron. My husband’s shirts: back of the collar first, then the cuffs, run the iron up the sleeves, flip to the back of the shirt and the shoulder; then the front around the buttons, the shirt pocket, and last, the front of the collar. Same procedure for my blouses. Blue jeans: pockets ironed inside out, waist band and fly pressed twice, then the seams and a sharp crease. Pillowcases (but not sheets): lay flat on the board, iron, fold, iron, fold, iron. 


N.G. Haiduck taught English at The City College of New York and now writes from Burlington, Vermont. Publications (2023) include: Aeolian Harp Anthology, Cold Lake Anthology, Kakalak, and BigCityLit. Haiduck’s first book, “Cabbie,” about a young woman driving a cab in New York City, is forthcoming from Finishing Line Press.

First & Last

Poetry by Travis Stephens

I am the first brother,
the worst brother,
first to go to college
a little college, Tier 3, maybe.
The first to think it possible
to work with my brain
instead of my hands &
almost do it.
I am the worst at
staying in touch,
moving west,
then north,
then south & staying
west until the salt tasted fine.
I am brother divorced with no children.
Last to mortgage. Broke.
I was the first to go gray & to
write poems about our family.
Brother drunk.
I stood by the graveside of
one brother,
standing with the others.
Somebody cried.
Somebody said say something.
Say something.


Travis Stephens is a writer and tugboat skipper who lives in California with a muse and her extended family. His book of poetry, “skeeter bit & still drunk” is available on Amazon or at Finishing Line Press.

Sweeter Than Your Name 

Fiction by Josephine Greenland

She can taste them as she puts the jars on the shelf. Plush blueberries, sweetened with sugar, exploding on her tongue like a thousand desserts. Her best batch yet, too good to be eaten, too good for the stale biscuits on the table. They could belong in a shop, in those shiny glass jars—gherkin jars she waited for the family to finish. Washed and scrubbed, to erase the brine residue. Polished so the glass can be used as a mirror. Labelled and dated, Blueberries by Ruth, July 1932, in a longhand rivalling her father’s.

‘Aren’t you done yet?’

Another face in the glass, battling her for room. Blonde and bright where she is red-haired and dull.

Mary, apple of father’s eye. Faultless, no matter what she does. ‘You promised you’d play with us.’

Us. Mary and the merchant’s daughter, who eats store-bought jam with a silver spoon, who makes Mary forget where she belongs. Ruth motions around her. ‘I have to clean up.’

‘Then let me taste!’

‘I’m saving the jam.’

‘Why?’

Because of the sigh of an empty purse. The smoke and liquor on father’s breath. The snatching of their savings when he wants more. The curses, the bruises. The suffering no mother should endure.

Ruth goes to the sink. ‘Because butter and cheese are running low.’ Mary’s been away too long, she wouldn’t understand why they can’t buy more. ‘And mother loves it.’

Mary’s eyes flash. ‘I bet father hates it.’ She edges up to the cupboard. ‘No one cares about your jam.’

Like a bird taking flight, she leaps and grabs two jars. Empties them out the window as Ruth rushes to pin her down. Their screams, like their bodies, twisting round each other.

And swarming over the jam outside, the ants.


Josephine Greenland is a Swedish-British writer from Eskilstuna, Sweden, with an MA in Creative Writing from the University of Birmingham. Her debut novel, Embers, was published by Unbound in 2021. She has won and been shortlisted in five writing contests, and had work published in various online and print magazines. 

© 2024 The Bluebird Word

Theme by Anders NorenUp ↑